جستجوی استاد راهنمای دانشگاهی

Sebastian Thies is Professor and Chair for Ibero-American Literary and Cultural Studies at the University of Tübingen, where he has been employed since October 2012. He serves as Vice Director of the Interdisciplinary Centre for Global South Studies (ICGSS) and coordinates the BMBF/DAAD thematic network 'Futures under construction in the Global South'. His academic journey began with a PhD in Hispanic Studies from the University of Osnabrück in 2000, followed by positions at the University of Bielefeld where he progressed from Junior Professor for Hispanic Literary and Media Studies to Full Professor for Inter-American Studies. Thies' research focuses on Global South Studies, with particular emphasis on Latin American literature, film, and media. His work explores subjectivity formations, entangled temporalities, and political communication across borders. He has directed significant research initiatives including the doctoral studies program 'Entangled Temporalities in the Global South' and has co-edited major reference works such as The Routledge Handbook for Global South Studies on Subjectivities (2024). His extensive publication record demonstrates a consistent engagement with transnational cultural phenomena, particularly examining how Latin American cultural production intersects with global political and social dynamics. Thies frequently collaborates with international scholars, reflecting his commitment to transdisciplinary and transregional approaches to cultural analysis. Project Leader: Research Training Network 'Entangled Temporalities in the Global South' Vice Project Leader: Thematic network 'Literary Cultures of the Global South' Associated Investigator: BMBF-Area Studies Project 'The Americas as a Space of Entanglement' Project Leader: Research Group 'E Pluribus Unum? Ethnic Identies in Processes of Transnational Integration' Thies actively supervises doctoral students through the Interdisciplinary Centre for Global South Studies and has established collaborative networks across Latin America, particularly with institutions in Mexico and Colombia. His current research agenda focuses on 'Futures under construction in the Global South' and continues to explore the intersections of cultural production, political communication, and subjectivity formation in transnational contexts.

• Global South Studies
• Latin American Literature
• Film Studies
• +۵ مورد دیگر

Prof. Dr. Ulrike Freitag is a distinguished scholar in Islamic Studies and social history of the Arab world, holding a Professorship at Freie Universität Berlin and serving as Director of the Leibniz-Zentrum Moderner Orient (ZMO) . Her work bridges urban history, transregional Islamic networks, and Arabian Peninsula studies within Indian Ocean and Red Sea contexts. Education : PhD in Islamic Studies (Freiburg, 1991), Habilitation (Bonn, 2002) Research : Focus on Ottoman urban violence, Saudi state formation, Hadhrami diaspora, and historical urbanism in Jeddah Her supervision of PhD projects spans topics from Moroccan Sufi sanctußen to Yemeni Jewish communities. Recent scientific awards include fellowships at Leiden University and Käthe-Hamburger Kolleg. She contributes to public discourse through Tagesspiegel op-eds and international conferences.

• Social and cultural history of the Arab world
• Urban history
• Arabian Peninsula
• +۳ مورد دیگر

Ruggero Vimercati Sanseverino is a Full Professor of Hadith Studies and Prophetic Tradition at the Center for Islamic Theology, University of Tübingen. His research spans Hadith transmission in Sunni and Shiite traditions Prophetic worship and Islamic imitation piety Dynamics of tradition and renewal in Islam Islamic spirituality and religious practices His academic journey includes a PhD from Aix-Marseille University (2012) and a Master’s from IREMAM/CNRS (2007). He has led projects like The Presence of the Prophet (DFG-ANR) and contributed to interdisciplinary dialogues on multireligious societies. The 15 most recent articles reflect his expertise in Hadith methodology Sufi spiritual traditions Prophetic hermeneutics Comparative Islamic studies Key collaborative works address interfaith dynamics and Islamic responses to secularization. He supervises PhD candidates and contributes to editorial boards, including the Theologie, Bildung, Ethik und Recht des Islam series at Nomos Verlag. His work bridges classical Islamic scholarship with contemporary theological challenges.

• Hadith Studies
• Prophetic Tradition in Islam
• Islamic Theology
• +۵ مورد دیگر

Prof. Thomas Arslan is a filmmaker and screenwriter serving as a Professor for Narrative Film at the Institute for Time-Based Media of the Berlin University of the Arts since 2007. His work bridges narrative cinema and documentary practices, often exploring themes of migration, urban life, and cultural identity. Research Interests include: Narrative Film German-Turkish Cultural Contexts Social Realism in Cinema Documentary Storytelling Independent Film Production Historical Memory in Visual Media Filmography Trends : Spanning 1993–2013, his works focus on marginalized communities, historical displacement, and personal/family dynamics within urban settings. Selected subfields include German-Turkish Cinema , Social Observation , and Migration Narratives . Affiliation : Institute for Time-Based Media at UdK Berlin.

• Narrative Film
• Screenwriting
• German-Turkish Cinema
• +۳ مورد دیگر

Prof. Dr. Beate Binder is a Professor of European Ethnology and Gender Studies at the Humboldt University of Berlin , with a joint appointment at the Center for Transdisciplinary Gender Studies (ztg). Her research and teaching focus on gender production intersecting with social categorizations, using gender theory and (queer) ethnography methods. Current research: Legal anthropology and political anthropology Historical contributions: Feminist cultural anthropology history Special interests: Urban space-sexuality connections, memory politics, homemaking practices She holds leadership roles including: Co-speaker of the Center for Transdisciplinary Gender Studies Chair of the Examination Committee at Institute for European Ethnology Former spokesperson for DFG research groups "Law – Gender – Collectivity" and "Cultures of Madness" Editorial board member of Berliner Blätter , Ethnologia Europaea , and Journal of Cultural Studies Scientific Awards : Award for good teaching (Faculty of Philosophy III, 2011) Research Collaborations : Principal investigator for EU-funded HERA project "EUROPACH" Co-leader of NORFACE project "Crimscapes"

• European Ethnology
• Gender Studies
• Legal Anthropology
• +۶ مورد دیگر

Steffen Patzold is a Professor for Medieval History and Auxiliary Sciences at the Department of History, Faculty of Philosophy, University of Tübingen, since 2008. He previously held research and teaching positions at the University of Hamburg (1999–2006), Max Planck Institute for European Legal History (2007), and University of Kassel (2007–2008). His research focuses include the Carolingian period, political and ecclesiastical history, monasticism, perception patterns in the Middle Ages, and interdisciplinary projects like the DFG-funded 'Migration and Mobility in Late Antiquity' and Collaborative Research Center SFB 923 'Threatened Orders.' Education: University of Hamburg (History, Art History, Journalism, 1996–1999; PhD, 2000) Affiliations: Heidelberg Academy of Sciences, SFB 923 subprojects E02/F02, DFG Centre for Advanced Study in Humanities His recent publications analyze Carolingian political structures, feudal systems, historical semantics, and interdisciplinary topics like archaeogenetics. Key projects examine local societies in Carolingian Europe, bishop networks, and crisis management in early medieval orders. He collaborates extensively in edited volumes and international journals, particularly on comparative medieval studies.

• Medieval History
• Carolingian Period
• Political and Ecclesiastical History
• +۴ مورد دیگر

Sarah Pink is a leading Professor at Monash University , holding a joint appointment across the Faculty of Art, Design and Architecture and the Faculty of Information Technology . She serves as Director of the FUTURES Hub and Emerging Technologies Research Lab , focusing on human futures in digital and net zero transitions. PhD in Social Anthropology, University of Kent Honorary Doctorates from Malmö and Halmstad Universities Fellow, Academy of the Social Sciences in Australia Her research spans design anthropology, emerging technologies, automated decision making, and future mobilities . Recent work examines: AI ethics in clean energy Smart homes for seniors Automated mobility futures Selected 2025 article trends show focus on technological ethics, urban data systems, and human-machine interaction across 6 subfields including automated decision making and sensory design. Major awards: CIOB Award for Best International Paper (2016) Asia Pacific Eldercare Innovation Gold (2021) Good Design Awards (2023) As research director for Monash Grid Innovation Hub and Human-Centred Computing , she leads projects funded by Australian Research Council, EU, and national research councils across five countries. Her lab engages 20 active projects and 20+ industry partners globally.

• Design Anthropology
• Emerging Technologies
• Automated Decision Making
• +۵ مورد دیگر

Enrique Sánchez Lansch is a Professor of Media Dramaturgy at the Institute for Music and Media at Robert Schumann University of Düsseldorf, appointed in 2018. Born in Gijón, northern Spain, and raised in Cologne, he has established himself as a prominent documentary filmmaker with a strong focus on music-related subjects. His educational background includes studies in music with a focus on singing, Romance languages, philosophy, and German studies. He completed his master's thesis on adaptation of literature into music films. After gaining professional experience in fictional series production, he pursued further studies in film and screenwriting at Columbia University and UCLA. Sánchez Lansch's research and creative interests center on the intersection of music and visual media. His work explores how musical experiences can be effectively translated to film, examining the relationship between sound and image. He has particular expertise in documenting musical institutions, historical contexts of music, and the educational aspects of musical performance. His approach combines rigorous historical research with innovative visual storytelling techniques that respect the integrity of musical performance while creating compelling cinematic narratives. His filmography reveals a consistent focus on music documentaries that bridge cultural and historical contexts. Early works focused on major musical institutions and figures, while more recent projects have expanded to examine the relationship between music and broader social, political, and cultural phenomena. His films consistently demonstrate a sophisticated understanding of both musical content and cinematic storytelling. His notable awards include: German Film Award German Documentary Film Award Bavarian Film Award German Critics' Award German Kinogilde Award Franz Hofer Prize Best Documentary Film at Los Angeles Latino International Film Festival Best Documentary Film at SEMINCI Festival de Valladolid Diapason d'Or Emmy nomination for "A Celebration for Gershwin" Sánchez Lansch has served as a mentor to young filmmakers, notably curating and presenting music short films by young talents for the Beethovenfest Bonn from 2006 to 2013. His professional activities extend beyond filmmaking to include teaching at institutions such as the dffb (German Film and Television Academy Berlin) and his current professorship at Robert Schumann University. He is an active member of both the German Film Academy and the European Film Academy, contributing to the broader film community through these organizations. As Professor of Media Dramaturgy, Sánchez Lansch contributes to the academic framework of the Institute for Music and Media, bringing his extensive professional experience to bear on the education of future media creators. His work bridges the gap between academic study and professional practice in the field of music-related visual media.

• Documentary filmmaking
• Music visualization
• Media dramaturgy
• +۳ مورد دیگر

Bénédicte Savoy (born May 22, 1972 in Paris) is a renowned French art historian and Professor of Modern Art History at the Technical University of Berlin since 2009. Since 2016, she has also held positions at the Collège de France in Paris (2016-2021) and in November 2024 was appointed to the 'Cátedra del Prado' visiting professorship at the Prado Museum in Madrid. She is internationally recognized as a leading expert on cultural property restitution, particularly regarding colonial-era art theft and looted artifacts. Her research focuses on the complex histories of cultural displacement, with particular emphasis on European museums' colonial collections. Savoy has pioneered critical approaches to provenance research and has been instrumental in reshaping global debates about museum ethics and restitution practices. Her work bridges art history, postcolonial studies, and cultural policy, challenging traditional museum narratives and advocating for more transparent and ethical approaches to cultural heritage. Savoy's publications form a cohesive intellectual trajectory examining how cultural property has been transferred, often forcibly, across borders and continents. Her recent work increasingly focuses on African cultural heritage in European collections, with detailed case studies of Cameroon and broader analyses of restitution politics. The themes of historical justice, museum transparency, and decolonization of cultural institutions run consistently through her scholarship. Gottfried Wilhelm Leibniz Prize (2016), Germany's most prestigious research award TIME 100 most influential people in the world (2021) Ritterin der französischen Ehrenlegion (2022) Deutscher Kulturpolitikpreis (2022) Berliner Wissenschaftspreis (2023) Clark Prize for Excellence in Arts Writing (2024) Prix Européen de l'Essai 2025 (2025) As co-author of the groundbreaking 2018 report on African cultural restitution commissioned by French President Emmanuel Macron, Savoy has significantly influenced international policy. Her work has secured major research funding, including collaborative projects with African scholars. She has led influential research teams examining colonial collections, most notably the seven-member team that produced the 'Atlas der Abwesenheit' documenting Cameroonian cultural heritage in Germany. Her advocacy continues to shape museum practices worldwide, pushing institutions toward greater accountability regarding their colonial-era acquisitions.

• Art History
• Cultural Property Restitution
• Colonial Heritage
• +۵ مورد دیگر

Irene Albers is a full Professor at Free University of Berlin's Department of Philosophy and Humanities, holding dual appointments at the Peter Szondi Institute for General and Comparative Literature and Institute for Romance Philology since 2004. She chairs both the Examination Board and Doctoral Committee for General and Comparative Literature, serves as Trustee of Studienstiftung des deutschen Volkes since 2004/05, and has been Principal Investigator for the Friedrich-Schlegel Graduate School for Literary Studies and Cluster Languages of Emotion since 2007. Her research bridges comparative literature, anthropology, and visual culture with institutional leadership spanning editorial projects and international conferences. Her educational background includes: Born in Bremen (1967) Romance Studies, Philosophy, and German Studies at Universities of Tübingen, Tours, and Konstanz M.A. from University of Konstanz (1993) Ph.D. from University of Konstanz (1999) on literature and photography in Émile Zola, Proust, and Claude Simon Albers' core research examines literary anthropology through colonial/postcolonial lenses, focusing on French literary engagement with Africa, surrealism, and literature-photography intersections. She pioneered studies on Michel Leiris' ethnological poetics and Claude Simon's photographic techniques, extending to historical emotion research (anatomy of affects, body language) and romance novella traditions. Her work consistently challenges Eurocentric literary canons through primitivism critique and heteronomy aesthetics, emphasizing textual restitution and cultural reclamation. Recent publications (2018-2025) reveal a sharp turn toward colonial restitution ethics, particularly in oral literature provenance. Articles increasingly analyze literature as colonial loot, connecting French modernism with African/Caribbean contexts through collaborative projects with anthropologists like Eléonore Devevey. This trajectory builds from earlier surrealist studies to concrete frameworks for decolonizing literary scholarship, spotlighting institutional complicity in cultural appropriation while advancing symmetrized modernity revisions. Scientific awards include: Senior Fellow and Prize Winner of the Zukunftskolleg, University of Konstanz (2009) Albers supervises master's and doctoral students through dedicated AVL colloquia while securing major research funding as Principal Investigator for Friedrich-Schlegel Graduate School (2007-present) and Cluster Languages of Emotion (2007-2012). Her current DFG-funded project 'Literature as Colonial Loot?' with Andreas Schmid pioneers philological provenance research. Earlier, she contributed to Collaborative Research Center 511 'Literature and Anthropology' (Konstanz, 1999-2002) and DFG-funded conferences on Claude Simon. She leads the DramaNet research project and co-edits the 'machina' series at transcript Verlag since 2010. As board member (2007-2009) and deputy (2008-2012) of Cluster Languages of Emotion, she coordinates Area D 'Cultural Codings of Emotions'. Her Zukunftskolleg fellowship (2012-2013) and Marcel Proust Society collaborations underscore sustained engagement with literary anthropology networks.

• Comparative Literature
• Romance Literature
• Literary Anthropology
• +۶ مورد دیگر

Katrin Bromber is a German Researcher at the Centre for Modern Oriental Studies in Berlin, where she has led the research group "Progress and its Discontents: Ideas, Practices, Materiality" since 2014. Her career spans senior research roles at ZMO and academic teaching positions at the University of Vienna. Nationality: German. Language skills: Native German, fluent English/Swahili, moderate Amharic, good reading knowledge in French/Russian, basic Tigrinya. Habilitation (2009–): African Studies, University of Vienna PhD (1993): African Linguistics, University of Leipzig MA (1988): Swahili Studies, University of Leipzig Katrin Bromber's research interrogates intersections of body politics , sports history , Swahili linguistics , and Ethiopian modernity . Her work traces how physical culture, media representation, and colonial/imperial narratives shape national identities across Africa and Asia. Current focus: "Progress" as contested concept in Ethiopian and Gulf urbanism. Key article trends reflect her translocal methodology: 2017 studies on Ethiopian stadiums and fitness culture ; 2014-2013 publications analyzing East African military press , sports branding in the Gulf , and Swahili poetry ; 2007-2000 works on colonial linguistic politics , Indian Ocean slavery , and German colonial Swahili promotion . Recurring sub-fields: body as political text, translocal modernity, media historiography. Scientific Awards: Research Grant of the Berlin City Council (1999-2000): Gendered Slavery study Service to the Scientific Community: Chairwoman, Academic Association for Horn of Africa Studies (2012–) Editorial Advisory Board - Stichproben. Vienna Journal of African Studies (2015–) Editorial Advisory Board - Studies of Department of African Languages and Cultures (2015–) Teaching Experience: Textlinguistics, Mediacommunication, African Linguistics, Swahili (elementary/advanced), Swahili Literature, Swahili in Arabic Script at Leipzig, Humboldt-Berlin, Free Berlin, and Vienna universities Anthropology of the Body at Mekelle University Summer School Field Research: Tanzania (1993-2003): Swahili Poetry, Intellectual History Kenya (2005): Indian Ocean WW2 UAE/Bahrain (2009): Sports and Body Cultures Ethiopia (2009-2015): Sports, Body Politics

• African Studies
• Linguistics
• Historical Anthropology
• +۸ مورد دیگر

Prof. Dr. Sakura Yamamura is a Junior Professor (Assistant Professor) in Digital Methods in Human Geography at RWTH Aachen University, holding a Dr. rer. nat. in Geography from the University of Hamburg (2018). Her research focuses on migration, transnationalism, superdiversity, and urban studies, with a particular emphasis on digital methods applied to spatial and social dynamics. She has held postdoctoral and visiting fellowships at institutions including the Max Planck Institute and Maastricht University. Yamamura’s work bridges geography, sociology, and economics, examining how transnational migrants shape global cities like Tokyo and the impacts of globalization on urban spaces and policies. Her recent studies address the intersectionality of entrepreneurship, pandemic effects on LGBTQ+ activism, and digital transformations in urban production. Research interests include the socio-spatial dimensions of migration, intersectional approaches to entrepreneurship, and the interplay between digital tools and human geography. Her academic contributions span peer-reviewed articles in journals like Ethnic and Racial Studies and Urban Studies , as well as edited volumes on superdiversity and global urbanization. She actively engages in interdisciplinary dialogue, addressing topics such as mediated social touch and the methodological challenges of fieldwork in transnational contexts. Yamamura’s career includes roles as a guest lecturer at Adam Mickiewicz University (Poland) and SKEMA Business School (France), reflecting her commitment to international collaboration and teaching. She has advised numerous research projects and contributes to policy discussions on migration and urban development. Her current work at RWTH Aachen emphasizes leveraging digital methods to analyze complex urban systems and transnational networks.

• Human Geography
• Urban Studies
• Migration Studies
• +۴ مورد دیگر

Prof. Dr. Talja Blokland is a Professor of Urban and Regional Sociology at the Institute of Social Sciences within the Faculty of Cultural, Social and Educational Sciences at Humboldt University of Berlin. Based at Universitätsstraße 3b, Room 301, she actively contributes to urban sociological research and teaching, with contact via talja.blokland@sowi.hu-berlin.de. Her position as Women's* representative underscores her institutional engagement beyond academic duties. Bloklund's research centers on urban sociology, examining social inequality, neighborhood dynamics, social capital, public space, and urban diversity through qualitative and ethnographic lenses. She investigates how spatial arrangements shape social interactions, community formation, and exclusionary processes in cities like Berlin, Rotterdam, and São Paulo. Her work emphasizes the lived experiences of marginalized populations and the role of public spaces in mediating urban life, particularly in contexts of migration, segregation, and rapid urban transformation. Analysis of her recent publications reveals a dominant focus on 'urban impasses'—structural deadlocks where inequality becomes entrenched. Her scholarship consistently explores segregation mechanisms, social trust in public spaces, and the impact of policies like lockdowns on urban dwellers. Methodologically, she prioritizes ethnographic approaches to capture nuanced social realities, with recurring attention to Berlin's evolving urban landscape. Key thematic threads include the paradoxes of diversity, the spatial dimensions of social capital, and how marginalized groups navigate urban inequalities through everyday tactics.

• Urban Sociology
• Social Inequality
• Neighborhood Studies
• +۴ مورد دیگر

Rebekka von Mallinckrodt is a Professor at the Department of Early Modern History , Universität Bremen . She specializes in Early Modern European History , focusing on slavery , colonial entanglements , sports and bodily practices , and gender dynamics . Her work bridges transnational history and legal studies , examining how European societies navigated freedom and subjugation between 1650–1850. Education : PhD in History (Augsburg, 2003); Staatsexamen (Bonn, 1998); studies in Bonn, Tübingen, Rome, and Bremen. Her research synthesizes slavery studies , cultural transfer , and bodily techniques , with a particular emphasis on German regions within global contexts . She leads the VolkswagenStiftung Opus Magnum project (2023–2024) and previously directed the ERC Consolidator Grant on German slavery . Articles highlight racial dynamics , legal paradoxes , and popular sports in Germany and France . Scientific Awards include NASSH Finalist , Feodor-Lynen Stipendium , and ProFiL Mentoring . She has served on juries for DFG , VolkswagenStiftung , and ERC , and is an Ordentliches Mitglied of the Akademie der Wissenschaften Hamburg (2022–). As an advisor, she has mentored over 15 PhD and Master’s candidates , including Sarah Lentz (awarded Best Dissertation, Bremen, 2020) and Jasper Hagedorn (received multiple prizes, 2023). She directed the Institute for Historical Sciences (2017–2023) and co-founded the DFG Network on Bodily Techniques (2009–2012). Her public engagement includes exhibitions, media interviews (e.g., NDR , SPIEGEL ), and contributions to encyclopedias like Encyclopedia of Early Modern History .

• Early Modern History
• Slavery and Colonialism
• Cultural History of Sports
• +۳ مورد دیگر

Pamela Klassen is a Professor and Chair in the Department for the Study of Religion at the University of Toronto, with a cross-appointment in the Department of Anthropology. She has taught at the University of Toronto since 1997 and has been a full professor since 2011. Her academic leadership includes serving as Chair & Graduate Chair of her department (2020-present) and as Vice-Dean, Undergraduate & International in the Faculty of Arts & Science (2016-2020). In 2022-2023, she served as the William Lyon Mackenzie King Visiting Professor of Canadian Studies at Harvard University. Professor Klassen's research focuses on colonialism, treaties, museums, and public memory. Her work spans several interconnected areas: Anthropology of religion, secularism, and mediation (including digital humanities) Christianity, colonialism, and land in North America & Turtle Island Religion, ritual, and public memory (including museum studies) Religion, spirituality, and gender Her scholarship demonstrates a consistent engagement with how religious practices, memories, and institutions intersect with questions of power, land, and identity in settler colonial contexts. Klassen's work often bridges historical and ethnographic approaches, examining both contemporary religious practices and their historical formations. Professor Klassen's publications reveal a trajectory of increasingly focused attention on the intersections of religion, land, and colonialism, with recent work emphasizing Indigenous perspectives and decolonial approaches to religious studies. Her scholarship moves fluidly between theoretical interventions in religious studies and concrete engagements with public memory projects. Scientific Awards & Honors 2022-2023: William Lyon Mackenzie King Visiting Professor of Canadian Studies, Harvard University 2019: Fellow of the Royal Society of Canada 2015-2020: Anneliese Maier Research Award, Alexander von Humboldt Foundation 2015: Northrop Frye Award of Excellence for Integration of Research and Teaching 2014-2017: Distinguished Visiting Professor in Anthropology of Modern Religion, University of Tübingen 2012: American Academy of Religion Award of Excellence for Spirits of Protestantism Professor Klassen has successfully secured significant research funding, including the prestigious Anneliese Maier Research Award which supported her collaborative work with the Kay-Nah-Chi-Wah-Nung Historical Centre. She has supervised numerous graduate students in religious studies and anthropology, with many going on to successful academic careers. Professor Klassen leads several major collaborative projects including Kiinawin Kawindomowin Story Nations, a digital storytelling initiative with the Rainy River First Nations, and Treaty Conversations, an educational resource about treaty relationships in Ontario. These projects exemplify her commitment to community-engaged scholarship that bridges academic research with public education and reconciliation efforts.

• Anthropology of religion
• Secularism
• Mediation studies
• +۱۰ مورد دیگر