Akemi Martin is an Adjunct Professor at The Cooper Union's School of Art, specializing in papermaking and collaborative art projects. She serves as director and master papermaker at Pace Paper in Brooklyn, collaborating with artists on handmade paper and print editions. Her teaching experience includes SUNY Purchase, Dieu Donné (NYC), and the Penland School of Craft (NC). Education: Bachelor of Arts from the University of California, Santa Barbara. Her research interests focus on innovative papermaking techniques and interdisciplinary art collaborations. Notable collaborations include the 2015 work '37P' with Leonardo Drew. She emphasizes hands-on craftsmanship and its integration with contemporary art practices. Labs/Teams: Active at Pace Paper, a renowned studio for artist collaborations in handmade paper.
Professor Alexander Ilin-Tomich serves as an Acting Professor at the Institute of Egyptology within the Department of History and Cultural Studies at the Free University of Berlin. His academic career spans multiple prestigious institutions including Johannes Gutenberg-Universität Mainz and the Russian Academy of Sciences. His educational background includes: 2022: Habilitation in Egyptology at Johannes Gutenberg-Universität Mainz with thesis "Egyptian name scarabs from the 12th to the 15th Dynasty: Geography and chronology of production" 2007-2011: Doctoral studies at Lomonosov University Moscow, earning "kandidat istoriceskich nauk" (equivalent to PhD) 2002-2007: Undergraduate studies in Ancient History (including Egyptology) at Lomonosov University Moscow Professor Ilin-Tomich specializes in Egyptian stelae, offering tables, scarabs, personal names, prosopography, and administration during the Middle Kingdom and Second Intermediate Period. His research combines philological, archaeological, and historical approaches to examine ancient Egyptian society, with particular focus on administrative structures, material culture, and regional variations. His work on scarab production and distribution has established him as a leading expert in this specialized field. His publication record demonstrates consistent focus on Middle Kingdom administration, with recent expansion into material analysis of Egyptian blue pigment and methodological approaches to studying small archaeological finds. He has developed significant digital resources including the open-access "Personen und Namen des Mittleren Reiches" database. Professor Ilin-Tomich has secured multiple competitive research grants: Fritz Thyssen Foundation project "Ancient Egyptian titles in official and familial contexts, 2055-1352 BC" (2021-2024) Fritz Thyssen Foundation project "Transformation and variability in the corpus of ancient Egyptian personal names 2055-1550 BC" (2017-2021) Alexander von Humboldt Foundation postdoctoral fellowship (2015-2017) Russian Foundation for the Humanities research grant (2013-2015) He actively contributes to the academic community through editorial work, including co-editing the 2023 Festschrift "Schöne Denkmäler sind entstanden. Studien zu Ehren von Ursula Verhoeven," and has established himself as a key researcher in Middle Kingdom studies through his monographs and numerous journal articles.
Professor Beth Williamson is a leading scholar of medieval culture, holding dual roles as Professor of Medieval Culture and Chair in the History of Art at the University of Bristol's Department of History of Art (Historical Studies), and as Academic Director (Research Impact & Translation Partnerships) within the Faculty of Social Sciences and Law. She earned her B.A. from Oxford University (Oxon), an M.A., and a Ph.D. from the University of London (Lond.). Her research focuses on visual, material, and aural dimensions of medieval religious practice, exploring how sensory experiences shaped devotional life. Key themes include sacred imagery (e.g., the Virgin Lactans and Madonna of Humility), liturgical spaces, and the intersection of art with music, time, and political power. Recent projects include studies of Westminster Abbey’s royal patronage and collaborations in interdisciplinary historical research. Her publications span over three decades, addressing topics from Italian Renaissance altarpieces to Irish medieval sculpture, with a strong emphasis on material culture and devotional practices. Despite her prolific output, no formal awards are listed, though her academic leadership roles reflect her scholarly impact. As a mentor, her supervisory activities are noted in her profile but lack specific student names. Her work bridges academic and public spheres, particularly through her role in translating research into societal impact initiatives. She is affiliated with the University of Bristol’s Senate House and contributes to institutional leadership.
Costanza Beltrami is a Senior Lecturer at Stockholm University in the Department of Culture and Aesthetics. She is a dedicated art historian with a focus on Gothic art and architecture of the late fifteenth and early sixteenth centuries, particularly in the Spanish region of Castile and its international connections. Her research interests include architectural drawings, collaboration, transculturation, and temporality in architecture. Dr. Beltrami teaches courses on Medieval and Renaissance art and architecture from Cordoba to Florence. Her academic background includes studying Art History at the Courtauld Institute of Art in London and working at the University of Oxford/St Catherine's College before joining Stockholm University. Her research has focused on late-Gothic architecture, including a monumental drawing of a tower from Rouen cathedral and ornament prints as artists' models. She is Reviews Editor for the Journal of the British Archaeological Association and has completed her PhD thesis on Juan Guas (active 1453–1496), the leading architect of late fifteenth-century Spain. She is currently working on a book project about collaboration, artistic identity, and the geographies of exchange in late-Gothic Castile. Her co-edited volume "Art, Travel and Exchange between Iberia and Global Geographies, 11400–1550" challenges traditional narratives about Iberian art history and emphasizes multi-directional cultural exchange. Dr. Beltrami's recent research includes editing a special issue on portable drawings and paper in Medieval and Gothic architecture. Her work explores how architectural practices in Castile demonstrate fascinating questions regarding migrant networks, cultural contact, the meanings of architecture, and the role of art in debates on national identity from the 15th century to the present.
Joshua Nall is the Director of the Whipple Museum of the History of Science at the University of Cambridge's Department of History and Philosophy of Science, a role he has held since 2022. Previously, he served as Curator of Modern Sciences at the same museum from 2013. His research focuses on the material culture and mass media of the physical sciences, particularly exploring how scientific instruments and media shaped modern astronomy and imperial science. He has curated major exhibitions like Astronomy and Empire (2017) and co-edited influential volumes such as Victorian Material Culture: Science and Medicine (2022). Nall's 2019 book News from Mars won the Philip J. Pauly Prize, analyzing how mass media influenced 19th-century astronomical debates about potential life on Mars. His work bridges museum curation, historical scholarship, and digital humanities, notably through projects like Tools of Knowledge , which used data analysis to study the British instrument trade. He is also a leading voice in forgery studies, examining counterfeit scientific artifacts. Key interests include the history of scientific instruments, British imperial astronomy, and the social dimensions of science communication. His collaborative work extends to exhibitions like Craftswomen: Uncovering Hidden Labour in the History of Science , which highlighted overlooked contributions of women in scientific craftsmanship.
Margaret Graves is the Adrienne Minassian Associate Professor of Islamic Art and Architecture at Brown University’s History of Art and Architecture department, serving as Director of Graduate Study. She holds a PhD, MSc, and MA from the University of Edinburgh. Her research focuses on Islamic art and material culture, particularly medieval and modern acts of making, forgery, and colonial-era craft reform. Notable works include Arts of Allusion (2018), winner of major prizes, and her forthcoming Invisible Hands on 19th/20th-century ceramics forgery. Research interests span medieval Islamic intellectual history, colonial antiquities markets, and collaborations with conservators. Teaching includes courses on cultural heritage, museum studies, and Islamic art historiography. Awards include the 2019 International Center of Medieval Studies Book Prize and the 2021 Karen Gould Prize. Current projects explore postcolonial craft legacies, international banking ties to antiquities markets, and occult sciences in medieval craftsmanship.
Ian Ewart is an Associate Professor at the University of Reading's School of the Built Environment, serving as Head of Construction and Engineering Management and Research Group Lead for Organisation, People and Technology. He chairs the Research Ethics Committee since 2016 and supervises undergraduate/postgraduate dissertations. His academic journey spans engineering and anthropology: DPhil Social and Cultural Anthropology, University of Oxford, St Hugh's College (2007-2012) MSc Material Anthropology and Museum Ethnography, University of Oxford, St Hugh's College (2006-2007) BA (Hons) Archaeology and Anthropology, University of Oxford, Harris Manchester College (2003-2006) Diploma in Management Studies, University of the West of England (1990-1994) BEng (Hons) Mechanical Engineering, Staffordshire University (1983-1987) Ewart's research integrates ethnographic methods with digital technology studies, examining human-technology interactions in construction and domestic settings. His work bridges engineering practice and social anthropology, focusing on skill transmission, sustainable design, and multisensory experiences in virtual environments. Publications from 2025-2013 reveal a dominant trajectory in digital twins for socio-ecological sustainability, VR-based occupant behavior prediction, and HBIM for heritage conservation. The corpus demonstrates consistent cross-disciplinary innovation, merging archaeological reconstructions with healthcare applications while maintaining anthropological rigor. Key recognition: ESRC Future Research Leader fellowship (2013) for Designing Healthy Homes project He supervises PhD candidates like Afolabi Dania (Nigerian sustainable construction) and Joanna Hull (Heritage BIM), leveraging ESRC funding for ethnography-VR health studies. His grants emphasize participatory design and real-world impact assessment in built environments. Leaders the Organisation, People and Technology research group, developing multisensory Roman town reconstructions with sound/smell integration to advance archaeological and architectural experience modeling.
Scott Taylor is a Professor of Leadership & Organization Studies in the Department of Management at the University of Birmingham’s Birmingham Business School. He also serves as the Business School Director of External Engagement and Responsible Business and as Academic Lead for Accreditations. He has held academic positions at Open, Essex, Exeter, and Loughborough Universities, and has been affiliated with the University of Birmingham in two periods: 2002–2007 and since 2013, confirming his current active status. Education: PhD in Management, Manchester Metropolitan University MA in Human Resource Management, University of Bolton MA in Arts, University of Glasgow His research centers on feminism in organizations, with current projects exploring gender quotas in political parties and women in the craft brewing sector. His work critically examines misogyny, gendered workloads, and the roles of men in feminist organizational change. He has published extensively in top journals such as Gender, Work & Organization , Human Relations , and Organization . His recent publications reveal a consistent focus on gender, power, and organizational ethics, often from a feminist and critical perspective. Scott Taylor is currently Development Editor for the Journal of Business Ethics and serves on the editorial boards of Academy of Management Learning & Education , Leadership , and Organization . He supervises several postgraduate students including Jennifer Davies, Isbahna Naz, and Dannielle Dorn. He is also a member of the Chartered Association of Business Schools’ Equality, Diversity & Inclusion committee, reflecting his institutional leadership in equity issues. Scientific Awards and Recognitions: Member, Chartered Association of Business Schools EDI Committee He has taught and visited universities internationally, including Auckland, Delhi, São Paulo, Jeddah, Melbourne, and Lapland. His academic leadership, editorial roles, and sustained research output confirm his active and influential position in the field of organizational studies.
Alana Clifton-Cunningham is a dedicated educator and researcher in fashion and textile design at the University of New South Wales, Faculty of Arts, Design & Architecture. With over two decades of experience in higher education, she has established herself as a leader in sustainable and innovative design education. Her work bridges traditional craftsmanship with cutting-edge technologies, creating experiential learning environments that prepare students for contemporary design practice while addressing global sustainability challenges. Educational Background: 2021 | UNSW - Learn to Lead: Progress Needs Resilient Leaders 2019 | UTS - Graduate Certificate in Higher Education Transdisciplinary Learning 2008 | UNSW (COFA) - Master of Design (Hons) Research 2002 | UTS - Graduate Certificate in Higher Education Teaching and Learning 2001 | TAFE - Diploma of Marketing Management 1993 | UTS - Bachelor of Design (Hons) (Fashion and Textile Design) Clifton-Cunningham's research focuses on sustainable fashion practices, with particular emphasis on circular economy principles in textile production and garment design. Her work explores scalable models for textile remanufacturing, clothing waste reduction, and sustainable workwear systems. She is deeply engaged in addressing clothing sizing issues and standards in Australia, advocating for more inclusive approaches to fit and body diversity. Her commitment to equity, diversity, and inclusion underpins all aspects of her leadership and teaching, making her a strong advocate for responsible design futures that prioritize both environmental sustainability and social justice. Her publication record demonstrates a consistent focus on the intersection of design education, cultural exchange, and sustainable practices. Notable works include her 2022 book chapter on cross-cultural textile workshops in India, her 2018 analysis of undergarment technology evolution, and her contributions to exhibitions like 'Out of Hand' at the Powerhouse Museum. These works collectively highlight her emphasis on hands-on, experiential learning that connects students with real-world sustainability challenges and cultural contexts. Research Grants: 2024 | Redesigning Clothing Waste Using a Circular Design Framework - LP230200929 $220,473K 2024 | Department of Community and Justice - $17,900 2024 | Education Focussed Community of Practice (PVCESE) - $2,500 2023 | Department of Community and Justice - $15,900 2023 | Education Focussed Community of Practice (PVCESE) - $6,995 2017 | AbbVie Pharmaceutical Pty Ltd, HS Support Garments: Chief Investigator - $35,000 Clifton-Cunningham actively supervises research in fashion and textile design, with a focus on sustainable practices and innovative design processes. Her extensive industry network, including partnerships with major fashion labels, brings real-world insight into the classroom. She has led international global studios, including immersive programs in India where students collaborate with artisans. Her current ARC Linkage project 'Redesigning Clothing Waste Using a Circular Design Framework' represents a significant contribution to sustainable fashion research. Her creative practice is reflected in numerous exhibitions, including the Seoul International Fashion Art Biennale (2016, 2018), Wangaratta Contemporary Textile Awards, and the Powerhouse Museum's 'Out of Hand' exhibition. These artistic endeavors complement her academic work, demonstrating the practical application of her research interests in sustainable and innovative textile design.
Wei-Cheng Lin is Associate Professor of Art History and the College at the University of Chicago , specializing in Chinese art and architecture. He serves as Faculty Director of the Dispersed Chinese Art Digitalization Project , sits on the steering committee of the Center for the Art of East Asia , and acts as Architectural Studies Advisor. His office is located in CWAC 268 with weekly office hours on Wednesdays. Educational background details are not explicitly provided in the text; however, he held an appointment as Assistant Professor of East Asian Art and Architecture at Iowa State University during 2006–2007. Lin’s research interrogates the intersections of visual and material culture in medieval Chinese Buddhist art and architecture and the ritual dimensions of Chinese funerary practices . Current book projects include Performative Architecture of China , which explores how architecture enacts meaning through historical performance, and Necessarily Incomplete: Fragments of Chinese Artifacts , which investigates the active roles of fragmentary artifacts in shaping multivalent cultural significance. Across more than twenty publications, Lin’s scholarship ranges from detailed studies of Mount Wutai and Dunhuang to theoretical inquiries into architectural historiography , materiality , and contemporary Chinese art . His work bridges art history, architectural history, religious studies, and digital humanities. Grants & Digital Initiatives: Faculty Director, Dispersed Chinese Art Digitalization Project (DCADP) — supported by the Cyrus Tang Foundation Manages DCADP publication series, including Beijing Zhihua Temple (2024) and Exhibiting East Asian Art in a Global Context (2025, co-edited with Chelsea Foxwell) Laboratories & Teams: Lin leads collaborative efforts through the Center for the Art of East Asia and the UChicago Center in Beijing , organizing exhibitions, international conferences, and digital humanities workshops that integrate art-historical research with cutting-edge visualization technologies.
Paula Hohti is a Professor of Art and Culture History at Aalto University's School of Arts, Design and Architecture, Department of Art and Media. She holds a Docent position in History of Art at the University of Helsinki. Her research focuses on Italian Renaissance dress and material culture, particularly among artisans and shopkeepers. She earned her PhD from the University of Sussex (2006) and has held research roles at institutions including Helsinki Collegium for Advanced Studies and the European University Institute (EUI) in Florence. She led major projects like RE-FASHIONING (ERC grant, €2M in 2016) and co-founded the Fashion History Lab. Her work contributes to UN SDGs related to sustainable development through historical material studies. Education: PhD in Art History, University of Sussex (2006). Research Interests: Italian Renaissance textiles, Early Modern material culture, artisan craftsmanship, textile reconstruction methods, and social history of dress. Recent work emphasizes interdisciplinary approaches to reconstructing historical clothing and its cultural significance. Key Publications (2025): Refashioning the Renaissance: Everyday Dress in Europe (book), studies on color imitation in textiles, and knitted stockings experimentation. Articles explore cross-disciplinary methodologies and material authenticity. Awards: ERC Consolidator Grant (2016), Academy of Finland Fellowships, and the Roland H. Bainton Book Prize (2021). Advising & Grants: Principal investigator in multiple international projects. Supervised eight post-doctoral researchers. Co-developed the Refashioning the Renaissance Database (Aalto University, 2022). Labs/Teams: Leads the Fashion History Lab (2022–2023) and collaborates globally on textile and material culture studies.
David Germano is Professor of Tibetan and Buddhist Studies at the University of Virginia's College of Arts & Sciences, Department of Religious Studies. He also holds a Clinical Professor appointment in Nursing and serves as Director of multiple centers including the Tibet Center, the Contemplative Sciences Center, and SHANTI (Social Sciences, Humanities, and Arts Network of Technological Initiatives). Since 2000, he has directed the Tibetan and Himalayan Library, establishing himself as a leading figure in Tibetan studies and digital humanities. Germano earned his B.A. from Notre Dame University in 1984 and completed his Ph.D. at the University of Wisconsin in 1992. His academic career at UVA progressed from Assistant Professor (1992-1998), to Associate Professor (1998-2011), and finally to Professor (2011-present). His research focuses on the Nyingma and Bön lineages of Tibetan Buddhism, particularly tantric traditions and Buddhist philosophy from the eighth to fifteenth centuries. He also studies Tibetan history and literature, contemporary Tibet (especially regarding religion, education, and technology), and digital humanities. Germano is particularly interested in engaged scholarship that inserts higher education into a socially transformative role across various sectors. Germano's publications reveal a consistent focus on Tibetan Buddhist traditions, with particular emphasis on Dzogchen (Great Perfection) teachings, visionary movements, and the intersection of traditional practices with contemporary contexts. His work spans religious studies, anthropology, digital humanities, and Tibetan cultural studies, demonstrating interdisciplinary approaches to understanding Tibetan Buddhism and its modern manifestations. As a leader in digital humanities, Germano has pioneered numerous initiatives including the Tibetan and Himalayan Digital Library, the Tibetan Unicode Project, the Tibetan Literary Encyclopedia, and the Tibetan Language Learning Resources initiative. He has also co-directed the UVa-Machik Geotourism Initiative and the Tibetan and Himalayan Historical GIS project, demonstrating his commitment to innovative approaches for preserving and disseminating Tibetan knowledge.
Vincent Brown serves as the Charles Warren Professor of American History and Professor of African and African American Studies at Harvard University, based in the Center for Government and International Studies (CGIS) South Building. His academic work centers on Atlantic history with a focus on the African diaspora and slavery in the Americas. His research expertise spans Atlantic History, African Diaspora Studies, and Slavery, with deep engagement in Digital History methodologies, Early American History, Imperial History, and Race studies. Brown examines power dynamics, resistance movements, and cultural identity formation within 17th-18th century Atlantic contexts, particularly in the Caribbean. His interdisciplinary approach integrates spatial analysis and digital tools to reinterpret historical narratives of slavery and empire. Analysis of his publications (2011-2024) reveals sustained focus on slave revolts as transnational phenomena, spatial history through digital mapping, and multimedia scholarship. His work demonstrates evolution from textual analysis in The Reaper's Garden (2008) to immersive cartographic projects like the Jamaican slave revolt mapping (2012-2016), culminating in documentary production ( Herskovits at the Heart of Blackness , 2009; The Bigger Picture , 2022). Recent outputs show increasing engagement with public history and interdisciplinary connections between political geography, racial terror, and cultural memory. The source materials do not specify details regarding student advising, grant funding, or laboratory teams.
Dr. Kerrin v. Engelhardt is an Associate Scientist at the Humboldt University Berlin's Department of History of Education within the Faculty of Humanities and Social Sciences. She also holds roles as Project Leader in the BMBF-funded collaborative project 'MythErz' and as a lecturer in science history at the Technical University of Berlin. Her research focuses on Cold War educational practices, historical pedagogical technologies, and the Abitur examination system in Germany. She has held positions including Research Assistant at the Humboldt University’s Institute of Education Studies and the Friedrich-Schiller University Jena, and led projects on educational film analysis and university collection utilization. Education: PhD in History of Natural Science from Friedrich-Schiller University Jena (2013), M.A. in Cultural History/Folklore Studies (2011), and Diploma in Fine Art from Bauhaus University Weimar (2003). Her work integrates interdisciplinary approaches to explore the intersection of education, science, and cultural history. Research Interests: Cold War pedagogical media, history of educational assessment practices, cultural history of science education, and institutional practices in historical education systems. She emphasizes praxeological methods to analyze historical educational materials and rituals. Key Projects: Leadership in the 'MythErz' project examining GDR educational myths through films; co-coordination of the 'Abitur examination practices' project; development of interdisciplinary teaching strategies using university collections. Publications: Over 20 peer-reviewed articles and book chapters on topics such as East German educational spaces, historical examination rituals, and Weimar-era art education. Notable works include analyses of GDR science education films and the socio-cultural dimensions of Abitur practices.
Adrian Martinez Chavez is a Mexican American artist, educator, and DJ currently serving as a Lecturer in Photography at Trinity College, Hartford, CT. He holds a BFA from the Hartford Art School and an MFA from the Yale School of Art. His practice spans photography, audio, video, and filmmaking, often exploring immigrant experiences through familial perspectives. Connecticut Office of the Arts Grant Greater Hartford Arts Council Grant New York Foundation for the Arts Fellowship Houston Center for Photography Grant His research interests focus on cultural preservation, Latin American diaspora narratives, and socially engaged art. Key projects include the Cumbias, Cumbias, y Más Cumbias installation, which merges historical audio archives with contemporary DJ culture to explore migration through sound. Exhibitions of his work have appeared nationally, including at Yale University, AMANITA NY, and the University of Hartford's Goldfarb Memorial Collection. His New York Times publications blend journalistic storytelling with visual documentation of human experiences.
