جست‌وجوی استاد و پژوهشگر

Oliver Chandlerمشاهده پروفایل

مدرس ارشد

• Music Analysis
• Music Theory
• British Music
• +۵ مورد دیگر

Oliver Chandler is a Senior Lecturer in Music at the University of Oxford and holds multiple lecturing roles at Hertford College, Keble College, St Hugh's College, and Queen's College. He also serves as an academic professor at the Royal College of Music. His research focuses on music analysis, particularly in British music, chromaticism, and tonal theory, with notable works on Edward Elgar, Reginald Smith Brindle, and guitar repertoire. Chandler has been awarded the 2024 Adele Katz Early Career Researcher Award for his contributions to music theory. His research interests span music theory, including (neo-)Riemannian theory, Schenkerian analysis, and guitar studies. He co-authored Return to Riemann: Tonal Function and Chromatic Music (2024) and edited Born by the Thames: Stephen Dodgson, a Centenary Celebration (2024). His work often bridges historical and analytical approaches, exploring topics like Elgar’s chamber music and the interplay of tonality and serialism. Awards: Adele Katz Early Career Researcher Award (2024) Editorial Roles: Member of Soundboard Scholar editorial board and Cambridge Cohort for Guitar Research Grants & Collaboration: Collaborations on projects including analyses of Elgar’s works and studies on British modernist composers. Chandler’s publications span journals such as Music & Letters and Music Analysis , with a focus on analytical methodologies and British musical heritage. His research underscores the enduring relevance of tonal frameworks in understanding 20th-century music.

Gary Scavoneمشاهده پروفایل

استاد

• Music Technology
• Musical Acoustics
• Acoustical Signal Processing
• +۳ مورد دیگر

Dr. Gary Scavone is a Professor and Department Chair in the Music department at McGill University's Schulich School of Music. He holds a PhD in Computer-Based Music Theory & Acoustics and MS in Electrical Engineering from Stanford University, alongside degrees from Syracuse University in Music and Electrical Engineering. His research focuses on music technology, including acoustic modeling, sound synthesis, and instrument design. He directs the Computational Acoustic Modeling Laboratory (CAML), which explores advanced techniques for simulating musical instruments and developing software tools. As a saxophonist, he specializes in contemporary concert music performance. Research interests include physically-based sound synthesis, wind instrument acoustics, and digital waveguide modeling. He has contributed to studies on brass and woodwind impedance measurements, violin soundpost dynamics, and free-reed instrument modeling. His work bridges engineering and artistry, with applications in music pedagogy, instrument design optimization, and virtual acoustic replication. Key contributions include open-source projects for wind instrument modeling and the development of tools for automated timbre assessment. His research often combines experimental methods with computational simulations, addressing challenges in both theoretical and applied music acoustics. Current projects focus on deep learning for friction modeling, impedance measurement systems, and cross-cultural instrument analysis.

Christopher Castroمشاهده پروفایل

استادیار

• Music Composition
• Music Theory
• Western Art Music
• +۳ مورد دیگر

Christopher Castro serves as an Assistant Professor of Composition at Chapman University's College of Performing Arts. A composer and double bassist from Brooklyn, New York, he combines academic rigor with avant-garde experimentation. Ph.D. in Composition and Theory from University of California, Davis Bachelor of Music from Juilliard School (Double Bass & Composition) His research bridges Western Art Music traditions with contemporary innovations , creating works that merge: Johannes Ockeghem's polyphonic complexity John Coltrane's spiritual intensity Modernist structural experimentation Historical reconstruction techniques Jazz-classical hybrid forms Interdisciplinary performance formats Recent compositions demonstrate trends in flexible instrumentation , text-music relationships , and genre synthesis . His output spans chamber works, orchestral pieces, and vocal compositions with equal mastery. Scientific recognition includes: 2023 Fromm Music Foundation Commission (Harvard University) Chamber Music America's 2021 Classical Commissioning Award As a new music advocate , Castro collaborates with ensembles like: Left Coast Chamber Ensemble (artistic advisory board) New Mexico Contemporary Ensemble Los Angeles Philharmonic's Upbeat Live series Lyris Quartet and Sharon Harms

Jennifer Beaversمشاهده پروفایل

دانشیار

• Early Twentieth-Century Music Analysis
• Music Theory Pedagogy
• Timbre Analysis
• +۹ مورد دیگر

Jennifer Beavers, Ph.D. , is an Associate Professor of Music Theory at the University of Texas at San Antonio (UTSA) in the College of Liberal and Fine Arts. Her research intersects early twentieth-century music analysis, timbre/orchestration studies, and music theory pedagogy, with a focus on Maurice Ravel’s compositions and curriculum innovation. Awarded Faculty Mentor Award for Undergraduate Research (2019) Co-founder of UTSA Music Theory Club initiatives Active presenter at Society for Music Theory , American Musicological Society , and College Music Society conferences Research Themes : Analytical approaches to Ravel’s neurological decline, timbre as structural marker, flipped pedagogy, and interdisciplinary collaborations. Her publications span journals like Music Theory Online and Indiana Theory Review , emphasizing timbral transformations and pedagogical innovation. Scientific Awards : Faculty Mentor Award for Undergraduate Research (2019) Teaching Contributions : Courses include Aural Skills , Basic Skills , 20th-Century Analysis , and graduate Research Methods . Her pedagogical research addresses improvisation, pitch-matching, and AP curriculum alignment.

• Polish Music
• Violin Performance
• 20th-Century Music
• +۴ مورد دیگر

Dr hab. Andrzej Wojciechowski is an Associate Professor at the Stanisław Moniuszko Academy of Music in Gdańsk , affiliated with the Department II – Instrumental . As a certified violinist and postdoctoral scholar, he specializes in Polish violin music, chamber ensembles, and 20th-century compositions. Graduated with distinction from the Academy of Music in Gdańsk (1998), studying under Prof. Krystyna Jurecka Collaborates with orchestras like the Polish Baltic Philharmonic and Sopot Chamber Philharmonic Co-created concert projects with artists such as Jan Stanienda and Krzysztof Penderecki His research interests span Polish musicology, violin pedagogy, and interdisciplinary artistic education. He has edited publications with "Eufonium" and promoted Polish music through recordings like Violin Works by Roman Maciejewski (2011) and The Work of Gdańsk Composers (2015). His scientific awards include: Medal of the National Education Commission (2009) Individual Award for contributions to artistic education (2012) Honorary Medal 'For Merit to Polish Culture' (2014, 2015) Rector's Award, 3rd degree (2014, 2016) Wojciechowski has taught over 50 graduates, many of whom have won music competitions, and leads the Academic Chamber Orchestra as concertmaster and conductor. His work bridges performance, education, and preservation of Polish musical heritage.

Nicola Jürgensenمشاهده پروفایل

استاد

• Clarinet Performance
• Chamber Music
• Orchestral Performance
• +۵ مورد دیگر

Prof. Nicola Jürgensen is a distinguished German clarinetist and Professor of Clarinet at Faculty 1 of Folkwang University of the Arts in Essen, Germany. She also serves as Dean of Faculty 1 and is a Confidential Lecturer for the German Academic Scholarship Foundation. Her career seamlessly integrates performance, education, and artistic leadership. She is the Artistic Director of WDR 3 Campus Concerts and a board member of the Folkwang University Foundation. Professor of Clarinet, Folkwang University of the Arts (2018–present) Dean, Faculty 1 Artistic Director, WDR 3 Campus Concerts Board of Directors, Folkwang University Foundation Principal Clarinet (former), WDR Symphony Orchestra Cologne (2001–2018) Regular coach, German National Youth Orchestra (2020–present) Nicola Jürgensen's research and artistic interests center on clarinet performance, chamber music, and contemporary repertoire. She is deeply committed to historical performance practice, evidenced by her recordings on basset clarinet, and to expanding the global reach of classical music through international masterclasses and festivals. Her work bridges traditional European repertoire and modern experimental works, including performances in avant-garde operatic productions. She has collaborated with leading orchestras and ensembles worldwide, from Berlin and Leipzig to New York, Bangkok, and Auckland. Her recent artistic output reveals a strong focus on rediscovered works (e.g., Wilms' concerto), contemporary compositions (e.g., Kancheli, Zwilich), and cross-cultural collaborations (e.g., German Masters Music Festival in Thailand). She emphasizes pedagogical innovation and performance excellence, mentoring students who now hold principal roles in Germany’s top orchestras. Her recordings and performances consistently highlight expressive depth, technical mastery, and scholarly engagement with historical instruments and arrangements. Scientific and Artistic Awards: Mozart Prize, Wiesbaden Mozart Society German Music Competition Soloists' Prize (1999) Germany Radio Promotion Prize (2002) Nicola Jürgensen has been instrumental in guiding numerous students into prestigious orchestral positions and leads the ensemble 'Folkwang Clarinets' with her students. She holds multiple leadership roles in academic and artistic institutions and continues to perform as a guest principal clarinetist with major orchestras like the Mahler Chamber Orchestra and NDR Elbphilharmonie Orchestra. Her involvement in grants and funding appears indirect through institutional roles and festival organization. She is actively involved with several artistic initiatives, including the 'Spannungen' festival, WDR 3 Campus Concerts, and international masterclass programs. Her ensemble collaborations and educational outreach reflect a sustained commitment to excellence, innovation, and accessibility in classical music.

Adam Gorbمشاهده پروفایل

استاد

• Composition
• Orchestral Music
• Operas
• +۳ مورد دیگر

Professor Adam Gorb is a renowned composer and academic, serving as Professor of Composition and former Head of the School of Composition at the Royal Northern College of Music (RNCM) from 2000 to 2023. He holds a PhD in Composition from the University of Birmingham (2013), alongside degrees from Cambridge University (BA 1980) and the Royal Academy of Music (RAM, MMus with Principal’s Prize 1993). His research and creative output focuses on orchestral, operatic, and wind ensemble composition. Notable works include operas Anya 17 (2012) and The Path to Heaven (2018), which explore themes like human trafficking and the Holocaust. His wind ensemble pieces, such as Towards Nirvana and Farewell , have won British Composer Awards and are performed globally. Awards include three British Composer Awards and a House of Commons accolade for Anya 17 . He advises PhD students in composition while maintaining international collaborations, including recent projects in Romania, Australia, and the USA. His music is frequently recorded and performed worldwide, with CDs such as 24 Preludes (2022) and Dancing in the Ghetto (2016) showcasing his diverse output. Teaching roles include undergraduate and postgraduate composition at the RNCM, alongside guest lectures at institutions globally. His current projects include commissions for the Royal Academy of Music and interdisciplinary work with Parkinson’s patients.

Alexander Hunterمشاهده پروفایل

مدرس

• Open/Non-linear Music
• Open Music Notation
• Spectralism
• +۷ مورد دیگر

Dr. Alexander Hunter is a Lecturer and Composition Convenor at the School of Music, Australian National University (ANU). He holds a PhD in composition from Edinburgh Napier University (2014) and has taught composition, theory, and music history since relocating to Canberra in 2014. Hunter founded ANU's Experimental Music Studio, focusing on open-form compositions that engage performers in fluid interpretive roles. His research spans open musical forms, spectralism, acoustic ecology, and intersectional feminism, with a commitment to disability and autistic advocacy in the arts. Education includes studies at Northern Illinois University (BA 2006) and HNC from Colaisde Bheinn na Faoghla (2007). His work integrates multimedia collaborations with artists like Mike Parr and Martyn Jolly, exploring themes of dis/ability, environmental health, and Métis cultural heritage. Key projects include Helping the River Sing (2018–2021), linking river health with artistic expression, and AI-driven music composition research with Charles Martin. Hunter’s performance-led projects often involve magic lantern technology, reimagining 19th-century projection as a medium for contemporary ecological and historical narratives. Research interests also encompass New York School music, reductionist improvisation, and anarchist philosophies in composition. His collaborations with ensembles like Ensemble Dal Niente and the Edinburgh Quartet highlight his commitment to experimental performance practices. Recent publications (2023–2025) explore AI applications in music creation and interdisciplinary performance frameworks.

Miguel Chuaquiمشاهده پروفایل

استاد

• Electroacoustic Music
• Music Composition
• Interactive Dance Systems
• +۳ مورد دیگر

Miguel Chuaqui is a Chilean-American composer and Professor at the University of Utah School of Music, where he serves as Chair of the Composition Area since 2009. Born in 1964 in Berkeley, California, and raised in Santiago, Chile, he holds a PhD in Composition from the University of California at Berkeley, with academic roots in both Mathematics and Music. Education: BA in Mathematics and Music (University of California-Berkeley, 1987), MA in Music (University of California-Berkeley, 1989), PhD in Music (University of California-Berkeley, 1994) Chuaqui's creative practice spans orchestral, chamber, vocal, and electroacoustic works, with performances across the U.S. and internationally by ensembles such as Speculum Musicae, Earplay, and the Society for Electro-Acoustic Music in the United States (SEAMUS). His research emphasizes collaborations in diverse areas, including interactive dance systems with Modern Dance and therapeutic musical applications with the School of Medicine. His compositions reflect an intersection of technology and traditional instruments, often incorporating live electronics and interactive elements. Recent compositions like La Búsqueda (2024), Inseparable (2024), and Encuentro Fugaz (2024) highlight his focus on chamber works and electroacoustic innovation. He has also demonstrated a sustained commitment to solo and ensemble works, integrating Latin American cultural motifs with contemporary techniques. Scientific and Musical Awards Award in Music from the American Academy of Arts and Letters Aaron Copland Recording Grant Eisner Prize Nicola de Lorenzo Award Society for Universal Sacred Music award Induction into the National Association of Composers of Chile President’s Award from SEAMUS (2008) 2024-2025 Big 12 Faculty Fellowship As an educator, Chuaqui has taught courses including Advanced Electronic Music Composition, Senior Composition, and PhD-level Composition at the University of Utah since 2024. He hosted the 2008 SEAMUS National Conference and serves as a NASM Visiting Evaluator, maintaining leadership roles in music education and composition pedagogy.

David Milsomمشاهده پروفایل

مدرس ارشد

• Music Performance
• Violin
• Historical Violin Performing Practices
• +۵ مورد دیگر

Dr David Milsom is a Senior Lecturer in Music at the University of Huddersfield , specializing in performance practice and historical violin techniques. He coordinates classical performance studies and teaches both performance and musicology. University of Sheffield: BMus (1st Class), MMus, PhD His research focuses on 19th-century violin performing practices , including acoustic recordings analysis and annotated score studies. Recent projects explore Brahms and Franck violin sonatas through historically informed approaches. David leads the Historical Performance Research Group and collaborates on digital performance projects via the MMT YouTube channel. He co-founded the professional Brigantes Orchestra and period instrument group Four's Company . Scientific Awards Edison Fellowship (British Library, 2003) AHRC Fellowship (2006) He serves as external examiner for Royal Birmingham Conservatoire and Leeds Conservatoire, and actively supervises PhD students while integrating research into undergraduate teaching.

Alexander Pavlovskyمشاهده پروفایل

استاد

• Chamber Music
• Violin Performance
• Music Pedagogy
• +۱ مورد دیگر

Alexander Pavlovsky is a founding member and first violinist of the world-renowned Jerusalem Quartet , holding a professorship in string chamber music at the University of Music and Performing Arts Graz (KUG) since 2022. He studied at the Jerusalem Academy of Music and Dance under Professor Matvey Liberman and was influenced by the David Oistrakh violin school. Active globally as chamber musician, soloist, and pedagogue Artistic Director of the Zeist Music Days festival since 2008 Collaborated with artists like Daniel Barenboim and Mitsuko Uchida Plays on a 1696 Antonio Stradivarius violin and a Stefan-Peter Greiner violin (2009) His recordings with Harmonia Mundi include 3 BBC Music Magazine Awards and multiple Diapason D'Or Awards. The Jerusalem Quartet's repertoire spans classical to contemporary works, with a focus on Shostakovich, Bartók, and French string quartets.

Isabel Gabbeمشاهده پروفایل

استاد

• Piano Performance
• Music Education
• Chamber Music
• +۵ مورد دیگر

Isabel Gabbe , University Professor of Piano & Piano Didactics at Mozarteum University Salzburg's Innsbruck Department since 2016, is a German-French pianist and music educator with extensive international experience. She heads the Music Education Department and contributes to artistic higher education through her work with the European Piano Teachers Association (EPTA) and the Austrian Society for Music and Medicine (ÖGFMM). Studied with Hans Leygraf and Rainer Becker Certified music physiologist Founder of "Moments Musicaux" festival in France Active in teacher training across Europe and South America Her research focuses on music education , physiological piano teaching methods , and musicians' health . Isabel integrates creative approaches to piano instruction for children, emphasizing cross-cultural communication through music. Her recent work explores alternative keyboard techniques and inclusive pedagogy. Professor Gabbe's publications analyze piano didactics, including " Alles ist erlaubt, nur nicht Alles spielen! " on practical repertoire use and " Musizieren lernen? Ein Kinderspiel! " on playful learning approaches. She contributes to Schott Verlag's "Üben&Musizieren" series and Waxmann Verlag's music education publications. Scientific recognitions include: German Music Council Artist List (2000) EPTA Austria Vice Chair (2018–present) Deutsche Tonkünstlerverband Deputy Chair (2015–2023) Richard Wagner Association Stipend (2002) Aspen Music Festival Stipend (1995,1996) Isabel Gabbe actively mentors educators through workshops and masterclasses across Europe and South America, focusing on sustainable teaching practices and physiological approaches to piano instruction. She has participated in numerous festivals and serves on academic committees for music education curricula.

Christopher D. Azzaraمشاهده پروفایل

استاد

• Music Education
• Improvisation in Music
• Jazz Studies
• +۳ مورد دیگر

Christopher D. Azzara is the Eisenhart Professor of Music Teaching & Learning at the Eastman School of Music, University of Rochester. He holds affiliate roles in Jazz Studies & Contemporary Media and Woodwinds, Brass & Percussion. His research focuses on creativity, improvisation, and music pedagogy. Azzara earned a B.M. from George Mason University (1981), M.M. (1988), and Ph.D. (1992) from Eastman. Previously, he taught at The Hartt School (1991–2002) before joining Eastman's faculty in 2002, later serving as Chair of Music Teaching & Learning (2010–2018). He has received prestigious awards, including the Edward Peck Curtis Award (2022) and the Eisenhart Professorship (2023). His academic work emphasizes the integration of listening, creating, improvising, and composing in music education. Key publications include Developing Musicianship through Improvisation and Jump Right In: The Instrumental Series . Azzara’s arrangements are published by GIA and Oxford University Press. He performs with the Chris Azzara Trio and collaborates with Eastman faculty and the Rochester Philharmonic Orchestra. Internationally recognized, Azzara has conducted workshops in over 20 countries, including TEDxRochester and Carnegie Hall. His engagements in 2024–2026 include teaching clinics in Germany, the U.S., and Australia, emphasizing creativity-driven music education. His research appears in journals such as the Journal of Research in Music Education and Oxford Handbooks Online . Azzara advocates for innovative teaching methods, blending academic rigor with practical performance experiences.

• Additive Manufacturing
• Engineering Design
• Manufacturing Process Optimization
• +۳ مورد دیگر

Professor Allan Rennie serves as Professor in Manufacturing Engineering at Lancaster University's School of Engineering and holds the administrative position of Associate Dean for Engagement within the Faculty of Science and Technology. With a career spanning over 30 years since initiating work in additive manufacturing during the mid-1990s, he has established himself as a leading figure in industrial applications of advanced manufacturing technologies across diverse sectors. His research expertise centers on Additive Manufacturing , Engineering Design , and Manufacturing Process Optimization , with current specializations including design for additive manufacturing (as co-leader of the UK's EPSRC DfAM Network), industrial digitalisation of manufacturing processes, and innovative tooling development using metallic and hybrid approaches. Rennie has significantly contributed to Engineering Education , particularly examining the integration of business and management principles into engineering curricula and analyzing the impacts of online/hybrid delivery modes on student engagement and graduate employability following the COVID-19 pandemic. Recent publication trends reveal Rennie's dual focus on practical manufacturing applications and scholarly analysis of technological evolution. His 2025 bibliometric study maps a decade of Design for Additive Manufacturing research, while his structural analysis of musical instruments demonstrates cross-disciplinary applications of manufacturing techniques. These works reflect his commitment to both advancing manufacturing technology and documenting its academic trajectory through rigorous analysis. Professor Rennie actively supervises PhD candidates including Jenny Roberts, Eunike Sembiring, and Joe Taylor while leading substantial research projects such as the EPSRC DfAM Network (2020-2023), Automating Design for Additive Manufacture with AI (2023-2024), and multiple Engineers in Business Competitions. His extensive grant portfolio spans industrial digitalization, sustainable manufacturing, and educational innovation, with notable projects including RENDER (powder recycling), TecHnology and EntrepreneUrship Education, and Production Capable Additive Manufacturing of Polymers. Rennie contributes to Lancaster's research ecosystem through affiliations with the Centre for Global Eco-innovation, Energy Lancaster initiative, and the Lancaster Product Development Unit. These platforms enable him to bridge academic research with industrial applications across multiple sectors, particularly supporting his work on sustainable manufacturing practices, technology commercialization, and industry engagement strategies that translate research into real-world impact.

Nicholas Fuquaمشاهده پروفایل

استادیار

• Musical Theatre
• Opera
• Arts Education
• +۴ مورد دیگر

Nicholas Fuqua is an Assistant Professor of Musical Theatre at Catawba College, leading the musical theatre program and serving as Music Director for the Theatre Department. He teaches voice and string performance, and has extensive experience in arts education, including workshop leadership at International Thespian Festivals. Education: MFA in Theatre Directing and Pedagogy (thesis: fine arts & academic performance), MM in Musical Theatre/Opera (Arizona State University), MEd (University of Louisville), BA in Musical Theatre (Siena Heights University). Research interests focus on integrating arts education with academic achievement, vocal and instrumental performance techniques, and innovative theatre pedagogy. His work bridges performance artistry with educational theory, emphasizing practical application in classroom and stage settings. Performance highlights include semi-finalist placement in the National Musical Theatre Competition, leading roles in Halifax Opera's Canadian premieres (Thyrsis and Amaranth, The Harpies), and collaborations with Kentucky Opera. Notable stage credits include Hair!, Peter Pan!, 42nd Street, Shrek, Fiddler on the Roof, and Hello, Dolly!. Advising and professional service: No specific grants mentioned, but demonstrates leadership through roles as Fine Arts Facilitator, Performing Arts Department Chair, and arts advocate. Active member of the American Guild of Musical Artists. Contributions extend beyond academia through performance work, maintaining a dynamic balance between teaching, directing, and performing across theatre and opera disciplines.