جست‌وجوی استاد و پژوهشگر

Jan Herbstمشاهده پروفایل

استاد

• Popular Music Studies
• Metal Music Studies
• Music Production
• +۷ مورد دیگر

Jan Herbst is a Professor of Music at the University of Huddersfield and Director of the Centre for Research in Music and its Technologies. His academic journey includes multiple doctorates (PhD, Dr. habil.) from Leuphana University Lüneburg and research expertise in popular music studies, music production, and systematic musicology. He leads AHRC-funded projects such as 'Heaviness in Metal Music Production' and 'Songwriting Camps in the 21st Century.' His work bridges practical music production and theoretical research, with over 80 publications including books like The Cambridge Companion to Metal Music and Heaviness in Metal Music Production . Herbst’s research focuses on metal music aesthetics, record production techniques, and the cultural dimensions of music technology. He has held roles at German and Swiss universities, including teaching guitar performance and music production. His editorial roles include the Cambridge Companions series and journals like Metal Music Studies . Current projects explore blockchain in music, gear acquisition syndrome, and extreme metal vocal techniques. His academic affiliations include the IASPM UK & I executive committee and editorial boards for major musicology publications. Herbst actively engages with industry through collaborations with producers and performers, maintaining a balance between academic rigor and practical music creation.

Mathias Funkمشاهده پروفایل

دانشیار

• Design Theory
• Systems Design
• Data-Driven Design
• +۵ مورد دیگر

Mathias Funk is an Associate Professor in the Industrial Design department at Eindhoven University of Technology (TU/e), leading the Things Ecology lab. His research focuses on designing with data and systems behavior, particularly in IoT and medical technology contexts. He co-founded UXsuite GmbH and developed the OOCSI communication framework. With a PhD in Electrical Engineering from TU/e (2011), Funk has held academic roles since 2013, including postdoctoral positions in Electrical Engineering and Industrial Design. He teaches courses like 'Data-enabled design' and supervises projects on AI, data foundry, and OOCSI applications. His work bridges engineering and design, addressing sustainability and human values through systemic design approaches. Education: PhD in Electrical Engineering, TU/e (2011) Computer Science background from RWTH Aachen Postdoc at TU/e's Electrical Engineering and Industrial Design departments Research Interests: Data-driven design methodologies, IoT systems, medical technology innovation, sustainable design practices, and interactive systems for musical expression. Recent work emphasizes telemonitoring efficacy in heart failure care and federated learning applications. Awards: Best Paper Award (2014) Honorable Mention (2021) Grants/Projects: Leading initiatives like MEDICAID (medtech solutions), ACACIA (interpretable AI), and Data-Driven Servitizing in Professional Printing. Active in clinical workflow prototyping and cardiovascular disease detection projects. Lab Activities: Manages the Things Ecology lab, focusing on systemic design challenges in smart ecosystems. Collaborates internationally through spin-offs and visiting lectureships.

• Jazz Piano Performance
• Intercultural Music Collaboration
• Jazz Composition and Improvisation
• +۳ مورد دیگر

Dr Kevin Hunt is a Lecturer in Piano (Jazz) at the Sydney Conservatorium of Music, University of Sydney. He holds a Doctor of Philosophy (2016) and a Master of Music in Jazz Performance (2004) from the same institution. His academic roles include supervising six research projects (2017) across Honours, Masters, and PhD levels. Education: MMus(Perf) Sydney (2004), PhD in Jazz Studies (2016). Professional training includes studies with Don Burrows, Bill Motzing, and a scholarship in NYC (2001). Research focuses on jazz piano performance, intercultural collaborations with Aboriginal Torres Strait Islander musicians, and the sonic qualities of Australian-made Stuart & Sons pianos. Key projects include the OUR MUSIC workshop-festivals (2012-2016) and the Ancient & New CD project blending ancient Indigenous chants with jazz improvisation. Performance highlights include the ABC FM Listeners Choice Award-winning JS Bach Trio (1998), recordings with Don Burrows and Simon Tedeschi, and collaborations in cabaret theatre such as Prince Bettliegend (2017). Active in education since 2005, he currently leads the Kevin Hunt Trio and performs with Emma Pask and Marie Wilson. Awards include the 2016 PhD and 1998 ABC award. His work bridges jazz innovation with cultural heritage preservation, evidenced by intercultural projects and academic publications on Yiddish theatre and Indigenous music collaboration.

Alana Clifton-Cunninghamمشاهده پروفایل

مدرس

• Fashion and Textile Design
• Sustainable Design
• Circular Economy
• +۳ مورد دیگر

Alana Clifton-Cunningham is a dedicated educator and researcher in fashion and textile design at the University of New South Wales, Faculty of Arts, Design & Architecture. With over two decades of experience in higher education, she has established herself as a leader in sustainable and innovative design education. Her work bridges traditional craftsmanship with cutting-edge technologies, creating experiential learning environments that prepare students for contemporary design practice while addressing global sustainability challenges. Educational Background: 2021 | UNSW - Learn to Lead: Progress Needs Resilient Leaders 2019 | UTS - Graduate Certificate in Higher Education Transdisciplinary Learning 2008 | UNSW (COFA) - Master of Design (Hons) Research 2002 | UTS - Graduate Certificate in Higher Education Teaching and Learning 2001 | TAFE - Diploma of Marketing Management 1993 | UTS - Bachelor of Design (Hons) (Fashion and Textile Design) Clifton-Cunningham's research focuses on sustainable fashion practices, with particular emphasis on circular economy principles in textile production and garment design. Her work explores scalable models for textile remanufacturing, clothing waste reduction, and sustainable workwear systems. She is deeply engaged in addressing clothing sizing issues and standards in Australia, advocating for more inclusive approaches to fit and body diversity. Her commitment to equity, diversity, and inclusion underpins all aspects of her leadership and teaching, making her a strong advocate for responsible design futures that prioritize both environmental sustainability and social justice. Her publication record demonstrates a consistent focus on the intersection of design education, cultural exchange, and sustainable practices. Notable works include her 2022 book chapter on cross-cultural textile workshops in India, her 2018 analysis of undergarment technology evolution, and her contributions to exhibitions like 'Out of Hand' at the Powerhouse Museum. These works collectively highlight her emphasis on hands-on, experiential learning that connects students with real-world sustainability challenges and cultural contexts. Research Grants: 2024 | Redesigning Clothing Waste Using a Circular Design Framework - LP230200929 $220,473K 2024 | Department of Community and Justice - $17,900 2024 | Education Focussed Community of Practice (PVCESE) - $2,500 2023 | Department of Community and Justice - $15,900 2023 | Education Focussed Community of Practice (PVCESE) - $6,995 2017 | AbbVie Pharmaceutical Pty Ltd, HS Support Garments: Chief Investigator - $35,000 Clifton-Cunningham actively supervises research in fashion and textile design, with a focus on sustainable practices and innovative design processes. Her extensive industry network, including partnerships with major fashion labels, brings real-world insight into the classroom. She has led international global studios, including immersive programs in India where students collaborate with artisans. Her current ARC Linkage project 'Redesigning Clothing Waste Using a Circular Design Framework' represents a significant contribution to sustainable fashion research. Her creative practice is reflected in numerous exhibitions, including the Seoul International Fashion Art Biennale (2016, 2018), Wangaratta Contemporary Textile Awards, and the Powerhouse Museum's 'Out of Hand' exhibition. These artistic endeavors complement her academic work, demonstrating the practical application of her research interests in sustainable and innovative textile design.

Adam Marcusمشاهده پروفایل

دانشیار

• Architectural Design
• Computational Design
• Digital Fabrication
• +۵ مورد دیگر

Adam Marcus is an Associate Professor of Architecture at Tulane University School of Architecture and serves as Research Director of the Center on Climate Change and Urbanism. He directs Variable Projects, an award-winning design and research studio operating at the intersection of architecture, computation, and fabrication, and is a partner in Futures North, a public art collaborative dedicated to exploring data aesthetics. His educational background includes: Master of Architecture from Columbia University Bachelor of Arts from Brown University Adam's research focuses on critical approaches to design computation, digital fabrication, and robotics, exploring how these technologies enable new modes of ecological, material, and public engagement. His work particularly emphasizes climate adaptation, buoyant ecologies for sea level rise, computational representation, and multispecies architecture. He integrates these interests through practical design-build projects that address ecological challenges while advancing architectural representation and fabrication techniques. His recent publications demonstrate a strong emphasis on computational approaches to architectural representation and ecological design. The works consistently explore the intersection of digital technologies with ecological imperatives, particularly focusing on climate adaptation strategies, multispecies collaborations, and innovative drawing protocols that bridge analog and computational paradigms. His book 'Drawing Codes' represents a significant contribution to rethinking architectural drawing in the computational age. Notable awards include: Selected as one of the '30 Most Admired Educators' by Design Intelligence (2013) Recipient of the New Faculty Teaching Award from the Association of Collegiate Schools of Architecture (2016) Adam has served on ACADIA's Board of Directors from 2015 to 2021 and currently serves on the editorial board of the International Journal of Architectural Computing. His teaching at Tulane includes design studios and courses in computational design and digital fabrication with ecological applications, building on his decade of experience at California College of the Arts where he co-founded the Architectural Ecologies Lab. He leads research initiatives through Tulane's Center on Climate Change and Urbanism, developing practical design solutions for ecological challenges, particularly those related to climate change and sea level rise. His Buoyant Ecologies Float Lab project exemplifies this approach, creating 'optimized upside-down benthos for sea level rise adaptation' that has received attention from major media outlets including Smithsonian Magazine and Architectural Record.

Burak Sunguralp Tekinمشاهده پروفایل

استادیار

• Social Interaction
• Multimodal Communication
• Conversation Analysis
• +۳ مورد دیگر

Burak Sunguralp Tekin is an Assistant Professor in the Department of Translation and Interpretation at the Faculty of Humanities and Social Sciences, Ankara Yıldırım Beyazıt University. His academic career includes positions as both Lecturer (2021-2022) and Assistant Professor (2022-present) at the same institution. Dr. Tekin's research primarily focuses on human sociality and the interplay of language, bodies, and technology, with particular emphasis on embodied interaction, social practices, and multimodal communication. Dr. Tekin's educational background includes: Doctorate (2014-2019) from University of Basel, Switzerland, with dissertation "Bodies at play: Exploring participation, spectatorship, and morality in videogaming activities" Postgraduate studies (2012-2013) from University of Newcastle Upon Tyne, United Kingdom, with thesis "Smiles and affective alignment in naturally occurring dyadic academic supervisions" Undergraduate degree (2006-2010) from Hacettepe University, Turkey Dr. Tekin's research interests center on social interaction, multimodal communication, and embodied practices. His work examines how people coordinate their actions, bodies, and language in various contexts including gaming, photography, public spaces, and pandemic-related social adaptations. He employs conversation analysis and multimodal interaction analysis to investigate the micro-details of human sociality, with particular attention to how technology mediates social practices. His research bridges sociology, linguistics, and human-computer interaction to understand the embodied nature of social organization. Analysis of Dr. Tekin's recent publications reveals a consistent focus on embodied social interaction across diverse contexts. His work demonstrates sophisticated methodological approaches to studying how people coordinate their movements, manage social spaces, and create meaning through multimodal resources. A notable trend is his examination of how social practices adapt during extraordinary circumstances like the COVID-19 pandemic, as well as his sustained interest in gaming activities and their social organization. His collaborative work with Lorenza Mondada is particularly prominent in the field of conversation analysis. Dr. Tekin has taught various courses including Multimodal Communication, Introduction to Applied Linguistics, Language and Communication, Language Acquisition, Consecutive Interpreting, Intercultural Communication, World Englishes, Applied Linguistics, Turkish Grammar, Language Culture and Society, and Discourse Analysis at both undergraduate and postgraduate levels. His teaching reflects his research expertise in communication, language, and social interaction.

Jan Woudstraمشاهده پروفایل

استاد

• History and theory of the modern movement in landscape architecture
• Landscape conservation
• Planting design
• +۷ مورد دیگر

Dr Jan Woudstra is an Honorary Professor at the University of Sheffield's School of Architecture and Landscape. With a PhD in Landscape Architecture from University College London and a background in landscape design, horticulture, and conservation, he has taught landscape architecture and history since 1995 and part-time at the Architectural Association School of Architecture from 1988-2005. Education: PhD, MA (Conservation), Dip Hort (Kew) Research Focus: History and theory of modern movement landscape architecture, planting design, hard landscape detailing, and international design trends Supervision: Claudia Leticia Martínez Velarde, Lei Gao, Kairan Li, Sang Jung Yoon, Vivienne Rose Parrott, Jijun Zhao, Manoochehr Salahi Moghadam, Hossein Donyavi, Sally O’Halloran Contact: j.woudstra@sheffield.ac.uk | Arts Tower, Floor 12, Western Bank, Sheffield, S10 2TN His research emphasizes landscape conservation, sustainability, and social equitability, with case studies on designers like Christopher Tunnard, Peter Shepheard, and Robert Marnock. He explores the tension between memory and innovation in historic landscapes. Recent publications address Buddhist pilgrimage sites, Scandinavian design, and historical planting techniques. Collaborations with Peter Blundell Jones and others analyze the interplay between architecture and landscape.

Craig R. Forestمشاهده پروفایل

استاد

• Neuroengineering
• BioMEMS Technologies
• High-Throughput Genomics
• +۴ مورد دیگر

Dr. Craig R. Forest is a Professor at the Georgia Institute of Technology's Woodruff School of Mechanical Engineering, specializing in bioMEMS, neuroengineering, and high-throughput instrumentation. He leads the Precision Biosystems Laboratory, focusing on developing robotic tools for neuroscience and genomics. His research bridges mechanical engineering with biological systems, creating innovations like the PatcherBot for automated electrophysiology. Forest earned his Ph.D. (2007) and M.S. (2003) from MIT and B.S. (2001) from Georgia Tech. He has been recognized with awards including the 2013 Georgia Tech Class of 1940 W. Roane Beard Outstanding Teacher Award and Engineer of the Year (2013). His work emphasizes interdisciplinary collaboration, particularly through initiatives like CREATE-X and the Invention Studio, fostering student entrepreneurship and maker culture. Key contributions include ultra-high-throughput genomics tools, microfluidic systems, and acoustic reporter genes for medical imaging. Forest’s lab explores emerging fields like intracellular robotics in neuroscience and molecular communication networks, with applications in drug discovery and personalized medicine. Scientific awards highlight his impact in education and engineering innovation. His grants and collaborations span academic and industrial partnerships, advancing both theoretical and applied research in bioengineering and nanotechnology.

Emery Schubertمشاهده پروفایل

استاد

• Emotion in music
• Empirical aesthetics
• Music health and wellbeing
• +۴ مورد دیگر

Professor Emery Schubert is a distinguished academic at the University of New South Wales, Faculty of Arts and Social Sciences, where he holds a professorship in the School of the Arts & Media. With over 20 years of research experience, he has established himself as a leading expert in the scientific study of music aesthetics and emotion. His educational background includes a PhD in Music, which forms the foundation of his interdisciplinary approach combining psychology, musicology, and cognitive science. Schubert's research expertise spans emotion in music, empirical aesthetics, music health and wellbeing, continuous response to music and dance, cognitive modelling of aesthetic experience, and creativity. Schubert has received significant recognition for his work, being named Individual Leader in Field of Music and Musicology by The Australian's Research magazine in both 2020 and 2022, and ranking among Stanford's World's Top 2% Researchers in 2023. His research has been supported by over AUD$5 million in grant funding, primarily from Australian Research Council schemes. Humanities, Arts & Literature - Individual Leader in Field of Music and Musicology (2020, 2022) Stanford's World's Top 2% Researchers (2023) Excellence in Postgraduate Supervision Award (UNSW Australia) - twice ARC Future Fellowship (4 years) ARC Australian Research Fellowship (5 years) 10th Anniversary Award, European Society for the Cognitive Sciences of Music Professor Schubert maintains an active supervision portfolio, having guided numerous honours and postgraduate students through the Empirical Musicology Laboratory. His teaching portfolio is extensive, covering nearly all music-related courses at UNSW, with particular focus on the psychology of music, music and wellbeing, and music perception. His research group provides students with specialized resources including recording studios, music technology laboratories, and performance spaces.

• Fluid Mechanics
• Hydrodynamics
• Free Surface Flows
• +۴ مورد دیگر

Nicolas Riviere is a Professor at INSA Lyon in the Department of Mechanical Engineering, working within the Laboratory of Fluid Mechanics and Acoustics (LMFA - UMR 5509). He is part of the "Fluides complexes et transferts" (Complex Fluids and Transfers) group and the Environment team. His teaching activities primarily focus on fluid mechanics at the Mechanical Engineering Department of INSA Lyon, covering: General balances (mass, momentum, energy) Aerodynamics Compressible flows Numerical simulation of flows Free surface hydraulics Prof. Riviere's research centers on free surface hydrodynamics, with applications to natural and industrial risks. His work takes an experimental approach, utilizing the laboratory's channel facilities, particularly the channel intersection installation. His research spans river floods with compound beds, urban flooding, sanitation networks, torrential flows, and flow-obstacle interactions. He has developed a strong interdisciplinary focus, co-leading the "Baignades en Rivières Urbaines" studio with Oldrich Navratil from University Lyon 2 and the EVS Laboratory. His publication record demonstrates consistent contributions to the fields of fluid mechanics and environmental hydraulics, with recent work focusing on open-channel flows, urban flooding phenomena, vegetation-flow interactions, and experimental techniques for studying complex hydraulic phenomena. His research often bridges theoretical fluid mechanics with practical environmental applications. Prof. Riviere has received recognition for his work in environmental fluid mechanics, with numerous publications in high-impact journals in hydraulic engineering and fluid mechanics. He has supervised multiple PhD students and research projects related to environmental fluid mechanics and has collaborated with various institutions on interdisciplinary research projects addressing water-related challenges. The laboratory where he works, LMFA, provides extensive experimental facilities including wind tunnels, hydrodynamic channels, and advanced measurement techniques such as PIV (Particle Image Velocimetry), LDV (Laser Doppler Velocimetry), and other state-of-the-art instrumentation for fluid flow analysis.

• Italian Renaissance Art
• Medieval Art
• Material Culture
• +۷ مورد دیگر

Alison Wright is Professor of Italian Art at University College London's Department of History of Art, specializing in Italian art from c. 1300-1550. She teaches across all undergraduate and postgraduate levels and welcomes doctoral supervision for thematically-conceived projects not restricted to painting. Her academic journey at UCL spans from Lecturer (1993), to Reader (through 2016), and Professor (since 2016), with additional leadership roles including Head of Department (2016-2019) and Chair of the Exams Board. Her educational background includes a PhD from the University of London (1992) and a BA (Hons) from the Courtauld Institute of Art (1987). She maintains high proficiency in Italian, French, and German, supporting her comparative cross-European research approach. Wright's research centers on the material effects and interrelation of art, ideology and ritual in European art from the 14th to 16th centuries, with particular focus on Italy. Her work examines artistic practice, materials and materiality, with recent research investigating gold's activation in European port cities across late Medieval England, North Italy and Southern Spain. She explores how art functioned in relation to broader social, political and religious interests, particularly examining commission and reception of artworks. Her publication record demonstrates consistent engagement with Italian Renaissance material culture, spanning topics from frame ornamentation to sculptural practices. Her work shows particular interest in how materials convey meaning, with recurring themes of religious context, workshop practices, and the political dimensions of artistic production. Recent publications continue this trajectory with focus on Fra Angelico's use of light, Donatello's sculptural encounters, and the transformational properties of gold. Wright's teaching spans undergraduate and postgraduate levels with courses covering Italian Renaissance portraiture, private and public sculpture, the history of the category 'Art', and specialized seminars on Place, Space and the Imagination in the Italian City (c. 1300-1520) and Seeing through Materials in the Renaissance. She has held various administrative roles including Impact Lead (2024), Research Fellow with the Leverhulme Trust (2023-2024), and Head of Department (2016-2019).

Marissa Benedictمشاهده پروفایل

استادیار

• Trumpet Performance
• Classical Music
• Jazz
• +۵ مورد دیگر

Marissa Benedict is an Assistant Professor of Trumpet at the University of Minnesota, Twin Cities, where she maintains an applied studio of 16 undergraduate and graduate students. She holds affiliations with the Minnesota Orchestra, St. Paul Chamber Orchestra, and remains principal trumpet for the Pasadena Symphony/Pops while continuing performances with the Los Angeles Philharmonic and Los Angeles Chamber Orchestra. Assistant Professor, Department of Music, University of Minnesota Principal Trumpet, Pasadena Symphony/Pops Active performer with Minnesota and LA-based orchestras Education Bachelor of Music in Trumpet Performance, University of Southern California (1984) Research & Performance Focus Marissa Benedict's career spans 40 years of expertise in trumpet performance across classical, jazz, and studio recording disciplines. Her pedagogical work includes brass fundamentals instruction and chamber music coaching. Recent projects like Continental Drift (2023) and Homage (2023) showcase her solo and ensemble artistry. She has been featured on over 180 motion picture soundtracks, including Spider-Man: No Way Home (2021) and Avatar: The Way of Water (2022). Notable Collaborations Los Angeles Philharmonic tours (Asia, Scotland, Boston to London) 2019 Academy Awards (Oscars®) Yamaha Educator and Performing Artist Publications Benedict, M. (2022). Beyond Lip Service: A Framework for Brass Fundamentals. Carl Fischer Publishing. Student Development Her graduates in Music Education and Performance majors are actively teaching and performing in the Minneapolis area. Benedict continues to recruit nationally and provide masterclasses across the United States.

• Polish Music
• Violin Performance
• 20th-Century Music
• +۴ مورد دیگر

Dr hab. Andrzej Wojciechowski is an Associate Professor at the Stanisław Moniuszko Academy of Music in Gdańsk , affiliated with the Department II – Instrumental . As a certified violinist and postdoctoral scholar, he specializes in Polish violin music, chamber ensembles, and 20th-century compositions. Graduated with distinction from the Academy of Music in Gdańsk (1998), studying under Prof. Krystyna Jurecka Collaborates with orchestras like the Polish Baltic Philharmonic and Sopot Chamber Philharmonic Co-created concert projects with artists such as Jan Stanienda and Krzysztof Penderecki His research interests span Polish musicology, violin pedagogy, and interdisciplinary artistic education. He has edited publications with "Eufonium" and promoted Polish music through recordings like Violin Works by Roman Maciejewski (2011) and The Work of Gdańsk Composers (2015). His scientific awards include: Medal of the National Education Commission (2009) Individual Award for contributions to artistic education (2012) Honorary Medal 'For Merit to Polish Culture' (2014, 2015) Rector's Award, 3rd degree (2014, 2016) Wojciechowski has taught over 50 graduates, many of whom have won music competitions, and leads the Academic Chamber Orchestra as concertmaster and conductor. His work bridges performance, education, and preservation of Polish musical heritage.

• Architecture
• Architectural Design
• Urban Design
• +۲ مورد دیگر

Simon Mahringer serves as a University Lecturer at Aalto University's Department of Architecture, where he actively engages in architectural design research, teaching, and competition participation. His work bridges academic instruction with practical design innovation, focusing on concrete-based experimentation and sensory spatial experiences. Mahringer's research spans Architecture, Architectural Design, Urban Design, Competition Design, and Exhibition Design, with particular emphasis on materiality and user experience. His projects frequently explore concrete architecture through initiatives like the Betonistudio (Concrete Studio), producing experimental pavilions and cultural facilities that integrate tactile and sensory elements into built environments. His publication record (2018-2025) reveals consistent engagement with architectural competitions and design projects, particularly in school centers (Neuried, Neubau Grundschule), museums (Oulu Museo- ja Tiedekeskus, Sara Hildén), and experimental pavilions. Key thematic threads include sustainable material use, urban integration, and the relationship between architecture and sensory perception. Notable recognitions include: Teacher of the year, Department of Architecture, Aalto University (2024) 1st prize in Oulun Museo- ja Tiedekeskus competition (2023) Triple honors (1st prize, honorary mention, purchase prize) in Jyväskylän Kankaan Suvanto competition (2022) Honorary mention in Sara Hildén Art Museum international competition (2021) While his lecturer role implies student supervision responsibilities, specific advising details are unavailable. Mahringer maintains active collaborations with Opus architects and colleagues including Paul Thynell and Matias Kotilainen through competition teams and research initiatives. He is central to Aalto University's Betonistudio, which functions as a research platform for concrete experimentation, and regularly participates in cross-institutional design teams for competition entries and built projects across Finland and Germany.

Maxwell Tfirnمشاهده پروفایل

مدرس

• Music Composition
• Sound Synthesis
• Interactive Music Systems
• +۴ مورد دیگر

Maxwell Tfirn is a Lecturer and Director of Creative Studies at Christopher Newport University , Department of Music, Theatre and Dance, where he teaches Music Composition, Sound Synthesis, and Music Technology. His research focuses on real-time recursive compositions and data sonification for scientific analysis. PhD in Composition and Computer Technologies - University of Virginia M.A. in Music Composition - Wesleyan University His work bridges music composition with bacterial behavior studies through NSF-funded research on Data Sonification of Bacterial Chemotaxis . Notable performances include works at ICMC, SEAMUS, and Subtropics Music Festival. Collaborations with ensembles like Jack Quartet and Loadbang highlight his impact in contemporary music circles. Key Trends in Publications: Articles span real-time algorithmic compositions, sensor-based live performance tools, and interdisciplinary sonification projects merging microbiology with auditory analysis. Subfields include neural network integration, audiovisual data mapping, and glitch-based performance aesthetics. Scientific Awards: Best Use of Sound (Academic) - ICAD (2023) Research Collaborations: National Science Foundation grant exploring bacterial chemotaxis sonification. Mentorship roles include advising students at Christopher Newport University and contributing to experimental music festivals globally.