Ryan Heuser is an Assistant Professor in Digital Humanities at the University of Cambridge, specializing in computational approaches to literary and intellectual history, prosody, and artificial intelligence's impact on language. His work bridges data science, machine learning, and literary studies through digital methodologies. Doctoral training in Eighteenth-Century British Literature, Stanford University (2019) Founding member & Associate Research Director, Stanford Literary Lab Junior Research Fellow, King’s College Cambridge (2019-2022) Research interests span computational modeling of semantic revolutions, large-scale literary field analysis, and the intersection of digital methods with historical and intellectual studies. His book Explorations in the Digital History of Ideas (2023) co-edited with Peter de Bolla exemplifies this approach. Recent publications focus on historical semantics, metrical analysis, and digital mapping of emotions in literature, reflecting his interdisciplinary expertise in natural language processing, network theory, and literary data visualization. Currently leads teaching initiatives at Cambridge Digital Humanities and contributes to computational projects exploring textual rhythms and large language models.
Beth Piatote is an Associate Professor of English and Comparative Literature at the University of California, Berkeley. She holds a PhD in Modern Thought and Literature from Stanford University and is an enrolled member of the Confederated Tribes of the Colville Reservation (Nez Perce). Her work bridges scholarly and creative realms, focusing on Indigenous literature, law, language revitalization, and cultural studies. Education: PhD in Modern Thought and Literature (Stanford University). Research interests include Native American legal systems, Nez Perce language preservation, global Indigenous literatures, and creative writing. She co-founded and chairs Berkeley’s Designated Emphasis in Indigenous Language Revitalization and directs the Arts Research Center, where she leads the Indigenous Poetics Lab. Her publications include Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (2013) and the short story collection The Beadworkers (2019), which received multiple literary recognitions. Her plays Antíkoni and Tricksters, Unite! explore Indigenous narratives through performance. Awards include MLA honorable mentions, PEN/Bingham Prize longlistings, and a 2020 Playwrights Retreat win. Current projects involve a scholarly monograph on sensory representations of Indigenous law and creative works in poetry and essays.
Harsha Ram is an Associate Professor in the Department of Comparative Literature at the University of California, Berkeley. His research focuses on Russian and European Enlightenment, modernist literature, and the cultural histories of the Caucasus region. He holds dual B.A. Honors degrees in Italian and Russian from the University of Sydney and University of New South Wales, and a Ph.D. in Comparative Literature from Yale University. His work bridges literary theory, post-colonial studies, and geopoetics, with a particular emphasis on Georgia's literary modernism and its intersections with Russian imperial culture. Key themes include spatial theory, peripheral modernisms, and the transnational dimensions of cultural production. Recent work examines the role of ritual feasts in Georgian national identity and the geopoetics of Eurasian avant-garde movements. Ram has published extensively on figures like Velimir Khlebnikov and Boris Pasternak, exploring their engagement with imperial legacies and revolutionary aesthetics. His book The Imperial Sublime: A Russian Poetics of Empire (2003) remains a seminal study of Russian imperial poetics. Current projects include studies on Georgian literary encounters with Russian culture and the symbolic dimensions of Caucasus representations. His scholarship frequently appears in leading journals such as Modernism/Modernity , Slavic Review , and Ab Imperio . He has held visiting positions at institutions globally and actively participates in interdisciplinary dialogues between literary studies, history, and cultural geography.
Max Cavitch is an Associate Professor of English at the University of Pennsylvania's School of Arts & Sciences, specializing in American literature, psychoanalytic studies, and cinema. He joined Penn in 1999 after earning his B.A. from Yale and Ph.D. from Rutgers. His research spans 19th- and 20th-century literature, African American studies, and interdisciplinary fields like animal studies and gender theory. Cavitch has authored influential works such as *American Elegy* (2007) and co-edited volumes on Whitman and early American studies. He directs Penn's Psychoanalytic Studies program and edits the blog *Psyche on Campus*, honored with the 2022 American Psychoanalytic Association's Excellence in Journalism Award. His teaching includes courses on psychoanalysis, autobiography, and American poetry. Cavitch has held fellowships from the Fulbright Foundation, Newcombe Foundation, and others. His recent projects explore world autobiography, psychoanalysis in academia, and the history of 'ashes' as a conceptual and material symbol. Award-winning scholar and educator, Cavitch's work bridges literary criticism with clinical theory, media studies, and transnational frameworks. He advises doctoral students in American literature and affiliated programs, maintaining active collaborations with institutions like the McNeil Center for Early American Studies and the Psychoanalytic Center of Philadelphia.
Michaela Bürger-Koftis serves as Associate Professor in the Department of Modern Languages and Cultures at the University of Genoa's School of Humanities. Her teaching portfolio includes advanced courses such as German Literature and Culture III , German Linguistics (LM) , and Cultures of German-speaking Countries across undergraduate and master's programs focused on teaching, publishing, and intercultural communication. Her research investigates polyphonic structures in multilingual literature, with emphasis on German-Russian linguistic intersections and autobiographical narratives. Key projects explore lyrical diary forms and creative writing through the lens of polyphony, examining how multilingual expression shapes narrative identity and literary innovation in contemporary works. Recent publications demonstrate consistent focus on the Polyphony research initiative, revealing evolving methodologies in multilingual creativity and writing. This work establishes frameworks for analyzing cross-linguistic literary production while documenting the project's development from 2018-2023. No scientific awards are documented in available sources. While specific student advisees remain unlisted, Bürger-Koftis contributes to academic governance as a member of the School of Humanities Library Board. Her collaborative research with institutions like Catania University demonstrates institutional partnership development within multilingual literary studies. The Polyphony project functions as an interdisciplinary research hub with dedicated web infrastructure, facilitating scholarly exchange on multilingual writing practices and serving as a model for digital humanities collaboration in literary studies.
Mark Angus is a Visiting Lecturer at the Estonian Academy of Arts, Faculty of Design, and has been a pivotal figure in stained glass art since the 1970s. His work spans architectural commissions for churches and public spaces in the UK, Germany, and Ireland, alongside autonomous art in painting, printmaking, and artist’s books. He operates studios in Frauenau (Germany) and Graz (Austria). Education : Bristol Polytechnic (Chartered Surveyor, 1970), Swansea School of Art (Architectural Stained Glass, 1978). Research Interests focus on: Stained Glass as a medium for spiritual and secular narratives. Vitreography (glass-based printmaking) and its interplay with light and subtlety. Artist’s Books integrating letterpress and visual storytelling. Human Figure Representation in glass and paper, emphasizing dialogue and existential themes. Recent Publications include his 2018 artist’s book 80 Capriccios and the Turbulences of the Self , drawing on Goya’s Los Caprichos to critique modernity, and 2025’s KUNST. Kunst im Landkreis Passau, Bd. 70 , documenting regional art practices. His RED (2014) and Juvenescence (2014) explore color symbolism and eternal youth through acrylics and illustrated novels. Scientific & Artistic Awards : 1990: South West Arts & Crafts Fellowship 1984: South West Arts Major Craft Award 1979: Crafts Council Setting-up Grant 1978: Worshipful Company of Glaziers Travelling Scholarship Teaching & Collaborations : He has taught at the Estonian Academy of Arts, Penland School of Crafts (USA), and Bild-Werk Frauenau (Germany), including 2025’s masterclass Risk & Resonance – The Stained Glass Experience . His exhibitions, such as 80 Capriccios (2024, Neuburg am Inn), reflect interdisciplinary dialogues between glass, poetry, and theological themes.
Purnima Dhavan is an Associate Professor of History at the University of Washington's College of Arts & Sciences, holding the Giovanni and Amne Costigan Endowed Professorship. She specializes in early modern South Asia (1500-1800), focusing on religious and cultural identity, Mughal institutions, and literary networks. Her research integrates interdisciplinary methods, with adjunct affiliations in Near Eastern Languages and the Jackson School's South Asia Center. Education: PhD in South Asian History from the University of Virginia (2003), MA (1998), and BA (1996) from the University of Michigan. She has taught at multiple institutions, including the College of St. Benedict/St. John’s University and Bowdoin College. Research Interests: Mughal literary culture, Sikh warrior traditions, gender in pre-colonial societies, and environmental history. Notable works include her book *When Sparrows Became Hawks* (2011) on Sikh militarization and a forthcoming project on literary associations in Mughal urban centers. Publications span peer-reviewed journals and edited volumes, emphasizing pre-colonial South Asia’s intellectual and socio-political dynamics. Awards include the Howard Keller Chair and NEH fellowships. Service: Extensive contributions to academic governance at UW, including roles in the Faculty Senate, departmental leadership, and national professional organizations like the American Historical Association and Association of Asian Studies. Languages: Native Hindi speaker, advanced Urdu/Persian/Punjabi, and proficient in Spanish.
Professor Matthew Treherne is a leading scholar in Italian literature at the University of Leeds, where he holds the position of Professor of Italian Literature in the School of Languages, Cultures and Societies within the Faculty of Arts, Humanities and Cultures. He currently serves as Pro-Dean for Research and Innovation, and co-directs the Leeds Centre for Dante Studies. His research bridges medieval and Renaissance literature with contemporary issues such as finance, ecology, and technology. PhD in Italian Literature, University of Cambridge (2007) Diploma in Management Studies, Judge Business School, University of Cambridge (2000) M.Phil in European Literature (Distinction), University of Cambridge (1999) BA in Modern and Medieval Languages (First-class), University of Cambridge (1997) Matthew Treherne's research focuses on Dante and late-medieval religious culture, with a strong emphasis on the liturgical imagination and theological discourse in poetry. He explores how Dante’s work can inform modern debates on the ecological crisis, financialisation, and time. His interdisciplinary approach integrates theology, philosophy, and cultural studies. He leads the project The Cultural Life of Money and Finance , which investigates how the humanities can shape financial futures. His recent publications include Dante’s ‘Commedia’ and the Liturgical Imagination and co-edited volumes on Dante’s theology. His recent scholarly articles and chapters show a consistent engagement with Dante’s theological and poetic structures, Tasso’s religious poetry, and the role of art and liturgy in early modern culture. Themes such as sacramentality, time, vision, and interdisciplinarity recur across his work, reflecting a deep commitment to understanding literature as a living, ethically engaged practice. University Teaching Fellowship Developmental University Teaching Fellowship Faculty of Arts Development Teaching Prize Treherne has supervised numerous PhD students and fosters research-led teaching, notably through projects like Discover Dante and the Leeds Dante Podcast . He has led major research initiatives, including the AHRC-funded Dante and Late Medieval Florence , and collaborates widely across disciplines and institutions. He is also active in public engagement, contributing to BBC Radio 4’s In Our Time and curating podcast series such as Conversations on Dante and Arts and Humanities Futures . He co-leads the Cultural Life of Money and Finance project with Invisible Flock, blending humanities research with creative practice.
Edward L. Shaughnessy serves as the Lorraine J. and Herrlee G. Creel Distinguished Service Professor in Early Chinese Studies and Director of Graduate Studies in the Department of East Asian Languages and Civilizations at the University of Chicago. A renowned scholar of ancient China, he specializes in archaeologically recovered texts from the Zhou dynasty period (c. 1045-249 BCE), particularly bronze inscriptions, bamboo-slip manuscripts, and the classical texts Zhou Yi (I Ching), Shang Shu, and Shi Jing. His research interests focus on the intersection of archaeological discoveries and literary traditions, with particular expertise in bronze inscriptions and the Zhou Yi. Shaughnessy has pioneered efforts to bridge Western and Chinese scholarly traditions, publishing extensively in both English and Chinese. He has written seven volumes of technical scholarship in Chinese and is currently leading an international team translating Tsinghua University's fourth-century BCE bamboo-slip manuscripts. His recent scholarly output shows strong trends in paleographic studies, with numerous publications analyzing newly excavated manuscripts. His work demonstrates a consistent focus on textual transmission, historical context, and the relationship between archaeological evidence and received literary traditions. Notable patterns include systematic analysis of bamboo-slip manuscripts, comparative studies of textual variants, and interdisciplinary approaches combining philology, archaeology, and historical analysis. Shaughnessy has received recognition through his appointment as a Distinguished Service Professor, one of the highest academic honors at the University of Chicago. His scholarly contributions have significantly advanced the field of early Chinese studies through both original research and editorial work. As an educator, Shaughnessy teaches seminars on oracle-bone inscriptions, bronze inscriptions, bamboo-strip inscriptions, and courses on the Yi jing, Shi jing, and Shang shu. He serves as Director of Graduate Studies for the department and has supervised numerous graduate students. His current and upcoming courses include 'The Ji Zhong Discovery,' 'The Development of Early China Studies in the West,' 'Western Zhou Bronze Inscriptions,' 'The Shang shu,' and 'The Shi jing.' Shaughnessy maintains an active research program with current projects including the translation of Tsinghua University's bamboo manuscripts and serving as co-editor of the journal Bamboo and Silk. His scholarly network extends internationally, as evidenced by his 2013 lecture series at the Collège de France titled 'Unearthing the Chinese Classics,' where he presented on the Zhou Yi, Shang Shu, Shi Jing, and Laozi.
Dr. Charilaos Nikolaidis is a Senior Lecturer at Essex Law School, University of Essex, specializing in international human rights law and the intersection of law and literature. He received his LLB from City, University of London, LLM in International Business Law from University College London, and PhD in Law from King's College London. His research focuses on international human rights law, particularly the theory and implementation of the right to equality, and the relationship between law and literature. Nikolaidis has published extensively on equality jurisprudence, comparative human rights law, and democratic challenges in European contexts. Nikolaidis's publications demonstrate consistent focus on human rights jurisprudence, particularly equality and non-discrimination within European legal frameworks. His work spans theoretical explorations of legal equality, comparative analyses of European and US privacy rights, and practical examinations of democratic challenges in Greece and beyond.
Prof. Dr. Christoph U. Werner is the Chair of Iranian Studies at Otto-Friedrich-University Bamberg since 2019, following his 12-year professorship at Marburg University (2007-2019) and previous academic roles. He specializes in Iranian Studies with focus areas in social history , legal institutions , Shiite religious structures , and Persophone literary history . As a Research Dean of Humanities and Cultural Studies (2023-2025) Managing Director of the Institute of Oriental Studies (2021-2025) President of Societas Iranologica Europaea (2019-2023) , he leads major academic initiatives. His research spans Qajar-era legal contracts Waqf (endowment) systems Persian-Ottoman-Georgian historical interconnections Manuscript studies of Persian documents , often combining archival analysis with interdisciplinary approaches. Recent publications focus on 20th-century Persian cultural politics, early modern Persian-Ottoman interactions, and legal epigraphy. He collaborates extensively with institutions like the University of Oxford's Invisible East and DFG Priority Programme Transottomanica . His editorial work includes Orientalistische Literaturzeitung (2022-) Persimone blog (2022-) Bamberg University Press publications and multiple Iranian academic journals.
Jonathan David Bobaljik is a leading linguist whose research spans formal syntax, phonology, and the documentation of endangered languages, particularly Itelmen. He is actively involved in multiple international research collaborations and regularly presents at major linguistic conferences across Europe and North America. His work is published in top journals such as Natural Language and Linguistic Theory and Language . His research interests lie at the intersection of theoretical and descriptive linguistics. He investigates universal patterns in morphology and syntax, including suppletion, vowel harmony, ergativity, and control structures, often using data from understudied languages like Itelmen. His work combines rigorous formal analysis with deep empirical grounding in language documentation. The recent publications reflect a strong trend toward integrating typological diversity with formal theory. Key areas include morphosyntactic universals (e.g., suppletion in pronouns), information structure in verb-final languages, and the phonology of ejective consonants. There is also a growing emphasis on sociolinguistic and community-based aspects, as seen in collaborative work on language revitalization and the social life of the Itelmen language. He has received recognition through numerous scholarly publications and invited talks, though specific awards are not listed in the provided text. His collaborative projects suggest active grant involvement, particularly in language documentation and cross-linguistic typology. Bobaljik plays a central role in the Itelmen documentation and revitalization project, contributing to the creation of a dictionary app, the publication of historical manuscripts, and public exhibits on Siberian Indigenous knowledge. He collaborates with a team including David Koester, Chikako Ono, Tatiana Degai, and Maria Pupynina.
Professor Stephen Chan is a faculty member at SOAS University of London in the Department of Politics and International Studies (POL) . With a focus on African political thought and international relations, his work critically examines postcolonialism, decoloniality, and global governance. Key research themes include: Decolonizing international relations theory Sino-African political dynamics Election observation and democratic processes Non-Western cosmopolitanism Comparative diplomatic practices His recent publications analyze the ideological ambiguity of decoloniality (2023), pluralist visions for global security (2017), and the legacy of African liberation movements (2021). He has advised multiple theses on topics ranging from parliamentary governance in Kenya/Zimbabwe to China-Africa media interactions. Notably: Critiqued the misuse of 'decoloniality' as ideological rhetoric (2023) Authored a poetic autobiography of political engagement (2022) Traced Africa's intellectual history of freedom (2021) Examined Zimbabwean elections (2017) Explored non-Western modernity (2018)
Manex Aguirrezabal Zabaleta is an Associate Professor in the Department of Nordic Studies and Linguistics at the University of Copenhagen. He previously held positions as a Postdoc (2017-2019) and Assistant Professor at the same institution. His educational background includes: PhD in Natural Language Processing from the University of the Basque Country (UPV/EHU), conducted at the IXA NLP group. Master's degree in Natural Language Processing from UPV/EHU. Bachelor's degree in Computer Science (5 years) from UPV/EHU. Dr. Aguirrezabal's research focuses on the computational analysis of poetry , particularly stress patterns in English. He explores whether computers can effectively analyze poetic structures, a field with roots in the 1980s but revitalized by modern techniques. Additionally, he investigates language generation , computational morphology and phonology , and finite-state methods . His work bridges traditional linguistic inquiry with cutting-edge natural language processing. Recent publications (2023-2024) demonstrate a diverse engagement with computational linguistics, including poetry generation, multimodal corpus development, clickbait analysis, and fact-checking. His research often employs zero-shot learning and language models, reflecting current trends in AI-driven linguistic analysis. He has contributed to international collaborations such as ParlaMint (multilingual parliamentary corpora) and the GEHM Zoom corpus. While specific grant details are not provided, his active publication record indicates ongoing research support. Dr. Aguirrezabal maintains a strong connection to his Basque heritage, having pursued his early education in the Basque language.
Andrew Ollett is an Associate Professor and Director of Graduate Studies in the Department of South Asian Languages and Civilizations at the University of Chicago , where he has taught since 2019. His research focuses on the literary and intellectual traditions of South and Southeast Asia, particularly through works in Sanskrit, Prakrit, Apabhramsha, and Kannada from the first millennium CE. Co-founder and editor of NESAR (New Explorations in South Asia Research) Director of NEH-funded edition/translation of the Kavirājamārga (earliest Kannada literary manual) Expert in Prakrit and Kannada literary traditions His work explores the 'question of language'—examining how language choice shaped cultural production and change in premodern India. Current projects include a monograph on context-sensitivity in Indian language theories and a study of manuscript technology's impact on early South Asian knowledge communities. He has authored The Mirror of Ornaments (Naples: Unior Press, 2025) and Language of the Snakes (UC Press, 2017), and co-authored Lilavai (Harvard, 2021). Recent publications include interdisciplinary studies on: Sanskrit-Prakrit campū genre reevaluation Pragmatics in Mīmāṁsā interpretive concepts Manuscript literacy's influence on literary forms Historical linguistics of Middle Indic syllable reduction Philosophy of language in Śālikanātha and Kumārila Bhaṭṭa Awarded the NEH 'Scholarly Editions and Translations' grant , he teaches classical South Asian literature courses covering Sanskrit, Prakrit, and Tamil traditions. He maintains digital resources including a Prakrit Digital Texts Project and Mīmāṁsādigdarśinī digital text repository, and actively contributes to open-access scholarship.
