جست‌وجوی استاد و پژوهشگر

• Medieval Music
• Classical Period Music
• Romantic Era Music
• +۷ مورد دیگر

Ann-Katrin Zimmermann is an apl. Professor (non-tenured professor) at the Musicological Institute within the Faculty of Philosophy at the University of Tübingen. She has held this position since 2018, following her time as a private lecturer from 2012-2018. In addition to her academic work, she serves as a dramaturg at the Gewandhaus Leipzig since 2013 and has teaching assignments at LMU Munich, Felix Mendelssohn Bartholdy University of Music and Theatre, and Leipzig University since 2012. Her educational background includes: Habilitation (2012) on "Forms of slow movements in the classical cycle" Promotion/PhD (2006) on "Studies on medieval three-part harmony" Master's degree in musicology, philosophy and art history from University of Tübingen and University of Oxford (1998-2003) Professor Zimmermann's research spans multiple eras and aspects of music history and theory. Her work focuses particularly on polyphony of the 12th and 13th centuries, keyboard music from the 15th-18th centuries, early German-language music terminology, and the works of Heinrich Schütz, composers of the Viennese classics, and Richard Strauss. She has made significant contributions to the fields of organology, instrumentation, music iconography, and 19th-century symphonies, with particular interest in cross-temporal aspects of genre, form, and composition. Her extensive publication record shows a consistent focus on historical music analysis, particularly examining compositional strategies across different periods. Her recent work has increasingly focused on Richard Strauss and Mozart, while maintaining her longstanding interest in early music traditions and terminology. She has published numerous articles in prestigious journals and contributed to important edited volumes in musicology. Professor Zimmermann is actively involved in the academic community: Member of the Society for Music History in Baden-Württemberg since 2009 Member of the DHV since 2012 Throughout her career, Zimmermann has balanced academic research with practical musical experience. She has been a bassoonist and leader of various vocal and instrumental ensembles since 1998, and served as a church musician from 1997-2014. Her work as a dramaturg at the Gewandhaus Leipzig since 2013 demonstrates her commitment to connecting scholarly research with contemporary musical practice.

Nicolas Doninمشاهده پروفایل

استاد

• Musicology
• 20th- and 21st-Century Music History
• Compositional Process
• +۳ مورد دیگر

Nicolas Donin is a Professor and Chair of Musicology at the University of Geneva and a Senior Researcher at IRCAM (Paris), leading the 'Analysis of Musical Practices' team within STMS Labs. He specializes in interdisciplinary musicology, focusing on 20th- and 21st-century musics, compositional processes, and the intersection of music history with social sciences. Elected to the Academy of Europe in 2020, he has held key roles such as Head of IRCAM’s Research Group and Pedagogical Board Member at the Ecole des Hautes Etudes en Sciences Sociales. His research explores post-Wagnerian listening practices, post-spectral aesthetics, and ethnography of creative processes. He led major French research programs (MuTeC, GEMME) and founded the Tracking Creative Process in Music conference series. Over 100 publications span music analysis, composition theory, and interdisciplinarity, with edited volumes like *L’Analyse musicale, une pratique et son histoire* (2009) and *Théories de la composition musicale au XXe siècle* (2013). As an associate member of Oxford University’s Faculty of Music and the Centre de Recherche sur les Arts et le Langage, he contributes to musicological discourse and institutional leadership. His work bridges empirical research, historical analysis, and social science methodologies.

Gina McCormackمشاهده پروفایل

استاد

• Classical Music Performance
• Violin Pedagogy
• Chamber Music
• +۳ مورد دیگر

Gina McCormack is a Professor of Violin at the Royal Northern College of Music (RNCM), renowned as one of Britain’s leading violinists. She leads a distinguished career in solo and chamber music performances, having been first violinist of the Sorrel Quartet (13 years) and later the Brodsky Quartet. She has recorded extensively, including Shostakovich quartets and works by Britten, Mendelssohn, and Elgar. Her duo partnership with pianist Nigel Clayton emphasizes recital work. Former Professorial roles: Trinity Laban Conservatoire (11 years), Royal Conservatoire of Scotland (7 years). Collaborations: Matthew Bourne’s New Adventures productions (including iconic “Swan Lake”), London Chamber Orchestra. Education: Studied with György Pauk at the Guildhall School of Music and Drama, attended masterclasses with Sandor Vegh, Dorothy DeLay, and others. Research interests focus on violin technique, chamber music interpretation, and pedagogy. Her recordings have earned critical acclaim, blending technical mastery with expressive artistry. Awards: Multiple competition prizes, notable discography recognitions, and patronage roles including Patron of Music in Peebles to support young musicians. Labs/Teams: Active with the Sorrel Quartet, Brodsky Quartet, and New Adventures orchestra. Current focus: Solo performances and teaching at RNCM.

James Wrightمشاهده پروفایل

استاد

• Music Philosophy
• Music Aesthetics
• Music Perception
• +۷ مورد دیگر

James Wright is a Professor in the School for Studies in Art and Culture at Carleton University’s Faculty of Arts and Social Sciences. He holds a Ph.D. from McGill University and is a distinguished scholar and composer with a focus on music philosophy, aesthetics, film music, 20th-century music, and post-tonal theory. His research and creative work bridge academic and artistic domains, with international recognition for both scholarly publications and musical compositions. Ph.D., McGill University Dr. Wright’s research interests include music philosophy and aesthetics, music perception, film music, 20th-century music history, post-tonal analysis, dance and music, and the history of music theory. His interdisciplinary approach connects music with philosophy, literature, visual art, and cultural studies. He has published extensively on Schoenberg, Wittgenstein, and Canadian composers like Eldon Rathburn, exploring the intersections of music, identity, and modernity. His recent creative and scholarly works span books, edited volumes, and compositions. Notably, his 2022 co-edited volume Monstrosity, Identity, and Music examines music in horror and speculative media, while his 2023 string quartet Ellen at Scattergood received the 2022 Petrichor Prize. His compositions have been performed globally and recorded by ensembles such as the Gryphon Trio and Quatuor Andara. He has also composed choral works, art songs, and pieces inspired by Canadian art and social themes. Governor-General’s Gold Medal, McGill University Lewis Lockwood Award, American Musicological Society 2022 Petrichor Prize for Composition University of Toronto Louis Applebaum Distinguished Visiting Professor in Composition (2019) James Wright has hosted major academic events, including the international conference “Music and Antifascism,” and his works have been featured in CBC Music, Fanfare Magazine, and international performances. He teaches courses in Western music history and mentors emerging musicians. He is also active in community music initiatives, including collaborations with youth choirs and educational programs. Dr. Wright leads creative projects that integrate music with dance, visual art, and social commentary. His work A Gallery of Song was choreographed and performed at the National Gallery and National Arts Centre, reflecting his commitment to interdisciplinary collaboration. He continues to compose and publish, with upcoming works such as What Angels See (2025) for cello and piano.

Rodney Waschka IIمشاهده پروفایل

استاد

• Music Composition
• Algorithmic Composition
• Electronic Music
• +۳ مورد دیگر

Rodney Waschka II is a Professor and Director of Arts Studies at North Carolina State University's College of Humanities and Social Sciences. He also directs the Arts NOW Series, presenting contemporary arts events. His expertise spans music composition, algorithmic processes, and electronic music. Waschka's works are globally recognized, with recordings across international labels. His operas like Saint Ambrose and Sappho's Breath showcase interdisciplinary collaboration. Recent works include A Note for Joe Alexander (2024) and In Memoria di Linda Garzoli Cardosi (premiering 2025). His research explores genetic algorithms in music composition and dynamical systems as compositional tools. Education: Doctor of Musical Arts in Computer Music/Media from the University of North Texas. Awards and recognitions include features in Computer Music Journal , Musical Opinion , and international festivals. He actively commissions new works and has performed across Europe, North America, and Australia. The Arts NOW Series, under his leadership, connects contemporary art forms with academic disciplines like mathematics, politics, and climate science. Notable collaborations include the Aizuri Quartet and filmmaker projects like Boris Karloff: The Man Behind the Monster (2022).

William Kanengiserمشاهده پروفایل

استاد

• Classical Guitar Performance
• Music Arrangement and Composition
• Music Pedagogy
• +۱ مورد دیگر

William Kanengiser serves as Interim Vice Dean for Classical Music and Composition and Professor of Practice at the USC Thornton School of Music, a position he has held since joining the guitar faculty in 1983. Recognized as one of America's finest classical guitarists, he has won major international competitions and Grammy awards, and is celebrated for his unique repertoire and dedication to music education and wellness. His academic background includes: Master of Music, USC School of Music, 1983 Bachelor of Music, USC School of Music, 1981 Mannes Conservatory Preparatory School, 1974-1977 Kanengiser's artistic focus encompasses classical guitar performance and repertoire expansion, ranging from Baroque and Classical arrangements to jazz-inspired compositions and world music. He is also a pioneer in musician wellness, developing and teaching a course on "Musician's Health and Wellness" at USC, and advocates for holistic education that integrates music with broader academic disciplines. His recent projects, including the Grammy-nominated "LAGQ: Latin" and Grammy-winning "LAGQ’s Guitar Heroes", as well as the 2023 album "British Invasion" with the Alexander String Quartet, demonstrate a consistent theme of innovative collaborations and narrative storytelling, bridging classical traditions with popular and global influences. His accolades include: First Prize, Concert Artists Guild International Competition (1987) First Prize, Toronto International Guitar Competition (1981) First Prize, Paris International Guitar Competition (1983) Solo Recitalist Fellowship Grant, National Endowment for the Arts (twice) INDIE Award for Best Classical Recording Grammy Nomination, Classical Crossover (2001) for "LAGQ: Latin" Grammy Award, Classical Crossover (2005) for "LAGQ’s Guitar Heroes" As an educator, Kanengiser has mentored generations of guitarists, including notable students such as Andras Csaki, Mak Grgic, and David Steinhardt. He directs the USC Guitar Orchestra and has organized tours for student ensembles like the Helios Guitar Quartet. His teaching philosophy emphasizes a supportive, family-like environment that nurtures individual potential without competition. He is a founding member of the internationally acclaimed Los Angeles Guitar Quartet (LAGQ), which has performed and recorded extensively for over three decades, and continues to be active in master classes and educational outreach programs worldwide.

Laurie San Martinمشاهده پروفایل

استاد

• Music Composition
• Contemporary Music
• Music Theory
• +۴ مورد دیگر

Laurie San Martin is a Professor of Music at the University of California, Davis, serving as department chair and undergraduate advisor for music majors with last names N-Z. She holds a PhD in Theory and Composition from Brandeis University and a B.A. in Music from UC Davis (1991). Her primary roles include teaching composition, music theory, and recital preparation, while maintaining active involvement in compositional research and performance activities. Research & Creative Work: San Martin specializes in contemporary concert music for chamber ensembles, orchestra, and chorus. Her compositions explore intersections of texture and line, often incorporating experimental techniques and cross-cultural influences. Notable works include Witches (2018), a chamber-choral piece with lyrics by Lucy Corin; Night Owls (2024), a Barlow Endowment-commissioned work for Ensemble Ari; and Elective Affinities (2013), blending Korean gayageum with string quartet. She frequently collaborates with ensembles like Earplay, Left Coast Chamber Ensemble, and Volti. Performed internationally in Europe, South America, and Asia Recipient of prestigious awards including the Guggenheim Fellowship (2016), Andrew Imbrie Award (2018), and Barlow Endowment commissions Teaching & Mentorship: As an advisor, she supports music majors while mentoring emerging composers through programs like the Pacific Chamber Orchestra's Dream American workshop. Her pedagogical focus includes fostering creativity and technical mastery in composition students. Recent Activities: In 2023, she served as guest faculty at the Cortona Sessions in Italy, where her works Octurnal , Miniatures , and Conveyer Belt Dreaming were performed. Ongoing projects include a 2025 residency at the São Paulo Contemporary Composers Festival and a new work for the Empyrean Ensemble. Awards & Recognition: Her accolades reflect her impact on contemporary music, including the League of Composers-ISCM Fellowship and ASCAP Morton Gould Young Composer Awards. She has held residencies at prestigious institutions like the MacDowell Colony and Yaddo.

• Musicology
• Music Analysis
• Music Philology
• +۳ مورد دیگر

Marco Uvietta is an Associate Professor of Musicology and History of Music at the Department of Literature and Philosophy, University of Trento. He holds a Laurea in Music Disciplines from the DAMS of Bologna (1991) and a PhD in History and Analysis of Musical Cultures from Sapienza University of Rome (1999). His academic career includes roles as a Researcher (2005–2016) and Associate Professor (2016–present) at the University of Trento. He teaches courses on Music History and Ethnomusicology and contributes to the PhD program in European Cultures. His research focuses on two main areas: 1) Musical Philology, particularly in 19th-century Italian opera (e.g., critical editions of Verdi’s Requiem and Bellini’s La straniera), and 2) Analysis of 20th-century musical language, with significant contributions on Luciano Berio’s style and compositional processes. He has authored numerous scholarly works, including books and articles on composers like Berio, Debussy, Stravinsky, and Martucci. Uvietta is actively involved in editorial projects, such as directing critical editions for Ricordi and contributing to the Rossini Critical Edition. He holds leadership roles in academic committees, including the editorial board of Il Saggiatore Musicale . His compositional works, influenced by his analytical research, have been performed by prestigious ensembles worldwide, including the Arditti Quartet and Monteverdi Cello Octet. Notable awards include recognition in composition competitions (e.g., Guido d’Arezzo International Competition), and his works span orchestral, choral, and chamber music. Uvietta’s interdisciplinary approach bridges historical musicology with contemporary compositional practice, reflecting his dual expertise as a scholar and composer.

Stuart MacRaeمشاهده پروفایل

عضو هیئت علمی

• Opera Composition
• Tonal Harmony
• Anthropocene Studies
• +۳ مورد دیگر

Stuart MacRae is a Senior Research Fellow and Lecturer in Composition at the Royal Conservatoire of Scotland's School of Music. He holds a PhD from the University of Edinburgh and has held prestigious roles such as BBC Scottish Symphony Orchestra Composer-in-Association (1999–2003) and Lammermuir Festival Composer in Association (2017–2019). His research focuses on operatic word-setting, tonal harmony, and artistic responses to the Anthropocene. Education: PhD, University of Edinburgh (2014) MMus, Guildhall School of Music and Drama (1997) BMus, University of Durham (1996) His research interests include operatic composition, reimagining tonal structures, and environmental themes. Notable works include the opera Anthropocene (2019), which toured internationally and won multiple awards, and Ghost Patrol (2013), honored with the South Bank Sky Arts Award. His music has been performed by leading ensembles like the London Sinfonietta and recorded by NMC and Delphian. Recent projects include collaborations with Louise Welsh and commissions for Scottish Opera. He has been awarded the Large Scale New Work Award (2020) and Creative Scotland Bursary (2014).

André J. Royمشاهده پروفایل

دانشیار

• Viola Performance
• Chamber Music
• String Quartet Training
• +۲ مورد دیگر

André J. Roy is an Associate Professor and Area Coordinator (Strings) at the Schulich School of Music, McGill University. He previously served as Chair of the Department of Performance. His roles include teaching viola, chamber music, and orchestral studies, alongside leading the McGill International String Quartet Academy (MISQA) as its creator, General, and Artistic Director. He graduated from the Curtis Institute of Music and held the position of 1st Assistant Solo Viola with the Montreal Symphony Orchestra. Prof. Roy’s expertise spans viola performance, string quartet training, and orchestral studies. His pedagogical work has produced students in leading orchestras worldwide, including the New York Philharmonic, London Symphony Orchestra, and La Scala Opera di Milano. He authored String Quartet Technique , a seminal text on quartet training, and is a sought-after guest teacher at institutions like the Colburn School and Royal Conservatory of Music. Research & Pedagogy: Specializes in viola techniques, ensemble coordination, and orchestral training. Awards: McGill’s President’s Prize for Teaching (2008), three Canada Council of the Arts awards. Global Reach: Performs and teaches across North America, Europe, South America, and Asia. His chamber music training has guided quartets to international competitions, including Fischoff, Banff, and Wigmore Hall laureates. He mentors ensembles at festivals like Aldeburgh and Morningside Music Bridge.

David Yingمشاهده پروفایل

دانشیار

• Chamber Music
• Cello Performance
• Classical Music Repertoire
• +۳ مورد دیگر

David Ying is an Associate Professor of String Chamber Music and Violoncello at the Eastman School of Music, University of Rochester, and serves as Chair of the Strings, Harp & Guitar Department. He is a founding member of the Grammy-winning Ying Quartet, renowned for performances spanning traditional concert halls to unconventional venues. His professional roles include teaching cello and chamber music at Eastman, co-artistic directorship at the Bowdoin International Music Festival, and artist-in-residence positions at Harvard University and Northwestern University. Education: Studied at the Eastman School of Music and Juilliard School under mentors including Leonard Rose and Paul Katz. Awards include Naumburg International Cello Competition and Washington International Competition prizes. His pedagogical impact extends globally, with students in orchestras like the New York Philharmonic and those pursuing legal and artistic careers. Artistic contributions include recording projects ranging from Beethoven to commissioned contemporary works. The Ying Quartet's activities emphasize interdisciplinary collaborations, as seen in their partnership with PUSH Physical Theatre and educational outreach initiatives.

• Classical Music
• Chamber Music
• Cello Performance
• +۳ مورد دیگر

Julian Smiles is a Senior Lecturer in Cello at the Sydney Conservatorium of Music, part of the University of Sydney. He holds prestigious roles in Australian classical music, including former Principal Cello of the Australian Chamber Orchestra and frequent guest principal with the Sydney Symphony Orchestra. He is a core member of the Australia Ensemble (UNSW) and co-founder of the internationally acclaimed Goldner String Quartet. His performances span soloist engagements with major orchestras, chamber music festivals, and premieres of Australian contemporary works. Ensembles: Goldner String Quartet, Australia Ensemble UNSW Performance Venues: Sydney Opera House, Melbourne Recital Centre, Townsville Civic Theatre Repertoire Focus: Classical chamber works, Australian compositions, and international contemporary pieces Research interests include chamber music interpretation, performance practice, and pedagogy rooted in his studies with Nelson Cooke and Janos Starker. He regularly collaborates with composers like Mark Isaacs and Carl Vine, premiering new works. Teaching emphasizes linking technical mastery with artistic expression through historical and contemporary repertoire. Recent performances include the 30th anniversary season of the Goldner Quartet at Sydney Conservatorium, Hyperion Records releases, and international tours to New Zealand and India. His 2024 recording Bird Spirit Dreaming explores Australian musical identity through contemporary compositions. Grants and collaborations involve Musica Viva Australia, Huntington Estate Music Festival, and the Australian World Orchestra. His pedagogical work includes masterclasses at Four Winds Festival and mentoring emerging chamber musicians. Labs/Teams: Goldner String Quartet (30-year partnership), Australia Ensemble UNSW (since 1991), Sydney Conservatorium Cello Studio.

Simon Mawhinneyمشاهده پروفایل

استاد

• Composition
• Computer-assisted composition
• Electronic Music
• +۳ مورد دیگر

Simon Mawhinney is a Professor in the School of Arts, English and Languages at Queen's University Belfast, specializing in composition with a focus on instrumental and electronic media. His work bridges complexist music, post-spectral harmonies, and cultural cantillation influences. Notable collaborations include projects with ensembles in Germany, France, and Iceland. He holds a Queen’s University Teaching Award (2012) and has pioneered modules on Messiaen’s music. His research explores new music performance, computer-assisted composition (using OpenMusic), and experimental technologies. Current roles include PhD supervision in composition, convening MA research methods modules, and undergraduate composition instruction. Key achievements include commissions from Ensemble Caput (Iceland) and Garth Knox/Quatuor Béla, resulting in works such as Marlacoo and a viola d’amore/string quartet piece premiered in Paris (2013). Recent projects involve recordings with pianist Mary Dullea and bass flutist Kolbeinn Bjarnason. His fingerprint research areas include labour studies in composition, technical performance practices, and avant-garde instrumentation. Over 35 compositions span decades, with 2016-2019 works emphasizing electronic integration and algorithmic processes. Awards include the AIC Composition Prize (2001) and Ann Driver Trust Award (2000). Professional service roles include Elected Member of the Academic Council since 2010 and Exams Liason Officer (2009-2011). Teaching: Undergraduate modules on Messiaen, Beethoven's late works, and composition techniques Research: Focus on postwar modernism, new musical technologies, and performance-based creation Public Engagement: Active in festivals, radio interviews, and international recitals

Juri Seoمشاهده پروفایل

دانشیار

• Contemporary Music Composition
• Counterpoint
• Harmony
• +۷ مورد دیگر

Juri Seo is an Associate Professor of Music at Princeton University, where she teaches composition. She is a Korean-born American composer and pianist known for her innovative approach to contemporary classical music that bridges historical forms with modern techniques. Her educational background includes a B.A. from Yonsei University in Korea and an M.M. and D.M.A. from the University of Illinois at Urbana-Champaign, where she studied with Reynold Tharp. Her dissertation focused on Jonathan Harvey's String Quartets (2013). Seo's research interests span Contemporary Music Composition, Counterpoint, Harmony, Just Intonation, Microtonality, Piano Composition, and the intersection of Ecology with Music. Her work explores "the continuum between timbre, harmony, and noise" while maintaining a deep connection to traditional Western classical forms. She is particularly passionate about counterpoint, which she describes as "a lost art" in contemporary composition. Her compositions demonstrate a unique synthesis of historical forms (like fugue and cantus firmus) with contemporary techniques including extended just intonation and electronics. A recurring theme in her recent work is ecology, with pieces like "Birds, Bees, Electric Fish" exploring the perceptual worlds of different organisms. She has pioneered performances with blindfolded audiences to heighten auditory awareness. Guggenheim Fellowship (2016) Goddard Lieberson Fellowship from American Academy of Arts and Letters (2013) Kate Neal Kinley Fellowship (2011) Otto Eckstein Fellowship from Tanglewood (2011) Koussevitzky Commission from the Library of Congress Copland House Residency Award Seo has received commissions from prestigious organizations including the Fromm Foundation, Barlow Endowment, Tanglewood Music Center, and the University of Illinois. She has been a composition fellow at Tanglewood, Bang on a Can, and SoundSCAPE festivals. Her debut album "Mostly Piano" was released by Innova Recordings in 2017, and her recent album "Obsolete Music" was released by New Amsterdam Records in June 2025. She leads an active creative life with numerous upcoming commissions through 2026, including works for So Percussion, the Grossman Ensemble, and the University of Illinois Percussion Studio. Her work with the JACK Quartet on pieces using extended just intonation has been particularly significant in her recent output.

David Conteمشاهده پروفایل

استاد

• Composition
• Music Theory
• Choral Music
• +۵ مورد دیگر

David Conte is Professor of Composition and Chair of the Composition Department at the San Francisco Conservatory of Music (SFCM), where he has taught since 1985. He is also affiliated with the European American Musical Alliance in Paris, where he served on the composition faculty from 2011-2022. In 2014, he was named Composer in Residence for Cappella SF, a professional chamber choir in San Francisco. His educational background includes: Doctor of Musical Arts (DMA) from Cornell University Master of Fine Arts (MFA) from Cornell University Bachelor of Music (BM) from Bowling Green State University David Conte's research and creative interests focus on contemporary classical composition, particularly in the areas of opera, choral music, and chamber music. His work demonstrates a deep engagement with American musical traditions while incorporating diverse influences from European classical music. He has developed a distinctive compositional voice that bridges traditional techniques with contemporary expression, particularly evident in his vocal and choral works. Conte's approach to composition pedagogy emphasizes the importance of musical memory, keyboard skills, and deep engagement with the music one loves. Analysis of Conte's compositional output reveals a consistent focus on vocal and choral music, with significant contributions to American opera through works like 'The Gift of the Magi.' His chamber music demonstrates sophisticated understanding of instrumental capabilities across various ensembles. More recently, his orchestral works like the 'Sinfonietta for Classical Orchestra' show a refined neoclassical approach. Conte's compositions often explore literary and historical themes, reflecting his broader interests in film, history, politics, and religion. His notable awards and distinctions include: Fulbright Scholarship (1976) Ralph Vaughan Williams Fellowship (1989) Aspen Music Festival Conducting Fellowship (1984) National Association of Teachers of Singing Composition Award (2016) American Guild of Organists Distinguished Composer (2024) Raymond Brock commission from the American Choral Directors Association First Prize in the NATS Composition Competition for 'American Death Ballads' (2016) As an educator, Conte has mentored over 100 composition students since 1985 at SFCM. His teaching philosophy, heavily influenced by his studies with Nadia Boulanger, emphasizes the importance of musical memory, keyboard proficiency for composers, and gradual skill development. He has secured numerous commissions from prestigious organizations including the San Francisco, Oakland, Stockton, and Dayton Symphonies, Chanticleer, and the American Guild of Organists. Conte's work has been supported by institutions like the Fulbright Program and the National Endowment for the Arts. Conte maintains active collaborations with various musical organizations, including Cappella SF where he serves as Composer in Residence. His work with librettists like Nicholas Giardini and collaborators like Todd Boekelheide demonstrates his commitment to interdisciplinary artistic projects. He continues to be an influential figure in American contemporary music through his compositions, teaching, and advocacy for new music.