جست‌وجوی استاد و پژوهشگر

K. Michael Haysمشاهده پروفایل

استاد

• Architectural Theory
• European Modernism
• Critical Theory
• +۳ مورد دیگر

K. Michael Hays is the Eliot Noyes Professor of Architectural Theory at Harvard University's Graduate School of Design (GSD) and Co-Director of the Master in Design Studies program. He has been a faculty member since 1988, specializing in architectural history and theory. His research focuses on European modernism, critical theory, and contemporary architectural practice, with notable contributions to the field through writings on figures like Mies van der Rohe and Peter Eisenman. Education: He holds a Bachelor of Architecture (1976) from Georgia Institute of Technology, a Master of Architecture in Advanced Studies (1979) from MIT, and a PhD in History, Theory, and Criticism of Architecture and Art (1990) from MIT. Research Interests: Hays is renowned for founding the journal Assemblage , a pivotal forum for architectural theory. His work bridges historical analysis and contemporary practice, emphasizing theoretical frameworks for understanding modernism and its evolution. He has curated exhibitions at institutions like the Whitney Museum of American Art (as its first Adjunct Curator from 2000–2009). Publications: His authored and edited works include Architecture's Desire , Inscriptions: Architecture Before Speech , and critical studies on architects such as Buckminster Fuller and Diller + Scofidio. These publications explore themes of representation, modernist aesthetics, and interdisciplinary design. Awards and Roles: While no specific awards are listed, his academic leadership roles include Chair of the GSD PhD Committee (1995–2005) and Director of Advanced Independent Study Programs. He has also served on editorial boards for journals like Assemblage and Thresholds . Labs and Collaborations: Hays collaborates with academic and institutional partners, notably through curatorial projects and his role in shaping the GSD's theoretical curriculum. His influence extends to both pedagogical innovation and scholarly discourse in architectural education.

David Trendمشاهده پروفایل

استاد

• Cultural Studies
• Media Analysis
• Critical Pedagogy
• +۳ مورد دیگر

David Trend is a Professor and former Chair of the Department of Art at the Claire Trevor School of the Arts, University of California, Irvine. He previously served as Dean of Creative Arts at De Anza College and Graduate Program Coordinator at San Francisco State University's Inter-Arts Center. Trend specializes in visual culture, cultural studies, and critical pedagogy, teaching courses like Language and Vision in Everyday Life and Media, Art, and Technology . His research bridges media analysis, education policy, and radical democracy. He has authored over 200 articles and 16 books, including Elsewhere in America and Reading Digital Culture . As a Getty Scholar, his work explores cultural belonging, digital media impacts, and educational innovation. He advises on state arts councils and the National Endowment for the Arts. His academic contributions span visual arts education, media literacy, and the sociopolitical role of art. Education: - MFA in Photography, Visual Studies Workshop Program, SUNY Buffalo - PhD in Curriculum Theory, Miami University Research Interests: Trend's work examines cultural crises of meaning, digital media's societal impact, and the intersection of art with education and activism. He critiques gentrification's artistic drivers, explores identity formation in digital spaces, and advocates for culturally democratic pedagogical frameworks. Publications Trends: Recent works focus on gentrification's artistic dimensions ( 2022 ), creativity crises ( 2020 ), and belonging in fragmented cultures ( 2016 ). Earlier work addressed media violence myths ( 2007 ), digital literacy ( 2001 ), and radical democracy ( 1996 ). His writing spans academic critiques to practical pedagogical solutions. Awards: Getty Scholar Grants & Consulting: Extensive NEA collaborations, foundation advising, and state arts council consultations. His work emphasizes bridging educational institutions with Silicon Valley corporations through multimedia partnerships. Labs/Teams: Affiliated with UCI's University Art Galleries, Institute and Museum of California Art, and Electronic Art + Design programs.

Fabian Fagerholmمشاهده پروفایل

استادیار

• Software Engineering
• Human-Computer Interaction
• Agile Development
• +۳ مورد دیگر

Fabian Fagerholm is an Assistant Professor in the Department of Computer Science at Aalto University. His work bridges software engineering, human-computer interaction, and empirical research methodologies. He actively participates in research groups such as Software and Service Engineering (SSE) and Human-Computer Interaction and Design (HCID). Fagerholm's research explores: Continuous experimentation in software development Developer cognition and mental models Agile methodologies and team dynamics Low-code platforms and end-user programming Software engineering education and pedagogy His publications reflect a strong empirical focus, with recurring themes of human factors in technical systems and educational innovation. He has received notable awards including: Journal of Systems and Software Best Paper Award (2018) EUROMICRO SEAA Distinguished Paper Award (2017) Teacher of the Year (2013) Nokia Foundation Scholarship (2013) Fagerholm contributes to software engineering infrastructure through tools for experimentation and boundary artifacts, enhancing collaboration in distributed teams.

Roger Boltshauserمشاهده پروفایل

استاد

• Tectonic Building Culture
• Grids and Order in Architecture
• Proportional Design
• +۶ مورد دیگر

Roger Boltshauser is a Full Professor and Deputy Head at the Department of Architecture, ETH Zurich. His practice and academic work emphasize tectonic building culture, proportion, and material experimentation, diverging from mainstream German-Swiss architectural trends. He combines teaching with active architectural practice, influencing younger generations at ETH and TU Wien. Key themes: Tectonic structures, grid-based order, social responsibility in architecture, critique of modernist canons Notable projects: Hochhaus H1 Zwhatt-Areal (2025), Masterplan Zoo Basel (2025), Centre for Dental Medicine Zurich (2025) His buildings prioritize mass and permanence , evident in projects like the Kopfholz School and Rauch House . Recent works at the EPFL Solar Biennale (2025) and Architecture of Memory exhibition (2025) explore sustainable design and cultural narratives. Boltshauser’s studio on Dubsstrasse exemplifies research into load-bearing structures and urban spatial relationships.

Enrica Dall'Araمشاهده پروفایل

دانشیار

• Practice-based research
• Public space design
• Urban renewal
• +۳ مورد دیگر

Dr. Enrica Dall'Ara serves as the Associate Dean of Planning and Landscape Architecture and an Associate Professor at the University of Calgary's School of Architecture, Planning and Landscape. Her work bridges academic research and professional practice, exemplified through her firm PARC, which specializes in public space design, urban renewal, and the rehabilitation of industrial sites. She emphasizes interdisciplinary collaboration, integrating fields like environmental engineering and biology into landscape architecture. Education: Laurea in Architettura (Master Degree equivalent in Architecture), University of Ferrara, Italy Master in Landscape Architecture, ETSAB, Polytechnic University of Catalonia, Spain PhD in Landscape Design, University of Florence, Italy Research Interests: Dr. Dall'Ara focuses on practice-based research, public space design, service landscapes, and the integration of cultural advocacy into landscape architecture. Her work explores site-specific design solutions, the role of agriculture in urban-rural dynamics, and the preservation of traditional rural landscapes. She advocates for designs that serve life through poetic, functional, and culturally sensitive approaches. Contributions: Through her teaching, Dall'Ara encourages students to view design as research, fostering critical thinking and interdisciplinary dialogue. Her firm’s projects, such as the roundabout gardens in Imola, Italy, demonstrate her commitment to merging ecological, functional, and aesthetic considerations in landscape interventions. Professional Affiliations: Canadian Society of Landscape Architects (CSLA) Alberta Association of Landscape Architects (AALA) Associazione Italiana di Architettura del Paesaggio (AIAPP) Ordine degli Architetti, Pianificatori, Paesaggisti e Conservatori (Province of Forlì-Cesena, Italy)

• Brand Design
• Graphic Design
• Art and Design
• +۳ مورد دیگر

Hua Chen is a part-time Lecturer at Parsons School of Design, The New School, based in Brooklyn, NY. They hold a BFA from Pratt Institute. Their professional background includes brand design, artistic practice, and information aggregation. Education: BFA, Pratt Institute Research & Teaching: Focuses on design studio education and interdisciplinary creative practices. Recent courses include Core 3: Design Studio (PUCD 3095) in Fall 2024 and upcoming Fall 2025 terms. Awards: None explicitly listed. Advising & Grants: No specific advising roles or grant information provided. Labs/Teams: No affiliated labs or research teams mentioned.

Mark Angusمشاهده پروفایل

مدرس

• Stained Glass Art
• Architectural Design
• Glass Painting
• +۷ مورد دیگر

Mark Angus is a Visiting Lecturer at the Estonian Academy of Arts, Faculty of Design, and has been a pivotal figure in stained glass art since the 1970s. His work spans architectural commissions for churches and public spaces in the UK, Germany, and Ireland, alongside autonomous art in painting, printmaking, and artist’s books. He operates studios in Frauenau (Germany) and Graz (Austria). Education : Bristol Polytechnic (Chartered Surveyor, 1970), Swansea School of Art (Architectural Stained Glass, 1978). Research Interests focus on: Stained Glass as a medium for spiritual and secular narratives. Vitreography (glass-based printmaking) and its interplay with light and subtlety. Artist’s Books integrating letterpress and visual storytelling. Human Figure Representation in glass and paper, emphasizing dialogue and existential themes. Recent Publications include his 2018 artist’s book 80 Capriccios and the Turbulences of the Self , drawing on Goya’s Los Caprichos to critique modernity, and 2025’s KUNST. Kunst im Landkreis Passau, Bd. 70 , documenting regional art practices. His RED (2014) and Juvenescence (2014) explore color symbolism and eternal youth through acrylics and illustrated novels. Scientific & Artistic Awards : 1990: South West Arts & Crafts Fellowship 1984: South West Arts Major Craft Award 1979: Crafts Council Setting-up Grant 1978: Worshipful Company of Glaziers Travelling Scholarship Teaching & Collaborations : He has taught at the Estonian Academy of Arts, Penland School of Crafts (USA), and Bild-Werk Frauenau (Germany), including 2025’s masterclass Risk & Resonance – The Stained Glass Experience . His exhibitions, such as 80 Capriccios (2024, Neuburg am Inn), reflect interdisciplinary dialogues between glass, poetry, and theological themes.

Jan Herbstمشاهده پروفایل

استاد

• Popular Music Studies
• Metal Music Studies
• Music Production
• +۷ مورد دیگر

Jan Herbst is a Professor of Music at the University of Huddersfield and Director of the Centre for Research in Music and its Technologies. His academic journey includes multiple doctorates (PhD, Dr. habil.) from Leuphana University Lüneburg and research expertise in popular music studies, music production, and systematic musicology. He leads AHRC-funded projects such as 'Heaviness in Metal Music Production' and 'Songwriting Camps in the 21st Century.' His work bridges practical music production and theoretical research, with over 80 publications including books like The Cambridge Companion to Metal Music and Heaviness in Metal Music Production . Herbst’s research focuses on metal music aesthetics, record production techniques, and the cultural dimensions of music technology. He has held roles at German and Swiss universities, including teaching guitar performance and music production. His editorial roles include the Cambridge Companions series and journals like Metal Music Studies . Current projects explore blockchain in music, gear acquisition syndrome, and extreme metal vocal techniques. His academic affiliations include the IASPM UK & I executive committee and editorial boards for major musicology publications. Herbst actively engages with industry through collaborations with producers and performers, maintaining a balance between academic rigor and practical music creation.

Juan Ortiz-Apuyمشاهده پروفایل

استادیار

• Commodity Fetishism
• Object-Oriented Ontology
• New Materialism
• +۳ مورد دیگر

Juan Ortiz-Apuy is a Canadian-Costa Rican artist and Assistant Professor in the Department of Studio Arts at Concordia University . His practice critically examines intersections of commodity fetishism , object-oriented ontology , and post-colonialism through installations addressing sustainability and environmental exploitation . He has exhibited internationally in institutions such as Les Abattoirs Museum (France) and MASS MoCA (USA). MFA, NSCAD University (2011) PG Dip, The Glasgow School of Art (2009) BFA, Concordia University (2008) His research investigates material cultures and ecological impacts of consumerism, employing found objects, 3D animation, and industrial materials. Key projects include Tropicana (2020), which critiques tropicality commodification, and La Guaria Morada (2019), exploring Costa Rican identity through environmental systems. Best International Representation (2024) by AICA, Costa Rican Chapter Grants from Canada Council for the Arts, Conseil des arts et lettres du Québec, and SSHRC Ortiz-Apuy has participated in residencies at MASS MoCA and Guldagergaard Ceramic Research Center . His work has been reviewed in Canadian Art , MOMUS , and local Montreal publications.

• 19th-century Visual Culture
• Material Culture Studies
• Art History
• +۵ مورد دیگر

Andrea Korda, PhD (University of California, Santa Barbara), is an Associate Professor of Fine Arts & Humanities and Associate Dean (Research) at the Augustana Campus of the University of Alberta. Her academic career bridges art history, material culture studies, and pedagogical innovation. Educations: BA in Fine Arts, Queen's University MA in Art History, Concordia University PhD in Art History, University of California, Santa Barbara Research Focus: Dr. Korda specializes in 19th-century visual and material culture, with a focus on education's visual dimensions, children's literature, and community-engaged projects like the award-winning Crafting Communities initiative. She co-curated the virtual exhibition Photographies (Bruce Peel Special Collections) and explores hands-on learning through historical crafts. Teaching: Courses include modern art history (AUART 220), photography theory (AUART 225), and special topics in visual culture (AUART 382). She emphasizes experiential learning and digital humanities integration, as seen in her work with the Getty Museum Challenge and OER projects. Collaborations: Leads interdisciplinary teams on projects like Crafting Communities , blending scholarship with public engagement. Her research bridges historical methodologies with contemporary pedagogical practices, fostering connections between academia and communities.

• Urban Planning
• Land-Use Regulation
• Urban Development
• +۷ مورد دیگر

Raphaël Fischler is a Full Professor and former Dean of the Faculty of Urban Planning and Landscape Architecture at the University of Montreal. He holds dual expertise in urban planning theory, history, and practice, with a focus on North American urban development, land-use regulation, and governance. His academic roles include teaching at McGill University and serving as Dean from 2018–2023, during which he led strategic initiatives like the Quartier de l’Innovation and addressed urban challenges such as housing affordability and metropolitan governance. **Education:** PhD in Urban Planning, UC Berkeley (1993) Master of City Planning, MIT (1987) Master of Science in Architecture, MIT (1987) Bachelor of Engineering, Eindhoven University of Technology (1984) **Research Interests:** Fischler’s work explores urban planning’s historical foundations, particularly zoning’s evolution, and integrates reflective practice into pedagogy. He advises on municipal projects and contributes to policy debates on density, public participation, and sustainable urbanism. His research bridges academia and practice, emphasizing ethical planning and community engagement. **Articles Trends:** His recent publications analyze zoning’s historical role, social justice in urban redevelopment, and governance challenges in Montréal. He critiques systemic issues like housing affordability and advocates for equitable urban policies. **Awards & Recognition:** Fellow of the Canadian Institute of Planners (2020) Émérite Member, Order of Quebec Urban Planners (2014) McGill Principal’s Excellence in Teaching Award (2013) **Grants & Teams:** He collaborates with institutions like the Centre de recherche interdisciplinaire en études montréalaises (CRIEM) and advises public agencies on metropolitan development. His work spans academic leadership, professional practice, and public advocacy, addressing urban challenges through interdisciplinary approaches. **Labs/Teams:** Affiliated with the CRIEM , focusing on Montréal’s urban history and contemporary planning issues. He mentors students in urban policy and design through studio courses and thesis supervision.

Alenda Y. Changمشاهده پروفایل

استادیار

• Environmental Media
• Game Studies
• Ecocritical Theory
• +۳ مورد دیگر

Alenda Y. Chang serves as an Assistant Professor in Film and Media Studies at the University of California, Santa Barbara. With a multidisciplinary background spanning biology, literature, and film, she integrates ecocritical theory with contemporary media analysis. Her scholarly work appears in journals including Interdisciplinary Studies in Literature and Environment , Qui Parle , and electronic book review , focusing on sustainable media practices and ecological frameworks for digital engagement. Her educational background includes: M.A. and Ph.D. in Rhetoric from the University of California, Berkeley M.A. in English Language and Literature from the University of Maryland Chang specializes in environmental media and game studies, developing theoretical frameworks for ecological game design. Her research examines how digital games model environmental systems and foster player engagement with climate change through concepts like "slow violence" and "rambunctious play." She advocates for sustainable design patterns that address gaming's carbon footprint while creating immersive ecological narratives. Analysis of her 15 most recent publications reveals a consistent trajectory from foundational ecological game theory (2013-2018) to current work on thermal contexts of play and sustainable infrastructure (2022-2024). Her scholarship increasingly bridges data-driven activism with critical game design, emphasizing multispecies entanglements and infrastructural play as tools for environmental awareness. As co-founder of Wireframe—a collaborative media studio at UCSB—Chang cultivates critical game design practices through initiatives like growinggames.net . The studio supports data-driven global media art, environmental activism, and experimental pedagogy, serving as a hub for translating ecological theory into tangible digital interventions that challenge anthropocentric perspectives in gaming.

Akemi Martinمشاهده پروفایل

استاد مدعو

• Art Education
• Papermaking
• Fine Arts
• +۳ مورد دیگر

Akemi Martin is an Adjunct Professor at The Cooper Union's School of Art, specializing in papermaking and collaborative art projects. She serves as director and master papermaker at Pace Paper in Brooklyn, collaborating with artists on handmade paper and print editions. Her teaching experience includes SUNY Purchase, Dieu Donné (NYC), and the Penland School of Craft (NC). Education: Bachelor of Arts from the University of California, Santa Barbara. Her research interests focus on innovative papermaking techniques and interdisciplinary art collaborations. Notable collaborations include the 2015 work '37P' with Leonardo Drew. She emphasizes hands-on craftsmanship and its integration with contemporary art practices. Labs/Teams: Active at Pace Paper, a renowned studio for artist collaborations in handmade paper.

Lisa Walcottمشاهده پروفایل

دانشیار

• Sculpture
• Installation Art
• Kinetic Art
• +۳ مورد دیگر

Lisa Walcott is an Associate Professor of Art at Hope College, where she has been a faculty member since 2018. She teaches sculpture courses, the capstone course for art majors, and a First-Year Seminar on artistic processes. Her studio practice focuses on kinetic sculptures and installations that explore themes of home, the everyday, and the feminine experience. MFA in Sculpture from Cranbrook Academy of Art (2010) B.A. from Trinity Christian College (2005) Walcott’s research intersects sculpture, installation art, and kinetic design, often recontextualizing domestic objects to investigate themes of interdependence, repair, and the unseen forces in everyday life. Her work frequently involves mechanical components and materials like wax, motors, and household items to create immersive, motion-driven installations. Her recent artworks, such as Making a Mountain (2024) and A Soft Punch to the Gut (2024), exemplify her focus on transforming utilitarian structures into emotive, kinetic pieces. These works, alongside digital collages like The Way I Figure It (2023), reveal a trajectory toward blending physical materials with conceptual frameworks to explore domestic ingenuity and tension. Walcott actively mentors students through faculty research collaborations and founded the Hope College Art Club. She exhibits nationally at institutions like the Eli and Edythe Broad Art Museum and The Sculpture Center, with solo exhibitions at venues including Manifest Gallery (Cincinnati) and the Urban Institute for Contemporary Art. Her studio practice integrates material investigations and workshops to refine techniques, which she translates into both pedagogy and art. Notable solo exhibitions include Swarm (2013) at the Broad Art Museum and Tight Spots (2021) at Saugatuck Center for the Arts.

Clare Harrisمشاهده پروفایل

استاد

• Visual Anthropology
• Material Culture
• Tibetan Studies
• +۴ مورد دیگر

Clare Harris serves as Professor of Visual Anthropology and Head of the School of Anthropology and Museum Ethnography at the University of Oxford, concurrently holding curatorship of Asian Collections at the Pitt Rivers Museum and a Fellowship at Magdalen College. Her academic leadership spans institutional administration, museum curation, and doctoral supervision within Oxford's anthropological ecosystem. Her educational foundation includes a BA from the University of Cambridge and MA/doctorate from SOAS, University of London. Early career roles comprised Lecturer in Anthropology of Art at the University of East Anglia (1994-1998) before her Oxford appointment. Harris pioneers research at the intersection of visual anthropology, Tibetan studies, and museum decolonization. Her work critically examines Himalayan visual culture, colonial/post-colonial photography, and museum representation politics, evolving toward digital repatriation and community-centered curation. She integrates anthropological fieldwork (conducted in Tibetan diaspora communities since the 1990s) with art historical analysis and archival research. Her 13 recent publications (2004-2022) reveal a progressive trajectory from Tibetan art history toward urgent museum decolonization debates, with consistent focus on photographic practices and cross-cultural representation. Key thematic developments include the shift from historical analysis to active digital repatriation projects and increased engagement with contemporary artists. Harris's accolades include: Fellowship of the British Academy (2019) E. Gene Smith Prize for The Museum on the Roof of the World (2014) Visual Anthropology Prize for In the Image of Tibet (2000) She currently supervises five DPhil students while examining over 25 completed doctorates globally. Research funding spans British Academy personal grants, Leverhulme Trust support, and major collaborative projects including AHRC, Wenner-Gren Foundation, and EU grants—most notably the current AHRC-funded Decolonising the Museum: Digital Repatriation of the Gaidinliu Collection . At the Pitt Rivers Museum, Harris leads high-impact curatorial initiatives including the Abramović collaboration ( Gates and Portals ), Nyema Droma's Performing Tibetan Identities , and community projects like My Tibet Museum , establishing innovative frameworks for museum-public engagement.