Find Academic Supervisors

Haiyan Lee serves as the Walter A. Haas Professor of the Humanities and Professor of East Asian Languages and Cultures and of Comparative Literature at Stanford University. She has held these positions since joining Stanford in 2009, and currently serves as Chair of the East Asian Languages and Cultures department (2020-present). Her academic journey includes previous teaching appointments at the University of Colorado at Boulder and the University of Hong Kong, along with post-doctoral fellowships at Cornell University and Harvard University. Lee's research spans multiple interdisciplinary fields with particular focus on modern Chinese literature and cultural production. Her work bridges literary studies with law, philosophy, cognitive science, affect theory, gender studies, and environmental humanities. She has developed influential theoretical frameworks including the concept of "high justice" and "low justice" in Chinese legal imagination. Her current research explores animism, cognition, and the Chinese environmental imagination, extending her longstanding interest in human-animal relations. Lee's publications reveal a consistent trajectory examining Chinese cultural production through innovative theoretical lenses. Her recent work shows increasing engagement with legal theory, environmental humanities, and cognitive approaches to literature. She has produced significant scholarship on Chinese concepts of justice, love, and the stranger, moving across historical periods from early 20th century to contemporary China. Biennial Book Prize, Honorable Mention, International Society for Chinese Law and History (ISCLH) (2024) Humanities Seed Grant, Stanford School of Humanities and Sciences (2023-2025) Bass Fellowship in Undergraduate Education, Stanford University (2022-2027) Joseph Levenson Book Prize, The Association for Asian Studies (2009) Professor Lee actively mentors doctoral students across multiple disciplines, serving as dissertation advisor, co-advisor, and committee member for students working at the intersection of Chinese studies, law, literature, and cultural theory. Her teaching includes courses across East Asian humanities, comparative literature, and interdisciplinary environmental studies. She has received significant research support including the Frederick Burkhardt Residential Fellowship from the American Council of Learned Societies and a residency at the Center for Advanced Study in the Behavioral Sciences.

• Modern Chinese literature
• Chinese popular culture
• philosophy and literature
• +9 more

Kenneth Pomeranz is the University Professor of Modern Chinese History at the University of Chicago in the Department of East Asian Languages and Civilizations (EALC). Previously taught at the University of California, Irvine , his research spans late Imperial and twentieth-century China , comparative world history , and global economic systems . Research Focus: Reciprocal influences between state, society, and economy; origins of the world economy through mutual regional influences; comparative studies of labor, family organization, and economic history. Current Projects: A history of Chinese political economy from the seventeenth century to the present; a book titled Why Is China So Big? exploring China's political unity despite its vast size. Scientific Awards and Fellowships: John K. Fairbank Prize (twice) World History Association Book Prize (shared) Guggenheim Fellowship American Academy of Arts and Sciences Fellow Publications: Key works include The Great Divergence , The Making of a Hinterland , and The World that Trade Created . His articles address topics such as labor-intensive industrialization, global environmental history, and Qing state-building.

• Modern Chinese History
• Comparative and World History
• Social History
• +6 more

Martin Kern is the Joanna and Greg Zeluck ’84 P13 P18 Professor in Asian Studies at Princeton University. He specializes in ancient Chinese literature, philology, and textual studies, with a focus on poetry, ritual, and cultural memory. Kern co-edits T'oung Pao and directs the "International Center for the Study of Ancient Text Cultures" at Renmin University, Beijing. Education: Ph.D. in Sinology, Cologne University M.A. in Sinology, Cologne University His research spans early Chinese rhetoric, authorship debates, manuscript analysis, and the intersection of writing/orality. He has led Princeton's "Comparative Antiquity" initiative (2018–2022) and co-directs the Princeton-Venice Summer School in Classical Chinese. Recent publications include studies on the Classic of Poetry , Chuci , and Zuozhuan , emphasizing newly discovered manuscripts and their impact on understanding ancient Chinese textuality. His work often bridges philological rigor with comparative theoretical frameworks. Scientific Awards: Member of the American Philosophical Society President of the American Oriental Society (2023–2024) Kern's editorial roles include co-editing the monograph series Studies in the History of Chinese Texts and the Handbook of Oriental Studies: Section 4 China . He has held leadership positions in major academic initiatives on ancient China.

• Ancient Chinese Literature
• Philology
• Early Chinese Poetry
• +7 more

Xi Lian serves as the David C. Steinmetz Distinguished Professor of World Christianity at Duke Divinity School and is currently a Yang Visiting Scholar at Harvard Divinity School. His scholarly work examines the complex relationship between Christianity and Chinese society across historical periods. His educational background includes: BA and MA from Fujian Normal University PhD from the State University of New York at Albany Professor Lian's research focuses on: The development of indigenous Chinese Christian movements Religious transformation in post-Mao China Christian missionary history in China Religion's role in cultural and political change He has authored several groundbreaking books including The Conversion of Missionaries: Liberalism in American Protestant Missions in China, 1907-1932 (1997), Redeemed by Fire: The Rise of Popular Christianity in Modern China (2010), and Blood Letters: The Untold Story of Lin Zhao, a Martyr in Mao's China (2018). His current research investigates how homegrown Christianity has emerged as a transformative force in contemporary Chinese public life, offering new moral frameworks in the post-Mao era. Professor Lian's scholarship bridges historical, theological, and sociological perspectives to document how Christian beliefs have been adapted within Chinese cultural contexts, challenging Western-centric narratives about global Christianity.

• World Christianity
• Chinese Christianity
• Religious History
• +3 more

Sunny Xiang is an Associate Professor of English at Yale University, where she teaches and conducts research at the intersection of literature, race, war, and empire. Her work critically examines U.S. military empire in Asia and the Pacific, particularly through aesthetic, cultural, and documentary forms from the mid-twentieth century. She is affiliated with the Department of English in the Faculty of Arts and Sciences at Yale. Ph.D., University of California, Berkeley B.A., Northwestern University Her research focuses on the cultural genealogies of American empire, with an emphasis on how war and militarism shape perception, knowledge, and everyday life. Key areas include Cold War aesthetics, Asian American studies, Pacific studies, critical militarization studies, and feminist science studies. She is particularly interested in how literary and cultural forms reveal the intimate, quotidian, and often invisible operations of empire. Her publications span journals such as ASAP/Journal , Radical History Review , PMLA , and Public Books . Her first book, Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), explores the visual and narrative trope of Oriental inscrutability in relation to U.S. intelligence operations. Her current project, Chemical Apophenia: Air Conspiracies and Skin Connections in the Toxic Tropics , investigates how WWII military science in the Pacific generated new paradigms for detecting toxicity. The articles reflect a consistent engagement with themes of militarized domesticity, aesthetic excess, diasporic memory, and the entanglement of fashion, food, and war in imperial contexts. Mundane Militarisms: War, Archives, and Everyday Life (2024) Militarized Comfort: How to Feel Naked While Wearing Clothes (2023) Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific (2022) Wars of Contemporary Life (2020) Global China as Genre (2019) Sunny Xiang has not been mentioned in relation to any scientific awards or fellowships in the provided text. She teaches courses such as War and Everyday Life, Readings in Comparative World English Literatures, and The Teaching of English. While her advisees or research teams are not listed, her scholarship demonstrates deep engagement with interdisciplinary methodologies and collaborative work, such as with the Mundane Militarisms Collective. She has not indicated any lab affiliations, but her research involves critical archival work and analysis of visual, literary, and cultural materials.

• Asian/Pacific/American literature and culture
• war, militarism, and imperialism in Asia and the Pacific
• Cold War and mid-century culture
• +14 more

Edward L. Shaughnessy serves as the Lorraine J. and Herrlee G. Creel Distinguished Service Professor in Early Chinese Studies and Director of Graduate Studies in the Department of East Asian Languages and Civilizations at the University of Chicago. A renowned scholar of ancient China, he specializes in archaeologically recovered texts from the Zhou dynasty period (c. 1045-249 BCE), particularly bronze inscriptions, bamboo-slip manuscripts, and the classical texts Zhou Yi (I Ching), Shang Shu, and Shi Jing. His research interests focus on the intersection of archaeological discoveries and literary traditions, with particular expertise in bronze inscriptions and the Zhou Yi. Shaughnessy has pioneered efforts to bridge Western and Chinese scholarly traditions, publishing extensively in both English and Chinese. He has written seven volumes of technical scholarship in Chinese and is currently leading an international team translating Tsinghua University's fourth-century BCE bamboo-slip manuscripts. His recent scholarly output shows strong trends in paleographic studies, with numerous publications analyzing newly excavated manuscripts. His work demonstrates a consistent focus on textual transmission, historical context, and the relationship between archaeological evidence and received literary traditions. Notable patterns include systematic analysis of bamboo-slip manuscripts, comparative studies of textual variants, and interdisciplinary approaches combining philology, archaeology, and historical analysis. Shaughnessy has received recognition through his appointment as a Distinguished Service Professor, one of the highest academic honors at the University of Chicago. His scholarly contributions have significantly advanced the field of early Chinese studies through both original research and editorial work. As an educator, Shaughnessy teaches seminars on oracle-bone inscriptions, bronze inscriptions, bamboo-strip inscriptions, and courses on the Yi jing, Shi jing, and Shang shu. He serves as Director of Graduate Studies for the department and has supervised numerous graduate students. His current and upcoming courses include 'The Ji Zhong Discovery,' 'The Development of Early China Studies in the West,' 'Western Zhou Bronze Inscriptions,' 'The Shang shu,' and 'The Shi jing.' Shaughnessy maintains an active research program with current projects including the translation of Tsinghua University's bamboo manuscripts and serving as co-editor of the journal Bamboo and Silk. His scholarly network extends internationally, as evidenced by his 2013 lecture series at the Collège de France titled 'Unearthing the Chinese Classics,' where he presented on the Zhou Yi, Shang Shu, Shi Jing, and Laozi.

• Ancient Chinese History
• Chinese Archaeology
• Early Chinese Texts
• +6 more

Sohl Lee serves as Associate Professor in the Department of Art History and Criticism at Stony Brook University, specializing in Contemporary East Asian Art and Visual Culture, Critical Theory and Globalization, and Curatorial Studies. Holding a Ph.D. from the University of Rochester since 2014, she contributes significantly to the academic community through teaching and research. Her educational background features: Ph.D. in Visual and Cultural Studies from the University of Rochester (2014) Professor Lee's research explores modern and contemporary East Asian art through interdisciplinary lenses including aesthetics of politics, activist art, vernacular modernism, postcolonial theory, and historiography. Her scholarship appears in prominent journals such as Yishu: Journal for Contemporary Chinese Art , Art Journal , and InVisible Culture , establishing her as a leading voice in global art discourse. Her publication trajectory reveals consistent engagement with democracy, ecological consciousness, and Cold War legacies across East Asian contexts. Key thematic threads include the intersection of art and political movements, ecological thinking in Korean contemporary art, and visual representations of national division—demonstrating how artistic practices navigate complex socio-political landscapes. Dr. Lee's scholarly contributions have been recognized through competitive fellowships: Social Sciences Research Council Fellowship Korea Foundation Fellowship Susan B. Anthony Institute of Gender and Women Studies Fellowship She actively shapes student learning through undergraduate courses including 'Art and the City,' 'Modern and Contemporary Korean Art,' and 'Social Engagement and Publicness in East Asia.' Her curatorial practice extends academic work into public spheres through exhibitions mounted in both the United States and South Korea, bridging theoretical frameworks with tangible cultural production.

• Contemporary East Asian Art
• Visual Culture
• Critical Theory
• +7 more

Stephen F. Teiser is the D.T. Suzuki Professor in Buddhist Studies and Professor of Religion at Princeton University. He holds the Old Dominion Research Professor title in the Humanities Council (2022-2023). His work focuses on Buddhist rituals, Chinese religious history, and the intersection of Indian and Chinese religious traditions. Teiser delivered lectures at Fudan University, shaping his research into broader scholarly discourse. His book Ritual and the Study of Buddhism (2022) explores Buddhist rituals in Chinese contexts, emphasizing cross-cultural and methodological insights. His research bridges medieval Chinese religious practices with modern academic frameworks, addressing topics like funerary rituals, lay communities, and textual interpretation. His academic contributions span Buddhist historiography, ritual studies, and East Asian religious history. Notable works include analyses of the Ghost Festival, Dunhuang liturgies, and comparative religious texts. Teiser’s interdisciplinary approach highlights the adaptation of Buddhism in Chinese culture and its global scholarly relevance. Awards: Old Dominion Research Professor (2022-2023) Teiser’s research also engages with collaborative international projects, such as co-editing volumes on divination and East Asian manuscripts. His work emphasizes the importance of language and cultural context in interpreting religious practices, making his scholarship foundational for understanding Buddhism’s evolution in China.

• Buddhist Studies
• Chinese Religion
• Medieval Chinese History
• +3 more

Michele Matteini serves as Associate Professor in the Department of Art History at New York University's College of Arts and Science, specializing in Late Imperial Chinese painting and material culture (ca. 1400-1800) with focus on Qing dynasty antiquarianism, collecting practices, and eighteenth-century transnational artistic exchanges. His academic credentials include: Ph.D. (2012) in History of Art from the Institute of Fine Arts M.A. (2004) in History of Art from New York University B.A. (2000) summa cum laude from the University of Venice, Ca’ Foscari Research interests encompass Late Imperial Chinese painting, antiquarianism, collecting culture, Qing history, urban culture, inter-Asian artistic exchanges, eighteenth-century globalism, craft traditions, embodied knowledge, and art historical methodology. His interdisciplinary approach bridges anthropology, religious studies, and art history to examine material culture across East Asia. Recent publications reveal consistent thematic focus on eighteenth-century material practices, analyzing antiquarian objects, historical figure cults, and cross-cultural artistic production. Works integrate art historical analysis with anthropological perspectives on topics like rock collecting, filial piety, and sacred materiality, demonstrating how objects functioned within social and global contexts. His scholarly recognition includes: The Andrew Mellon Foundation Fellowship for Assistant Professors, Institute for Advanced Study, Princeton (2013-2014) Ittleson Fellowship, Center for Advanced Study in the Visual Arts, National Gallery of Art (2007-2009) Panofsky Distinguished Fellowship, Institute of Fine Arts, New York University (2002-2007) Matteini's research has been supported by major fellowships from the Andrew W. Mellon Foundation and National Gallery of Art. While current advising activities and grant projects beyond these fellowships are not detailed in available sources, his extensive publication record indicates sustained scholarly productivity focused on East Asian material culture.

• Late Imperial Chinese painting and material culture
• antiquarianism and collecting culture
• Qing history
• +6 more

Valerie Hansen is the Stanley Woodward Professor of History at Yale University's Department of History. She specializes in Chinese history to 1600, the Silk Road, and global medieval connectivity. Her research bridges legal, religious, and economic dimensions of pre-modern societies. Hansen’s work includes groundbreaking books such as The Year 1000 (2020), redefining globalization’s origins, and The Silk Road: A New History (2012), integrating archaeological and textual sources. She led the Luce Foundation-funded Silk Road Project (1995–1998), unifying Turfan artifacts. Her articles span legal pluralism in Silk Road cities, Liao dynasty material culture, and Viking exploration’s global impacts. Awards include American Academy of Arts and Sciences Fellowship (2021) and Collège de France lectureship (2019). Hansen collaborates internationally, editing volumes on textiles as money and Song-Yuan studies. Her research emphasizes interdisciplinary methods, blending history with archaeology and art.

• Chinese History to 1600
• Global Medieval History
• History of the Silk Road
• +3 more

Mariane C. Ferme is a Professor in the Department of Anthropology at the University of California, Berkeley. Her research focuses on sociocultural dynamics in West Africa, particularly Sierra Leone, with expertise in political anthropology, legal studies, and material culture. She holds a PhD in Anthropology from the University of Chicago and has taught at prestigious institutions including the University of Cambridge and École des Hautes Études en Sciences Sociales. Education : PhD in Anthropology (University of Chicago), MA in Political Science (University of Milano), BA in Anthropology (Wellesley College). Ferme’s research spans the political imagination in conflict zones, agrarian transformations, and the interplay between humanitarian law and local justice systems. Her work has been supported by major grants from the National Science Foundation and the France-Berkeley Fund. She has published extensively on Sierra Leone’s post-war societies and the socio-cultural dimensions of the Ebola outbreak. Scientific awards include funding from the National Science Foundation, Hellman Family Faculty Fund, France-Berkeley Fund, Harvard Academy for International and Area Studies, and the Carter Woodson Institute for African and African-American Studies.

• Sociocultural Anthropology
• Political Anthropology
• African Studies
• +5 more

Wei-Cheng Lin is Associate Professor of Art History and the College at the University of Chicago , specializing in Chinese art and architecture. He serves as Faculty Director of the Dispersed Chinese Art Digitalization Project , sits on the steering committee of the Center for the Art of East Asia , and acts as Architectural Studies Advisor. His office is located in CWAC 268 with weekly office hours on Wednesdays. Educational background details are not explicitly provided in the text; however, he held an appointment as Assistant Professor of East Asian Art and Architecture at Iowa State University during 2006–2007. Lin’s research interrogates the intersections of visual and material culture in medieval Chinese Buddhist art and architecture and the ritual dimensions of Chinese funerary practices . Current book projects include Performative Architecture of China , which explores how architecture enacts meaning through historical performance, and Necessarily Incomplete: Fragments of Chinese Artifacts , which investigates the active roles of fragmentary artifacts in shaping multivalent cultural significance. Across more than twenty publications, Lin’s scholarship ranges from detailed studies of Mount Wutai and Dunhuang to theoretical inquiries into architectural historiography , materiality , and contemporary Chinese art . His work bridges art history, architectural history, religious studies, and digital humanities. Grants & Digital Initiatives: Faculty Director, Dispersed Chinese Art Digitalization Project (DCADP) — supported by the Cyrus Tang Foundation Manages DCADP publication series, including Beijing Zhihua Temple (2024) and Exhibiting East Asian Art in a Global Context (2025, co-edited with Chelsea Foxwell) Laboratories & Teams: Lin leads collaborative efforts through the Center for the Art of East Asia and the UChicago Center in Beijing , organizing exhibitions, international conferences, and digital humanities workshops that integrate art-historical research with cutting-edge visualization technologies.

• Chinese art history
• Chinese architectural history
• Buddhist art and architecture
• +7 more

Paul Harrison is the George Edwin Burnell Professor of Religious Studies at Stanford University , with a courtesy appointment in East Asian Languages and Cultures. He serves as Co-Director of the Ho Center for Buddhist Studies , focusing on Buddhist literature, history, and manuscript analysis across Mahāyāna and Mainstream traditions. Specializes in Buddhist manuscripts in Sanskrit, Chinese, and Tibetan Current projects: Editions of the Vajracchedikā (Diamond Sutra) and Vimalakīrtinirdeśa Research emphasizes textual authority, transmission, and innovation in Mahayana Buddhism Contact: paulh1@stanford.edu | Office: Building 70, Room 72E

• Buddhist Literature
• Mahāyāna Buddhism
• Buddhist Manuscripts
• +3 more

Zhuo Ban is an Associate Professor in the School of Communication, Film, & Media Studies at the University of Cincinnati, conducting critical global research on Organizational Communication and Public Relations with focus areas including globalized supply chains, offshore labor politics, and corporate social responsibility discourses. Her work has been published in leading journals such as Organization and Management Communication Quarterly . Her educational background includes: PhD in Communication, Purdue University, 2012 MA in Communication, Tsinghua University, 2008 Dr. Ban's research critically interrogates three interconnected domains: Activism and Resistance through culture-centered reinvigoration of theoretical models; Globalization and Marginalization by challenging functional rationality in public relations scholarship; and US-China Offshoring Dynamics analyzing corporate constructions of China's business environment. She employs discourse analysis to examine power structures in contexts ranging from Chinese house churches to breastfeeding discourse in cyberspace. Her publication portfolio reveals consistent engagement with labor politics and discursive constructions of power, evidenced by recurring themes across 12 recent works including migrant labor discourse in China, fair wage negotiations, and Orientalist representations in U.S. news media. Key methodological approaches involve culture-centered analysis and critical discourse frameworks applied to corporate communications and identity formation in Chinese contexts. Dr. Ban actively contributes to academic governance through membership in the Research Working Group, LEAF team, Graduate Admission Committee, Educator Faculty Search Committee, and Diversity and Inclusion Committee. She also serves as reviewer for Communication, Culture and Critique , Environmental Communication , and Health Communication , while teaching undergraduate courses in PR Research and PR Campaigns alongside graduate seminars in Public Relations and Issue Management.

• Organizational Communication
• Public Relations
• Globalization
• +4 more

Mark Halperin is a Professor of Chinese and Department Chair of East Asian Languages and Cultures at the University of California, Davis. He holds a Ph.D. from the University of California, Berkeley (1997). His research focuses on Medieval Chinese literature, religion, and literati culture, with particular emphasis on Chinese conceptions of fatherhood and interreligious dynamics in pre-modern China. Education: Ph.D., University of California, Berkeley (1997). Research interests encompass: Medieval Chinese literature and its religious contexts Buddhist and Daoist traditions in literati culture Gender and religious practice in Song China Confucian and Daoist textual traditions His publications explore themes such as Buddhist hagiographies, Song Dynasty religious interactions, and Daoist movements. Recent work includes a translation of Lu Rong's Ming Confucian's World (2022) and articles on medieval Chinese religious narratives. No scientific awards listed. No advising/grant details provided. No labs or teams explicitly mentioned in the profile.

• Medieval Chinese literature
• Chinese religion
• Literati culture
• +3 more