جستجوی استاد راهنمای دانشگاهی

Pasquale Bottalico serves as Associate Professor in the Department of Speech and Hearing Science at the University of Illinois, with dual appointments as Associate Professor at the Center for Latin American and Caribbean Studies and Affiliate Faculty in the School of Music. His unique interdisciplinary profile bridges engineering, music performance, and speech science, reflecting his dual academic training and professional artistry. His educational foundation includes: Bachelor's in Telecommunications Engineering from Univeristà Mediterranea di Reggio Calabria, Italy Concurrent Opera Singing degree from F. Cilea Music Academy, Reggio Calabria Master's in Telecommunications Engineering from Politecnico di Torino, Italy Ph.D. in Metrology specializing in acoustics measurement uncertainty and classroom acoustics Dr. Bottalico's research centers on vocal load quantification and professional voice techniques , with significant contributions to understanding vocal fatigue in teachers and singers. His work spans Speech Intelligibility in educational environments, Room Acoustics for performance and learning spaces, and Musical Acoustics of historical vocal styles. A distinctive thread throughout his research examines how acoustic conditions modulate voice production and perception, increasingly incorporating virtual reality and bone conduction technologies for innovative assessment and intervention approaches. His Colombian vocal health study demonstrates cross-cultural applications of his work. Analysis of his 2023-2025 publications reveals three dominant research trajectories: (1) The impact of noise and dysphonia on children's speech processing in educational settings, using multimodal assessment including EEG; (2) Virtual reality applications for voice production research and therapeutic intervention; (3) Cross-cultural validation of vocal fatigue metrics and development of biofeedback systems. His work consistently bridges engineering precision with clinical applicability, particularly for professional voice users in challenging acoustic environments. No scientific awards were documented in the available information. While specific advising relationships aren't detailed, his research collaborations span international institutions including Colombian and Italian universities, suggesting graduate mentorship in interdisciplinary projects. No grant information was provided, though his systematic reviews and cross-cultural studies imply externally funded research activities. Though no dedicated laboratory is specified, his virtual reality voice studies and acoustic parameter assessments suggest affiliations with audio engineering facilities and voice clinics, likely through the Speech and Hearing Science department's research infrastructure.

• Vocal Load
• Professional Voice Techniques
• Singer Techniques
• +۳ مورد دیگر

Xavier Serra is a Full Professor at the Department of Engineering at Universitat Pompeu Fabra (UPF), Barcelona. He is the founder and director of the Music Technology Group (MTG), and leads the UPF-BMAT Chair on AI and Music. He also coordinates the Master in Sound and Music Computing and serves as President of the Phonos Foundation. His research focuses on audio signal processing, sound and music computing, and computational musicology, emphasizing open science and open innovation. Education: BSc in Biology, University of Barcelona (1981) Master in Music, Florida State University (1983) PhD in Computer Music, Stanford University (1989) Research Interests: Audio Signal Processing Data-Driven and Knowledge-Driven Methodologies Music Information Retrieval Cultural Music Analysis (e.g., Carnatic/Turkish/Andalusian Music) Music Education Technology Notable Projects: CompMusic (ERC Advanced Grant, 2010-2017): Multicultural computational music analysis Open datasets: Freesound, Saraga, FSD50K Technologies: Reactable, Vocaloid, Essentia API Recent Trends in Articles: Focus on AI-driven audio processing (neural fingerprints, generative models), cross-cultural music analysis, and explainable music difficulty estimation. Awards: ERC Advanced Grant (2010) for CompMusic Project. Labs/Teams: Director of MTG, Phonos Foundation, and UPF-BMAT Chair. Active in open-source projects and international collaborations.

• Audio Signal Processing
• Sound and Music Computing
• Music Information Retrieval
• +۵ مورد دیگر

Sergio Rigoletto is an Assistant Professor of Film Studies at the University of Groningen, Faculty of Arts. Previously, he held an Associate Professor position in Cinema Studies and Italian at the University of Oregon, USA. His research focuses on the intersection of film aesthetics with social change, queer media cultures, and Italian cinema. Key areas include transnational queer imaginaries in Mediterranean media, stardom in Neorealist cinema, and gendered labor in film industries. Education: PhD from the University of Reading, MA from Birkbeck College, London, and BA/MA from the University of Catania, Italy. His publications include Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s (2014) and Le norme traviate (2020). Current projects involve a monograph on Anna Magnani and Queer from the South: Film, Video Art and Media Activism in the Mediterranean . Research interests span queer media activism, Italian film history, and international television. He has contributed to journals like Journal of Cinema and Media Studies and New Review of Film and Television Studies , analyzing topics such as Xavier Dolan’s cinematic techniques and spectrality in Call Me by Your Name . Rigoletto’s work emphasizes interdisciplinary approaches to film, blending cultural theory with close textual analysis. His recent focus on Mediterranean queer media highlights transnational collaborations and challenges traditional national narratives in cinema.

• Film Aesthetics and Politics
• Queer Media Cultures
• Italian Cinema
• +۳ مورد دیگر

Professor Thomas Blumensath is a Professor of Signal and Image Processing at the University of Southampton and a Fellow at the Alan Turing Institute. He is the Academic Lead in Image Processing and Reconstruction at the University's μ-VIS X-ray Imaging Centre and Director of Research at the Institute of Sound and Vibration Research (ISVR). His research focuses on advanced algorithms for solving inverse problems in tomographic imaging, combining machine learning, optimization, and statistical methods. Key areas include X-ray tomography strategies, GPU-accelerated reconstruction, and multimodal imaging applications. Education: B.Sc. (Hons) Music Technology and Audio System Design, University of Derby (2002) PhD in Electronic Engineering (Bayesian Signal Processing), University of London (2006) Research Interests: Professor Blumensath's work spans theoretical and applied signal/image processing, with emphasis on tomographic imaging techniques. His current projects address efficient reconstruction methods, spectral X-ray CT, and applications in manufacturing and plant science. He collaborates with advanced imaging facilities like Diamond Light Source and ISIS neutron imaging beamline. Key Contributions: His research bridges computational methods (e.g., compressed sensing) with practical imaging challenges, including limited-angle tomography and stereo imaging strategies. He leads the National Research Facility for Lab X-ray CT and has developed the TIGRE reconstruction toolbox. Grants & Projects: Active funding includes EPSRC projects on tomographic sensitivity monitoring and CT-based manufacturing inspections. Completed projects cover constrained reconstruction, AM process verification, and industrial CT metrology. Awards: Alan Turing Institute Fellowship Teaching & Leadership: He teaches modules on machine learning, biomedical image processing, and robotics. Leads the BEng Control Engineering program at the Joint Education Institute with Harbin Engineering University. Labs/Teams: Active in the Signal Processing, Audio and Hearing research group (SPAH) and the Institute for Life Sciences. Oversees the μ-VIS X-ray Imaging Centre's research initiatives.

• Signal Processing
• Image Processing
• X-ray Tomography
• +۶ مورد دیگر

Markus Heinonen is an Academy Research Fellow at Aalto University's Department of Computer Science within the School of Science. His academic position is tied to Harri Lähdesmäki's Professorship, focusing on probabilistic machine learning. He holds a Doctoral degree in Engineering and Technology from the University of Helsinki (2013). His research integrates probabilistic modeling , deep learning , and differential equations , with applications in computational biology, drug discovery, and biophysics. Key themes include Gaussian processes, Bayesian inference, generative models, and their use in understanding complex biological systems like immune cell behavior (e.g., T cell receptor analysis in aplastic anemia) and molecular design. He leads major projects such as the Deep Learning with Differential Equations initiative (2020–2025), exploring continuous-time models and physics-informed neural networks. His work bridges theory and application, evidenced by collaborations in diffusion models , optimal transport , and single-cell analysis . Publications span over 65 peer-reviewed outputs, with recent emphases on robust neural network training, multi-target molecular prediction, and interpretable drug design frameworks. His research contributes to UN Sustainable Development Goal 3 (Good Health) through advancements in disease modeling and therapeutic development. He has undertaken visiting research roles at the University of California, San Francisco (2017) and Telecom ParisTech (2013–2014). Media highlights include recognition for work on TCR-epitope prediction and AI-driven enzyme engineering.

• Machine Learning
• Probabilistic Modeling
• Bayesian Inference
• +۵ مورد دیگر

Prof. Dr. Ute Fendler holds the Chair of Romance Literature and Comparative Studies with Special Emphasis on Africa at the University of Bayreuth. Her academic journey includes a 2006 Habilitation and 1992 PhD from Saarland University, with research spanning Francophone African literatures , intermedial phenomena , and postcolonial cinematic analysis . She coordinates the Bayreuth Academy of Advanced African Studies as Vice-Director and serves on multiple editorial boards. 2006-Present: Professor at University of Bayreuth 2011-2015: Director of Institute for African Studies 2015-Present: Vice-Director of Bayreuth Academy of Advanced African Studies Her research interrogates urban ecotonal spaces through African music videos, transnational cinematic flows in African and Afro-Asian contexts, and mediated memory practices . Recent publications explore post-apocalyptic storytelling and decolonial aesthetics in music videos and films. Scientific contributions include: 2025: Staging Atmosphere: Urban Ecotonal Spaces in African Music Videos (Brill) 2024: Co-edited Asia-Africa: Multifaceted Engagement (Palgrave Macmillan) 2022: Animating the Future: Superheroes in Africa (Brill) 2020: Ghosts as Mediators: Memory and Hauntology (iwalewabooks) 2019: K-Pop Fandom in Germany (Korea University Press) She received the Faculty Enrichment Award from the Canadian Embassy in 2005 and serves on multiple academic committees including the University Library Commission (2007-2016).

• Francophone Literatures
• Postcolonial Studies
• African Cinema
• +۷ مورد دیگر

Irene Albers is a full Professor at Free University of Berlin's Department of Philosophy and Humanities, holding dual appointments at the Peter Szondi Institute for General and Comparative Literature and Institute for Romance Philology since 2004. She chairs both the Examination Board and Doctoral Committee for General and Comparative Literature, serves as Trustee of Studienstiftung des deutschen Volkes since 2004/05, and has been Principal Investigator for the Friedrich-Schlegel Graduate School for Literary Studies and Cluster Languages of Emotion since 2007. Her research bridges comparative literature, anthropology, and visual culture with institutional leadership spanning editorial projects and international conferences. Her educational background includes: Born in Bremen (1967) Romance Studies, Philosophy, and German Studies at Universities of Tübingen, Tours, and Konstanz M.A. from University of Konstanz (1993) Ph.D. from University of Konstanz (1999) on literature and photography in Émile Zola, Proust, and Claude Simon Albers' core research examines literary anthropology through colonial/postcolonial lenses, focusing on French literary engagement with Africa, surrealism, and literature-photography intersections. She pioneered studies on Michel Leiris' ethnological poetics and Claude Simon's photographic techniques, extending to historical emotion research (anatomy of affects, body language) and romance novella traditions. Her work consistently challenges Eurocentric literary canons through primitivism critique and heteronomy aesthetics, emphasizing textual restitution and cultural reclamation. Recent publications (2018-2025) reveal a sharp turn toward colonial restitution ethics, particularly in oral literature provenance. Articles increasingly analyze literature as colonial loot, connecting French modernism with African/Caribbean contexts through collaborative projects with anthropologists like Eléonore Devevey. This trajectory builds from earlier surrealist studies to concrete frameworks for decolonizing literary scholarship, spotlighting institutional complicity in cultural appropriation while advancing symmetrized modernity revisions. Scientific awards include: Senior Fellow and Prize Winner of the Zukunftskolleg, University of Konstanz (2009) Albers supervises master's and doctoral students through dedicated AVL colloquia while securing major research funding as Principal Investigator for Friedrich-Schlegel Graduate School (2007-present) and Cluster Languages of Emotion (2007-2012). Her current DFG-funded project 'Literature as Colonial Loot?' with Andreas Schmid pioneers philological provenance research. Earlier, she contributed to Collaborative Research Center 511 'Literature and Anthropology' (Konstanz, 1999-2002) and DFG-funded conferences on Claude Simon. She leads the DramaNet research project and co-edits the 'machina' series at transcript Verlag since 2010. As board member (2007-2009) and deputy (2008-2012) of Cluster Languages of Emotion, she coordinates Area D 'Cultural Codings of Emotions'. Her Zukunftskolleg fellowship (2012-2013) and Marcel Proust Society collaborations underscore sustained engagement with literary anthropology networks.

• Comparative Literature
• Romance Literature
• Literary Anthropology
• +۶ مورد دیگر

Dr. Jules Rawlinson is a Senior Lecturer in Digital Design at the Reid School of Music , University of Edinburgh. He serves as Programme Director for the MSc Sound Design and contributes to MSc Design and Digital Media, ESALA undergraduate courses, and the Reid School's MSc Digital Composition and Performance. PhD in Composition (University of Edinburgh, 2011) MSc Sound Design (University of Edinburgh, 2006) BA Combined Arts (Sunderland University) Jules investigates audiovisual composition , live electronics , and interactive performance systems , blending machine learning , virtual environments , and corpus-based sound synthesis . His work explores non-linear narrative structures , graphical scores , and political sound-art through collaborations like Raw Green Rust and projects such as Lie Still My Sleepy Fortunes and w[i]nd . His 15 most recent outputs span audiovisual installations , generative sound systems , and collaborative performances , focusing on virtual reality , spectral transformation , and digital improvisation . Jules co-founded the LLEAPP network and has secured grants from EPSRC and New Media Scotland's Alt-w Fund . He supervises PhD students Tim Bentley, Hal Xu, Benjamin Cantil, and Liam Peacock, with works showcased at festivals including Sonorities , Edinburgh International Film Festival , and Edinburgh Festival Fringe . His Requiem for Edward Snowden was featured in BBC Radio 3's Hear and Now and selected for Creative Scotland's Made In Scotland Showcase.

• Sound Design
• Audiovisual Composition
• Interactive Technologies
• +۴ مورد دیگر

Dorte Hammershøi is a Professor in the Department of Electronic Systems at The Technical Faculty of IT and Design, Aalborg University, Denmark. Her research focuses on acoustics, sound engineering, and hearing science with significant contributions to human hearing, ear canal acoustics, and audio technology applications. Her research interests include: Temporary Threshold Shift and frequency resolution in human hearing Ear canal acoustics and sound pressure level measurement Distortion Product Otoacoustic Emission (DPOAE) analysis Impulse response and acoustic impedance studies Hearing aid technology and rehabilitation methodologies Virtual reality audio interfaces and accessibility applications Professor Hammershøi's recent publications demonstrate a strong clinical-engineering interdisciplinary approach, bridging theoretical acoustics with practical hearing rehabilitation applications. Her work on hearing aid fitting methodologies, occupational noise exposure effects, and virtual reality audio interfaces shows consistent innovation in translating engineering principles to clinical practice. The research shows particular attention to individualized hearing solutions and accessibility technologies. Her scientific contributions have been recognized with: Dansk Lydpris 2020 (awarded November 17, 2021) Ambassadør for Aalborg (awarded September 15, 2004) Professor Hammershøi has supervised 5 PhD students and led numerous research projects including the ongoing "Audio Only VR for Blind Gamers" project (2024-2028) funded by the Independent Research Foundation of Denmark, and the completed "BEAR: Better Hearing Rehabilitation" project (2016-2022). Her research has attracted significant media attention with 110 press/media appearances discussing hearing damage prevention, tinnitus, and public health implications of noise exposure. She maintains active professional engagement through committee memberships (46 documented activities), international collaborations, and contributions to clinical practice guidelines. Her work continues to influence both academic research and practical applications in hearing science and audio engineering.

• Acoustics
• Hearing Science
• Audio Engineering
• +۵ مورد دیگر

Christopher Castro serves as an Assistant Professor of Composition at Chapman University's College of Performing Arts. A composer and double bassist from Brooklyn, New York, he combines academic rigor with avant-garde experimentation. Ph.D. in Composition and Theory from University of California, Davis Bachelor of Music from Juilliard School (Double Bass & Composition) His research bridges Western Art Music traditions with contemporary innovations , creating works that merge: Johannes Ockeghem's polyphonic complexity John Coltrane's spiritual intensity Modernist structural experimentation Historical reconstruction techniques Jazz-classical hybrid forms Interdisciplinary performance formats Recent compositions demonstrate trends in flexible instrumentation , text-music relationships , and genre synthesis . His output spans chamber works, orchestral pieces, and vocal compositions with equal mastery. Scientific recognition includes: 2023 Fromm Music Foundation Commission (Harvard University) Chamber Music America's 2021 Classical Commissioning Award As a new music advocate , Castro collaborates with ensembles like: Left Coast Chamber Ensemble (artistic advisory board) New Mexico Contemporary Ensemble Los Angeles Philharmonic's Upbeat Live series Lyris Quartet and Sharon Harms

• Music Composition
• Music Theory
• Western Art Music
• +۳ مورد دیگر

Professor Igor Wigman is a Professor of Number Theory at King's College London, affiliated with the Department of Mathematics within the Faculty of Natural, Mathematical & Engineering Sciences. He completed his PhD in Number Theory at Tel-Aviv University under Zeev Rudnick, followed by postdoctoral roles at CRM Montreal and KTH Stockholm. He joined King's in 2012 as a Lecturer, becoming a Reader in 2014 and Professor in 2018. His research focuses on analytic number theory, probability, and mathematical physics, with emphasis on nodal lines, random fields, and quantum chaos. Notable contributions include studies on the Gauss circle problem, eigenvalue clusters, and nodal volume distributions of random functions. Wigman co-organized the 2016 'Random Waves in London' workshop and delivered an inaugural lecture in 2023 on the interplay of number theory, random functions, and music geometry. His work bridges pure mathematics with applications in spectral geometry and stochastic processes.

• Analytic Number Theory
• Probability and Stochastic Processes
• Mathematical Physics
• +۴ مورد دیگر

Alexandra BELIBOU is a PhD Lecturer at the Department of Music Performance and Pedagogy, Faculty of Music, Transilvania University of Brașov. Her work bridges musicology with modern interdisciplinary approaches, focusing on music education technology, therapeutic applications, and 20th-century compositional analysis. She holds a prominent position in advancing digital pedagogy through software integration. Research Interests: Music therapy methodologies emphasizing pluralistic approaches in clinical settings AI applications in music composition and education Analysis of 20th-century composers like Schoenberg, Reich, and Pärt Cultural studies of folk music traditions (e.g., Irish dance music, Romanian psalmic liturgy) Publications Trends: Recent work explores pandemic-era musician well-being, AI-assisted composition tools, and the intersection of music with medicine/physics. Earlier research delves deeply into psalmic text settings across centuries, minimalist techniques, and numerical symbolism in atonal music. Her teaching and research emphasize bridging traditional musicology with emerging technologies, as seen in proposals for software-based creativity workshops and interdisciplinary curricula.

• Music Education
• Music Therapy
• Music Technology
• +۳ مورد دیگر

Daniel Schwartz is an Associate Professor at McGill University , specializing in Russian and German Cinemas. His work bridges sound studies, urban studies, and documentary film, with a focus on early 20th-century cinematic experiments and their intersections with music, mass spectacle, and radio. He has published extensively in journals like Cinema Journal , Slavic Review , and Studies in Russian and Soviet Cinema . Research Focus: Sonic dimensions of silent cinema, urban modernity, Soviet/Russian film Contact: daniel.schwartz2@mcgill.ca | 680 Sherbrooke St. West, Montreal, QC His 2024 book City Symphonies: Sound and the Composition of Urban Modernity, 1913-1931 challenges assumptions about silent films through archival and interdisciplinary analysis. Recent articles explore topics like Dinara Asanova's documentaries, Sergei Loznitsa's archival practices, and the geopolitics of post-Soviet cinematic borders.

• Russian Studies
• German Studies
• Sound Studies
• +۳ مورد دیگر

Henrik von Coler is an Assistant Professor at Georgia Institute of Technology's School of Music within the College of Design. His work bridges engineering, electronic music, and empirical research, focusing on spatial audio systems, live electronics, and human-computer interaction in musical contexts. He joined Georgia Tech in 2023 after serving as director of the TU Studio for Electronic Music at Technische Universität Berlin from 2015 to 2023, where he founded the Electronic Orchestra Charlottenburg (EOC) to explore live electronic ensembles in multichannel environments. His research emphasizes the integration of sound, space, and HCI to enhance compositional and performative expressiveness. Notable projects include immersive audio installations, virtual instrument design, and AI-assisted composition. Coler has performed globally on immersive audio systems and curated international concerts. His technical contributions span spatial sound synthesis algorithms, networked music systems, and real-time signal processing tools. Key areas of exploration include volumetric music performances in metaverse environments, hybrid spatial interaction via ARCube, and statistical models for spectral synthesis. He has developed open-source systems like Orchestra (for metaverse performances) and SPRAWL (for ensemble interaction). Coler’s work often combines empirical research with artistic practice, aiming to redefine the boundaries of live electronic music through technological innovation. His academic output spans over 30 peer-reviewed articles since 2011, with recent focus on metaverse applications, AI-human collaboration, and immersive audio design. While no formal awards are listed, his leadership roles and project outcomes highlight significant contributions to music technology and spatial audio engineering.

• Music Technology
• Spatial Audio Systems
• Live Electronics
• +۳ مورد دیگر

Benjamin Ricaud is an Associate Professor and Group Leader in Machine Learning at UiT The Arctic University of Norway's Department of Physics and Technology. His core affiliations include membership in the Machine Learning Group, Visual Intelligence center, and co-directorship of the Digital Technology Innovation Lab focused on Arctic-region tech startups. He also co-chairs the annual Northern Light Deep Learning conference. Ricaud's research spans: Fundamental ML : Graph signal processing, explainable AI, and generative models Applications : Microfossil classification, medical diagnostics (retinal aging), drug analysis, and climate data interpretation Emerging domains : Self-supervised learning and biological data analysis using Raman spectroscopy His recent publications (2020-2025) cluster in three domains: Graph ML methodologies (35%) Biomedical/biological applications (40%) Geoscience/climate informatics (25%) with consistent focus on interpretability and real-world data challenges. Teaching includes Image Processing (FYS-2010), Pattern Recognition (FYS-3012), and Machine Learning (FYS-2021). He leads outreach initiatives developing AI exhibits for Tromsø Science Centre.

• Machine Learning
• Graph Signal Processing
• Explainable AI
• +۳ مورد دیگر