
About
William Brown is an Associate Professor of Film in the Department of Theatre & Film within the Faculty of Arts at the University of British Columbia. He earned his D.Phil. from the University of Oxford and joined UBC in January 2022 after teaching positions at the University of Roehampton, University of St Andrews, University of Oxford, and New York University Abu Dhabi. At UBC, he serves as Graduate Advisor for Cinema and Media Studies.
His research spans multiple intersecting fields including film-philosophy, digital media, posthumanism, and critical race theory. Brown approaches cinema through both theoretical scholarship and practical filmmaking, creating works that blend fiction, documentary, and video essays. His academic contributions include numerous books that have shaped contemporary film theory, particularly exploring the relationship between cinema and philosophical concepts in the digital age.
Brown's publications reveal a consistent trajectory toward understanding cinema's relationship with ecological thought, nonhuman perspectives, and decolonial approaches. His recent work focuses on navigating from the 'White Anthropocene' to the 'Black Chthulucene,' examining how cinema can represent and intervene in ecological crises while challenging dominant Western perspectives.
- Nominated for Best Monograph by British Association of Film and Television Studies Society (2018)
- Book Reviews Editor for Studies in European Cinema and Film-Philosophy
- Conference Report Editor for Cinema: Journal of Philosophy and the Moving Image
Brown has supervised five PhD dissertations to completion, four of which successfully combined practice and theory. His teaching encompasses both film production and film history/theory. As an active filmmaker, he has created approximately 15 no-budget feature films that have received recognition from prestigious critics and festivals including Sight & Sound Films of the Year and American Online Film Awards. He is a frequent keynote speaker at international conferences and has presented at venues including the British Film Institute's Philosophical Screens series.
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