جستجوی استاد راهنمای دانشگاهی

Craig Jin is an Associate Professor at the University of Sydney, leading the CARlab (Computing and Audio Research Laboratory) and Spatial Audio Research initiatives within the School of Electrical and Computer Engineering. He holds a BS from Stanford University, an MS from Caltech, and a PhD from the University of Sydney. His work focuses on immersive audio technologies, biomedical signal processing, and assistive technologies for sensory augmentation. Research interests include spatial audio reproduction, binaural processing, acoustic sensing for accessibility, and machine learning applications in signal processing. Key contributions span HRTF interpolation, noise reduction algorithms, and acoustic touch systems for the visually impaired. Recent projects include real-time MRI analysis of vocal tract dynamics and sparse recovery techniques for sound field reconstruction. His publications span over 150 peer-reviewed articles in journals like IEEE Transactions on Audio, Speech, and Language Processing, and conferences such as ICASSP. He advises four current PhD/Master’s students on projects like predictive gesture tracking, voice disorder classification, and magnetic resonance imaging techniques.

• Audio Signal Processing
• Spatial Audio Technology
• Medical Engineering
• +۳ مورد دیگر

Professor Anna Marie Munster is a distinguished academic and artist at UNSW Art and Design (College of Fine Arts), where she has held a full-time tenured position since 2001. Her work bridges theoretical scholarship with creative practice, establishing her as a leading figure in digital media art and critical theory. University: University of New South Wales School: College of Fine Arts (UNSW Art and Design) Position: Professor Qualifications: PhD from UNSW (2002), BA (Class 1 Hons with University Medal) from University of Sydney (1984) Professor Munster's research explores the intersections of art, technology, and philosophy, with particular focus on statistical visuality, radical empiricism, the politics and aesthetics of machine learning, and more-than-human perception. Her work integrates process philosophy with contemporary media practices, examining how time, movement, and sonicity shape our experience of digital environments. She approaches these topics through both theoretical scholarship and creative practice, often collaborating with artist Michele Barker on multi-channel audiovisual installations. Her publications reveal a consistent trajectory exploring the relationship between embodiment and digital media, with recent work focusing on AI and machine learning in cultural contexts. Munster's creative output demonstrates sophisticated integration of technical innovation with philosophical inquiry, particularly in how her installations challenge conventional perceptions of time and space. ARC, UNSW Student Council Award for Excellence in Postgraduate Supervision (2017) Dean's Award for Excellence in Postgraduate Supervision (2015) Highly commended for Materializing New Media at Prix Ars Electronica (2008) Winner of National Digital Art Awards 'The Harries' (2006) University Press of New England Publishing Award (2005) Professor Munster has completed over 20 PhD and Masters supervisions at UNSW and been involved in another 10 secondary supervisions. She currently supervises five PhD candidates working on diverse topics including coding materialities, critical bio-textiles, schizophrenia and XR technologies, sound and resonance, and affective drawing. Her ARC-funded research projects demonstrate sustained commitment to interdisciplinary work, particularly at the intersection of art, science, and technology. Her creative practice with Michele Barker has resulted in numerous commissioned installations exploring perception, embodiment, and the relationship between humans and technology.

• software studies
• technologies and embodiment
• multichannel and interactive installation work
• +۱۹ مورد دیگر

Dr. Sam Ferguson is a Senior Lecturer at the School of Computer Science, University of Technology Sydney (UTS), with a multidisciplinary background in music performance, cognitive science, and psycho-acoustics. His research explores the intersection of sound, music, and human experience through creative coding, machine learning, and interactive systems. Key Research Areas: Sound and Music Computing, Human-Computer Interaction, Creative Coding, Cognitive Science, Installation Art, and Acoustics. Current Projects: ARC Linkage project on creative coding and multiplicitous media; industry collaborations on IoT-based audiovisual systems. Recent Publications: Focus on spatial audio complexity, gestural interaction with networked sound, music emotion recognition frameworks, and robotic performance through genre-based cultural platforms. Leadership Roles: Director of Teaching & Learning Engagement; former Deputy Head of School (Teaching and Learning); active in ACM Creativity and Cognition Steering Committee. Teaching: Courses like Digital Media Studio , Prototyping Physical Interaction , and Data Processing using R within UTS's interdisciplinary Software Development Studio.

• Sound and Music Computing
• Human-Computer Interaction
• Human-Centered Computing
• +۶ مورد دیگر

Professor Helen Mitchell is a multidisciplinary scholar in music performance and perception at the University of Sydney's Sydney Conservatorium of Music. Her research explores the intersection of music practice with scientific discovery, focusing on vocal pedagogy, listener perception, and multisensory performance analysis. She holds a BA (Hons) from Oxford and a PhD from the Sydney Conservatorium. Previously, she served as Dean of Students at the University of Sydney's Women’s College (2004–2005). Research Interests: Mitchell’s work investigates listeners’ sound quality perception, vocal identity recognition, and the cognitive effects of verbal descriptions on musical memory. Notable projects include longitudinal studies on music training outcomes and current investigations into audio-visual integration in performer identification. Her ARC-funded research emphasizes practical applications in pedagogy and performance valuation. Grants & Collaborations: Key grants include the 2022 ARC Discovery Project on bel canto sound rediscovery (with Neal Peres Da Costa) and a 2014 OLT grant for perceptually-aware music leadership training. She collaborates with institutions like Sydney Living Museums via projects such as The Dowling Songbook Project, blending historical performance practice with educational innovation. Teaching & Supervision: Mitchell convenes postgraduate research methods courses and supervises Honours, Masters, DMA, and PhD students in music performance studies. She coordinates Honours research at the Conservatorium and integrates empirical approaches into ethics and methodology training. Affiliations: Member of the Charles Perkins Centre, contributing to interdisciplinary health and performance research.

• Music Performance
• Music Perception
• Vocal Pedagogy
• +۳ مورد دیگر

Dr. Elisa Palazzo is a Senior Lecturer at the University of New South Wales (UNSW) within the Faculty of Arts, Design & Architecture. With a PhD in urban design, regional and environmental planning, she has extensive international teaching experience at universities in Italy, China, and Australia. Her professional background includes over 20 years as a registered landscape architect, architect, and urbanist, with significant project experience across Europe, the Middle East, China, and Australia. Her research focuses on adaptive and regenerative urban design, particularly water-sensitive cities and flood adaptation strategies in urban and rural systems. She explores biocultural diversity, landscape ecology, and transdisciplinary approaches to address environmental change. Her work bridges landscape architecture with urban design to create more resilient and environmentally sound cities. Analysis of her recent publications reveals a strong emphasis on practical applications of urban resilience, with particular attention to flood adaptation strategies, biocultural landscape assessment, and the implementation of water-sensitive urban design principles globally. Her research shows an increasing focus on transdisciplinary approaches that integrate community engagement with technical solutions. Banksia Sustainability Award 2020 (Academia and Research category) Place Leadership Award 2019 Learning & Teaching Award 2020 Executive Dean's award for excellence in teaching 2017 Peter Joseph Lenné Preis (1999) Multiple EUROPAN first prizes (1996, 1999) Dr. Palazzo has successfully supervised three PhD students and one Post-Doc to completion since 2015/2016 and currently supervises research in adaptive urban design, water resilience, and post-mining site regeneration. She has secured significant research funding including a $0.94 million MYER Foundation grant (2018-2020) and multiple Category 2 and 3 grants totaling $196,000 (2015-2024). She actively contributes to cultural landscape heritage work, serving as co-convenor of the Australia ICOMOS National Scientific Committee on Cultural Landscapes and Cultural Routes, and as co-author of the Burra Charter Practice Note on Cultural Landscapes. Her professional practice includes 38 built projects that have received 29 awards, including 11 first prizes.

• Landscape Architecture
• Urban Design
• Climate Change Adaptation
• +۷ مورد دیگر

Associate Professor Darrin Verhagen is an award-winning sound designer and composer at RMIT University's School of Design, where he teaches in the Sound Design specialization within the Digital Media Program and directs the Audiokinetic Experiments (AkE) Lab. His academic work bridges creative practice with scientific inquiry into multisensory perception. Verhagen's research centers on the neurobiology of aesthetic experience, particularly exploring how sound interacts with vision, movement, and vibration. His work in the AkE Lab utilizes motion simulators, 4D cinema seating, and light to create installations that investigate the relationship between hearing, vision, movement and vibration. His academic background includes postgraduate research on musical extremes - lowercase sound for his Masters and Noise for his Doctorate. His creative output spans sound design for contemporary dance, theatre, installation, film, television and computer games. Verhagen has released over 20 albums internationally and performs audiovisual live shows globally. He was founder and curator of Dorobo records, which showcased Australian sound art for 15 years. Industry collaborations include work with Melbourne Theatre Company, Malthouse, Chunky Move, Australian Dance Theatre, and others. Notable awards include multiple Green Room Awards for Sound Design, Australian Academy of Cinema & Television Arts award finalist status, APRA Art Music awards finalist for experimental music, RMIT Research Award for technical innovation, and RMIT Teaching Award for excellence in teaching practice. Verhagen's supervision projects reveal a trajectory toward increasingly sophisticated explorations of sound in relation to space, perception, and human experience, with recent work focusing on transdisciplinary design, spatial sound applications, distributed audio systems, and vocal ecology. His work consistently bridges artistic practice with technological innovation and scientific inquiry into perceptual phenomena.

• Sound Design
• Audiovisual Art
• Multisensory Experience
• +۷ مورد دیگر

Professor Juan Francisco Salazar Sutil is an active academic specializing in interdisciplinary research at the intersection of anthropology, environmental studies, and futurism. His work explores polar geopolitics, indigenous media cultures, and the ethics of outer space exploration. He has contributed to over 95 publications and 13 research projects since 2002. Salazar Sutil is a member of prominent organizations including the American Anthropological Association and the European Association of Social Anthropologists. His research frequently engages with global environmental governance, Antarctic policy, and decolonial approaches to science and technology. Key Research Themes: Climate change, planetary health, Antarctic futures, media activism, and temporal politics. Notable Projects: Antarctic Cities initiative, studies on soil politics, and participatory game design for policy engagement. Salazar Sutil's publications span documentary film analysis, policy frameworks for outer space, and ethnographic studies of marginalized communities' environmental resilience. His work emphasizes transdisciplinary collaboration and the role of imagination in shaping sustainable futures.

• Social Anthropology
• Environmental Studies
• Polar Geopolitics
• +۴ مورد دیگر

Lawrence Harvey is an Associate Professor in RMIT University's School of Design and founding director of SIAL Sound Studios. His practice-based research explores spatial sound through electroacoustic composition, urban soundscapes, and speaker orchestra performance. He has curated and performed 34 concerts for the RMIT Speaker Orchestra, a 32-channel spatial audio system, while leading research projects funded by the Australian Research Council. Recent collaborations include 'The Planting' with Indigenous thinkers and 'Site and Sound' exhibitions at McClelland Gallery. His publications investigate sound curation methodologies, noise transformation in urban environments, and interdisciplinary approaches integrating sound with architecture and drawing. Current research develops sonic responses to ecological challenges through critical listening practices.

• Spatial Sound
• Electroacoustic Composition
• Speaker Orchestra
• +۳ مورد دیگر

Associate Professor Densil Cabrera is affiliated with the School of Architecture, Design and Planning at The University of Sydney, where he directs the Audio & Acoustics Program. He holds a PhD in psychoacoustics from the University of Sydney, along with degrees from UTS and Sydney in music and communication studies. His research focuses on architectural acoustics, retroreflective surfaces, room acoustics modeling, and auditory environments in built spaces. He explores applications in concert halls, open-plan offices, and historical structures like Indian stepwells. Key areas include acoustic retroreflection for speech support, sustainable acoustic materials, and the integration of digital fabrication techniques. Recent work addresses acoustic comfort in open-plan offices, adaptive acoustic models, and the impact of materials like mycelium composites. He has led projects on robotic fabrication for acoustic surfaces and the psychoacoustic effects of room design. Grants: Australian Research Council (DP23), Australian Acoustical Society (2019) Expertise: Stage acoustics, auditorium design, noise control, virtual reality simulations Labs/Teams: Audio & Acoustics Program at Sydney School of Architecture, collaborations with robotics and material science teams.

• Architectural Acoustics
• Room Acoustics
• Acoustic Retroreflection
• +۵ مورد دیگر

Dr Laura Harper is a Senior Lecturer in the Department of Architecture at Monash University, part of the Faculty of Art, Design and Architecture. She holds a PhD in Architecture from Monash (2018), with research focusing on material systems, urban geology, and sustainable design. Her work bridges academic research and professional practice, including collaborations with firms like NMBW Architecture Studio and Roland Snooks. Research Interests: Laura explores material processes and their connections to urban environments, particularly geological influences on cities. Key areas include the 'Afterlife of Mines,' urban fringe quarries, and Indigenous-led water design. She leads projects like the Repair of Memory and Place collaboration with the Boon Wurrung Foundation and Melbourne Water. Projects and Grants: Current projects include the Monash Urban Lab's 20-Minute Neighbourhoods initiative and funded work with the NSW Government's Building 4.0 CRC. She has contributed to significant built works such as the award-winning Box Hill Gardens (AIA Urban Design Award 2014) and Point Lonsdale House (AIA New Residential Award 2016). Awards: Laura and her teams have received multiple architecture awards, including the 2016 National Architecture Award for Residential Architecture and the 2023 ArchitectureAU Social Impact Commendation for St Albans Housing . Teaching and Practice: Laura teaches at Monash while practicing collaboratively with Roland Snooks, exploring advanced manufacturing and material innovation. She is a graduate research supervisor and actively participates in public lectures and exhibitions.

• Architecture
• Urban Design
• Materials Science
• +۸ مورد دیگر

Professor Greg Hainge is a leading scholar in Cultural Studies and French Literature at the University of Queensland , where he serves as Head of the School of Languages and Cultures. His work bridges disciplines, exploring the intersections of cinema, sound, philosophy, and contemporary cultural phenomena. Key research areas include: Sound and Noise Studies : Philosophical dimensions of noise and sonic affect. French Cinema : Focus on New Extreme Cinema (Noé, Grandrieux) and 20th-century auteurs. 20th-Century French Literature : Specializing in Louis-Ferdinand Céline and avant-garde forms. Experimental Music : Radiohead, Bjork, glitch, and musique concrète. American Independent Cinema : David Lynch and Coen Brothers’ aesthetics. Photography : Bill Henson, Alexa Wright, and digital imaging. His recent publications, such as "Terra Nullius Times Two" (2025) and "Plastic Surgery" (2025), reflect his engagement with post-cinematic ontologies and speculative realism. Earlier works like "Noise Matters" (2013) and "Philippe Grandrieux: Sonic Cinema" (2017) established his reputation in sonic and cinematic theory. Hainge’s research interrogates how cultural objects—films, music, texts—demand critical engagement, fostering societal health through understanding difference. He advocates for languages as a critical skill in the age of AI. Awards and honors include: Fellow of the Australian Academy of the Humanities (FAHA) Senior Fellow of the Higher Education Academy UWA-UQ Bilateral Research Collaboration Award (2012-2013) UQ Early Career Researcher Grant (2006) He serves as Editor-in-Chief of Culture, Theory and Critique and sits on multiple editorial boards. Despite his focus on challenging texts, Hainge actively disseminates his work to broader audiences, including articles in The Australian and exhibition essays.

• Cultural Studies
• French Literature
• Film Studies
• +۶ مورد دیگر

Christine Erbe is a John Curtin Distinguished Professor at Curtin University's School of Earth and Planetary Sciences, within the Faculty of Science and Engineering. She holds a PhD in Geophysics and has extensive experience spanning academia, government, industry, and education. Her research focuses on underwater acoustics, marine mammal bioacoustics, and the impacts of anthropogenic noise on marine ecosystems. She is a Fellow of the Acoustical Society of America and former Chair of its Animal Bioacoustics committee. Education: PhD in Geophysics, University of British Columbia (1997) MSc in Physics, University of Dortmund (1993) BSc in Physics, University of Dortmund (1989) Grad. Dip. Ed. in Mathematics/Science Education, Queensland University of Technology (2007) Research Interests: Characterization of marine soundscapes Effects of noise on marine fauna behavior and physiology Sound propagation modeling in oceans Development of acoustic mitigation strategies Awards & Roles: Fellow, Acoustical Society of America Former ISO representative for underwater noise standards Her work includes pioneering studies on vessel noise impacts, passive acoustic monitoring, and the global library of underwater biological sounds (GLUBS). She leads the Centre for Marine Science & Technology and collaborates internationally on marine conservation and policy.

• Underwater acoustics
• Marine mammal bioacoustics
• Anthropogenic noise impact on marine ecosystems
• +۳ مورد دیگر

Angela Viora is a Lecturer in European Languages at Monash University, Faculty of Arts, within the School of Languages, Literatures, Cultures and Linguistics. She specializes in Italian Studies, integrating language education with interdisciplinary research in performance, migration, and art. Her teaching spans Italian language, culture, and European studies, and she actively contributes to curriculum innovation, particularly in decolonizing language education. She is based in Melbourne, Australia, and holds a PhD from Monash University in Theatre and Performance. PhD in Theatre and Performance, Monash University (2019) MA in Visual and Performing Arts, Accademia Albertina di Belle Arti di Torino (2012) Academic Diploma (Hons) in Fine Arts and Art History, Accademia Albertina di Belle Arti di Torino (2007) Her research centers on performance studies, migration, embodiment, and space, with a strong emphasis on practice-as-research. She explores identity, belonging, and the socio-political dimensions of art through site-specific and socially engaged performances. Her creative work often addresses the Italian diaspora, domestic space during lockdowns, and the body as a political and emotional site. Her recent publications and artistic outputs show a consistent focus on interdisciplinary performance, pedagogical innovation, and migration narratives. The 2025 monograph The Ecology of the Performance Art Process synthesizes years of practice-led inquiry into fragmentation, union, and reconfiguration in art. Other works like The P.R.omised Land and B.O.D.Y. The Bureau of Domestic Yearning reflect on migration and domesticity through embodied performance. ACIS Publishing Grants Scheme Award (2024) Decolonising and Indigenising European Languages at Monash University: Professional Development of Educators (2024) LLCL Education Funding - Recruiting and retaining students in European Languages (2024) Angela Viora supervises PhD students and is an active researcher in multiple collaborative projects, including the PhotoVOICE initiative with Monash and the University of Padua. She is a member of the Brimbank Arts Advisory Committee and participates in working groups focused on student engagement and decolonizing curricula. Her artistic projects often involve community collaboration and public engagement, reflecting her commitment to socially responsive scholarship.

• Performance Studies
• Italian Studies
• Migration Studies
• +۱۲ مورد دیگر

Tim Flanagan is a Lecturer in the School of Humanities, Arts and Social Sciences at Murdoch University, affiliated with the College of Law, Arts and Social Sciences. His research focuses on philosophical aesthetics, critical metaphysics, and the history of ideas, particularly exploring post-Kantian thought and the rethinking of ontology through logology following Barbara Cassin. He holds a PhD from the University of Dundee and a BA (Hons) from the University of Queensland. His work examines classical philosophical problems such as the mind-body relationship and the organization of matter, recontextualizing them through contemporary frameworks. His 2021 book Baroque Naturalism in Benjamin and Deleuze: The Art of Least Distances analyses how Baroque sensibilities inform modern ontological inquiry. Current research engages with Cassin's logological approach to ontology, emphasizing linguistic and conceptual boundaries. Flanagan has published widely on topics including liminal diasporas, the intersection of technology and humanities, architectural theory, and ethical testimony in environmental contexts. His scholarship bridges philosophy with cultural studies, art history, and ecological thought. Despite no explicitly listed awards, his contributions reflect sustained engagement with interdisciplinary debates. No grant information or student advisement records are provided in the source materials. His academic output demonstrates a commitment to reimagining traditional philosophical questions through innovative methodological frameworks.

• Philosophical Aesthetics
• Critical Metaphysics
• History of Ideas
• +۳ مورد دیگر

Professor Liam Viney is Head of the School of Music at the University of Queensland. A distinguished performer and scholar, he specializes in piano performance, duo pianism, and contemporary music. He leads the UQ Chamber Players and Viney-Grinberg Duo, commissioning new works and exploring Australian piano literature. His research bridges artistic practice and scholarly analysis, supported by grants from the Australia Council and Harvard’s Fromm Foundation. Recognized for his innovative performances, he has been featured on eight commercial albums (ABC Classics, Naxos). Current roles: Professor & Head of School, School of Music, UQ Ensembles: UQ Chamber Players, Viney-Grinberg Duo Research focus: New music creation, collaborative performance, Australian piano repertoire Research interests include the intersection of performance and scholarship, with a focus on duo piano’s role in fostering new musical thought. His work emphasizes interdisciplinary collaboration and the translation of artistic innovation into academic discourse. Key themes: Commissioning processes, interpretive challenges in modern repertoire, artistic collaboration Recent articles explore Kanye West’s production techniques, protest songs, and the role of music in political oratory. His work has been nominated for APRA Awards and highlights cross-cultural compositions. Awards: Nominated for Australian Music Centre/APRA Awards for Excellence Grants include funding from the Australia Council and Harvard’s Fromm Foundation, supporting performances and commissions. Advising includes mentoring students in piano performance and contemporary ensemble work. Key grants: Australia Council for the Arts, Fromm Foundation Labs/teams: Core member of UQ’s music ensembles, including the White Halo Ensemble and Queensland Symphony collaborations. Performance venues: Queensland Performing Arts Centre, Campbelltown Arts Centre, Sydney Conservatorium

• Piano Performance
• Duo Pianism
• New Music Commissions
• +۳ مورد دیگر