جست‌وجوی استاد و پژوهشگر

Antonio Castells-Delgadoمشاهده پروفایل

مدرس ارشد

• Acoustics
• Composition
• Music Technology
• +۳ مورد دیگر

Antonio Castells-Delgado is a Senior Lecturer in Music Technology (Acoustics) at the University of West London's London College of Music. He also lectures at Imperial College London in Sound Technology, with expertise spanning acoustics, composition, and electronic music. A cum laude Electronic Engineering graduate from La Salle Barcelona and holder of an MA in Music Business Management from the University of Westminster, he employs a student-centric teaching approach to develop critical skills in diverse educational contexts. Education: BEng/MEng in Electronic Engineering (1999), MA in Music Business Management (2006), Certificate in Teaching and Learning (Imperial College) Teaching: MA Advanced Music Technology, MA Record Production, MMus Electronic Music Composition, BA Electronic Music Production, BMus Performance and Recording His research and artistic practice explores universal human themes through compositions like '2045: The Year Man Becomes Immortal' and 'Life from Light,' blending technology with classical motifs. He has performed at iconic UK venues and received international media acclaim, including a Guardian 2016 feature. Key trends in his 15 most recent works include interdisciplinary fusion of acoustics and digital audio, exploration of futurism and ethics in '2045'-themed projects, and emotionally resonant sound design in pieces like 'Forgiveness V6' and 'Syria V8.' His output spans studio/live albums, video documentation, and venue-specific performances. Scientific Awards: The Guardian's 'Five of the Best Classical Concerts' (2016) He contributes to open-access repositories and collaborates with artists like Cyril De Commarque (Saatchi Gallery 2019) and Tereza Duchlevova (LSO St Luke's 2019). His work bridges music technology, acoustic engineering, and conceptual art.

Justin Patersonمشاهده پروفایل

استاد

• Music Production
• Audio Technology
• Extended Reality Systems
• +۳ مورد دیگر

Justin Paterson is a Professor of Music Production at the London College of Music , University of West London. He combines academic research with professional music production, focusing on interactive music playback , haptic audio , and extended reality sound design . His research explores innovative audio technologies for immersive experiences, including projects like the HAPPIE consortium (haptic authoring pipeline) and the variPlay system for interactive music. He has developed AI-driven audio tools while emphasizing responsible AI (RAI) principles. His scientific publications (2007-2024) cover topics like multimicrophone phase coherence , interactive 3D audio , and haptic feedback systems . He actively participates in audio engineering conferences and innovation in music symposiums . As a professional music producer , he has worked with international artists like Ofenbach and Ximena Sariñana . He chairs the Innovation in Music conference series and teaches postgraduate programs in Advanced Music Technology and Creative Practice .

• Immersive Media
• Factual Storytelling
• Virtual Reality (VR)
• +۳ مورد دیگر

Prof Dinah Lammiman is a Teaching Professor of Immersive Factual Storytelling at the Department of Anthropology, University College London. With a career spanning academia, broadcasting, and immersive media production, she combines practical industry experience with academic research to explore the intersection of technology and storytelling. Current Role: Professor Teaching of Immersive Factual Storytelling, UCL (2020–present) Industry Leadership: Co-founder of PastPorte (2009–2030), focusing on immersive installations for cultural and tourist attractions Previous BBC Roles: Producer and Reporter (1988–2007), VR Hub Producer (2017–2019) Research Interests: Dinah investigates how immersive technologies like VR can create cognitive shifts through factual storytelling. Her work spans academic teaching tools, role-playing devices, and experiential training with narrative-driven design. She collaborates on projects archiving disappearing environments and evoking memories via VR. Publications: Her 2023 article on immersive literacy highlights user learning in VR contexts, aligning with her focus on educational escape rooms and spatial audio applications. Teaching: She leads UCL's Immersive Factual Storytelling MA program, teaching ideation, story development, and audio-centric narrative design.

Angela McArthurمشاهده پروفایل

مدرس

• Spatial Audio
• Sound Art
• Anthropology of Sound
• +۵ مورد دیگر

Dr. Angela McArthur is a Lecturer in Designing Audio Experiences at the Department of Anthropology, University College London (UCL), and is affiliated with UCL's School for Creative & Cultural Industries at the Stratford campus. She leads the interdisciplinary Master's programme 'Designing Audio Experiences' and serves as co-chair of the department's EDI committee since October 2024. Her work bridges art, technology, and anthropology with a focus on spatial sound's societal impact, championing diversity in access and representation through initiatives like Soundstack. Her educational background includes a PhD supervised by Becky Stewart (Imperial College London) and Mark Sandler (Queen Mary University of London), and a Master's degree from the University of Kent's School of Music & Fine Art under Claudia Molitor and Sarah Turner. Dr. McArthur's research centers on materiality in sound, underrepresented onto-epistemologies (including other-than-human), and ocean environments. She investigates spatial sound's aesthetic and ethical affordances through sound-led sensory ethnography with elderly Nepali wives/widows of Gurkha veterans, IKO loudspeaker-driven artist development, spatial sound for health/embodiment, and societal impact initiatives. Her work consistently addresses diversity and underrepresented perspectives. Her publications reveal strong interdisciplinary trends spanning spatial audio technology, sound art ethics, and social impact. Recent work explores ambient intelligence in music ecology, ethical spatial practices, browser-based 3D audio implementation, and IKO's role in diversifying sound art. She also investigates auditory distance perception in cinematic VR and linguistic frameworks for spatial sound description. Dr. McArthur has not listed any scientific awards. As an educator, she founded Soundstack—an annual workshop/masterclass/concert series—and secured funding for UCL's IKO loudspeaker. She mentors through the 'Designing Audio Experiences' Master's programme and BBC Young Composers collaborations, where she re-arranged classical works for spatial audio. Her grant acquisition focuses on artist development resources and diversity initiatives. She actively collaborates with the Ocean Memory Project (an international interdisciplinary collective exploring ocean memory), the University of Greenwich's IKO research group, and institutions like Graz's Institut für Elektronische Musik. Her residencies and fieldwork—from Venice soundscapes to Gurkha veteran communities—form dynamic research ecosystems integrating technology, ethnography, and artistic practice.

Reha Civanlarمشاهده پروفایل

استاد

• Computer Networking
• Multimedia Communications
• Wireless Communications
• +۳ مورد دیگر

Reha Civanlar serves as Vice Rector and Founding Dean of the Faculty of Engineering at Ozyegin University, Istanbul, following a distinguished career spanning AT&T Labs-Research, Bell Labs, and DOCOMO USA Labs where he was Executive Vice President (2006-2008). His academic leadership extends to prior roles as Visiting Professor at Koc University (2002-2006) and research department head at major telecommunications laboratories. His educational foundation includes: PhD in Electrical & Electronics Engineering, North Carolina State University (1984) MS in Electrical & Electronics Engineering, METU (1981) BS in Electrical & Electronics Engineering, METU (1976) Dr. Civanlar's research focuses on computer networking and multimedia communications , with pioneering contributions to video compression, wireless systems, and Internet-based multimedia delivery. His work bridges theoretical innovation and practical implementation, particularly in scalable video coding and real-time communication systems. Analysis of his 2015-2021 publications reveals sustained leadership in video conferencing technologies, noise reduction algorithms, and software-defined networking for wireless systems. Key thematic threads include content-adaptive video processing, multi-view video transmission for 3DTV applications, and optimization of multimedia delivery over heterogeneous networks. His scientific recognition includes: IEEE ASSP Group's Best Paper Award (1985) Fulbright Scholar designation IEEE Fellow (2005) Dr. Civanlar has directed major research initiatives including the Visual Communications Research Department at AT&T and DOCOMO's Computer Networks and Media Research Laboratory. He currently provides strategic guidance through advisory roles at Vidyo Inc. (USA) and Argela Teknolojileri AS (Turkey), while shaping academic direction as Vice Rector at Ozyegin University. His laboratory leadership has consistently produced industry-adopted innovations in multimedia communications standards.

Jaime Sánchezمشاهده پروفایل

استاد

• Multimodal Interaction
• Accessibility for the Blind
• Human-Computer Interaction
• +۷ مورد دیگر

Jaime Sánchez is a Professor of Human-Computer Interaction at the Department of Computer Science, University of Chile, and serves as director of the C5 Center (Center of Computing and Communication for the Construction of Knowledge). He has held visiting positions at Columbia University and Harvard University's Center for Non-Invasive Brain Stimulation. His educational background includes: M.A. (1983) from Columbia University M.Sc. (1984) from Columbia University Ph.D. (1985) from Columbia University Postdoctoral research fellow at MIT Media Lab and Cornell University (1987) Professor Sánchez pioneers multimodal interfaces for blind learners through audio-haptic systems , investigating how 3D sound and tactile feedback enhance cognitive development, spatial memory, and navigation skills. His research spans virtual environments for mental map construction, neuroplasticity in brain adaptation, and game-based learning methodologies. Projects have been implemented across 12+ countries including Chile, the United States, and France, with free software distributed to schools for blind children worldwide. He leads the C5 Center at the University of Chile and collaborates with Harvard University on neuroimaging studies examining brain reorganization during navigation tasks. His work demonstrates how multimodal interfaces trigger compensatory cognitive enhancements in blind users, providing foundations for rehabilitation tools and educational frameworks.

Jussi Ängesleväمشاهده پروفایل

استاد

• Media Art
• Interaction Design
• Digital Materiality
• +۳ مورد دیگر

Jussi Ängeslevä is a Professor at Berlin University of the Arts and Creative Director at ART+COM Studios, specializing in media art, interaction design, and digital materiality. His career spans academic roles including Visiting Professor at Royal College of Art (2011-2018), Honorary Professor at UdK Berlin (2011-present), and Assistant Professor at UdK Berlin (2005-2007). He holds an MA in Audio-Visual Media Culture from the University of Lapland (2004) and an MA in Interaction Design from the Royal College of Art (2002). His research explores the intersection of computational design, physical interfaces, and spatial communication, with notable interests in kinetic sculptures, caustic light systems, and hybrid museum experiences. Projects like 'RGB|CMY Kinetic' and 'Pinnannousu' demonstrate his integration of mechatronics, computational optics, and environmental interaction. Ängeslevä has received over 20 international awards including a D&AD Black Pencil (2009), Cannes Lions Gold (2009), and Prix Ars Electronica (2003). His contributions to academic discourse include publications on prototyping methodologies, digital materiality, and embodied interaction in venues like Springer and Cambridge University Press. He actively participates in juries for Ars Electronica, D&AD, and Siggraph. Collaborations with institutions like EPFL and Museum für Naturkunde highlight his interdisciplinary approach. Current projects include 'NuForm' (hybrid museum experiences) and 'Place of Remembrance' (data-driven memorials using organic materials). He maintains affiliations with the Hybrid Plattform Berlin and contributes to design education globally.

Renée Newmanمشاهده پروفایل

مدرس ارشد

• Performing Arts
• Sustainability
• Site-Specific Performance
• +۳ مورد دیگر

Dr. Renée Newman is a Senior Lecturer at the Western Australian Academy of Performing Arts (WAAPA) , Edith Cowan University. She serves as Associate Dean (Research) and Course Coordinator for the Bachelor of Performing Arts Honours program. Her teaching portfolio includes units such as Performing Arts Research and Creative Practice. Doctor of Philosophy in English and Comparative Literature, Murdoch University (2011) Bachelor of Arts in English with Honours , Murdoch University (2001) Bachelor of Arts in Theatre and Drama Studies , Murdoch University (2000) Dr. Newman's research bridges the intersections of art with self-care, societal justice, ecological sustainability, and ethics. Her work focuses on site-specific performance , practice-led research , creative pedagogy , and the role of art in social and environmental resilience . She explores the philosophical and ethical dimensions of performance-making, emphasizing the potential for art to foster community and ecological well-being. Her publications and creative works examine sustainability in performing arts training , intimate public performances , and collaborative methodologies . These outputs reflect her interest in environmental ethics , pedagogical innovation , and experimental performance frameworks . Scientific Awards & Recognition Nominee for Best Performance, Best New Work, Best Contemporary/Experimental Performance, and Best Mainstage Production at PAWA Awards (2024) Best Production at Blue Room Theatre (2014) Best Independent Production at PAWA Awards (2015) Nominee for ECU Supervisor Award (2016) Dr. Newman has supervised numerous PhD and MA students in topics ranging from actor training to digital enhancement of dance assessment. She has secured over $150,000 in research grants , including funding for projects on mental health , community audio art , and immersive performance . Her professional memberships include Blue Room Theatre, MEAA, and NTEU.

• Audio Engineering
• Music Production
• Spatial Audio
• +۳ مورد دیگر

D. James Tagg serves as Associate Professor of Music specializing in Music Production and Audio Engineering at Indiana University's Jacobs School of Music, affiliated with the Music Production department at Simon Center (M255B). His academic credentials include: B.M. in Music Engineering Technology from University of Miami (FL) Audio Associate Certificate from Banff Centre, Alberta, Canada M.M. in Sound Recording Technology from University of Massachusetts Lowell Recording production studies with Martha de Francisco at McGill University Tagg's research centers on spatial realism and acoustic envelopment in recordings. He pioneered the STAAG (Stereo Technique for Augmented Ambience Gradient) method and developed DSP processing tools adopted by television manufacturers to enhance spatial audio from flat-screen speakers. His professional recognition includes: Grammy nominations for Seraphic Fire recordings Best-seller status on iTunes and Billboard Classical charts Prior appointments encompass teaching roles at SUNY Oneonta, UMass Lowell, and Syracuse University, alongside research specialization at University of Wisconsin–Madison and industry positions with THAT Corporation and Benchmark Media.

• Virtual Reality
• Augmented Reality
• Computer Graphics
• +۱۶ مورد دیگر

Qi Sun is an Assistant Professor at New York University's Tandon School of Engineering, jointly affiliated with the Department of Computer Science and Engineering and the Center for Urban Science + Progress (CUSP). He leads the Immersive Computing Lab, where his research focuses on advancing virtual and augmented reality through perception-aware computing, neural rendering, and energy-efficient XR displays. Research Interests: His work lies at the intersection of computer graphics, computer vision, and computational perception. He investigates how human perception can guide the design of immersive technologies, with research directions including foveated rendering, generative models for VR/AR, bio-physically inspired wearable displays, and multimodal interaction. His lab collaborates with industry leaders such as Meta to develop next-generation XR systems. The recent publications reflect a strong trend in perception-driven optimization for XR, focusing on reducing computational and energy costs while preserving visual quality. Key themes include gaze-contingent rendering, saliency modeling, holographic compression, and AI-assisted AR guidance. These works are published in top venues like ACM SIGGRAPH, IEEE ISMAR, IEEE VR, and IEEE VIS, often earning best paper awards. Scientific Awards: IEEE Virtual Reality Best Dissertation Award Best Paper Award, ACM SAP 2024 Best Paper Honorable Mention, ACM SIGGRAPH 2024 Best Paper Honorable Mention, IEEE VR 2024 Best Paper Honorable Mention, IEEE VIS 2023 Best Paper Award, IEEE ISMAR 2022 Best Paper Honorable Mention, ACM SIGGRAPH 2022 Best Paper Award, ACM SIGGRAPH 2022 Advising and Grants: Dr. Sun actively recruits PhD students, postdoctoral researchers, and interns, particularly those with backgrounds in neural rendering and generative models. He encourages pre-application collaborations and advises through the Tandon CSE PhD program. His research is supported by academic-industry partnerships, including recent work with Meta on XR display optimization. He promotes interdisciplinary research that bridges urban science, AI, and immersive computing. Labs and Teams: He directs the Immersive Computing Lab at NYU Tandon, which conducts cutting-edge research on human-aligned wearable displays and generative AI algorithms for XR. The lab focuses on making XR devices more efficient, immersive, and accessible for real-world applications in urban environments, healthcare, and education.

Jimmy Limمشاهده پروفایل

استادیار

• Electronic Music
• Music Technology
• Audio Engineering
• +۷ مورد دیگر

Jimmy Lim is an Assistant Professor in the Department of Electronic Production and Design (EPD) and affiliated with Music Production and Engineering (MP&E) at Berklee College of Music. He is actively involved in teaching, performance, and experimental audio art, contributing to both technical and creative domains of contemporary music education. His research and artistic interests center around sonic experimentation and interdisciplinary practices. Key areas include Electronic Music , Music Technology , Sound Design , Audio Engineering , Experimental Composition , and Interactive Audio Installations . His creative work often bridges performance, technology, and installation art, reflecting a holistic approach to music-making. Although no formal academic publications are listed, his body of work demonstrates a strong engagement with audio innovation, particularly in independent music projects, film scoring, and experimental sound installations. His performances and projects have been featured at venues such as the Museum of Moving Image and Arts Letters and Numbers, indicating a practice that extends beyond traditional academic outputs into public and artistic spheres. Berklee World Tour Scholarship Berklee Writing & Composition Scholarship Lim has over 14 years of teaching experience across diverse age groups (7 to 65) and has mentored students through performance, composition, and production. While specific grant funding is not mentioned, his artist residencies and supported projects suggest engagement with institutional and artistic grants. His solo independent artist project and collaborations with global platforms indicate ongoing creative development and industry relevance. He has been involved in art residencies and experimental audio work with organizations across the Northeast, including Arts Letters and Numbers. His installations, such as "The Goddess Called Time," reflect a deep integration of sound, space, and narrative, positioning him within an expanding field of experiential and spatial audio practices.

Alex Harkerمشاهده پروفایل

مدرس ارشد

• Audio Programming
• Spectral Domain Audio Processing
• Convolution and Deconvolution
• +۷ مورد دیگر

Alex Harker is a Senior Lecturer in Music and Music Technology at the University of Huddersfield, affiliated with the Department of Media, Humanities and the Arts and the School of Arts and Humanities. He serves as Director of the Creative Coding Lab and is part of the Centre for Research in New Music and Centre for Experimental Practices (CXP). His work bridges music composition, creative programming, and audio technology, with international recognition for software tools like the HISSTools Library and the Fluid Corpus Manipulation Toolbox. University: University of Huddersfield Academic Rank: Senior Lecturer Projects: FluCoMa (2017-2023), TAAT (2025) Harker’s research focuses on the intersection of computational methods and musical expression, including spectral processing, convolution techniques, and real-time audiovisual systems. His work aligns with UN Sustainable Development Goals related to innovation and cross-domain collaboration. He supervises PhD students and has contributed to conferences like the International Computer Music Conference and Sound and Music Computing Conference. Recent publications include software tools (HISSTools Library, Fluid Corpus Manipulation Toolbox), compositions (e.g., drift shadow ), and interactive installations (e.g., Tell It To The Trees ). His software solutions are used globally in academia and industry for applications ranging from psychoacoustics to audio DJing.

Markus Holzbachمشاهده پروفایل

استاد

• Material Design
• Visualization and Materialization
• Parametric Design
• +۷ مورد دیگر

Markus Holzbach is a Professor of Visualization and Materialization at the Offenbach University of Art and Design (HfG Offenbach), where he has been a faculty member since 2009. He leads the Institute for Materials Design (IMD) and has held significant leadership roles, including Dean and Vice Dean of the Design Department. His academic affiliations extend internationally through visiting professorships at Politecnico di Milano, MIT, RWTH Aachen, and the Berlage Institute. His research centers on material innovation , parametric design , and bio-materialization , exploring the dialogue between materials and their environments. Holzbach’s work emphasizes interdisciplinary experimentation, digital fabrication, and sustainable design practices. Projects like the Angel’s Trumpet and ECHOLOT Pavilion exemplify his integration of nature-inspired forms with interactive technologies. The 15 most recent projects reflect a consistent focus on computational design , material transfer , and sustainable architecture . Themes include responsive environments, modular systems, and the reinterpretation of natural forms through digital tools. His work spans product design, pavilions, housing, and industrial structures, often involving CNC fabrication and algorithmic modeling. Notable scientific awards include the Red Dot Design Award , BEST of SHOW ’16 at ISE 2016 , and the Music Super NAMM Award 2016 for the CURV 500® speaker. He has served on design juries such as the materialPREIS 2018 and Werk.Klasse. Markus Holzbach advises students and leads research teams at the IMD, fostering innovation in material design. His projects often receive institutional or corporate sponsorship, such as Palmengarten Frankfurt and Sonosfera. He has not received mention of formal grants, but his work is supported through collaborative and applied research funding. He directs the Institute for Materials Design (IMD) , a hub for experimental material research, student projects, and public exhibitions. The IMD has showcased work at events like the Triennale di Milano and Passagen Köln, emphasizing hands-on, interdisciplinary exploration of materiality.

Ryan M Coreyمشاهده پروفایل

استادیار

• Audio and Acoustic Signal Processing
• Sensor Array and Multichannel Signal Processing
• Adaptive Signal Processing
• +۴ مورد دیگر

Ryan M. Corey is an Assistant Professor of Electrical and Computer Engineering at the University of Illinois Chicago and a Research Scientist at the Discovery Partners Institute (DPI), a Chicago-based innovation hub focused on equitable economic development. His work bridges academic research with industry and community engagement, particularly emphasizing technologies for marginalized groups. Ph.D., Electrical and Computer Engineering, University of Illinois Urbana-Champaign (2019) M.S., Electrical and Computer Engineering, University of Illinois Urbana-Champaign (2014) B.S., Electrical Engineering (Highest Honors), Princeton University (2012) Professor Corey’s research focuses on audio and acoustic signal processing to enhance hearing technologies in noisy environments. Key areas include spatial signal processing, microphone arrays, distributed sensor networks, and wireless audio systems. As the first dual-appointed faculty member at DPI, he develops cooperative architectures for multi-device audio sensing and immersive sound remixing applications for augmented reality and assistive systems. His current projects involve creating intelligent audio networks that leverage wearable and mobile devices for improved acoustic inference, and an automated acoustic research system at DPI for generating dynamic datasets. His work emphasizes practical applications in hearing assistive technology, pandemic-related communication barriers, and emergency medical devices. 2022 Future of Science Award (Oak Ridge Institute for Science and Education) 2020 Best Student Paper Award (Acoustical Society of America Meeting) 2019 Best Student Paper Award & IC Postdoctoral Fellowship 2014 NSF Graduate Research Fellowship As a hearing aid user himself, Corey prioritizes real-world usability in assistive technologies while maintaining rigorous academic research standards through collaborations with the Audio Engineering Society, IEEE Signal Processing Society, and Acoustical Society of America.

Ardo Ran Varresمشاهده پروفایل

استاد مهمان

• Film Music
• Sound Design
• Music Composition
• +۵ مورد دیگر

Ardo Ran Varres is a visiting faculty member at the Estonian Academy of Music and Theatre specializing in film music. As a multidisciplinary artist, he combines roles as composer, sound director, musical designer, actor, and dramaturgy expert. His work bridges music with theatrical and cinematic storytelling. Varres' research focuses on integrating dramaturgical principles with sound design, utilizing environmental recordings as musical material. He creates compositions ranging from memorable melodic themes to experimental sound fields, employing computer processing for innovative sonic results. His creative output spans over 25 film, theatre, and dance performance scores. Notable collaborations include YXUS Ensemble, Black Box Studio, and SA NUKU theatre. Varres maintains a sound studio 'TonoScope Records' and actively produces concert showreels.