Mathilde Roman

Mathilde Roman is a French professor at Pavillon Bosio – École Supérieure d'Arts Plastiques de la Ville de Monaco, where she specializes in the history of exhibitions and scenography. As both an academic and practicing curator, she bridges theoretical research with hands-on exhibition design, focusing on the dynamic relationships between artistic creation, spatial configuration, and audience experience.

Her research centers on the evolving boundaries between art and scenography, investigating how exhibition practices constitute artistic creation themselves. Key interests include the dramaturgy of space, exhibition choreography, and the museum as medium, with particular attention to how artists like Philippe Parreno and Xavier Veilhan have transformed exhibition spaces into active components of artistic expression. Roman's work reveals how scenographic gestures—from lighting design to spatial sequencing—generate hybrid forms that challenge traditional distinctions between artwork and its presentation.

Roman's publications demonstrate consistent thematic development toward understanding exhibitions as temporal, embodied experiences rather than static displays. Her recent work emphasizes how contemporary practices integrate spiritual, meditative, and participatory elements to counter consumerist approaches to art viewing, advocating for extended temporal engagement through environments that encourage sitting, lying down, and sensory immersion.

As an active participant in international curatorial projects, Roman contributes to redefining museum spaces as dynamic, porous environments that facilitate new relationships between artworks, architecture, and moving bodies. Her conceptual framework draws connections between historical avant-garde practices and current innovations in exhibition design, highlighting continuity in artists' efforts to reclaim agency through spatial interventions.