Winnie Wong is a Professor of Rhetoric at the University of California, Berkeley. Her research focuses on art history, particularly exploring themes of fakes, forgeries, and authorship through interdisciplinary approaches. She examines the global artistic networks of Hong Kong, Guangzhou, and Shenzhen, challenging Western narratives of Chinese artistic practices. Wong holds a PhD from MIT's History, Theory + Criticism program and was a Harvard Society of Fellows Junior Fellow. Her major works include Van Gogh on Demand: China and the Readymade (2014, Joseph Levenson Prize winner), Learning from Shenzhen (2017), and a forthcoming book on Canton trade portraitists. She teaches courses like Theory of the Copy and Rhetoric of the Image , mentoring undergraduates through the Undergraduate Research Apprentices program and advising PhD students in art history and visual studies. Wong's research has been supported by grants from Mellon Foundation, ACLS, SSRC, and others. Her work has been translated into multiple languages and appears in journals like Current Anthropology and Law & Literature . She frequently discusses her work on podcasts and collaborates with museums including M+ and the Asian Art Museum.
Sasha Welland is an Adjunct Associate Professor in the Department of Anthropology at the University of Washington, affiliated with Gender, Women & Sexuality Studies; China Studies; Comparative History of Ideas; and graduate certificate programs in Cinema & Media Studies and Public Scholarship. Her research focuses on Asian American studies, East Asian ethnography, feminism, visual culture, and sociocultural anthropology. Welland’s scholarship bridges historical and contemporary analyses. Her book Experimental Beijing (2018) explores Chinese contemporary art as a site of cultural negotiation around gender, globalization, and post-socialist transformations. Her earlier work A Thousand Miles of Dreams (2006) traces the transnational lives of two 20 th -century Chinese women activists. She contributes to Journal of Visual Culture and has published in Signs and Yishu . An engaged public scholar, Welland has curated feminist art exhibitions in Beijing, Shanghai, and Hong Kong, blending academic research with cultural practice. Her work interrogates intersections of gender, space, and global flows in East Asian contexts.
Avery Goldstein is the David M. Knott Professor Emeritus of Global Politics and International Relations at the University of Pennsylvania’s Political Science Department. He serves as the Inaugural Director of the Center for the Study of Contemporary China and Associate Director of the Christopher H. Browne Center for International Politics. His research focuses on international relations theory, strategic/security studies, and Chinese politics, with a particular emphasis on China’s grand strategy, US-China relations, and security dynamics in East Asia. Goldstein’s academic career includes seminal works such as Rising to the Challenge: China’s Grand Strategy and International Security (2005) and Deterrence and Security in the 21st Century (2000). He has authored over 30 journal articles in top-tier publications like International Security and International Organization , exploring themes ranging from nuclear deterrence to China’s geopolitical ambitions. Additionally, he is a Senior Fellow at the Foreign Policy Research Institute (FPRI), amplifying his influence in policy-relevant scholarship. His research consistently bridges theoretical frameworks with empirical analysis, addressing critical issues such as power transitions, crisis instability, and the implications of China’s rise for global order. Goldstein’s advisory roles and institutional leadership reflect his dual commitment to academic rigor and real-world policy engagement.
Chi-Ming Yang is a Professor of English at the University of Pennsylvania's School of Arts & Sciences, where she has established herself as a leading scholar in literary and visual culture studies with a focus on race, empire, and East-West cultural exchanges. Her interdisciplinary approach bridges British, American, Asian, and Latin American studies while examining historical periods from the early modern era through the 18th century to contemporary contexts. Educational Background: Ph.D. in English from Cornell University B.A. in Comparative Literature from Stanford University with emphases in Spanish, Chinese, and English Professor Yang's research interrogates the intersections of race, visual culture, and imperial histories through multiple disciplinary lenses. Her work explores how objects, images, and texts function within global networks of power and representation, with particular attention to transpacific and transatlantic connections. She has developed significant expertise in chinoiserie, material culture, and the visual dimensions of racial formation across historical periods. Her recent publications demonstrate a growing interest in ecological perspectives on race and empire, particularly evident in her 2021 article 'The Song of the Rice Bird,' which innovatively examines plantation slavery through avian migration patterns. Her scholarship consistently bridges historical analysis with contemporary concerns about representation, power, and cultural exchange. Professional Recognition: 2022 Best Advisor Award in English, Sponsored by the English Undergraduate Advisory Board Professor Yang maintains an active advising role, having chaired doctoral dissertations including Jacob Myers' 'Noxious Life: Figuring Vermin in the Natural Histories of the Anglophone Caribbean' (2025) and Cassidy Holahan's 'Dramatizing the Novel: Transmedial Exchange in the Long Eighteenth Century' (2023). She regularly participates in departmental workshops and events, including the 2024 conversation with Sharon Holland exploring Black feminist perspectives on animal life in relation to Octavia E. Butler's work. Her teaching portfolio reflects her interdisciplinary approach, with recent courses including 'Science Fictions of Octavia E. Butler,' 'Orientalisms,' '18th-Century British Poetry,' and 'Arts of Abolition and Liberation,' demonstrating her commitment to connecting historical scholarship with contemporary social justice concerns.
University of Illinois Urbana-ChampaignUnited States
Asef Bayat is Professor of Sociology and the Catherine and Bruce Bastian Professor of Global and Transnational Studies at the Department of Sociology, University of Illinois, Urbana-Champaign. He has held previous academic positions at the American University in Cairo, Leiden University (where he held the Chair of Society and Culture of the Modern Middle East), and visiting appointments at UC Berkeley, Columbia University, Oxford, and Brown University. His research interests include: Political Sociology Collective Behavior and Social Movements Sociology of Religion Urban Life and Politics Islam and Modernity Contemporary Middle East Bayat's research focuses on the role of ordinary people and subaltern classes in social and political transformations, particularly in the context of the Arab Spring and Middle Eastern urban movements. His work bridges comparative and historical sociology with global and transnational perspectives, emphasizing everyday forms of resistance and the reconfiguration of political Islam. He has extensively explored the sociological dimensions of revolution, modernity, migration, and loss of home. His recent publications, including articles in International Journal of Urban and Regional Research and Journal of Democracy , reflect a sustained engagement with urban politics, revolutionary dynamics, and youth activism in the Global South. The recurring themes across his work include the agency of marginalized populations, the transformation of public space, and the evolving nature of political engagement in non-Western contexts. Bayat has received numerous honors and fellowships: Guggenheim Fellow Ford Foundation Fellow MacArthur Fellow Open Society Fellow Wissenschaftskolleg Fellow, Berlin He has been actively involved in academic leadership, having served as director of the International Institute for the Study of Islam in the Modern World (ISIM) and elected to the Board of the UN Research Institute for Social Development. He has taught key courses such as Global Social Movements, Global Religion and Politics, and Middle Eastern Societies. Though specific students are not listed, his role as a full professor and author of major works indicates extensive mentorship and academic advising. He is affiliated with multiple interdisciplinary centers, including the Center for African Studies, Center for South Asian and Middle Eastern Studies, European Union Center, and Center for Global Studies.
Sohl Lee serves as Associate Professor in the Department of Art History and Criticism at Stony Brook University, specializing in Contemporary East Asian Art and Visual Culture, Critical Theory and Globalization, and Curatorial Studies. Holding a Ph.D. from the University of Rochester since 2014, she contributes significantly to the academic community through teaching and research. Her educational background features: Ph.D. in Visual and Cultural Studies from the University of Rochester (2014) Professor Lee's research explores modern and contemporary East Asian art through interdisciplinary lenses including aesthetics of politics, activist art, vernacular modernism, postcolonial theory, and historiography. Her scholarship appears in prominent journals such as Yishu: Journal for Contemporary Chinese Art , Art Journal , and InVisible Culture , establishing her as a leading voice in global art discourse. Her publication trajectory reveals consistent engagement with democracy, ecological consciousness, and Cold War legacies across East Asian contexts. Key thematic threads include the intersection of art and political movements, ecological thinking in Korean contemporary art, and visual representations of national division—demonstrating how artistic practices navigate complex socio-political landscapes. Dr. Lee's scholarly contributions have been recognized through competitive fellowships: Social Sciences Research Council Fellowship Korea Foundation Fellowship Susan B. Anthony Institute of Gender and Women Studies Fellowship She actively shapes student learning through undergraduate courses including 'Art and the City,' 'Modern and Contemporary Korean Art,' and 'Social Engagement and Publicness in East Asia.' Her curatorial practice extends academic work into public spheres through exhibitions mounted in both the United States and South Korea, bridging theoretical frameworks with tangible cultural production.
Wu Hung is the Harrie A. Vanderstappen Distinguished Service Professor at the University of Chicago, affiliated with The College , the Department of Art History , and the Department of East Asian Languages and Civilizations . He serves as Director of the Center for the Art of East Asia and Consulting Curator at the Smart Museum of Art .
Hsiu-Chuang Deppman is a Professor of Chinese and Cinema and Media at Oberlin College, affiliated with the College of Arts and Sciences. She holds positions in both the East Asian Studies and Cinema and Media departments. Currently on leave for the 2024-25 academic year, her research focuses on film adaptation, Chinese cinema history, and comparative literature. She has published extensively, including books like Close-ups and Long Shots in Modern Chinese Cinemas (2021) and Adapted for the Screen (2010). Deppman earned her PhD (1999) and MA (1993) in Chinese Literature from the University of Wisconsin-Madison, and a BA (1990) from National Cheng-Kung University in Taiwan. Her research interests span: Adaptation Studies History of Chinese Cinema Documentary and Media Studies Contemporary Chinese Fiction Comparative Literature Awarded the 2016-2017 Excellence in Teaching Award, she has also received grants and fellowships including the Fulbright Research Grant, Taiwan National Science Council Grant, and Freeman Foundation Grant for Asian Studies, among others. In addition to her research, Deppman teaches courses such as Contemporary East Asian Cinema and Intermediate Chinese I . Her work has been supported by the GLCA/Mellon New Directions Initiative and the Chiu Scholarly Exchange Program for Taiwan Studies. Her current project involves writing a book on Jia Zhangke’s cinema of reflection, reflecting her ongoing engagement with modern Chinese cinematic narratives.
Professor Mari Yoshihara is a bilingual scholar and writer affiliated with the University of Hawaii as a Core Faculty member. She serves as Editor of American Quarterly , the journal of the American Studies Association, and collaborates with international scholars. Her research focuses on U.S. cultural history, U.S.-Asian relations, Asian American studies, gender studies, and literary studies. She holds a BA from the University of Tokyo and a PhD from Brown University. Her work bridges academic and popular audiences, with notable publications including Embracing the East (2003), Musicians from a Different Shore (2007), and Dearest Lenny (2019). She also writes extensively in Japanese on topics ranging from graduate education to contemporary American culture. Her interdisciplinary approach combines historical analysis, ethnography, and personal narratives to explore cultural exchanges, identity, and music. Professor Yoshihara actively engages with classical music as an amateur pianist, participating in prestigious competitions like the Van Cliburn International Piano Competition. Her writings and fieldwork on music competitions highlight themes of civic engagement and cultural significance. Her blog and website further showcase her interests in U.S. affairs, classical music, and cross-cultural relationships.
Walter D. Penrose, Jr. is a Professor at San Diego State University specializing in the History of Gender and Sexuality in Ancient Greek, Hellenistic, and South Asian contexts. His work also explores the Reception of Classics in modern periods, Disability Studies, and Ancient Religions. Penrose holds a Ph.D. in History from the City University of New York (2006) and a B.S. in Business Administration from California State University, Long Beach (1988). His research interests span interdisciplinary topics including gender diversity in classical thought, queer historiography, and cross-cultural comparisons of ancient societies. Penrose has published widely on topics such as Amazons in classical and modern media, disability discourse in antiquity, and homoeroticism in South Asian history. His 2016 monograph Postcolonial Amazons is a foundational text in comparative studies of gendered heroism in Greek and Sanskrit literature. Penrose’s publications include over a dozen book chapters and journal articles, with recent contributions analyzing gendered power dynamics in Hellenistic royal courts (2021), visual representations of Amazons in Troy adaptations (2022), and the intersection of disability and identity in ancient Greece (2015). His pedagogical work emphasizes inclusive approaches to teaching challenging classical topics like homophobia and gender variance. While no specific grants or awards are noted, Penrose’s work consistently bridges classical studies with modern interdisciplinary frameworks, contributing to fields such as queer studies, disability studies, and world history. His research continues to explore marginalized voices in ancient texts and their contemporary receptions.
Kuiyi Shen is Professor of Asian Art History, Theory, and Criticism at the University of California, San Diego (UCSD), where he also serves as Vice Chair and Director of the PhD Program in the Department of Visual Arts. He is affiliated with the Division of Arts and Humanities and maintains an active research, teaching, and curatorial practice focused on Chinese and Japanese art, particularly modern and contemporary Chinese art and Sino-Japanese artistic exchanges. BA in Fine Arts, Shanghai Normal University MA and PhD in Art History, The Ohio State University Shen's research centers on the evolution of Chinese art in the modern era, with emphasis on ink art, unofficial art movements, and the interplay between tradition and modernity. His work explores how political, social, and transnational forces have shaped artistic expression in China, particularly during transformative periods such as the late Qing, Republican era, and post-Cultural Revolution decades. He is deeply engaged in the study of literati painting, Buddhist art, and mass visual culture, including posters and illustrated magazines. The 15 most recent publications and exhibition catalogs reflect a consistent focus on modern and contemporary Chinese ink art, unofficial art practices, and cross-cultural dialogues. Key themes include the reinvention of tradition, the role of Japan in modern Chinese art, and the emergence of independent artistic voices during politically repressive periods. His scholarly output spans academic monographs, co-edited volumes, and curatorial projects that bridge East and West. Notable scientific achievement: 2013 ICAS Book Prize in Humanities for Arts of Modern China Shen has advised numerous exhibition projects and served on international juries, including the Guggenheim Museum and the International Awards for Art Criticism. He has held academic positions at Ohio University, SUNY Buffalo, Rice University, and the University of Oregon before joining UCSD. He is Managing Editor of Brill’s Modern Asian Art and Visual Culture book series, underscoring his leadership in the global academic community. His teaching includes courses on Chinese and Japanese art, landscape painting, and contemporary art and mass culture. Shen has curated or consulted on over 20 major exhibitions worldwide, including A Century in Crisis (Guggenheim), Blooming in the Shadows (China Institute), and Light before Dawn (Asia Society), demonstrating his dual expertise in scholarship and curatorial practice.
Steven Chung is an Associate Professor at the Department of East Asian Studies and affiliated faculty in Comparative Literature at Princeton University. He currently serves as Director of Graduate Studies and Acting Chair of the University Committee for Film Studies. Education : Ph.D. in East Asian Languages and Literatures (University of California, Irvine), M.A. in English Literature (University of British Columbia), B.A. in English Literature (University of Toronto) Research Interests span Korean and East Asian film/media, Cold War cultural histories, political/religious conversion, and film/critical theory. His work examines transnational media flows, postcolonial cinema, and ideological representations. Recent Courses : Cinematic Translation, Contemporary Korean Media Cultures, North Korean Imaginaries, Conversion Media in Asia, and graduate seminars in East Asian Film Studies. Awards : Association for Asian Studies Prize for Best Book in Korean Studies (2014)
Tarryn Chun is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame, with a concurrent appointment in the Department of East Asian Languages and Cultures. She is also a Faculty Fellow at the Liu Institute for Asia and Asian Studies. Her research focuses on modern and contemporary Chinese theatre, with an emphasis on intersections between performance, technology, and media. She holds a Ph.D. from Harvard University and completed a postdoctoral fellowship at the University of Michigan’s Lieberthal-Rogel Center for Chinese Studies. Her work explores topics such as technological modernization in Chinese theatre, intercultural performance, and the role of digital media in contemporary performance. Key publications include Revolutionary Stagecraft: Theatre, Technology, and Politics in Modern China (2024) and articles on topics like digitally enhanced Chinese performance and Mao-era theatrical practices. She serves on the boards of the Association for Asian Performance and the Association for Chinese and Comparative Literature, and is the Online Editor for Theatre Journal . Her research has been supported by awards such as the 2021 National Endowment for the Humanities Fellowship. She teaches courses on global theatre history, Asian theatre, and intercultural performance.
Wei-Cheng Lin is Associate Professor of Art History and the College at the University of Chicago , specializing in Chinese art and architecture. He serves as Faculty Director of the Dispersed Chinese Art Digitalization Project , sits on the steering committee of the Center for the Art of East Asia , and acts as Architectural Studies Advisor. His office is located in CWAC 268 with weekly office hours on Wednesdays. Educational background details are not explicitly provided in the text; however, he held an appointment as Assistant Professor of East Asian Art and Architecture at Iowa State University during 2006–2007. Lin’s research interrogates the intersections of visual and material culture in medieval Chinese Buddhist art and architecture and the ritual dimensions of Chinese funerary practices . Current book projects include Performative Architecture of China , which explores how architecture enacts meaning through historical performance, and Necessarily Incomplete: Fragments of Chinese Artifacts , which investigates the active roles of fragmentary artifacts in shaping multivalent cultural significance. Across more than twenty publications, Lin’s scholarship ranges from detailed studies of Mount Wutai and Dunhuang to theoretical inquiries into architectural historiography , materiality , and contemporary Chinese art . His work bridges art history, architectural history, religious studies, and digital humanities. Grants & Digital Initiatives: Faculty Director, Dispersed Chinese Art Digitalization Project (DCADP) — supported by the Cyrus Tang Foundation Manages DCADP publication series, including Beijing Zhihua Temple (2024) and Exhibiting East Asian Art in a Global Context (2025, co-edited with Chelsea Foxwell) Laboratories & Teams: Lin leads collaborative efforts through the Center for the Art of East Asia and the UChicago Center in Beijing , organizing exhibitions, international conferences, and digital humanities workshops that integrate art-historical research with cutting-edge visualization technologies.
Auritro Majumder is Associate Professor of English at the University of Houston's College of Liberal Arts and Social Sciences, holding a courtesy appointment in the India Studies Program. His academic profile spans literary scholarship, critical theory, and intellectual history with a focus on non-Western perspectives. His educational background includes a Ph.D. in English from Syracuse University (2014), a Certificate in Critical Theory from Cornell University (2012), an M.A. (First Class) in English from Jadavpur University (2009), and a B.A. (First Class Honours) in English from Jadavpur University (2007). Majumder's research centers on peripheral internationalism and decolonial knowledge production , examining literary traditions across India, the Soviet Union, China, Latin America, and the United States. His work bridges literary theory , critical race studies , and global political movements , with particular emphasis on Bengali literature, caste-race intersections, and South-South cultural networks. His monograph Insurgent Imaginations: World Literature and the Periphery (Cambridge University Press, 2020) redefines world literature through non-Western frameworks. Analysis of his 15 most recent publications reveals consistent engagement with decolonial aesthetics , transnational solidarity , and subaltern epistemologies . His scholarship demonstrates interdisciplinary reach spanning literary studies, political theory, film criticism, and comparative intellectual history, with increasing focus on contemporary debates around planetary consciousness and peripheral modernities. His scientific recognition includes: Project Completion Grant, CLASS (2019) William Lee Pryor College Professorship (2018-2019) Research Progress Grant (2017) CLASS Research Funds (2016) New Faculty Summer Research Grant (2015) Majumder actively contributes to academic service as Executive Committee member of the Modern Language Association’s South Asian and South Asian Diasporic Language, Literature and Culture Forum, editorial board member for Mediations , jurist for the National Endowment for the Humanities, and reviewer for multiple international journals. He has lectured globally across North America, South Asia, Europe, and Brazil. His teaching portfolio includes courses on postcolonial literature, modern Indian literature, and graduate seminars in postcolonial theory. Current projects include a monograph titled The Global South in Literature and Theory and a co-edited anthology Cultures of the Cold War in South Asia .
