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Douglas W. Diamond is the Merton H. Miller Distinguished Service Professor of Finance at the University of Chicago's Booth School of Business, where he has been on the faculty since 1979. He received the Nobel Memorial Prize in Economic Sciences in 2022 for his groundbreaking research on banks and financial crises. Diamond is also a research associate of the National Bureau of Economic Research and a visiting scholar at the Federal Reserve Bank of Richmond. His research focuses on financial intermediaries, financial crises, and liquidity. Diamond's work has established the theoretical foundations for understanding why banks exist, how they create liquidity, and why they are vulnerable to runs. His seminal papers with Philip Dybvig on bank runs and deposit insurance form the basis of modern bank regulation. Diamond's extensive publication record shows a consistent focus on banking theory, financial intermediation, and financial stability. His research has evolved from foundational theoretical work to more recent analyses of liquidity, pledgeability, and the role of banks in the financial system. His work has become increasingly relevant following the 2008 financial crisis and the more recent banking turmoil. Nobel Memorial Prize in Economic Sciences (2022) Onassis Prize in Finance (2018) CME Group-Mathematical Sciences Research Institute Prize (2016) Morgan Stanley-American Finance Association Award (2012) Member of the National Academy of Sciences Fellow of the Econometric Society Fellow of the American Academy of Arts and Sciences Diamond has served as president of both the American Finance Association and the Western Finance Association. He has advised policymakers during financial crises, including providing analysis of the Silicon Valley Bank collapse in 2023. His research has directly influenced financial regulation and central bank policy regarding bank stability and liquidity requirements.

• Financial intermediaries
• Financial crises
• Liquidity
• +3 more

Xavier Serra is a Full Professor at the Department of Engineering at Universitat Pompeu Fabra (UPF), Barcelona. He is the founder and director of the Music Technology Group (MTG), and leads the UPF-BMAT Chair on AI and Music. He also coordinates the Master in Sound and Music Computing and serves as President of the Phonos Foundation. His research focuses on audio signal processing, sound and music computing, and computational musicology, emphasizing open science and open innovation. Education: BSc in Biology, University of Barcelona (1981) Master in Music, Florida State University (1983) PhD in Computer Music, Stanford University (1989) Research Interests: Audio Signal Processing Data-Driven and Knowledge-Driven Methodologies Music Information Retrieval Cultural Music Analysis (e.g., Carnatic/Turkish/Andalusian Music) Music Education Technology Notable Projects: CompMusic (ERC Advanced Grant, 2010-2017): Multicultural computational music analysis Open datasets: Freesound, Saraga, FSD50K Technologies: Reactable, Vocaloid, Essentia API Recent Trends in Articles: Focus on AI-driven audio processing (neural fingerprints, generative models), cross-cultural music analysis, and explainable music difficulty estimation. Awards: ERC Advanced Grant (2010) for CompMusic Project. Labs/Teams: Director of MTG, Phonos Foundation, and UPF-BMAT Chair. Active in open-source projects and international collaborations.

• Audio Signal Processing
• Sound and Music Computing
• Music Information Retrieval
• +5 more

Astrid Wagner is a Senior Scientist and Deputy Director at the Institute of Philosophy (IFS) of the Spanish National Research Council (CSIC) in Madrid. She holds a PhD in Philosophy from Technische Universität Berlin, recognized by the National University of Distance Education (UNED), and previously served as professor for 20 years at TU Berlin. Her research focuses on philosophy of culture, science epistemology, and digital society challenges. Key interests include philosophy of language, perception phenomenology, pragmatism, and ethical implications of digital transformation. Recent work examines uncertainty dynamics, trust frameworks, post-truth phenomena, infodemics, conspiracy theories, cognitive vulnerability, and digital citizenship. Wagner leads major research initiatives including the INconRES project on ethical-epistemological keys to digital social dynamics (2021-2025), the ORTEGA-CM interdisciplinary innovation consortium on José Ortega y Gasset's legacy (2024-2026), and previously directed the RESPONTRUST project combating COVID-19 disinformation (2021-2023). She co-leads the DESTERRA project analyzing disinformation's societal foundations (2022-2025) and participates in UCM's Rationality, Knowledge and Action research group. She serves on Spain's Committee of Experts for National Security against disinformation, advises the Congressional Science Office, and holds editorial positions at the Journal of Ortega Studies. Wagner contributes to GENET Association's Gender Studies Network and juries for the Princess of Asturias Award and Javier Muguerza Philosophy Prize.

• Philosophy of culture
• Philosophy of science
• Epistemology
• +12 more

Chang-Tai Hsieh is the Phyllis and Irwin Winkelried Distinguished Service Professor of Economics at the University of Chicago Booth School of Business. He is also a PCL Faculty Scholar with the university. His academic appointments include being a Research Associate for the National Bureau of Economic Research, a Senior Fellow at the Bureau for Research in Economic Analysis of Development, and a member of the Steering Group of the International Growth Center in London. His research interests focus on economic development, growth in Asia and Latin America, and applied economics, with particular expertise in macroeconomics. He has conducted extensive research on growth and development patterns across different regions, with special attention to China's economic transformation. His work examines resource allocation, innovation dynamics, trade policy impacts, and structural economic changes. Hsieh's recent publications reveal a strong focus on US-China economic relations, Chinese economic development, and the dynamics of innovation and growth. His research spans multiple subfields including trade policy, resource allocation, economic measurement, and the political economy of development. He has made significant contributions to understanding the economic transformation in East Asia, particularly regarding China's growth model and its implications for global trade. Alfred P. Sloan Foundation Research Fellowship Elected Member of Academia Sinica Two-time recipient of the Sun Ye-Fang Prize Fellow of the American Academy of Arts and Sciences Fellow of the Econometric Society Hsieh has been a visiting scholar at multiple Federal Reserve Banks (San Francisco, New York, and Minneapolis), the World Bank's Development Economics Group, and the Economic Planning Agency in Japan. He is also an active commentator on economic policy, with numerous opinion pieces published in Commonwealth Magazine, Project Syndicate, and other major outlets, particularly focusing on US-Taiwan-China economic relations and trade policy.

• Economic development
• Growth in Asia and Latin America
• Applied economics
• +4 more

Vicente Cervera Salinas is a Professor of Spanish Literature at the University of Murcia, affiliated with the Faculty of Arts and Humanities and the Department of Spanish Literature, Literary Theory and Comparative Literature. He has been a full professor since 2004 and specializes in Latin American literature, intertextuality, and literary theory. His research interests include: Spanish and Latin American Literature Comparative Literature and Intertextuality Poetry and the Essay as Literary Genres Classical Mythology and its Modern Reinterpretations Aesthetic Criticism and Cultural Memory Philosophical Dimensions in Literature His scholarly and creative work reflects deep engagement with figures like Jorge Luis Borges, Dante Alighieri, and George Santayana. His publications span poetry, critical essays, and editorial projects, often exploring the intersections between literature, philosophy, and cultural identity. The themes across his recent articles reveal a consistent focus on myth, authorship, and transatlantic literary traditions, particularly in Hispanic contexts. He has received recognition including the Second Prize in the America Poetry Prize (1993). He co-directs the journal Cartaphilus: Revista de investigación y crítica estética and has directed the Humanities Classroom at the University of Murcia. He served as president of the Association of Hispanic American Literary Studies (2014–2018). He has supervised at least one doctoral thesis and has been a visiting professor at institutions in Havana, San José (Costa Rica), Buenos Aires, and Vienna. His academic leadership includes editing multi-volume works on literary figures and movements, contributing significantly to the study of Hispanic intellectual and aesthetic traditions. He leads the research group Plural Scriptures: Intertextuality and Interdisciplinarity , continuing to influence both literary scholarship and creative writing in Spain and Latin America.

• Spanish Literature
• Latin American Literature
• Comparative Literature
• +7 more

Javier Franco Aixelá **Roles and Affiliations**: Full Professor of Translation and Interpreting at the University of Alicante, Director of the Department of Translation and Interpretation (2017–2021). Coordinates the Master's in Institutional Translation (Legal and Economic). Active in teaching Translation Theory, Professional Ethics, and Advanced Literary Translation. **Education**: PhD in English Philology (University of Alicante, 1996), Licenciatura in English Philology (Complutense University of Madrid, 1986), Expert in Translation (Complutense University of Madrid, 1991). **Research**: Specializes in translation theory, cultural aspects of translation, and bibliometrics. Founded the BITRA database (70,000 entries by 2017), a comprehensive online bibliography on translation and interpreting. Recent focus on bibliometric analysis of translation studies, including advertising translation, open access in academia, and cognitive approaches. **Teaching**: Taught courses like Professional Ethics, Advanced Literary Translation, and Translation of Research Genres. Supervised over 125 theses in the last five years, including high-impact works on medical neologisms (Habiba Chbab El Fakhi) and gender-neutral translation (María López Medel). **Awards**: Coordinator of the University of Alicante's Translation Doctoral Program, which received a quality distinction from the Ministry of Education. His theses have been awarded "Excellent Cum Laude" by the university. **Projects**: Led competitive research projects such as the 2021–2025 bibliometric study on economic translation and the BITRA database expansion (2007–2010). Collaborated on international initiatives like the 5th ICEBFIT Conference (2023). **Publications**: Authored 40+ books (e.g., *La traducción condicionada de los nombres propios*), co-edited *ENTI: Encyclopedia of Translation and Interpreting*, and published widely in journals like *META* and *Translation & Interpreting*.

• Translation Studies
• Cultural Studies
• Bibliometrics
• +3 more

Eugene F. Fama, 2013 Nobel Laureate in Economic Sciences, is the Robert R. McCormick Distinguished Service Professor of Finance at the University of Chicago Booth School of Business. Widely regarded as the "father of modern finance," his work on the efficient markets hypothesis and risk-return relationships has profoundly influenced both academic and investment communities. Bachelor's, Tufts University (1960) MBA and PhD, University of Chicago Graduate School of Business (1964) Fama's research centers on theoretical and empirical finance, focusing on asset pricing models, market efficiency, and portfolio management. His recent publications emphasize factor investing, including the development of five-factor models and the analysis of international market anomalies. Key trends in his scholarship include empirical validation of the Capital Asset Pricing Model (CAPM), international factor analysis, and the distinction between luck and skill in mutual fund performance. His work remains foundational for quantitative finance and investment strategies. Scientific Awards and Fellowships Nobel Prize in Economic Sciences (2013) Deutsche Bank Prize in Financial Economics (2005) Morgan Stanley American Finance Association Award for Excellence in Finance (2007) Onassis Prize in Finance (2009) Chaire Francqui (1982) Nicholas Molodovsky Award from CFA Institute (2006) Fred Arditti Innovation Award (2007) Fellow of the American Finance Association (2001) Fellow of the Econometric Society Fellow of the American Academy of Arts and Sciences Fama serves as Advisory Editor for the Journal of Financial Economics and has mentored numerous PhD students through his academic career. His research continues to shape financial theory and practice, with ongoing analysis of market efficiency and factor-based investing.

• Finance
• Investments
• Capital Markets
• +5 more

Amir Sufi is the Bruce Lindsay Distinguished Service Professor of Economics and Public Policy at the University of Chicago Booth School of Business, where he has been a faculty member since 2005. He serves as a Research Associate at the National Bureau of Economic Research and co-director of its Corporate Finance Program. Bachelor’s Degree, Walsh School of Foreign Service, Georgetown University (1999) PhD in Economics, Massachusetts Institute of Technology (2005) His research focuses on finance , macroeconomics , and corporate finance . Key areas include household debt dynamics , credit market structure , income inequality , and interest rate impacts on productivity growth . Recent work examines customer capital investment and low-interest rate effects on market concentration . Selected scientific awards include the 2017 Fischer Black Prize, Econometric Society Fellow (2022), and American Academy of Arts and Sciences Fellow (2024). His peer-reviewed publications and working papers span topics from syndicated loans to global household debt cycles , with notable contributions to understanding credit-driven business cycles and government-led consumer credit programs . He teaches courses in leveraged finance , private credit , and corporate restructuring .

• Finance
• Macroeconomics
• Corporate Finance
• +9 more

Jose Antonio Hinojos Morales is a contemporary artist and researcher affiliated with Miguel Hernández University of Elche, where he completed his PhD in 2020. His academic work focuses on contemporary painting practices within the broader context of visual arts research. His research interests center around pictorial languages and procedures in contemporary contexts , with particular emphasis on the relationship between landscape, nature, and culture. He investigates how landscapes function as cultural constructs and explores innovative methodologies in the representation of the human face through art. His work also engages with decolonial thought and aesthetics, media archaeology, and expanded painting techniques. Hinojos Morales' artistic output demonstrates significant trends in contemporary Spanish art, particularly in the exploration of spiritual, philosophical, and scientific concepts through visual media. His work often challenges conventional perceptions and hegemonic epistemological positions, creating dialogues between traditional and contemporary artistic approaches. Second place, VIII International Painting Competition 'Miradas 2018', Chicago (USA), 2018 Second Prize, XIX Pastor Calpena Painting Prize, Aspe (Alicante), 2015 First Prize, XLVI National Painting Contest Vila de Sant Joan d'Alacant, 2013 First Prize, III National Painting Competition No to Fear, La Nucía (Alicante), 2013 Third Prize, XVII National Painting Competition City of Antequera, Antequera (Málaga), 2013 As an educator and researcher, Hinojos Morales has coordinated the Altea Artistic Residency program, directing multiple landscape-focused scholarship-residencies that support emerging artists. His work bridges academic research with professional artistic practice, contributing to both scholarly discourse and the contemporary art scene in Spain.

• Pictorial languages and procedures
• Landscape theory
• Nature and culture relationships
• +5 more

Jordi Claramonte Arrufat is a Spanish philosopher and university professor at the National University of Distance Education (UNED) in the Department of Philosophy and Moral and Political Philosophy. His work centers on Modal Aesthetics , a theoretical system analyzing the relationships between necessity, contingency, possibility, and impossibility in art and sensitivity. He has authored six major essay works, including the foundational Estética Modal: Libro Primero (2016) and Libro Segundo (2021). PhD in Philosophy from UNED (2006) Visiting professor at MIT, Yale University, and Chicago Arts Institute His research bridges aesthetics with political and social self-organization processes, focusing on contextual art practices and the breakdown of artistic representation in favor of direct action. Collaborations include groups like Fiambrera Obrera and Sabotaje Contra el Capital Pasándole Pipa (SCCPP). In 2022, he delivered the talk Art to the Limit at Valencia's 1st Biennial of Thought, addressing creativity in times of social crisis. Publications include analyses of censorship, relational aesthetics, and applications of modal theory to cinema, architecture, and sculpture. Claramonte's work has inspired academic research across disciplines, including studies on: Modal applications in audiovisual media and cinema Architectural modal analysis Scultptural modal strata Tradition in modern aesthetics He has supervised 17 doctoral theses and contributed to critical dialogues on autonomy, precariousness, and the political dimensions of sensitivity.

• Modal Aesthetics
• Art Theory
• Political Philosophy
• +5 more

Pedro Sangro Colón serves as both Vice-Rector of Research and Degrees and Titular Professor of Language and Audiovisual Narrative at the Pontifical University of Salamanca's Faculty of Communication since 2008. His academic home is firmly rooted in the Audiovisual Communication and Advertising department where he has established himself as a leading scholar in film theory and audiovisual narrative. Dr. Sangro Colón earned his doctorate from Universidad Complutense de Madrid with his thesis "El concepto de 'montaje cinematográfico': una revisión de su formulación teórica" (2000), supervised by Dr. Manuel Alonso Erausquin. His research interests span cinematic montage theory, Spanish cinema history (particularly during the Francoist period and democratic transition), audiovisual narrative structures, documentary film analysis, and the intersection of cinema with psychoanalysis. His work demonstrates a consistent focus on how film constructs meaning through editing techniques and narrative frameworks. An analysis of his 15 most recent publications reveals a scholarly trajectory deeply engaged with Spanish cinematic history and theoretical film studies. His work frequently examines how film represents historical memory, particularly regarding Spain's transition from dictatorship to democracy, with special attention to montage techniques as tools for constructing historical narratives. More recently, he has expanded his scope to include contemporary media phenomena like the Marvel Cinematic Universe, analyzing how superhero films represent national security apparatuses and historical trauma. His extensive publication record includes numerous books, articles, and book chapters, with notable works such as "Escenas de cine, Guión y análisis" (2017), "La estética televisiva en las series contemporáneas" (2018), and "El clasicismo en el cine Una mirada Intergeneracional" (2015). His research demonstrates both theoretical sophistication and practical application to screenwriting and television production. As Vice-Rector of Research and Degrees, Dr. Sangro Colón oversees academic programs and research initiatives at the university. His leadership role complements his scholarly work by providing institutional perspective on academic innovation and research management. His recent publication "Introducción: la innovación en la Universidad Pontificia de Salamanca" (2021) reflects his engagement with contemporary challenges in higher education. His academic collaborations are extensive, with frequent co-authorship with colleagues like Juan Medina-Contreras and Miguel Ángel Huerta. His work appears in both Spanish and international journals, demonstrating his ability to engage with global film scholarship while maintaining a strong focus on Spanish and Latin American cinematic traditions.

• Film Theory
• Cinematic Montage
• Spanish Cinema History
• +5 more

Mercè Oliva is an Associate Professor at the Department of Communication, Pompeu Fabra University (UPF), Barcelona. She serves as Director of the B.A. Programme in Audiovisual Communication and Coordinator of the MEDIUM Research Group. Her academic background includes a PhD in Social Communication (2010) and a Bachelor's in Audiovisual Communication (2002) from UPF. Research Focus: Television and Reality TV Celebrity and Media Culture Neoliberalism and Political Communication Video Games as Cultural Artifacts Her recent publications analyze: Visual motifs in political coverage (handshakes, hugs, kisses) Citizens' responses to neoliberal resilience narratives Celebrity tax evasion cases (e.g., Cristiano Ronaldo) Video game cover art as neoliberal propaganda Working-class stereotypes in Spanish media ('chonis', 'canis') Key collaborations include co-PI roles in projects like 'Heroes of the Crisis' (2015-2019) and 'Redistributive Imaginaries' (2022-2025), funded by Spain's Ministry of Economy and AEI/NextGenerationEU.

• Media Studies
• Popular Culture
• Television Studies
• +4 more

Dr. Katarzyna Paszkiewicz is Associate Professor in English and Film Studies at the University of the Balearic Islands and a researcher with ADHUC – Research Center for Theory, Gender, and Sexuality at the University of Barcelona. Her work bridges film theory, cultural studies, and the environmental humanities, with a focus on ecologically oriented film analysis, videographic ecocriticism, and affect theory. She has held visiting positions at the University of Pennsylvania, University of Melbourne, University College Dublin, and Harvard University. Her research explores intersections of gender, genre, and ecology in cinema. Key projects include Cinema and Environment: Affective Ecologies in the Anthropocene and Female Filmmakers and Feminism in the Media (FEMME) , an international initiative funded by the French National Research Agency. She has contributed extensively to debates on the Final Girl trope, eco-road movies, and gender dynamics in crime fiction and horror cinema. Dr. Paszkiewicz’s recent publications interrogate petrocultural aesthetics, queer temporalities, and the ethics of care in films like Titane , The Florida Project , and American Honey . As a member of teaching innovation groups such as Lletra de Dona , she develops interdisciplinary tools for literary criticism in virtual environments. Her work emphasizes dialogue between academia and industry to advance gender equality in media.

• Film Studies
• Cultural Studies
• Environmental Humanities
• +4 more

Mayron Estefan Cantillo Lucuara is a permanent faculty member at the Universitat de València, affiliated with the Faculty of Philology, Translation and Communication, Department of English and General Studies, specializing in English Philology. His research focuses on Victorian and transatlantic literature, with a strong emphasis on queer and feminist theory, particularly in the works of Michael Field. He is actively involved in two research groups: BATWoW (British and American Transatlantic Women Writers) and GRATUV (Research and Theatrical Action Group of the Valencia University) , and was previously part of the LAP (Literature, Arts and Performance) group. He earned his doctorate from the Universitat de València in 2019 with a thesis titled Michael Field’s Sapphism: A Tiresian Ontology of Openness Between Life and Death in Long Ago (1889) , supervised by Dr. Laura Monrós Gaspar and Dr. Miguel Teruel Pozas. No scientific awards have been listed in the provided information. There is no available information regarding student supervision, grants, or funded research projects. His work is embedded within interdisciplinary literary and performance research environments, particularly focused on 19th-century women writers, queer identities, and theatrical expression.

• English Philology
• Victorian Literature
• Queer Theory
• +7 more

Elin McCready is an ICREA Research Professor at the Centre de Lingüística Teòrica within the Department of Catalan Philology, Faculty of Philosophy and Letters, at the Autonomous University of Barcelona (UAB), a position she assumed in 2025. Previously, she served as a Professor at Aoyama Gakuin University from 2006, achieving full professorship in 2015 after initial appointment. Education: PhD in Linguistics, University of Texas at Austin (2005) Postdoctoral Researcher, Osaka University Research Interests: McCready's interdisciplinary scholarship spans formal semantics and pragmatics, philosophy of language, aesthetics, social epistemology, and environmental humanities. Her work uniquely integrates game theory with gender studies and literary analysis, emphasizing feminist perspectives in linguistic modeling and artistic research. She investigates how social dynamics shape meaning construction while bridging theoretical linguistics with ecological philosophy. Scientific Awards: No specific awards or fellowships are documented in the provided materials Advising and Grants: The available documentation contains no explicit references to graduate student supervision, research grants, or funded projects. Her academic focus appears centered on theoretical research within institutional frameworks like ICREA and UAB. Labs and Teams: McCready operates within the Centre de Lingüística Teòrica (CLT), UAB's dedicated theoretical linguistics research unit. The CLT serves as her primary academic base, fostering collaborations across humanities disciplines with emphasis on formal language analysis and philosophical inquiry.

• formal semantics and pragmatics
• philosophy of language
• aesthetics and art
• +6 more