Jacob Eyferth is an Associate Professor at the University of Chicago, jointly appointed in the Department of East Asian Languages and Civilizations, the Department of History, and the College. His research focuses on the social and cultural history of twentieth-century China, particularly rural communities, gender dynamics, and the intersection of technology and everyday life. Key research themes include the impact of industrialization, collectivization, and revolution on non-elite populations, with an emphasis on rural women's labor and cultural resistance. His current project explores cotton production, clothing, and gender during China's socialist era. Eating Rice from Bamboo Roots (2009) How China Works (2006) Rural Development in Transitional China (2004) He received the 2011 Joseph Levenson Prize for his first book. Eyferth has taught courses on topics such as class inequality, everyday life under socialism, and revolutionary China, and has held postdoctoral fellowships at Oxford, Harvard, and Rutgers.
Professor Emma Widdis is a leading scholar at the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge, specializing in the intersection of Soviet cinema, ideology, and cultural geography. Her work explores the reeducation of sensory perception through film, early Soviet urban spaces, and the construction of subjectivity via cinematic techniques. Teaches 20th-century Russian/Soviet literature, cinema, and film theory Focuses on sensory engagement, political avant-garde, and urban spatial representation Supervisor for MPhil and PhD students in Slavonic Studies Her recent book Socialist Senses (2017) examines how cinema shaped Soviet perceptions of reality. Her publications span topics like silence in sound film, set design materiality, and costume symbolism in early Soviet cinema. While no formal scientific awards are listed, her research has been supported through institutional grants and collaborations with centers like CRASSH and Cambridge Language Sciences.
LK Bertram is an Associate Professor in the Department of History at the University of Toronto, specializing in 19th-century North American history with a focus on migration, gender, sexuality, and colonialism. Her work bridges academic research and public engagement, particularly through social media algorithms (TikTok, Instagram) for combating digital disinformation. Clio Prize-winning author (2020) 2022 SSHRC Insight Grant recipient Public history campaign curator (9 million+ views) Her research spans colonial institutions, sex work economies, and material culture, with publications on Icelandic diaspora, Arctic militarization, and immigrant food traditions. She teaches courses like HIS199 History and Social Media and HIS417 Histories of Sex Work , emphasizing hands-on learning via exhibitions and artifact workshops. Recent projects explore how social media algorithms can amplify quality historical data, including the viral @socialforscholars initiative. Her work connects historical narratives to contemporary debates on disinformation, cultural appropriation, and legal frameworks.
Adriana Schulz is an Assistant Professor in the Department of Computer Science & Engineering at the University of Washington's College of Engineering. She leads a research group focused on computational design, computer-aided design (CAD), and digital fabrication. Her work bridges computer science with practical applications in manufacturing, robotics, and sustainable design. Dr. Schulz received her Ph.D. in Computer Science from MIT in 2018 under the supervision of Professor Wojciech Matusik. Prior to her doctoral studies, she earned a Master's degree in Mathematics from IMPA (Instituto Nacional de Matemática Pura e Aplicada) in Rio de Janeiro, where she worked with Professor Luiz Velho, and a Bachelor's degree in Electronics Engineering from UFRJ (Federal University of Rio de Janeiro). Her research interests center around computational tools that enhance design and manufacturing processes. She develops novel algorithms for CAD systems, computational fabrication techniques, and sustainable design approaches. Her work spans multiple domains including robotics, textiles, electronics, and architecture, with a strong emphasis on creating practical tools that designers and engineers can use in real-world applications. She explores how machine learning, particularly neurosymbolic approaches, can improve design workflows and enable new capabilities in computational design systems. Analysis of her recent publications reveals a strong trend toward more intelligent and user-centered design tools. Her research increasingly integrates machine learning with traditional CAD systems to create more intuitive interfaces, supports sustainable design practices with computational tools, and develops novel fabrication techniques that push the boundaries of what's possible with digital manufacturing. She has made significant contributions to zero-waste fashion design, immersion cooling for high-performance computing, and CAD program understanding through novel representation learning techniques. Innovators Under 35 - MIT Technology Review Bolsa Aluno Nota 10 from FAPERJ Engineer 20000 award Dr. Schulz actively mentors several PhD students and postdoctoral researchers, including Haisen Zhao, Ben Jones, Yuxuan Mei, and others, often in collaboration with colleagues across different departments. Her research has attracted significant media attention, with coverage in major outlets including MIT News, BBC, IEEE Spectrum, Wired, and TechCrunch. Her work on Interactive Robogami was noted as the most read article in the International Journal of Robotics Research in its publication year. She leads a vibrant research group at the University of Washington that focuses on computational design systems, with particular emphasis on creating tools that bridge the gap between digital design and physical fabrication. Her team develops novel algorithms for CAD systems, computational fabrication techniques, and sustainable design approaches that have practical applications across multiple industries.
Kyle Bellucci Johanson serves as a Visiting Critic in Cornell University's College of Architecture, Art, and Planning, Department of Art. Holding an MFA from California Institute of the Arts and a BA in Art and Reconciliation Studies from Bethel University, he merges artistic practice with critical theory through performance architecture and collaborative media. Whitney Independent Study Program (2022–23) Founding fellow at land's edge free school (Los Angeles) Teaching experience at SAIC, UIC, CUNY, and Cooper Union His research investigates: Power structures through spatial interventions Critical theory applications in art practice Post-capitalist imaginaries Hauntology and historical materialism Transdisciplinary approaches to social critique Project trends reveal: Reinterpretation of Soviet design principles Investigation of worker identity in post-industrial contexts Temporal and spatial dislocation in artistic practice Monument critique through performative methods Quantum theory-inspired architectural concepts Reimagining of common spaces as political sites Scientific awards include: Creative Research Grant (2025) Whitney ISP participation (2022–23) Automata Studio Residency (2022) Artists Run Chicago Grant (2021) BOLT Residency (2020–21) Through projects like KLUB WRKR —a nomadic workers' club reimagined for the gig economy—and table (2018–2022), a Chicago-based experimental space for artistic practice, he interrogates institutional frameworks while fostering community through discursive meals and collaborative exhibitions.
Mei Mei Rado is an Assistant Professor at Bard Graduate Center, specializing in textile and dress history with a focus on China and France (18th–20th centuries). Her work connects global networks to local cultural systems through material analysis and cross-cultural interpretation. Education: PhD, Bard Graduate Center MA, University of Chicago BA, Nanjing University Research Interests: She explores intercultural textile exchanges, particularly European-Chinese interactions, rococo style diffusion, and Qing court arts. Her forthcoming book The Empire’s New Cloth (Yale, 2025) examines European textiles in Qing imperial contexts. Publications: Recent works include analyses of 18th-century French drapery, Qing cosmopolitanism through Japanese screens, and lamé textiles in modern fashion. Her research spans material culture, cross-cultural aesthetics, and historical networks. Curatorial Practice: Formerly Associate Curator at LACMA, she pioneered modern Chinese fashion collections. Collaborations with European/American institutions continue through her current projects on Edo-period textiles and light in fashion history.
Laurence Bertrand Dorléac is a Full Professor of Contemporary History (Art History) at Sciences Po Paris, affiliated with the Centre for History (CHSP). She serves as Chairperson of the Fondation Nationale des Sciences Politiques and leads the bilingual "Art and Society" seminar since 2004, publishing its newsletter. Research focuses on cultural history, art history, and political history of art Specializes in visual history, war representations, and material culture Active in editorial collaborations and international exhibitions Her recent work explores intersections of art with AI, environmental politics, and historical trauma. She supervises multiple HDR and PhD students in art history and cultural analysis. No explicit scientific awards mentioned, though her projects receive institutional support like Fondation de France. Her publications span monographs, exhibition catalogs, and interdisciplinary essays.
Valerie Hansen is the Stanley Woodward Professor of History at Yale University's Department of History. She specializes in Chinese history to 1600, the Silk Road, and global medieval connectivity. Her research bridges legal, religious, and economic dimensions of pre-modern societies. Hansen’s work includes groundbreaking books such as The Year 1000 (2020), redefining globalization’s origins, and The Silk Road: A New History (2012), integrating archaeological and textual sources. She led the Luce Foundation-funded Silk Road Project (1995–1998), unifying Turfan artifacts. Her articles span legal pluralism in Silk Road cities, Liao dynasty material culture, and Viking exploration’s global impacts. Awards include American Academy of Arts and Sciences Fellowship (2021) and Collège de France lectureship (2019). Hansen collaborates internationally, editing volumes on textiles as money and Song-Yuan studies. Her research emphasizes interdisciplinary methods, blending history with archaeology and art.
Alana Clifton-Cunningham is a dedicated educator and researcher in fashion and textile design at the University of New South Wales, Faculty of Arts, Design & Architecture. With over two decades of experience in higher education, she has established herself as a leader in sustainable and innovative design education. Her work bridges traditional craftsmanship with cutting-edge technologies, creating experiential learning environments that prepare students for contemporary design practice while addressing global sustainability challenges. Educational Background: 2021 | UNSW - Learn to Lead: Progress Needs Resilient Leaders 2019 | UTS - Graduate Certificate in Higher Education Transdisciplinary Learning 2008 | UNSW (COFA) - Master of Design (Hons) Research 2002 | UTS - Graduate Certificate in Higher Education Teaching and Learning 2001 | TAFE - Diploma of Marketing Management 1993 | UTS - Bachelor of Design (Hons) (Fashion and Textile Design) Clifton-Cunningham's research focuses on sustainable fashion practices, with particular emphasis on circular economy principles in textile production and garment design. Her work explores scalable models for textile remanufacturing, clothing waste reduction, and sustainable workwear systems. She is deeply engaged in addressing clothing sizing issues and standards in Australia, advocating for more inclusive approaches to fit and body diversity. Her commitment to equity, diversity, and inclusion underpins all aspects of her leadership and teaching, making her a strong advocate for responsible design futures that prioritize both environmental sustainability and social justice. Her publication record demonstrates a consistent focus on the intersection of design education, cultural exchange, and sustainable practices. Notable works include her 2022 book chapter on cross-cultural textile workshops in India, her 2018 analysis of undergarment technology evolution, and her contributions to exhibitions like 'Out of Hand' at the Powerhouse Museum. These works collectively highlight her emphasis on hands-on, experiential learning that connects students with real-world sustainability challenges and cultural contexts. Research Grants: 2024 | Redesigning Clothing Waste Using a Circular Design Framework - LP230200929 $220,473K 2024 | Department of Community and Justice - $17,900 2024 | Education Focussed Community of Practice (PVCESE) - $2,500 2023 | Department of Community and Justice - $15,900 2023 | Education Focussed Community of Practice (PVCESE) - $6,995 2017 | AbbVie Pharmaceutical Pty Ltd, HS Support Garments: Chief Investigator - $35,000 Clifton-Cunningham actively supervises research in fashion and textile design, with a focus on sustainable practices and innovative design processes. Her extensive industry network, including partnerships with major fashion labels, brings real-world insight into the classroom. She has led international global studios, including immersive programs in India where students collaborate with artisans. Her current ARC Linkage project 'Redesigning Clothing Waste Using a Circular Design Framework' represents a significant contribution to sustainable fashion research. Her creative practice is reflected in numerous exhibitions, including the Seoul International Fashion Art Biennale (2016, 2018), Wangaratta Contemporary Textile Awards, and the Powerhouse Museum's 'Out of Hand' exhibition. These artistic endeavors complement her academic work, demonstrating the practical application of her research interests in sustainable and innovative textile design.
Arie van Steensel is an Assistant Professor of Medieval History at the University of Groningen's Faculty of Arts. His research focuses on the social and economic history of the European Middle Ages, with particular emphasis on urban history of England, Italy and the Low Countries, and the history of nobility in the Low Countries. His scholarly profile demonstrates deep expertise in late medieval urban development and nobility structures across European regions. His research examines how political and economic structures shaped community formation in pre-modern European cities, with particular attention to social boundaries, networks, and identities within urban environments. His publication record shows consistent focus on urban communities, nobility studies, and regional history, with significant contributions to understanding the dynamics of power, wealth, and social status in medieval Dutch society. His work bridges traditional historical research with contemporary methodological approaches including digital humanities. Editor of Stadsgeschiedenis Editor of BMGN - Low Countries Historical Review Secretary of the European Association for Urban History Van Steensel actively contributes to academic discourse through conference organization, editorial work, and public engagement. His current project editing a volume on Leiden's premodern history represents a significant effort to make Dutch urban history accessible to an international scholarly audience.
Kyeyoung Park is Professor of Anthropology and Asian American Studies at UCLA, holding the Korea Times-Hankook Ilbo Endowed Chair in Korean-American Studies. She is a sociocultural anthropologist whose work focuses on inequality, social justice, and the migration of people, particularly displaced populations and their relationship to political economy, critical race theory, and transnationalism. Her research spans Korean American communities in the United States and Korean diaspora communities in Latin America, examining how structural forces shape cultural beliefs and ideologies across different contexts. Ph.D., City University of New York (1990) Professor Park's research centers on urban anthropology, inequality across race, class, and gender dimensions, migration and diaspora studies, and transnational processes. She examines how structural imperatives of migration lead to transformations in gender, kinship, family, politics, and religion among Korean diaspora communities. Her work employs intersectional analysis to understand multi-ethnic relations, with particular focus on Korean communities in both the United States and Latin America, exploring how axes of inequality impact racial minorities and their relationships with each other in global contexts. Her recent scholarship demonstrates consistent focus on Korean diaspora communities across the Americas, bridging urban anthropology with critical race theory to examine how race, class, and gender intersect in immigrant experiences. She has made significant contributions to understanding Korean-Latino relations in Los Angeles and Korean immigrant entrepreneurship in South American textile industries, reflecting her broader interest in immigrant adaptation and inter-ethnic dynamics across diverse geographic settings. Professor Park has received numerous prestigious awards and grants for her scholarship: 1998 Outstanding Book Award from the Association for Asian American Studies for "The Korean American Dream: Immigrants and Small Business in New York City" 1997-98 Visiting Scholar Award from the Russell Sage Foundation 2016-19 Research Grant from The Republic of Korea's Ministry of Education and Korean Studies Promotion Service 2008-09 Translation Grant from The Overseas Korea Foundation for "The Korean American Dream" 2008-09 AAP Faculty Recognition Award from UCLA Professor Park has secured substantial research funding throughout her career, including multiple grants from The Academy of Korean Studies, Korea Foundation, and UCLA research programs. Her funded projects have examined Korean diaspora communities across the Americas, with particular focus on transnational connections between Korean American and Latin American contexts. She has served as Principal Investigator on projects exploring Korean routes of migration in the Americas and second-generation Korean American transnationalism, demonstrating her sustained commitment to understanding immigrant experiences through anthropological and interdisciplinary lenses. Professor Park has been actively involved with UCLA's Center for Korean Studies (CKS) and the International Institute, where she served as Deputy Program Chair for Korean Studies in Latin America from 2006-2011. Her collaborative work extends to research teams examining Korean diaspora communities across the Americas, including partnerships with scholars in Latin America. She has also participated in interdisciplinary initiatives such as UCLA's Urban Humanities Institute Faculty Research Seminar, reflecting her commitment to cross-disciplinary approaches to understanding migration, diaspora, and transnational processes.
Paula Hohti is a Professor of Art and Culture History at Aalto University's School of Arts, Design and Architecture, Department of Art and Media. She holds a Docent position in History of Art at the University of Helsinki. Her research focuses on Italian Renaissance dress and material culture, particularly among artisans and shopkeepers. She earned her PhD from the University of Sussex (2006) and has held research roles at institutions including Helsinki Collegium for Advanced Studies and the European University Institute (EUI) in Florence. She led major projects like RE-FASHIONING (ERC grant, €2M in 2016) and co-founded the Fashion History Lab. Her work contributes to UN SDGs related to sustainable development through historical material studies. Education: PhD in Art History, University of Sussex (2006). Research Interests: Italian Renaissance textiles, Early Modern material culture, artisan craftsmanship, textile reconstruction methods, and social history of dress. Recent work emphasizes interdisciplinary approaches to reconstructing historical clothing and its cultural significance. Key Publications (2025): Refashioning the Renaissance: Everyday Dress in Europe (book), studies on color imitation in textiles, and knitted stockings experimentation. Articles explore cross-disciplinary methodologies and material authenticity. Awards: ERC Consolidator Grant (2016), Academy of Finland Fellowships, and the Roland H. Bainton Book Prize (2021). Advising & Grants: Principal investigator in multiple international projects. Supervised eight post-doctoral researchers. Co-developed the Refashioning the Renaissance Database (Aalto University, 2022). Labs/Teams: Leads the Fashion History Lab (2022–2023) and collaborates globally on textile and material culture studies.
Martha Easton is an Associate Professor of Art History and Program Director of Museum Studies at Saint Joseph's University. She specializes in medieval art and architecture, with a focus on illuminated manuscripts, gender and hagiography, feminist theory, and medieval collecting practices. Easton is a founding member of the Material Collective, a collaborative dedicated to innovative approaches to visual culture, and has lectured extensively at institutions like the Met Cloisters. Education : PhD in Fine Arts (Institute of Fine Arts, New York University) with major fields in Early Christian and Medieval Art; minor in Japanese Art Certificate of Curatorial Studies (Institute of Fine Arts/The Metropolitan Museum of Art) MA in Fine Arts (Institute of Fine Arts, New York University) BA in History (Carleton College) Her research explores intersections of gender, medievalism, and the afterlife of medieval art in modern collections. She is currently writing a book on John Hays Hammond Jr., a scientist-collector who built Hammond Castle, and has published widely on feminist art history, medieval eroticism, and the Material Collective’s collaborative scholarship. Scientific Awards : Michael J. Morris Grant for Scholarly Research (2020-21) Teaching Innovation Grant (2020) Senior Research Fellowship, Center for the History of Collecting (The Frick Collection, 2015) Samuel H. Kress Foundation Travel Grant (1998) Andrew W. Mellon Foundation Fellowship (1996-97) Easton has taught at institutions including Seton Hall University, Bryn Mawr College, and New York University, and her work bridges medieval scholarship with modern curatorial practices and feminist reinterpretation of historical narratives.
Nancy Reynolds is an Associate Professor of History at Washington University in St. Louis, with affiliate appointments in Women, Gender and Sexuality Studies and Jewish, Islamic, and Middle Eastern Studies. Her research focuses on environmental and social-cultural history of twentieth-century Egypt, examining political-material intersections in built environments from department stores to dams. Her academic background includes: PhD in History from Stanford University MA in History from Stanford University BA from Harvard University Reynolds' scholarship spans Environmental History , Social History , and Urban Studies , with emphasis on how mundane objects (socks, store floors) and monumental structures (Aswan Dam, temples) reflect nationalist struggles. Her work critically engages gender dynamics and decolonization , revealing how consumption patterns and urban spaces became sites of political contestation in semicolonial Egypt. Her 13 publications (2000-2024) demonstrate an evolution from consumer culture studies (department stores, Cairo Fire) to environmental history (Aswan Dam, desert ecologies), with recent collaborative work on Middle Eastern wastelands and sustainable architecture. The 2024 corpus particularly emphasizes political ecologies and materialized absence. Her scientific recognition includes: Roger Owen Book Award (2013) for A City Consumed American Council of Learned Societies Fellowship (2012) Bernadotte E. Schmitt Grant (2010) Stanford Humanities Center Geballe Dissertation Prize Social Science Research Council Fellowship Reynolds actively shapes graduate education as former administrator of History and JIMES PhD/MA programs. Her research is sustained by major grants including a Mellon Sawyer Seminar (2016-2018) and Mellon New Directions Fellowship (2014-2016), both supporting transregional collaborations on environmental humanities. She co-leads the Grounding the Ecocritical research collective with Dr. Anne-Marie McManus, producing the "Following Absence" symposium and CSSAAME special section on Middle Eastern wastelands.
Dr. Catríona Clutterbuck is a Lecturer in the School of English, Drama and Film at University College Dublin (UCD), where she has been a core faculty member since 1996. Her academic work centers on modern and contemporary Irish poetry, with a strong emphasis on gender, ethics, faith, and aesthetics in literature. She has made significant contributions through publications, teaching, and academic service. Research Interests: Her research spans modern and contemporary Irish poetry , women’s poetry , gender and nation , subjectivity and ethics , memory and mourning , and creative writing . She explores the intersections of personal and national identity, particularly in the works of poets like Eavan Boland, Seamus Heaney, and Thomas Kinsella. The most recent articles (2021–2024) demonstrate a consistent focus on emotional and ethical dimensions in Irish poetry, especially themes of grief, vulnerability, faith, and the role of art in processing loss. Her work frequently engages with female poets and feminist reinterpretations of national narratives, employing close textual analysis and cultural criticism. Scientific Awards: College of Arts and Humanities Award for Teaching Excellence (2018) Foreign and Commonwealth Scholarship Award (1993) Graduate Scholarship (1993) Postgraduate Studentship (1992) Advising and Grants: While no specific PhD advisees are listed, she has coordinated postgraduate modules such as Dissertation Research Methods and Irish Poetry: Representing Self and Other , indicating active involvement in graduate supervision. She has served as an external examiner for PhD theses and undergraduate programs at multiple institutions, reflecting her recognized expertise. There is no mention of research grants in the provided text. Labs and Teams: No formal research labs are mentioned. However, she has been an active member of academic communities, including the Committee for the Study of Anglo-Irish Literature at the Royal Irish Academy and editorial boards for journals like Irish University Review .
