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Tom McEnaney is an Associate Professor of Comparative Literature and Spanish & Portuguese at the University of California, Berkeley, and Director of the Berkeley Center for New Media (BCNM). He holds a joint appointment in the Department of Spanish & Portuguese and serves on the Executive Board of UC Cuba. He is affiliated with the Center for Cultural Analytics, the Program in Critical Theory, the Center for Science, Technology, Medicine and Society, and the Data Science Lab (D-Lab). His research focuses on the history of media and technology, Argentine, Cuban, and U.S. literature, sound studies, linguistic anthropology, computational humanities, and new media studies. His book Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas (2017) explores the interplay of radio and narrative in Argentina, Cuba, and the U.S., analyzing populism, state socialism, and the reimagining of the vox populi through listening practices. McEnaney’s work has appeared in journals such as diacritics , PMLA , and Representations , and media outlets like The New York Times and Public Books . He is a Mellon New Directions Fellow (2020–2023) in cultural analytics and leads a project on tape technology’s impact on testimonial writing, rock nacional, electronic music, and audiobooks in the Americas. Previously an Assistant Professor at Cornell University, he founded the Latin American Journals Project, an online archive of digitized literary journals from Latin America and the Hispanophone Caribbean. His current affiliations emphasize interdisciplinary collaboration and expanding access to cultural archives globally.

• History of Media and Technology
• Argentine Literature
• Cuban Literature
• +6 more

Andrew Lynch serves as Professor and Associate Dean for Program Development in the Department of Modern Languages & Literatures within the College of Arts and Sciences at the University of Miami. His academic leadership extends beyond teaching responsibilities to include significant administrative contributions to program development across the institution. Lynch's research interests center on sociolinguistics with particular focus on Spanish language dynamics in Miami, heritage language socialization, bilingualism, and language ideology. His work examines how language functions within specific social contexts, especially in workplace environments where Spanish heritage speakers navigate linguistic demands. He investigates the complex interplay between language, identity, and social structures in postmodern urban settings, with special attention to the Cuban diaspora experience in South Florida. His publication record reveals consistent scholarly engagement with heritage language education, Spanish language variation, and the sociolinguistic landscape of global cities. Lynch's research demonstrates how language practices in Miami reflect broader patterns of linguistic adaptation and resistance within diasporic communities. His work often addresses the tension between linguistic heritage and social integration, examining how language ideologies shape educational practices and community identity. Lynch's scholarly contributions span multiple formats, including single-authored books, co-authored publications, handbook chapters, and journal articles in both English and Spanish. His work frequently appears in high-impact sociolinguistics and language education journals, reflecting his interdisciplinary approach that bridges theoretical linguistics with practical educational implications.

• Sociolinguistics
• Heritage Languages
• Spanish Language
• +7 more

Ramsey McGlazer is an Associate Professor specializing in twentieth-century European and Latin American literature, film, and critical theory. His research engages with poetry, politics-aesthetics intersections, critical carceral studies, and feminist/queer/psychoanalytic frameworks. He holds a Ph.D. in Comparative Literature and Critical Theory from UC Berkeley (2015) and previously taught at the University of St Andrews and Brown University’s Pembroke Center. McGlazer’s work interrogates modernist critiques of progress, radical psychiatry movements, and the interplay between aesthetic practices and institutional critique. His acclaimed monograph Old Schools: Modernism, Education, and the Critique of Progress (2020) won the American Association for Italian Studies First Book Prize. Current projects include The Clinic and its Double , exploring mid-century radical psychiatry and avant-garde art. He serves as Senior Editor of Critical Times and Coeditor of Italian Culture , and has translated key works like Rita Segato’s The War Against Women . McGlazer’s writing appears in venues such as Los Angeles Review of Books and n+1 . Research interests span Surrealist provocations, Brazilian artist Lygia Clark’s propositions, and transnational feminist solidarities. His scholarship bridges literary analysis with critical engagements in carceral studies, postcolonial theory, and decolonial thought.

• Twentieth-century literature
• Film studies
• Critical theory
• +9 more

Jason Cortés is an Associate Professor and Program Director in American Studies at Rutgers University-Newark, with affiliations in the Department of Classical and Modern Languages and Literatures, Africana Studies, Spanish and Portuguese Studies, and the Program in Women's and Gender Studies. His research focuses on Caribbean, US Latina/o, and Spanish American literatures through the lenses of cultural studies and critical theory. Education: Ph.D., Spanish American Literature, Pennsylvania State University M.A., Comparative Literature, PSU B.A., Comparative Literature, University of Puerto Rico (Mayaguez, PR) His scholarship explores intersections of masculinity, authorship, and cultural identity in Latino-Caribbean narrative. Current projects include Loving Death: The Necrophilic Imagination in Latin/o America and Tales of Disposability: Puerto Rico in the Post-911 Era .

• Caribbean literature
• US Latina/o literature
• Spanish American literature
• +4 more

Jennifer Gómez Menjívar is Professor and Director of the M.A. in Media Industries and Critical Cultural Studies at the University of North Texas. Her research examines historical and ethno-linguistic movements influencing text production, circulation, and reception across print media, screen cultures, and digital communities. With over 18 years of teaching experience, she previously held positions at international organizations including the UNECE and UNDP. Her scholarly interests span media linguistics, film adaptation, digital activism, hemispheric animation histories, Indigenous sovereignty media, and Spanish-language media. Her publications demonstrate interdisciplinary work bridging media studies, cultural history, and postcolonial theory. Her extensive publication record includes books such as Tropical Tongues: Language Ideologies, Endangerment, and Minority Languages in Belize (2018) and Black in Print: Plotting the Coordinates of Blackness in Central America (2023), as well as co-edited volumes on Indigenous technology and hemispheric Blackness. She received a Senior Research Fellowship at Freie University Berlin for her upcoming work on Indigenous sovereignty media. Gómez Menjívar teaches courses including Introduction to Graduate Studies in Media Arts, Women in Film, and Global Media. She also mentors students in critical media analysis and serves as faculty advisor for media research projects.

• Media Linguistics
• Film Adaptation
• Digital Activism
• +3 more

Chi-Ming Yang is a Professor of English at the University of Pennsylvania's School of Arts & Sciences, where she has established herself as a leading scholar in literary and visual culture studies with a focus on race, empire, and East-West cultural exchanges. Her interdisciplinary approach bridges British, American, Asian, and Latin American studies while examining historical periods from the early modern era through the 18th century to contemporary contexts. Educational Background: Ph.D. in English from Cornell University B.A. in Comparative Literature from Stanford University with emphases in Spanish, Chinese, and English Professor Yang's research interrogates the intersections of race, visual culture, and imperial histories through multiple disciplinary lenses. Her work explores how objects, images, and texts function within global networks of power and representation, with particular attention to transpacific and transatlantic connections. She has developed significant expertise in chinoiserie, material culture, and the visual dimensions of racial formation across historical periods. Her recent publications demonstrate a growing interest in ecological perspectives on race and empire, particularly evident in her 2021 article 'The Song of the Rice Bird,' which innovatively examines plantation slavery through avian migration patterns. Her scholarship consistently bridges historical analysis with contemporary concerns about representation, power, and cultural exchange. Professional Recognition: 2022 Best Advisor Award in English, Sponsored by the English Undergraduate Advisory Board Professor Yang maintains an active advising role, having chaired doctoral dissertations including Jacob Myers' 'Noxious Life: Figuring Vermin in the Natural Histories of the Anglophone Caribbean' (2025) and Cassidy Holahan's 'Dramatizing the Novel: Transmedial Exchange in the Long Eighteenth Century' (2023). She regularly participates in departmental workshops and events, including the 2024 conversation with Sharon Holland exploring Black feminist perspectives on animal life in relation to Octavia E. Butler's work. Her teaching portfolio reflects her interdisciplinary approach, with recent courses including 'Science Fictions of Octavia E. Butler,' 'Orientalisms,' '18th-Century British Poetry,' and 'Arts of Abolition and Liberation,' demonstrating her commitment to connecting historical scholarship with contemporary social justice concerns.

• Literary and visual culture of race and empire
• East-West cultural exchanges
• Transatlantic/transpacific exchanges
• +12 more

Rebecca Dyer is a **Professor of English** at **Rose-Hulman Institute of Technology**, where she has been affiliated since 2002. Her academic career includes teaching Technical and Professional Communications, film, and literature courses, with a focus on transnational, postcolonial, and British studies. She holds a PhD in English from the University of Texas at Austin (2002), an MA from the University of Tulsa (1995), and a BS in Journalism from Oklahoma State University (1989). Her research explores class, power, and anticolonial dynamics in literature and film. Notable projects include analyses of works by Graham Greene, Harold Pinter, Mahmoud Darwish, and filmmakers like Jean-Luc Godard. She conducted Fulbright-funded research in Lebanon (2007–08), producing scholarship on servant narratives and Lebanese cultural studies. Her work frequently intersects with migration, displacement, and transnational identities. Dr. Dyer’s awards include the **Fulbright Traditional Scholars Award** (Lebanon) and **Rose-Hulman’s Scholar of the Year Award** (2007). Her teaching and research span global literatures, with a particular emphasis on British and Arabic texts. She has also taught at France’s Université d’Orléans (2015–16) and contributed to cultural studies courses abroad. Her publications address themes like servant-worker depictions, postcolonial cinema, and memorialization of conflicts. Current research includes forthcoming analyses of Bong Joon Ho’s *Parasite* and Steven Zaillian’s *Ripley* series, exploring parasitic power dynamics.

• British Literature
• Transnational Literature
• Postcolonial Studies
• +5 more

Glenda R. Carpio is the Powell M. Cabot Professor of English and Professor of African and African American Studies at Harvard University. She holds a Ph.D. in English from UC Berkeley and a B.A. from Vassar College. Her research focuses on African American literature, humor studies, and intersections of race, immigration, and cultural identity. She has published critically acclaimed works like Laughing Fit to Kill and co-edited African American Literary Studies . Her teaching spans Harvard, NYU, and Compton schools through Teach for America. Notable awards include the Harvard Abramson Teaching Award and a Fulbright Fellowship. She is affiliated with the W.E.B. Du Bois Institute and has advised initiatives like Fuerza Latina. Current projects explore immigration narratives in American literature. Her interdisciplinary work bridges literature, art, and historical memory, with contributions to Daedalus , American Literature , and Chronicle of Higher Education . She advises Harvard undergraduates and engages in public discourse on race and culture.

• African American Literature
• Latino/a U.S. Literature
• Race and Popular Culture
• +3 more

Heather A. West serves as Associate Professor of French in the Department of World Languages and Cultures at Samford University's Howard College of Arts and Sciences, where she directs the Critical Languages Program and sponsors the French Club and Delta Upsilon chapter of Dobro Slovo (National Slavic Honor Society). Education: BA in French, Birmingham-Southern College BA in Spanish, Samford University MA in French, Mississippi State University MAEd, University of Alabama at Birmingham PhD in Romance Languages, University of Alabama at Tuscaloosa Research Interests: Dr. West specializes in contemporary Quebec literature and culture, with significant contributions to Caribbean literary studies across French, Spanish, and English traditions, particularly focusing on Haitian diaspora narratives within broader Romance language frameworks. Her interdisciplinary approach bridges Francophone, Hispanophone, and Anglophone cultural studies through postcolonial and diaspora lenses. Scientific Awards: Chevalier de l’ordre des Palmes académiques (Knight of the Order of Academic Palms) from the French government (2015) Advising and Grants: As campus representative for major international programs, Dr. West administers the David L. Boren Awards, Critical Languages Scholarship, College Language Association's Carroll Mills Young Scholarship, and American Society of French Academic Palms Summer Scholarship. She also serves as non-certifying advisor for the Benjamin Gilman International Scholarship Program, facilitating extensive student study abroad opportunities. Professional Leadership: Dr. West acts as Alabama state administrator for the National French Contest (Le Grand Concours) and serves as secretary of the National Association of Self-Instructional Language Programs, demonstrating institutional commitment to language education advancement.

• Quebec literature and culture
• Caribbean literature
• Haitian diaspora studies
• +3 more

Desmond Jagmohan is an Assistant Professor of Political Science at the University of California, Berkeley, specializing in American Politics, Political Theory & Philosophy, and Race and Ethnic Politics. Born in Guyana and raised in Chicago after migrating at sixteen, he served in the U.S. military before pursuing academia. His research focuses on the politics of the oppressed, with particular attention to African American political thought under conditions of subjugation. Dr. Jagmohan's research interests span the History of American and African American Political Thought, Race and American Political Development, History of Conservatism, Property, Slavery, and Nationalism, and Caribbean Political Thought. His work examines how marginalized communities navigate oppression through strategies that often require deception and concealment, as evidenced in his forthcoming book Dark Virtues: Booker T. Washington's Tragic Realism which analyzes Washington's politics of deception under Jim Crow. His recent publications reveal a consistent focus on resistance strategies of the oppressed, with articles examining Harriet Jacobs, Marcus Garvey, Booker T. Washington, and theoretical frameworks for understanding racial oppression. His scholarship bridges historical analysis with contemporary political theory, particularly exploring how anger functions as a political emotion for oppressed communities. 2025 Social Science Distinguished Teaching Award at UC Berkeley Laurance S. Rockefeller Visiting Faculty Fellow at Princeton's University Center for Human Values (2022-23) National Fellow at the Hoover Institution at Stanford (2018) APSA Best Dissertation Award from the Race, Ethnicity, and Politics Section (2015) Before joining Berkeley, Dr. Jagmohan taught at Princeton as Assistant Professor of Politics and held the Laurance S. Rockefeller Preceptorship. He received his M.A. and Ph.D. in Government from Cornell University and his B.A. in Philosophy and History from Northeastern Illinois University. His teaching portfolio includes courses on the history of American and African American political thought, race and American political development, political culture, and a recurring seminar on resistance.

• American Politics
• Political Theory
• African American Political Thought
• +5 more

Barbara Fuchs is a Professor in the Department of English at the University of California, Los Angeles, specializing in early modern European literature across Spanish, English, French, and Italian traditions from the 15th to 17th centuries. Her work emphasizes transnational contexts, theater and performance studies, and cultural production within imperial frameworks, with significant contributions to Mediterranean and transatlantic studies. Education Ph.D. in Comparative Literature, Stanford University (1997) B.A./M.A. in Comparative Literature (English, French, Spanish), summa cum laude, Yale University (1992) Research Interests Professor Fuchs' scholarship centers on transnationalism in early modern literature, examining how theater and performance negotiated imperial identities across Mediterranean and transatlantic contexts. Her work critically engages with race and religion in the early modern world, picaresque traditions, and Cervantes studies, revealing how cultural encounters shaped literary production. She bridges historical analysis with contemporary relevance through public humanities initiatives focused on classical Hispanic theater. Publication Trends Her recent publications demonstrate interdisciplinary innovation, merging literary analysis with performance studies and material culture. Recurring themes include transnational exchange mechanisms, racial formation processes, and textual materiality, while recent work addresses pandemic-era digital performance and modern adaptations of classical works. This trajectory highlights her commitment to connecting historical scholarship with current social and artistic practices. Scientific Awards Premio Ñ from the Instituto Cervantes (inaugural award) for promotion of Spanish language and culture Advising and Leadership Professor Fuchs mentors undergraduate and graduate students in early modern studies, translation, and performance. She leads the UCLA "Diversifying the Classics" initiative and LA Escena festival, securing institutional support for these collaborative projects. Her editorial leadership includes serving as articles editor for Renaissance Quarterly and co-editing the Norton Anthology of World Literature , demonstrating field-wide influence. Projects and Teams She directs the "Diversifying the Classics" initiative, which collaborates with theater professionals to adapt Hispanic classical works for contemporary Los Angeles audiences, and founded LA Escena—the biennial festival of Hispanic classical theater. These projects unite scholars, artists, and communities to explore historical texts through modern performance lenses, emphasizing accessibility and cultural relevance.

• Early Modern Literature
• Transnationalism
• Theater and Performance
• +7 more

Claudia Arteaga serves as Associate Professor of Spanish, Latin American, and Caribbean Literatures and Cultures and Chair of the Department of Spanish, Latin American and Caribbean Literatures and Cultures at Scripps College. Her academic profile centers on indigenous representation in Latin America through cinematic and literary analysis, with particular emphasis on Andean societies. Her educational background includes: Ph.D. and M.A. in Spanish from Rutgers University B.A. in Linguistics and Literature from Pontificia Universidad Católica del Perú Arteaga's research critically examines indigenous self-representation in Peru, Bolivia, and Guatemala, investigating race-gender intersections , popular environmentalism , and epistemological translation in post-colonial contexts. Her work bridges Decolonial Theory , Indigenous Film Studies , and Andean Cultural Analysis , with significant contributions to understanding how communitarian filmmaking challenges dominant narratives. She actively connects academic research with social movements through interdisciplinary approaches. Her publication trajectory reveals consistent focus on indigenous media as decolonial praxis , with recent works analyzing Mayan documentaries, Quechua poetry, and Amazonian film schools. The research demonstrates evolving methodology from textual analysis toward community-engaged film studies, particularly examining how film festivals and grassroots cinema reshape environmental and identity politics across Latin America. Notable recognitions include: Mary W. Johnson Faculty Achievement Award in Teaching (Scripps College, 2018-2019) Sabbatical Research Fellowship (Scripps College, 2018-2019) Rutgers Teacher-Scholar Fellowship (2013-2014) Adolfo Snaidas Best Graduate Student Essay Award (2009) Arteaga has secured significant research funding from CLAS and GAIA for faculty-student collaborations and academic events, including the initiative 'Sumak Kawsay & Bolivarianism Today.' Her teaching portfolio spans advanced literature courses and specialized seminars on indigenous women's struggles, reflecting her commitment to integrating research with pedagogy. She maintains active engagement with the Latin American Studies Interdisciplinary Group, fostering connections between academic work and community activism. Her current projects extend into contemporary indigenous media production, with ongoing analysis of how digital platforms transform testimonial practices and environmental advocacy among Quechua and Mayan communities.

• Indigenous Studies (Latin America)
• Latin American Postcolonial Studies
• Andean Studies
• +5 more

Gustavo Verdesio serves as an Associate Professor of Spanish within the Department of Romance Languages & Literatures at the University of Michigan. He maintains significant interdisciplinary affiliations as a faculty member of the Program in Native American Studies and as a Faculty Associate for Latina/o Studies. His academic credentials include: Ph.D. in Hispanic Studies or Latin American Studies from Northwestern University (1992) Verdesio's research critically engages with Colonial Studies, Native American Studies, and Material Culture, focusing on Indigenous materialities in Uruguayan history. His current project examines the re-emergence of Indigenous groups previously declared extinct in Uruguay and non-Indigenous responses to Indigenous bodies within settler colonial structures. He investigates objects, agricultural practices, monumentality, and the political implications of Indigenous bodily recognition. Analysis of his 2018-2021 publications reveals consistent thematic focus on settler colonialism in Latin America, Indigenous rights frameworks, and decolonial approaches to archaeology and historical knowledge, with concentrated attention on Southern Cone nations including Uruguay and Argentina. Scientific Awards: No awards, fellowships, or medals were documented in available materials No information regarding graduate student advising, dissertation supervision, or specific research grants was provided in the source documentation. His academic activities appear centered on independent research and interdisciplinary collaboration rather than directed mentorship or externally funded projects as described. The available texts contain no references to laboratories, research centers, or formal collaborative teams associated with Professor Verdesio's work.

• Native American Studies
• Colonial Studies
• Material Culture
• +4 more

Mary Frances Pipino, PhD is Professor and Interim Dean of the School of Arts, Sciences and Professional Studies at Ursuline College. She also serves as Director of the Core Curriculum and is affiliated with the Department of Humanities where she teaches courses in ethnic American women's literature and related fields. Dr. Pipino specializes in ethnic American women's literature, feminist theory and literary criticism, with particular expertise in Italian-American women writers. Her research extends to world literature and popular culture studies. She earned her doctorate from the University of Cincinnati and published her dissertation "I Have Found My Voice": The Italian-American Woman Writer through Peter Lang in 2000. Dr. Pipino has established herself as a respected scholar in multi-ethnic literature, with publications spanning several decades in significant academic venues including Voices in Italian Americana, MELUS: Multi-Ethnic Literature of the United States, and The Greenwood Encyclopedia of Multiethnic Literature, with recent contributions to the Modern Language Association's collection on Teaching Anglophone Caribbean Literature. As Interim Dean, she provides academic leadership for the School of Arts, Sciences and Professional Studies while maintaining active scholarly engagement in her research areas.

• ethnic American women's literature
• feminist theory
• literary criticism
• +5 more

Ernest Julius Mitchell serves as Assistant Professor of English and Humanities at Yale University, where he contributes to the Department of English within the Faculty of Arts and Sciences. His interdisciplinary work bridges literature, philosophy, and religion with methodological grounding in Black studies. Education: Ph.D., Harvard University, 2019 M.T.S., Harvard Divinity School, 2009 A.B., Princeton University, 2006 Professor Mitchell's research centers on the intersections of literature, philosophy, and religion, with particular focus on the Harlem Renaissance viewed expansively as integral to transatlantic modernism. His work spans aesthetics and phenomenology in German thinkers from Kant to Benjamin, and religious traditions from the ancient Mediterranean to the contemporary Caribbean. He is currently completing three major book projects: a biography of Jamaican writer Claude McKay for Yale University Press, a new edition of Jean Toomer's Cane for the Norton Library, and a study of theological elements in Zora Neale Hurston's work, all reflecting his interest in questions of literary style—charm, revision, and grace. His scholarly publications demonstrate consistent engagement with African American literary traditions, particularly examining figures from the Harlem Renaissance era. Mitchell's work shows strong interdisciplinary connections between literary analysis, philosophical inquiry, and religious studies, with particular attention to how these fields shape modern consciousness and identity formation within Black literary production. Current Teaching: ENGL 351: Fictions of the Harlem Vogue (HUMS 370 / AFAM 354) ENGL 127: Readings in American Literature HUMS 223: Claude McKay: Interpretations (ENGL 242) DRST 002: Directed Studies: Literature

• African American Literature
• Harlem Renaissance
• Transatlantic Modernism
• +5 more