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Wim VAN LENT is a Full Professor of Management at IÉSEG School of Management , France. He holds an HDR in Management from IAE Paris Sorbonne and a Ph.D. in Business Administration from ESSEC Business School. His academic career includes roles as Visiting Professor at Curtin University (Australia), Griffith University (Australia), and Researcher at the University of Paris I Panthéon-Sorbonne. He coordinates the 'Strategy and Sustainability' track and is a member of the LEM research group. His research focuses on Management Strategy , Business Ethics , Innovation and Entrepreneurship , and Historical Methodology . Notable areas include corporate archives' strategic use, temporal dynamics in organizations, and ethical repair mechanisms. His work often employs historical case studies, such as the Dutch East India Company (VOC) and colonial-era corporations, to analyze organizational adaptation and institutional contradictions. Van Lent's publications span top journals like Academy of Management Review , Small Business Economics , and Business Ethics Quarterly . His recent studies explore periodization practices in organizations, entrepreneurial time narratives, and moral repair frameworks. Teaching includes international strategy and corporate social responsibility at the MSc level. His research bridges historical analysis with contemporary management challenges, emphasizing how understanding past institutional dynamics informs modern organizational behavior and ethical decision-making.

• Management Strategy
• Business Ethics
• Innovation and Entrepreneurship
• +5 more

Lynn S. Meskill is a Professor at Toulouse Jean-Jaurès University, affiliated with the Center for Anglophone Studies (CAS). Her academic work bridges literature, history of ideas, and translation, with a strong focus on early modern British culture. She teaches Medieval and Early Modern Literature and Translation. Her research interests include: 16th and 17th Century Theatre Stuart and Caroline Court Masque History of the Book History of Ideas Translation Studies Authorship in Early Modernity Ben Jonson and Shakespearean Drama Her publications reveal a deep engagement with themes of authorship, fame, religious symbolism, and cultural representation in Renaissance literature. She frequently explores the intersections of performance, politics, and print culture, particularly in court masques and tragedies. Her work often combines literary analysis with intellectual and cultural history. Her scholarly contributions include a monograph on Ben Jonson and numerous articles in leading journals such as Huntington Library Quarterly and English Studies . She has also contributed chapters to authoritative handbooks and translated significant works in print culture. She has supervised doctoral research and holds an HDR (Habilitation à Diriger des Recherches), qualifying her to direct research in France. While no specific grants are listed, her involvement in structured research axes at CAS suggests active participation in collaborative projects. Lynn S. Meskill is a core member of the Center for Anglophone Studies (CAS), contributing to its seminars, research programs (such as AXIS 1–3), and academic events. The center fosters interdisciplinary research in Anglophone cultures, and she plays a vital role in its scholarly community.

• Medieval and Early Modern Literature
• 16th and 17th Century Theatre
• Stuart and Caroline Court Masque
• +7 more

Timothy Hampton is a Professor of French and Comparative Literature at the University of California, Berkeley , and serves as Director of the Doreen B. Townsend Center for the Humanities . He was previously the Director of the Designated Emphasis in Renaissance and Early Modern Studies and co-chairs the Democracy, Free Speech, and Values study group. His research explores intersections of literature and politics , poetry and song , and the history of emotion and diplomacy in Renaissance and early modern periods. Recent projects include a 2022 France-Berkeley Fund grant on poetry translation and a Diebold Foundation grant for interdisciplinary cultural studies. Notable publications include Bob Dylan: How the Songs Work (2019) and Cheerfulness: A Literary and Cultural History (2022). Upcoming works address premodern colonialism and American education through memoir and cultural critique. His scholarship appears in MLN , Critical Inquiry , and public venues like Salon and Aeon/Psyche .

• Comparative Literature
• Renaissance and Early Modern Studies
• Literature and Politics
• +4 more

Kären Wigen is the Frances and Charles Field Professor in History at Stanford University, specializing in Japanese history and the history of cartography. She holds a Ph.D. in Geography from the University of California, Berkeley (1990). Her research spans: Historical geography of East Asia Early modern Japanese regional economies Geographies of the imagination Transnational maritime histories Critical cartography and spatial analysis Her publications include eight major works from 1992-2025 analyzing spatial transformations in Japan and global metageography, with recent projects focusing on temporal dimensions in cartographic representation. She co-edited Seascapes (2007) and Cartographic Japan (2016), and serves as Director of Stanford’s Mellon Fellowship of Scholars in the Humanities since 2022.

• Historical geography of East Asia
• Early modernity in Japan
• Regional economies and rhetorics
• +4 more

Sanjay Subrahmanyam is Distinguished Professor of History and Irving & Jean Stone Endowed Chair in Social Sciences at UCLA's Department of History. A globally recognized historian of the early modern period (15th-18th centuries), he previously held prestigious positions at the Collège de France (2013-2021), University of Oxford (2002-2004), and Ecole des Hautes Etudes en Sciences Sociales in Paris (1995-2002). He founded UCLA's Center for India and South Asia (2005-2011) and maintains significant academic engagement in France through media appearances and lectures. His educational background includes: M.A. in Economics (First Rank with Gold Medal), Delhi School of Economics (1982) Ph.D. in Economic History, Delhi School of Economics (1987) Honorary D.Litt., University of Calcutta (2015) Doctorat honoris causa, Université catholique de Louvain (2017) Subrahmanyam's research revolutionized global historical methodology through his pioneering concept of 'connected histories,' which challenges Eurocentric periodization and emphasizes horizontal connections across regions. His work spans South Asian political culture, Indian Ocean trade networks, Iberian imperial systems, and Mughal court dynamics, consistently integrating multilingual archives and visual sources. He demonstrates exceptional mastery in synthesizing Portuguese, Spanish, Persian, Tamil, and Sanskrit materials to reconstruct non-Western perspectives on early modern globalization. His recent publications reveal intensified focus on transcultural encounters, maritime archaeology, and the material dimensions of empire. Works like Across the Green Sea (2024) and Mirrors of Empire (2026) showcase his shift toward analyzing ego-documents and visual culture to explore identity formation in frontier zones. The consistent thread remains his critique of civilizational boundaries and emphasis on fluid cultural exchanges across the Indian Ocean world. His scientific recognition includes: Infosys Humanities Prize (2012) Dan David Prize for History (2019) Prix International de l'Histoire (2020) Fellowship in American Academy of Arts and Sciences (2009) Corresponding Fellowship in British Academy (2016) Guggenheim Fellowship (2011-12) Subrahmanyam has mentored nine doctoral students to completion, maintaining active collaborations with Muzaffar Alam (University of Chicago), Velcheru Narayana Rao (University of Wisconsin), and David Shulman (Hebrew University). His editorial leadership includes co-editing The Cambridge World History (2015) and serving over a decade as Joint Managing Editor of the Indian Economic and Social History Review . He currently directs major international projects on Indo-Persian travel writing and Mughal intellectual networks. Though not leading a traditional laboratory, he coordinates the 'Connected Histories' research initiative across UCLA, Collège de France, and University of Chicago, fostering interdisciplinary teams examining early modern knowledge circulation. His public engagement includes regular contributions to French media (France 24, France Info) and curated exhibitions like the Codex Casanatense project.

• Early Modern History
• South Asian History
• Indian Ocean History
• +7 more

Renaud Morieux is Professor of European History at the University of Cambridge and Fellow of Pembroke College. His research explores borders between Britain, France, and the wider world since the 18th century, with focus on migration, oceans, incarceration, and the social history of war. He holds editorial responsibilities for journals including Past & Present and Revue d'Histoire Moderne et Contemporaine . Research Interests: Morieux investigates maritime borders through interdisciplinary lenses combining legal history, family studies, and global perspectives. His projects examine political deportation in the Indian Ocean and a reflexive history of European statelessness. His award-winning publications analyze cross-Channel relations, war captivity, and oceanic governance. Article Analysis: Morieux's scholarship demonstrates consistent focus on transnational networks, legal pluralism, and subaltern agency. Recent work explores colonial knowledge systems, penal transportation, and epistolary communities, reflecting innovative methodological approaches to reconstructing marginalized histories across imperial spaces. Awards and Honors: Philip Leverhulme Prize for History (2014) Leo Gershoy Award for The Channel: England, France and the Construction of a Maritime Border (2017) Mémoires de la Mer book prize (2009) Advising and Grants: Morieux has supervised 10+ PhD students on topics ranging from naval mutinies to famine philanthropy. Current doctoral candidates explore Sir Joseph Banks' networks, WWI prisoner repatriation, and oral culture in the French Atlantic. His research receives international funding including EU and UK research council support.

• Migration History
• Maritime History
• Incarceration Studies
• +3 more

Tiraana Bains is an Assistant Professor of History at Brown University, specializing in modern Britain and the global British Empire. Her research investigates the contested formation of the British imperial state in South Asia between the 18th and 20th centuries, emphasizing participatory and revolutionary dimensions of imperial governance. PhD, Yale University, 2021 MA, Yale University, 2015 BA, Yale University, 2015 Postdoctoral Fellowship, Modern Intellectual History, Dartmouth College, 2021–2023 Her research interests lie at the intersection of imperial history, political authority, and intellectual frameworks of empire. She examines how both elite and non-elite actors across Britain and South Asia contested and shaped imperial rule, taxation, and labor systems. Her work positions British imperial formation not merely as coercion but as a dynamic, ideologically charged process comparable to revolutionary state-building in America and France. The recent publications reflect a deep engagement with sovereignty, imperial connectivity, and the intellectual history of empire. Her articles explore the collapse and reconstitution of imperial presidencies, dual sovereignty between Mughal and British powers, and broader conceptual attempts to 'think the empire whole.' These works span journals in British, global, and South Asian history, indicating a transregional and interdisciplinary approach. While no formal scientific awards are listed, her publications in leading historical journals and her active research program suggest strong scholarly recognition. Tiraana Bains teaches undergraduate courses at Brown, including HIST 1267: The Global British Empire, 1600–The Present and HIST 1974E: The Intellectual History of Imperialism . She is currently completing a book titled Instituting Empire: The Contested Makings of a British Imperial State in South Asia, 1750–1800 , which promises to make a significant contribution to the field. Her postdoctoral training at Dartmouth further underscores her expertise in intellectual history. Though no lab or research team is mentioned, her collaborative publications suggest engagement with a broader scholarly network at Brown and beyond.

• Modern British History
• Global British Empire
• Imperial State Formation
• +5 more

Robert Wellington serves as Associate Professor and Director of the Centre for Art History & Art Theory at the School of Art & Design, Australian National University (ANU), within the College of Arts & Social Sciences. His academic leadership focuses on advancing art historical research and public engagement through institutional initiatives. His research spans Art History, Early Modern European Art (particularly Louis XIV's France), Museum Studies, Public Humanities, and Cultural Heritage. Wellington investigates transcultural object exchange, royal iconography, and identity construction through material culture, with emphasis on Versailles, medals, and marginalia. His work bridges historical scholarship with contemporary public humanities applications in museums and digital archives. Analysis of his 2020-2024 publications reveals concentrated exploration of Louis XIV's cultural legacy, Versailles' global impact, and the evolving role of humanities institutions. He pioneers digital critical editions while examining how objects shape identity across cultural boundaries, consistently connecting historical practices to modern museum and archival challenges. No scientific awards were documented in the provided materials. As Centre Director, Wellington oversees research programs and institutional partnerships, though specific student advisees and grant details remain unlisted in available sources. His leadership facilitates interdisciplinary projects including the Jean-Benjamin de Laborde digital edition initiative. The Centre for Art History & Art Theory functions as a research hub under Wellington's direction, driving public humanities innovation through the ANU's Art & Design Seminar Series, Visiting Artist Program, and collaborative projects with national collections. Current initiatives focus on digital heritage and community-engaged scholarship within the School of Art & Design framework.

• Art History
• Early Modern European Art
• Museum Studies
• +2 more

Ali Mousavi is Assistant Professor of Iranian Archaeology in UCLA’s Department of Near Eastern Languages and Cultures and a core faculty member of the Cotsen Institute of Archaeology. A Berkeley PhD and former fellow of the Smithsonian, Maison de l’Orient and Global Heritage Fund, he has directed excavations and UNESCO World-Heritage projects at Pasargadae, Bam, Susa, Sultaniyeh and Turang Tepe and authored prize-winning volumes Ancient Iran from the Air and Persepolis: Discovery and Afterlife of a World Wonder . Education PhD, Near Eastern Studies (Archaeology), University of California, Berkeley (2005) MA, Archaeology, History and Languages of Old World Civilizations, Université Lyon II, France (1997) BA, Archaeology and Art History of Europe and the East Mediterranean, Université Lyon II, France (1996) Research interests span the archaeology and art history of Iran from the Neolithic to the early-20th century, with particular focus on Achaemenid and Sasanian monumental architecture, ancient irrigation (qanats), landscape archaeology, digital heritage, and the modern historiography of Iranian archaeology. His field projects integrate remote sensing, epigraphy, GIS and conservation science to investigate imperial capitals, rock-cut monuments and water-management systems across the Iranian plateau. Across more than 30 peer-reviewed articles and book chapters, Mousavi has re-examined dating criteria for Achaemenid stone monuments, analysed royal inscriptions as visual displays, traced medieval Persian pilgrims’ graffiti at ancient sites, and produced synthetic archaeological surveys of the Sasanian empire and the Central Alborz Iron-Age cultures. The corpus reflects a sustained engagement with primary field data, archival research and critical historiography of 19th- and 20th-century excavations. Selected honours Ehsan Yarshater Book Award (2014) Iranian Ministry of Culture World Book Award (2014) Leon Levy – Shelby White publication grant (2008) UNESCO award for World-Heritage nomination files (2003) Iran Heritage Foundation field-work award (2003) Guitty Azarpay Fellowship, UC Berkeley (2000-2003) IFRI Fellowship, Paris (1998) At UCLA he offers undergraduate courses “Archaeology of Iran” and “Ancient Cities of Iran (4000 BC-AD 1900)” and mentors graduate researchers in the Cotsen Institute. His grants and fellowships from NSF-equivalent European and American agencies underwrite both field seasons and publication of critical archaeological corpora, while his service on Iranian, UNESCO and international heritage boards continues to link scholarly output with heritage-management policy.

• Archaeology of Iran
• Achaemenid architecture and epigraphy
• Sasanian empire
• +3 more

Andrew R. Meyer is an Associate Professor in the Department of Health, Human Performance, and Recreation at Baylor University, where he teaches courses in Sport Psychology and Religion and Sport. His academic work bridges the fields of sport sociology, cultural studies, and theology, with a particular focus on the enduring influence of muscular Christianity in American sports. His research interests include: Contemporary American Sport Culture and Religion Muscular Christianity and its modern manifestations Hero-celebrity athletes in popular culture Character development through sport and education Traditional and contemporary Indigenous sport cultures Sport's cultural impact on communities The themes across his publications reveal a consistent exploration of the moral, spiritual, and cultural dimensions of sport. His work analyzes how religious values, particularly those rooted in Christian traditions, shape athlete identity, media narratives, and public perception of sports figures. He has developed the Contemporary Muscular Christian Instrument (2017, 2020) to measure these values across global sport contexts. His articles appear in interdisciplinary journals spanning religion, sociology, public health, and cultural studies, reflecting the broad relevance of his research. Scientific awards and recognitions include: Baylor Teaching Fellow (2017) Dr. Meyer has been active in academic and public discourse, serving as a keynote speaker at international conferences on sport and Christianity and being featured on media outlets such as NPR and the Sport, Faith, Life podcast. His teaching emphasizes character formation in the classroom, aligning with his research on moral development through sport. While specific grant funding is not mentioned, his extensive publication record in peer-reviewed journals and edited volumes indicates sustained scholarly productivity. He has contributed to discussions on mega-sport events, cycling culture, and the redemption narratives of fallen athletes like Lance Armstrong. He is affiliated with the College of Health, Human Performance, and Recreation at Baylor University, contributing to both graduate and undergraduate education in sport studies.

• Sport Psychology
• Religion and Sport
• Cultural Sport Studies
• +7 more

Andrea Lanza serves as Associate Professor in the Department of Italian Studies within the Faculty of Arts & Science at the University of Toronto. Originally from Italy, he completed his academic training in France at the École des Hautes Études en Sciences Sociales (EHESS), earning both his Diplôme d'Études Avancées and Doctorat degrees, following his Laurea from Università degli Studi di Milano La Statale. His scholarly profile demonstrates extensive transnational engagement with French political thought while maintaining institutional affiliation with Italian Studies. Doctorat, École des Hautes Études en Sciences Sociales (Paris) Diplôme d'Études Avancées, École des Hautes Études en Sciences Sociales (Paris) Laurea, Università degli Studi di Milano La Statale Lanza's research focuses on the historical intersections between political thought and social science, with particular emphasis on Early French Socialism (1800-1850), the making of French working classes, and Contemporary French Political Thought. His scholarly trajectory follows two interrelated axes: the emergence of socialist discourse in 19th century France and historic-philosophical debates on democratic society, especially regarding French thinkers like Lefort, Gauchet, Rosanvallon, Foucault, and Rancière. His work demonstrates remarkable interdisciplinary range, connecting political philosophy with historical anthropology, sociology, and religious studies. His recent publications reveal a growing engagement with contemporary issues including decolonization debates, cancel culture, and the epistemological challenges facing social sciences today. Lanza has also held significant administrative roles, serving as Associate Chair for Undergraduate Studies in the Department of Italian Studies during 2022-2023. Administrative Service: Associate Chair - Undergraduate, Department of Italian Studies (2022-2023) Lanza's scholarly network extends across North America and Europe, with collaborations spanning multiple disciplines. His recent editorial work on Claude Lefort's political philosophy and Marcel Gauchet's theories of democratic society demonstrates his position at the forefront of contemporary political thought scholarship.

• Early French Socialism (1800-1850)
• Political Thought
• Social Science
• +7 more

David Parrott is a Professor of Early Modern European History at New College, University of Oxford, and serves as Penry Williams Fellow, Tutor in History, and Precentor. He holds a MA (M.A. DPhil Oxf) and completed his BA and DPhil in History at Oxford (Christ Church and Wolfson College) before joining the University of York as a lecturer. Returning to New College in 1992, he specializes in teaching European history between 1500-1700, with a focus on France, Italy, and political/military/cultural themes. His courses include historiography, methodology, and specialized topics like the Thirty Years' War and early modern court culture. His research focuses on 17th-century France and Northern Italy, particularly military history, mercenaries, and private military organizations. Current work explores France’s mid-17th-century crisis. He has published extensively on early modern warfare, including Richelieu’s Army (2001) and The Business of War (2012). No scientific awards are listed, though his scholarly contributions are significant. His teaching and research highlight interdisciplinary approaches to military and political history. While no grants or advising activities are detailed here, his academic roles emphasize mentorship through tutorials and college governance. He contributes to New College’s academic and chapel life as a Tutor and Precentor.

• Early Modern European History
• Military History
• Political History
• +4 more

Susan Maslan is an Associate Professor in the Department of French at the University of California, Berkeley , with affiliations to the Center for Jewish Studies. Her work bridges early modern French literary, political, and social history, focusing on theater, the French Revolution, and human rights. Research Interests: 17th- and 18th-century French theater French Revolution and Enlightenment Human rights and political subjectivity Biopolitics and servitude Judaism in early modern French literature Selected Publications explore themes such as social bonds in revolutionary drama, affect in political representation, and the intersection of Judaism and theatrical personae. Her book Revolutionary Acts: Theater, Democracy, and the French Revolution (2005) remains a key contribution to revolutionary theater studies. Contact: samaslan@berkeley.edu | Office Hours: Tuesdays 2:15-4:15 PM (in-person and Zoom) | Office: 4219 Dwinelle Hall

• Early Modern French Literary History
• Political and Social History of France
• French Revolution
• +7 more

Mei Mei Rado is an Assistant Professor at Bard Graduate Center, specializing in textile and dress history with a focus on China and France (18th–20th centuries). Her work connects global networks to local cultural systems through material analysis and cross-cultural interpretation. Education: PhD, Bard Graduate Center MA, University of Chicago BA, Nanjing University Research Interests: She explores intercultural textile exchanges, particularly European-Chinese interactions, rococo style diffusion, and Qing court arts. Her forthcoming book The Empire’s New Cloth (Yale, 2025) examines European textiles in Qing imperial contexts. Publications: Recent works include analyses of 18th-century French drapery, Qing cosmopolitanism through Japanese screens, and lamé textiles in modern fashion. Her research spans material culture, cross-cultural aesthetics, and historical networks. Curatorial Practice: Formerly Associate Curator at LACMA, she pioneered modern Chinese fashion collections. Collaborations with European/American institutions continue through her current projects on Edo-period textiles and light in fashion history.

• European and East Asian textiles
• Dress history
• Fashion history
• +7 more

Emily Butterworth is a Professor in the Department of Languages, Literatures and Cultures at King’s College London, within the Faculty of Arts & Humanities. She holds a prestigious position in Early Modern French literature studies, focusing on speech practices, women’s writing, and cultural analysis. Her career includes roles at the University of Sheffield (2002–2006) before joining King’s, where she has been a core faculty member since 2006. Education: Emily studied French at University College London (UCL) and the University of Cambridge, establishing her foundation in French literary and cultural studies. Research Interests : Her work centers on early modern literature and thought, particularly deviant speech, gossip, and the role of scandal in French Renaissance texts. Key focuses include: Analysis of Marguerite de Navarre’s Heptameron and its cultural context Montaigne’s exploration of ethics and skepticism Gendered discourse in early modern women’s writing The intersection of print culture, censorship, and obscenity Projects & Engagement : Co-Investigator on the AHRC-funded Gossip and Nonsense in the French Renaissance (2012–2015), she collaborated on artistic projects such as Spinning Stories and Chinese Whispers . She has contributed to BBC programs like Radio 4’s Something Understood and Radio 3’s Free Thinking , discussing gossip’s cultural significance and early modern news. Publications : Her scholarship includes monographs like The Unbridled Tongue (2016) and Marguerite de Navarre: A Critical Companion (2022). Her articles span topics from Renaissance book history to the ethics of speech in Montaigne’s essays. Affiliations : She is part of King’s Centre for Early Modern Studies and contributes to research groups on textual representation and visual culture.

• Early Modern Literature
• Renaissance Studies
• French Literature
• +7 more