جست‌وجوی استاد و پژوهشگر

Sławomir Kaczorowskiمشاهده پروفایل

استاد

• Contemporary Composition
• Instrumental Music
• Choral Music
• +۲ مورد دیگر

Professor Sławomir Kaczorowski, Ph.D., has been a faculty member at the Grażyna and Kiejstut Bacewicz Academy of Music in Łódź since 1981, where he teaches composition and served as Head of the Department of Composition from 2011 to 2021. He previously held significant leadership roles including Vice-Rector for Artistic and Teaching Affairs (1999-2005) and Vice-Dean of the Faculty of Composition, Music Theory, Music Education and Rhythmics (1996-1999). His educational background includes diplomas in music theory (1981) and composition under Professor Bronisław Kazimierz Przybylski (1981) from the State Higher School of Music in Łódź. Awarded the title of professor by the President of Poland in 2002, he remains an active academic leader currently serving as chairman of the Art Section of the Polish Accreditation Commission. Kaczorowski specializes in contemporary composition with emphasis on instrumental works, chamber music, and choral compositions. His research interests manifest in diverse output featuring piano, accordion, and mixed ensembles, with notable focus on tango-inspired forms and liturgical reinterpretations. He pioneered the MUSICA MODERNA sessions promoting new music through biannual concerts and lectures. Analysis of his 15 most recent compositions reveals consistent exploration of Polish contemporary classical traditions with strong emphasis on instrumental timbre, cross-genre fusion (particularly tango elements), and innovative approaches to sacred music forms. His works demonstrate technical mastery across diverse ensembles from solo piano to full orchestral settings. Silver Medal for Merit to Culture – Gloria Artis (2021) Numerous national composition competition awards Jury membership at international competitions including the T. Baird Young Composers' Competition (Warsaw 2018) and National Association of Composers USA competitions (2017-2018) Professor Kaczorowski has mentored award-winning composers including Grzegorz Duchnowski and Tomasz Szczepanik. His institutional leadership includes directing the Grażyna Bacewicz International Composition Competition (2012, 2015, 2019) and serving as president of the Łódź Branch of the Polish Composers' Union until 2022. He maintains active artistic engagement through premieres across Europe, China, and the United States. His creative work is organized through departmental initiatives including the Department of Composition's performance series and collaboration with the Artur Rubinstein Łódź Philharmonic. Current activities focus on expanding Polish contemporary music's international presence through competitions and cross-border artistic exchanges.

Owen Reesمشاهده پروفایل

استاد

• Renaissance Music
• Early Music
• Iberian Music
• +۳ مورد دیگر

Professor Owen Rees holds positions as Professor of Music at the University of Oxford, Fellow and Tutor at The Queen’s College, and Senior Research Fellow at Somerville College. Born in 1964, he earned his PhD in Music at the University of Cambridge (1991). His research bridges scholarship and performance, focusing on music from 1450–1650 in Spain, Portugal, and England. He has edited works by Portuguese composers like Manuel Cardoso and studied Spanish composers such as Cristóbal de Morales and Francisco Guerrero. His performances with groups like Contrapunctus and The Queen’s College Choir highlight his dual expertise. He directs music at Queen’s College chapel and has released recordings on Hyperion and other labels. His teaching spans Renaissance music, performance practice, and choral conducting at Oxford, covering topics like Reformation-era music and Iberian musical traditions. Supervising postgraduate work on Renaissance/Baroque topics, he emphasizes historical context and stylistic analysis. Research awards and grants are not explicitly listed, but his extensive publications and performances reflect sustained academic and artistic engagement. He leads vocal ensembles in festivals worldwide, including Oslo and York. His edited sources and monographs, such as Polyphony in Portugal c. 1530–c. 1620 , establish him as a leading scholar in early Iberian music studies.

Sam Barrettمشاهده پروفایل

استاد

• Early Medieval Music
• Latin Song
• Music Notation
• +۵ مورد دیگر

Professor Sam Barrett is the Professor of Early Medieval Music and Fellow and Director of Studies in Music at Pembroke College, University of Cambridge. His expertise spans early medieval Latin song, music notation, performance practices, and jazz. He focuses on the intersection of text and music in late antique/medieval contexts and has pioneered analytical methods for assessing previously unstudied musical traditions. His research includes editing early song repertoires and collaborating with ensembles like Sequentia. He directs vocal groups in Cambridge and holds roles as a Trustee of De Profundis and Associate Director of Music at the Church of Our Lady of The Assumption and The English Martyrs. His teaching covers medieval music (e.g., plainchant, Hildegard of Bingen) and jazz (e.g., Miles Davis, blues history). He supervises PhD projects on topics like al-Kindi’s musical writings, Minnesang performance, and Winchester Troper sequences. His work bridges academic scholarship with performance practice, emphasizing how medieval song traditions inform modern interpretations. Key contributions include identifying new notated sources (e.g., Horace’s Odes), analyzing liturgical music from Farfa Abbey and Sankt Gallen, and exploring modal jazz economies. His articles (2000–2024) address notation, transmission, and reconstruction challenges in early music. He co-edits the Journal of Musicology and serves on editorial boards for Early Music History .

Aaron Cassidyمشاهده پروفایل

استاد

• Contemporary Music Composition
• Musical Notation Innovation
• Non-Geometrical Rhythm Theory
• +۳ مورد دیگر

Aaron Cassidy is an American composer and conductor based in Berlin and Hannover. He serves as Professor of Composition and Director of Incontri – Institut für neue Musik at the Hochschule für Musik, Theater und Medien Hannover. His work emphasizes innovative graphical notations prioritizing physical sound production and non-geometrical rhythm theory. Cassidy’s compositions have been performed globally across 29 countries, with 12 commercial recordings on major labels like Kairos and NEOS. As a conductor, he specializes in contemporary and historical repertoire, leading over 100 world premieres with ensembles such as Ensemble Musikfabrik and ELISION. Notable engagements include the Munich Biennale and Melbourne Recital Centre. His recent research includes a 2025 reflection on non-geometrical rhythm and collaborative Erasmus+ residencies in Klagenfurt. Current projects include works for bassoon, violin-piano duet, and ANAM residency with ELISION in Melbourne (2025). Cassidy’s academic focus bridges compositional theory and performance practice. His research explores notation’s role in shaping musical interpretation, with particular attention to rhythm’s non-metric frameworks. Recent works like Reassessing Non-Geometrical Rhythm (2025) synthesize a decade of theoretical development. His teaching integrates experimental techniques and historical context, fostering innovation in Hannover’s new music institute.

• Renaissance Music
• Opera
• Music History
• +۴ مورد دیگر

Vincenzo Borghetti is an Associate Professor of Music History at the University of Verona, Italy, where he has been employed since 2008, first as a Lecturer ("ricercatore") until 2017, then promoted to his current position. He previously held teaching positions at the University of Vienna (2015-2016) and was a Lila Wallace–Reader's Digest Fellow at Villa I Tatti, Harvard's Center for Italian Renaissance Studies in Florence (2007-2008). He earned his Ph.D. from the University of Pavia-Cremona in 2001. His scholarly work centers on Renaissance polyphony and early twentieth-century opera, with particular expertise in music philology, court culture, and the intersection of music with visual arts and literature. Borghetti has made significant contributions to Rossini scholarship through his critical edition of Elisabetta regina d'Inghilterra (2016) for the Fondazione Rossini's critical edition series. Borghetti's publications appear in leading journals including Early Music History , Acta musicologica , Journal of the Alamire Foundation , and Imago Musicae . His research demonstrates consistent engagement with both historical musicology and interdisciplinary approaches connecting music to broader cultural contexts. Gabriele D'Annunzio Award (1998) for co-authored monograph Il bacio della Sfinge: D'Annunzio, Pizzetti e "Fedra" Grant from Fritz Thyssen Stiftung (2018) for organizing the International Conference "Books, Images, Objects: The Media of Secular Music in the Medieval and Early Modern Period" As an active scholar in musicology, Borghetti contributes to major reference works including the Handbuch der Musik der Renaissance , demonstrating his standing in the international academic community. His work bridges historical musicology with cultural studies, offering nuanced interpretations of musical practices within their broader social and intellectual contexts.

• Medieval Music
• Classical Period Music
• Romantic Era Music
• +۷ مورد دیگر

Ann-Katrin Zimmermann is an apl. Professor (non-tenured professor) at the Musicological Institute within the Faculty of Philosophy at the University of Tübingen. She has held this position since 2018, following her time as a private lecturer from 2012-2018. In addition to her academic work, she serves as a dramaturg at the Gewandhaus Leipzig since 2013 and has teaching assignments at LMU Munich, Felix Mendelssohn Bartholdy University of Music and Theatre, and Leipzig University since 2012. Her educational background includes: Habilitation (2012) on "Forms of slow movements in the classical cycle" Promotion/PhD (2006) on "Studies on medieval three-part harmony" Master's degree in musicology, philosophy and art history from University of Tübingen and University of Oxford (1998-2003) Professor Zimmermann's research spans multiple eras and aspects of music history and theory. Her work focuses particularly on polyphony of the 12th and 13th centuries, keyboard music from the 15th-18th centuries, early German-language music terminology, and the works of Heinrich Schütz, composers of the Viennese classics, and Richard Strauss. She has made significant contributions to the fields of organology, instrumentation, music iconography, and 19th-century symphonies, with particular interest in cross-temporal aspects of genre, form, and composition. Her extensive publication record shows a consistent focus on historical music analysis, particularly examining compositional strategies across different periods. Her recent work has increasingly focused on Richard Strauss and Mozart, while maintaining her longstanding interest in early music traditions and terminology. She has published numerous articles in prestigious journals and contributed to important edited volumes in musicology. Professor Zimmermann is actively involved in the academic community: Member of the Society for Music History in Baden-Württemberg since 2009 Member of the DHV since 2012 Throughout her career, Zimmermann has balanced academic research with practical musical experience. She has been a bassoonist and leader of various vocal and instrumental ensembles since 1998, and served as a church musician from 1997-2014. Her work as a dramaturg at the Gewandhaus Leipzig since 2013 demonstrates her commitment to connecting scholarly research with contemporary musical practice.

• Musicology
• Music Analysis
• Music Philology
• +۳ مورد دیگر

Marco Uvietta is an Associate Professor of Musicology and History of Music at the Department of Literature and Philosophy, University of Trento. He holds a Laurea in Music Disciplines from the DAMS of Bologna (1991) and a PhD in History and Analysis of Musical Cultures from Sapienza University of Rome (1999). His academic career includes roles as a Researcher (2005–2016) and Associate Professor (2016–present) at the University of Trento. He teaches courses on Music History and Ethnomusicology and contributes to the PhD program in European Cultures. His research focuses on two main areas: 1) Musical Philology, particularly in 19th-century Italian opera (e.g., critical editions of Verdi’s Requiem and Bellini’s La straniera), and 2) Analysis of 20th-century musical language, with significant contributions on Luciano Berio’s style and compositional processes. He has authored numerous scholarly works, including books and articles on composers like Berio, Debussy, Stravinsky, and Martucci. Uvietta is actively involved in editorial projects, such as directing critical editions for Ricordi and contributing to the Rossini Critical Edition. He holds leadership roles in academic committees, including the editorial board of Il Saggiatore Musicale . His compositional works, influenced by his analytical research, have been performed by prestigious ensembles worldwide, including the Arditti Quartet and Monteverdi Cello Octet. Notable awards include recognition in composition competitions (e.g., Guido d’Arezzo International Competition), and his works span orchestral, choral, and chamber music. Uvietta’s interdisciplinary approach bridges historical musicology with contemporary compositional practice, reflecting his dual expertise as a scholar and composer.

• Liturgical Music
• Gregorian Chant
• Musicology
• +۷ مورد دیگر

Rev. Dr. hab. Piotr Wiśniewski, Professor at the John Paul II Catholic University of Lublin, serves as Vice-Rector and Head of the Department of Research on Religious Monody and Polyphony. His work focuses on liturgical musicology , Gregorian chant , and medieval Polish church music traditions . He has led projects like "Liturgical and Musical Sources of the Cistercian Abbey in Kraków-Mogila" and managed the "Musica Ecclesiastica" journal. Specializes in 12th-16th century Polish liturgical manuscripts Key interests: Psalmody Provenance , Carmelite/Pauline Chant Traditions , Post-Vatican II Liturgical Music His research spans Norwegian monumentalism , Polish organ culture , and Gregorian rhetoric in passion cantatas . Recent Coryphaeus of Polish Music 2024 award recognizes his contributions. 2024: Inner Reward 1st Degree 2018: Rector's Award at KUL 2015: Active Salary Policy Recognition He has taught at universities in Ružomberok and Bamberg, supervised over 60 diploma theses , and reviewed works for Studia Elbląskie and Liturgia Sacra . Current projects involve European liturgical codices and Polish national music heritage .

• Musicology
• Interdisciplinary Studies in Music and Literature
• Semiotics of Music
• +۳ مورد دیگر

Dr hab. Małgorzata Gamrat is an Associate Professor at the Department of Religious Monody and Polyphony Research , Institute of Art Sciences , Faculty of Humanities , John Paul II Catholic University of Lublin (KUL), Poland. She is an internationally recognised scholar specialising in the interrelations between music and literature, with particular emphasis on the works of Franz Liszt, Hector Berlioz and Honoré de Balzac. Her habilitation (2017, University of Warsaw) and joint Ph.D. (2012, Jagiellonian University & École Pratique des Hautes Études, Paris) underpin a prolific research portfolio that spans Romantic music history, semiotics of music, and interdisciplinary studies. Education & Affiliations Ph.D. co-tutelle, Jagiellonian University & École Pratique des Hautes Études, Paris (2012) Habilitation, University of Warsaw (2017) M.A., Université Toulouse II Le Mirail (2007) M.A., Academy of Music in Bydgoszcz (2008) Research Focus Dr Gamrat’s work is situated at the intersection of musicology , literary studies and semiotics . She explores how nineteenth-century composers engaged with contemporary poetry and how literary figures reflected on music, creating a rich intermedial dialogue . Key topics include: Piano and vocal music of Franz Liszt, including genre hybridization and transcriptions Hector Berlioz’s dramatic symphonies and their literary subtexts Honoré de Balzac’s musical aesthetics and collaborative networks Polish composers in the interwar Parisian milieu (e.g., Tansman, Paderewski) Methodologies of musical semiotics and intertextual analysis Recent Publication Trends Since 2020, her articles have increasingly integrated semiotic theory with close analytical readings , addressing questions of meaning , intertextuality and translation between artistic media. Contributions appear in leading journals such as Annee Balzacienne , Czas Kultury , Nottingham French Studies and World Futures , reflecting a trajectory from archival/documentary work toward philosophical and methodological reflection. Scientific Awards & Honours Elected Fellow, International Communicology Institute, Washington, DC (2023) University Laurel “Father Idzi Radziszewski Award” – 1st Degree, KUL (2024) University of Warsaw “Clio” III Degree Award (2017) Prize of the Polish Composers’ Union for the monograph on Liszt’s piano music (2015) Research Grants & Leadership Principal Investigator, NCN FUGA: “Franz Liszt's Songs for Voice and Piano...” (2013–2016) Co-investigator, NCN OPUS: “Presence of Polish Music in Interwar Paris” (2017–2020) Vice-coordinator, Czech-Polish Forum Grant: “Joseph von Eichendorff...” (2018) Member, Scientific Committee, 16th World Congress of Semiotics, Warsaw (2023) Editorial & Scholarly Service Dr Gamrat sits on the editorial boards of Musicology Papers and Roczniki Humanistyczne , and is a peer reviewer for Muzyka , Teoria Muzyki , Studia Chopinowskie , Res Facta Nova , among others. She co-organised the international conferences “40 Years of Musical Semiotics” (2023) and “Zola’s Legacies” (2021).

• French Literature
• Bulgarian Literature
• Literary Theory
• +۳ مورد دیگر

Krasimir Hristakiev is a Senior Lecturer at the Department of Romance Languages within the University of Veliko Tarnovo. His academic career spans over two decades, focusing on literature and theater studies with a particular emphasis on French and Bulgarian cultural intersections. Primary Affiliations: University of Veliko Tarnovo (Department of Romance Languages) Research Themes: French literature (Molière, Rabelais), Bulgarian literary theory, theater and visual studies, intertextuality, and philosophical discourse. His publications analyze the dialogue between classical and modern literary forms, with recurring themes of madness, labor, and cultural identity. Notable works include studies on Giuseppe Tornatore's cinema, Bakhtinian theory in Bulgarian contexts, and the adaptation of Molière's plays in regional festivals. Recent articles explore the blurring lines between theater and digital media , focusing on structural differences and audience engagement in virtual performances. His bibliography reflects a deep engagement with philological rigor and comparative cultural analysis. Key trends in his work include the reception of French classics in Bulgaria, stylistic evolution in literature, and the metaphorical representation of labor and death in contemporary narratives. He contributes regularly to journals like Visual Studies and Proglas .

• Musicology
• Ethnomusicology
• Historical Musicology
• +۴ مورد دیگر

Bettina Schwemer is a Researcher at the University of Würzburg , affiliated with the Institute for Music Research under the Faculty of Philosophy. Her work bridges musicology , historical research , and digital humanities , focusing on critical editions of historical music sources and German music traditions. Education : Master of Arts in Musicology, Modern/Contemporary History, and Art History (University of Würzburg, 1993); PhD in Musicology (University of Würzburg, 1998). Research Interests include: Analysis of polyphonic liturgical music German music sources from the 15th–16th centuries Editorial practices for historical music editions Digital preservation of musicological archives Interdisciplinary approaches to music history Collaborative scholarly publishing Recent Publications highlight her expertise in manuscript studies and critical editions, such as her work on Jodocus Schalreuter's manuscript and Bach's cello suites. Her research emphasizes the intersection of historical accuracy and practical usability in music editions. Contact : bettina.schwemer@uni-wuerzburg.de | +49 (0) 931 31-82088

Karol Bergerمشاهده پروفایل

استاد

• Renaissance music
• Theory of art
• Theory of music
• +۳ مورد دیگر

Karol Berger is the Osgood Hooker Professor in Fine Arts at the Department of Music, Stanford University (since 1996). He previously served as Professor in Musicology (1982-1996) and Assistant Professor (1975-1982) at Boston University. He has held visiting appointments at UNC Chapel Hill, Universität Paderborn, University of Oxford, and Harvard's Villa I Tatti. Education: Doctorate from Yale University (1975), musicology studies at University of Warsaw (1965-1968) His research spans Renaissance music theory, Austro-German musical modernity from Bach to Mahler, and the history of musical aesthetics. He pioneered interdisciplinary approaches connecting musicology with philosophy and cultural criticism. Key publications include Musica Ficta (1987), A Theory of Art (1999), Bach's Cycle, Mozart's Arrow (2007), and Beyond Reason (2016). His work explores how musical structures reflect philosophical and cultural shifts. Scientific Awards: 1988 Otto Kinkeldey Award 1995 Alfred Jurzykowski Award 2008 Marjorie Weston Emerson Award 2011 Glarean Prize 2014 Humboldt Research Award Multiple academy memberships

• Ethnomusicology
• Polyphonic Singing
• Finno-Ugric Music
• +۵ مورد دیگر

Žanna Pärtlas is a Senior Researcher at the Estonian Academy of Music and Theatre (EAMT), specializing in ethnomusicology with a focus on Finno-Ugric folk traditions. Her research examines polyphonic singing practices in Seto, Mordovian, Udmurt, and Russian cultures using anthropological, music-analytical, and cognitive approaches. She holds a PhD from the Rimsky-Korsakov Saint Petersburg State Conservatory and a BA in Opera Singing from EAMT. Her research interests include: Structural analysis of multipart singing traditions Ethnographic fieldwork methodologies Digital preservation of folk music Cross-cultural comparative studies of Finno-Ugric musical practices Pärtlas's publications predominantly explore vocal polyphony, lament traditions, and computational analysis of folk songs. Recent works focus on developing digital tools for teaching Seto multipart singing and typological studies of traditional tunes. Awards & Honors: 2022 Cultural Endowment Award for Seto heritage preservation 2022 Lokulaud Deed of the Year Award 2021 Baltic-American Research Scholarship She has supervised 7 doctoral/master's students in ethnomusicology and currently leads research projects including 'Ethnogenesis of Seto People' (PRG2600) and 'Seto Song Typology' (KUM-TA32). Her extensive fieldwork includes multichannel recordings across Estonia, Russia, and Udmurtia.

Jennifer S Thomasمشاهده پروفایل

عضو هیئت علمی

• Renaissance Music
• Musicology
• Database Methodologies
• +۵ مورد دیگر

Jennifer S Thomas is an Associate Professor Emeritus in the School of Music at the University of Florida, specializing in Renaissance musicology. Her work focuses on the motet, repertory formation, and methodologies enabled by large musicological databases. She earned her Ph.D. at the University of Cincinnati’s College-Conservatory of Music, receiving prestigious awards including the Distinguished Dissertation Award and Corbett Ph.D. Award. Her research explores Renaissance polyphony, Josquin Des Prez, and the social/musical contexts of motets. She has presented at major conferences like the American Musicological Society Annual Meeting and contributed to international publications. Thomas teaches music history courses with an emphasis on early music and directs the University of Florida Motet Choir. Her service roles include positions in the American Musicological Society and community organizations focused on literacy and welfare initiatives. Thomas’s scholarly contributions include a comprehensive motet database and analyses of Renaissance music sources. Her articles bridge musicology with cultural history, emphasizing textual analysis, source criticism, and digital methodologies. Awards reflect her impactful contributions to music scholarship and pedagogy.

Peter Lucas Hulenمشاهده پروفایل

استاد

• Electronic Music
• Music Composition
• Music Theory
• +۳ مورد دیگر

Peter Lucas Hulen is a Professor in the Music Department at Wabash College , where he has taught for nearly 25 years. His work bridges classical acoustic composition with experimental computer-generated electronic music, informed by his classical training and later shift toward digital techniques. Research interests include: Electronic music history Music technology pedagogy Digital synthesis methods (FM, subtractive, granular) Integration of acoustic and electronic sound Algorithmic composition Interdisciplinary applications His compositions explore: Microtonal scales using superparticular ratios Wireless performance interfaces Choral liturgy adaptation Cultural sound symbolism Speaker array design Temporal structure manipulation Recent works combine academic rigor with technical innovation: 2017: Homage and Refuge , Wobbly 2015: Organum IV 2014: Magnificat , Sitting 328b 2013: Les substances botaniques , Primitive 2012: Lamentationes Jeremiae I He developed a systematic electronic music curriculum including: History and Literature Computer Programming (Max/MSP) Performance Ensembles Theory and Composition