Koray Tahiroglu is a University Lecturer at Aalto University's School of Arts, Design and Architecture, specializing in Sound and Music Computing. His work bridges artificial intelligence, digital musical instruments, and embodied interaction, with a focus on deep learning applications in audio synthesis and human-AI creative collaboration. His research explores New Interfaces for Musical Expression (NIME), sonic interaction, and physical computing. He collaborates with SOPI Research Group and Google Brain Team (Magenta) on AI-driven artistic innovation. Recent Publications : 2024 studies on dance-sound cross-correlation and intra-action frameworks; 2023 work on AI-terity and deep learning syllabi; 2022 explorations of GAN synthesis, musical expectations, and lifeworld sonification. Scientific Awards : Co-Creative Artificial Intelligence of Music (2022) 2010 grant for scientific publications and artistic activities 2017 Honorable Mention for mobile cultural heritage research Tahiroglu contributes to digital art education and leads projects at Media Lab Helsinki, advancing sonic interaction and generative audio systems.
Marcelo M. Wanderley is a Professor and Director of the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) at McGill University's Schulich School of Music. His academic roles include Area Coordinator for Music Technology and membership on the Executive Committee. He holds a PhD in acoustics, signal processing, and computer science from Université Pierre et Marie Curie (Paris VI). Wanderley's research focuses on novel interfaces for music performance, digital musical instruments (DMIs), and human-computer interaction. He has authored influential works such as New Digital Musical Instruments: Control and Interaction Beyond the Keyboard (2006) and pioneered research in gestural control of music. His work integrates engineering, computer science, and musicology to create innovative performance tools, including the T-Stick and Karlax instruments. He has held visiting professorships at Université de Bretagne Sud, Universidade Federal de Minas Gerais (Brazil), and the University of Mons (Belgium), where he was awarded prestigious chairs. Wanderley's awards include the Inria International Chair (2016–2020) and the Distinguished Visitor Award from the University of Auckland. His research has been widely cited in the International Conference on New Interfaces for Musical Expression (NIME), and he actively contributes to editorial boards (e.g., Computer Music Journal ) and academic leadership roles. Wanderley's lab, the Input Devices and Music Interaction Lab (IDMIL), develops open-source frameworks like Puara and Probatio for DMI design and mapping. Key research areas include haptic feedback systems, motion capture of musical performances, and accessibility in music technology. He emphasizes interdisciplinary collaboration, bridging engineering, art, and cognitive science to advance musical expression and performance practices.
Rachel Devorah Wood Rome is an Assistant Professor in the Electronic Production and Design (EPD) department at Berklee College of Music, where she teaches creative coding, live coding, and music technology. Her work bridges electronic music, improvisation, and critical theory, with a focus on sonic cyberfeminism, archival practices, and the social meanings of sound and space. Ph.D. in Music Composition and Computer Technologies, University of Virginia (2018) M.L.I.S., San José State University (2017) M.A. in Music Composition, Mills College (2013) B.Mus. in Horn Performance, CUNY Queens College (2007) Her research explores superhuman prolongation, opaque complexity, and the re-signification of archaic tools in sonic media. She values machines for their patience and memory, and her creative practice emphasizes critical agency in technology design and use. She performs under the name 'mehetabel' when using archival materials in improvised electronic music. The most recent publications and performances reflect a deep engagement with AI and music, live coding, feminist media theory, and spatialized sound. Her works often involve real-time data processing, generative systems, and collaborative improvisation, situating sound within broader social, political, and technological contexts. Ruth Anderson Installation Prize (IAWM) New Music USA Grant Fellowships from MIT OpenDocLab, Adrian Piper Foundation, Ina GRM, New Museum, and Jefferson Scholars Foundation Residencies at EMS Stockholm, STEIM Amsterdam, MassMoCA, and Cove Park Rome advises emerging artists in electronic music and creative coding, many of whom have gone on to establish their own practices. She is also active in academic service, including curriculum development, faculty governance, and labor organizing as a Councilor for the Berklee Faculty Union. She leads initiatives in DEI, sound design, and coding pedagogy within the EPD department. She has been involved in interdisciplinary collaborations with artists, technologists, and institutions worldwide, presenting work in galleries, festivals, and academic conferences across North America, Europe, and Asia. Her leadership extends to nonprofit arts organizations, where she has served as Executive Director and grantwriter.
Professor Zoheir Sabeur is Professor of Data Science and Artificial Intelligence at Bournemouth University (2019–present) and Head of the Processes and Behaviour Understanding (PRO_BU) Research Group. He concurrently serves as Visiting Professor of Data Science at Colorado School of Mines (2017–present) and held the position of Science Director at the IT Innovation Centre, University of Southampton (2009–2019). Over three decades he has led more than 30 large-scale projects as Principal Investigator, securing over £12 million of funding from the European Commission, UKRI, DSTL, NERC, EPSRC and industry. Education PhD in Theoretical Physics, University of Glasgow (1990) MSc in Theoretical Physics, University of Glasgow (1986) BSc First-Class Honours in Physics and Applied Mathematics, Université d'Oran (1984) Advanced Leadership Programme, Ashridge Business School (2011) Research Interests Professor Sabeur’s research focuses on the fundamental theory and application of data science and artificial intelligence to understand complex human, natural and industrial processes and behaviours. His work spans multi-modal sensing, big-data analytics and machine-learning algorithms that extract actionable knowledge from large heterogeneous datasets. Application domains include: Healthcare: AI-driven diagnostics and prognostics for chronic diseases such as COPD, asthma and cancers through omics and phenotypic data integration. Environmental & Climate: Earth-observation analytics for wildlife migration and climate-change impact assessment using satellite data and global grid systems. Maritime & Cyber-Physical Security: Real-time risk assessment for shipping in extreme environments, smart-city safety and critical-infrastructure protection using computer vision and sensor fusion. Recent research has produced novel AI classifiers that analyse lung-auscultation audio signals to grade COPD severity, as well as digital-twin frameworks for detecting malicious behaviour in urban spaces. Scientific Awards & Recognition Fellow of the British Computer Society (FBCS) Fellow of the Institute of Marine Engineering, Science & Technology (FIMarEST) Chartered Engineer (CEng) and Chartered Physicist (CPhys) Multiple ORS Awards (1987, 1988, 1989) Grants & Doctoral Supervision Professor Sabeur has secured and led more than 40 funded projects since 1996, including recent grants such as INSIGHT (NIHR, 2024) and S4AllCities (H2020, 2020). He currently supervises three ongoing PhD students at Bournemouth University and has successfully graduated three others, covering topics from computational hydrodynamics to AI-based respiratory-disease analytics. He welcomes enquiries from prospective postgraduate researchers interested in data science, AI and interdisciplinary applications under schemes such as UKRI and Horizon Europe.
Edward Delp is the Charles William Harrison Distinguished Professor of Electrical and Computer Engineering at Purdue University's College of Engineering. He holds affiliations with both the Department of Electrical and Computer Engineering and the Department of Biomedical Engineering. His research spans computer vision, medical imaging, and data forensics with a focus on synthetic media detection, deep learning applications, and healthcare technologies. Education: Not explicitly listed in the provided text. His work includes developing algorithms for speech forensics, microscopy image analysis, and food/nutrition assessment systems. He leads projects on synthetic speech detection, medical image segmentation, and automated crop disease measurement using RGB imaging. Delp collaborates across disciplines, integrating machine learning with healthcare and agricultural challenges. Recent work emphasizes ethical AI through fairness in synthetic media detection and explainable artifacts in biomedical imaging. He contributes to large-scale datasets like MetaFood3D and 3D nuclear segmentation frameworks for microscopy analysis. His grants and advising focus on interdisciplinary applications, though specific grant details are not provided. Delp is affiliated with the Purdue School of Biomedical Engineering and maintains active collaborations in medical imaging, computer vision, and aerospace anomaly detection.
Professor Bruce N. Walker holds a joint appointment in the School of Psychology and School of Interactive Computing at Georgia Institute of Technology, within the College of Sciences. His research focuses on human-centered technology design, emphasizing accessibility, auditory displays, and human-AI interaction. He leads the Sonification Lab, pioneering multimodal interfaces and inclusive technology solutions. He earned his Ph.D. in Human Factors and Human-Computer Interaction from Rice University in 2001. Research Interests: Trust in technology, accessible interfaces, sonification, AI-human collaboration, and HCI in non-traditional environments. Current projects include the AccessCORPS VIP initiative to enhance course accessibility and studies on automated vehicle interaction. Awards: Best Paper Award at AudioMostly 2014 for auditory weather reports research. Active in professional organizations like the International Community for Auditory Display and Human Factors and Ergonomics Society. Teaching: Courses include Research Methods for Human Factors, Sensation and Perception, and HCI Foundations. Supervises interdisciplinary teams in the Sonification Lab R&D Studio and AccessCORPS VIP. Labs/Teams: Sonification Lab (multimodal data exploration) and AccessCORPS (disability-inclusive course design). Collaborates on international projects like the Mwangaza initiative for learners with vision impairment in Kenya.
Valeria Bruschi is a Researcher at the Department of Information Engineering (DII) within the Faculty of Engineering at Università Politecnica delle Marche (UNIVPM) in Ancona, Italy. Her academic profile was last updated on April 13, 2024, and she maintains her office at the Engineering Faculty on via Brecce Bianche, with contact information including phone +39 071-220-4486 and email v.bruschi@staff.univpm.it. Dr. Bruschi's research spans multiple domains within audio and signal processing, with particular expertise in spatial audio systems, automotive human-computer interaction, and biomedical signal applications. Her work bridges theoretical signal processing techniques with practical implementations across diverse fields including automotive safety systems, hearing aid technology, sleep medicine, and agricultural monitoring. She has made significant contributions to head-related transfer function (HRTF) processing, real-time audio enhancement algorithms, and innovative monitoring systems that utilize acoustic signals for various applications. Analysis of Dr. Bruschi's recent publications reveals a strong trajectory in developing practical audio processing solutions with real-world applications. Her work shows increasing integration of machine learning techniques with traditional signal processing approaches, particularly in areas like driver monitoring systems, snoring detection and cancellation, and spatial audio rendering. A notable trend is her focus on creating lightweight, real-time implementations suitable for embedded systems and practical deployment scenarios, while maintaining high performance standards. Her research consistently demonstrates interdisciplinary collaboration, connecting audio engineering with fields as diverse as automotive safety, sleep medicine, and agricultural technology. Dr. Bruschi actively contributes to advancing audio engineering through her research on equalization techniques, noise reduction systems, and immersive audio technologies. Her work on pulse compression techniques for hearing aid distortion measurement represents an important contribution to audiological assessment methodologies. Her publication record demonstrates consistent scholarly output with increasing impact across multiple application domains, reflecting her ability to translate theoretical signal processing concepts into practical engineering solutions.
Anthony Hornof is a Professor in the Department of Computer Science at the University of Oregon, part of the College of Arts and Sciences. He has been a faculty member since 1999 and was granted tenure in 2005. His research is centered on human-computer interaction, with strong emphases on cognitive modeling, eye tracking, and assistive technology. He leads an active research laboratory and has secured substantial funding from the National Science Foundation and the Office of Naval Research. University: University of Oregon School: College of Arts and Sciences Department: Department of Computer Science Position: Professor Email: hornof@uoregon.edu, hornof@cs.uoregon.edu Office: 356 Deschutes Hall Phone: (541) 346-1372 Education: B.A. in Computer Science, Columbia University, 1988 M.S. in Computer Science and Engineering, University of Michigan, 1996 Ph.D. in Computer Science and Engineering, University of Michigan, 1999 Research Interests: Dr. Hornof's research lies at the intersection of human cognition and computing. He is particularly interested in understanding and modeling the perceptual, cognitive, and motor processes involved in human-computer interaction. His work uses eye tracking both as an evaluation tool for cognitive models and as a real-time input method for creative expression and accessibility. A major focus is assistive technology, especially developing tools like EyeDraw that enable children with severe motor impairments to create art using only eye movements. He also explores eye-controlled musical compositions, bridging technology and artistic expression. His research is grounded in participatory design, involving end-users directly in the development process. Publication Trends: His recent publications demonstrate a consistent focus on modeling human behavior in complex interactive tasks. Key themes include visual search strategies, dual-task performance, cognitive modeling using eye-tracking data, and accessibility. His work spans top venues in HCI (CHI, TOCHI), cognitive science (CogSci, ICCM), and specialized conferences like ETRA and NIME. There is a strong methodological thread involving data calibration, model validation, and the development of predictive tools for interface design. Scientific Awards: Best Paper Award (Top 1%) at CHI 2014 (two papers) Honorable Mention Paper (Top 5%) at CHI 2010 Siegel-Wolf Award for Best Applied Paper at ICCM 2010 Advising and Grants: Dr. Hornof actively seeks to mentor exceptional undergraduate students, graduate students, and postdoctoral researchers in his lab. He emphasizes rigorous and creative scientific research. He has been awarded over $2.9 million in single-investigator research grants from prestigious agencies including the National Science Foundation (NSF) and the Office of Naval Research (ONR). Notably, he served as an NSF Program Director from 2012 to 2014, contributing to funding decisions for approximately $65 million in research. Labs and Teams: He leads the Human-Computer Interaction Laboratory at the University of Oregon, where interdisciplinary research is conducted on cognitive modeling, eye tracking, and assistive technologies. His team has developed software such as VizFix for visualizing eye-tracking data and has ported the Eyegaze system to Macintosh. The lab fosters collaborations with new media artists and musicians, and engages in participatory design with children who have disabilities.
Tyler Simko is an Assistant Professor of Political Science at the University of Michigan, specializing in US state and local politics, political geography, and computational social science. His research focuses on understanding and addressing inequality in American public policy through innovative methodological approaches. Education: Ph.D. in Government, Harvard University (2024) A.B. in Politics, Princeton University Simko's research examines state and local politics in the United States with particular focus on political geography and subnational policymaking. His active research agendas include legislative redistricting ("gerrymandering"), local public meetings, school segregation, affordable housing, and data privacy. Methodologically, he develops new techniques in computational social science and machine learning to evaluate subnational inequality and how it can be reduced. His work regularly involves partnerships with federal, state, and local officials to improve the design of public policy. His recent publications demonstrate a strong focus on applying computational methods to address real-world policy challenges, particularly in school desegregation, redistricting, and local government transparency. His research often leverages large-scale data collection efforts, such as LocalView (the largest database of local government meetings in the US), to analyze patterns of political behavior and policy outcomes across different jurisdictions. Awards and Recognition: APSA 2024-25 Best Paper in Education Politics and Policy Award APSA 2024-25 Best Paper in Urban and Local Politics, Honorable Mention MPSA 2024 Robert H. Durr Award for "the best paper applying quantitative methods to a substantive problem" Derek C. Bok Award for Excellence in Graduate Student Teaching of Undergraduates (2023) Simko teaches graduate and undergraduate courses in American Politics and Political Methodology at the University of Michigan. His teaching experience spans multiple institutions, including Harvard University and Princeton University. He has designed innovative courses on US Local Policymaking, data science, and computational social science. As a Data Scientist at the Office of Evaluation Sciences, he partners with federal, state, and local officials to improve program design and reduce administrative burdens. He is a co-PI of the Algorithm-Assisted Redistricting Methodology (ALARM) Project and co-creator of LocalView, the largest audio, video, and text database of local government meetings in the United States. These projects represent significant contributions to the field of computational social science and provide valuable resources for researchers studying local governance and policy-making.
Ian Pitt is a Lecturer in Usability Engineering and Interactive Media at University College Cork (UCC). He leads the Interaction Design, E-Learning and Speech (IDEAS) Research Group, focusing on multimodal human-computer interaction, auditory interfaces, and accessibility solutions for visually impaired users. Pitt holds a D.Phil from the University of York, followed by research fellowships at Otto-von-Guericke University in Germany before joining UCC in 1997. His research interests include speech-based interfaces, e-learning systems, and accessibility technologies for blind users. Key projects include the EU-funded ENABLE Network (2011–2014) and prototype development for UniWink. He has secured significant grants, including €72,009 from IRCSET for voice analysis research and €19,478 from the EU for ICT-supported learning initiatives. Pitt has advised numerous PhD students, including Flaithri Neff (2011), Emma-Kate Crowley (2014), and current candidates Aine Kearns and Patrick Egan. His publications span journals like International Journal of Game-Based Learning and conferences such as ICCHP and ACM SIGACCESS. He has contributed to committees for conferences like CHI and the Irish HCI conference. Teaching modules include Usability Engineering, Human-Computer Interaction, and Digital Media Development. His work emphasizes inclusive design principles, with projects addressing navigation systems for blind students and adaptive e-learning frameworks. Recent research trends focus on ICT-delivered aphasia rehabilitation, emotional BCI interfaces, and multimodal learning systems. Collaborations include international partners through EU grants, reflecting his global impact in accessibility and educational technology.
Professor Jordan Cheer holds a Royal Academy of Engineering Research Chair in Smart Acoustic Control Technologies at the University of Southampton's Institute of Sound and Vibration Research (ISVR). His research focuses on active control of noise and vibration, including smart structures and metamaterials. He is an Associate Editor for Journal of the Acoustical Society of America and Subject Editor for Journal of Sound and Vibration . Education: BMus (Tonmeister) in Music and Sound Recording, University of Surrey (2008) MSc in Sound and Vibration, ISVR, University of Southampton (2009) PhD in Active Control of Automobile Cabin Acoustics, ISVR, University of Southampton (2012) Research Interests: Active Noise/Vibration Control, Smart Structures, Acoustic Black Holes, and Metamaterials. Current projects include the BAE Systems-funded Smart Acoustic Control Technologies Chair and the IN-NOVA MSCA Doctoral Network. Recent Work Trends: Publications emphasize neural network controllers, head-tracking systems, and metamaterial applications. Patents focus on vibration damping and acoustic control devices. Awards: Royal Academy of Engineering Research Chair (2024) Grants & Labs: Leads projects funded by EPSRC, MOD, and industry partners. Collaborates with teams like the Southampton Marine and Maritime Institute and the Centre for Defence and Security Research.
Dr. Maria Witek is an Associate Professor at the Department of Music, University of Birmingham. Her research focuses on the psychology, cognitive neuroscience, and philosophy of musical experience, particularly rhythm, timing, emotion, and body-movement. She leads the Witek Lab, investigating how dance music experiences emerge from interactions between neural, social, and embodied processes. Notable projects include studying rhythmic skill in DJs (funded by AHRC) and ensemble synchronization in the ARME project (EPSRC-funded). She holds a DPhil from Oxford and previously worked at Aarhus University. Her methods span experimental psychology, neuroimaging, and participatory action research. Education: BA Musicology (Oslo, 2006), MA Music Psychology (Sheffield, 2008), DPhil Music (Oxford, 2013) Research interests include groove theory, disabled DJs' embodied timing, and the social dynamics of music-making. She collaborates with artists and tech companies like Drake Music and Native Instruments to develop inclusive musical tools. Articles focus on rhythmic entrainment, neurodiverse musical practices, and the neural basis of musical pleasure. Current grants include work on disability-inclusive DJ practices and virtual ensemble training systems.
Dr Rob Casey is a Lecturer in Music at the School of Arts & Humanities, Ulster University. His research explores intersections of sound arts, spatial mapping, and digital musical instruments, with a focus on interactive notation and avant-garde practices. Expertise: Sound Arts, Virtual Reality, Music Notation, Cultural Heritage, Digital Composition Contact: r.casey@ulster.ac.uk | +44 28 7167 5093 | Room MA010, Magee Campus, Derry~Londonderry Research Outputs: 6 publications (2015-2024) including works on VR affordances, Jennifer Walshe's Irish avant-garde, and phenomenological notation approaches.
Tom Mitchell is a Professor of Audio and Music Interaction at the University of the West of England (UWE), Bristol . As leader of the Creative Technologies Laboratory , his research focuses on interactive technologies for creative expression, blending computer science, music, and artificial intelligence. He is the principal investigator for the UKRI Future Leaders Fellowship project "Sensing Music Interactions from the Outside-In" and co-investigator for the Bridge , a £3M creative technology facility. His research spans digital musical instrument design , GPU-accelerated audio processing , and sonification of scientific data . Recent work includes accessibility improvements in virtual environments, AI-driven DMI development, and interdisciplinary collaborations like the MiMU Gloves with Imogen Heap. He also contributes to robotics teleoperation through auditory feedback systems. Selected publications highlight trends in GPU acceleration for audio , generative AI in musical contexts , and human-robot collaboration via sonification. As a software developer , he specializes in C++ and the Juce library , with applications in live performance systems and scientific visualization projects like Soma and danceroom Spectroscopy . UKRI Future Leaders Fellow Active in AHRC and WECA-funded projects Best paper nominations at EvoMUSART and International Faust Conference Mitchell collaborates with institutions including the Bristol Robotics Laboratory , Computer Science Research Centre , and Pervasive Media Studio . His work bridges academic research with commercial applications through ventures like May Productions and x-io Technologies.
Prof. Dr. Volker Dellwo is an Associate Professor of Phonetics and head of the Department of Computational Linguistics. His research focuses on phonetics, speech recognition, computational linguistics, and dialectology, with applications in forensic analysis, voice biometrics, and multimodal emotion recognition. Academic Rank: Associate Professor Department: Computational Linguistics His work explores phonetic convergence , speaker discrimination, and the role of prosodic features in voice recognition. Recent studies analyze whispered speech processing, cross-dialect accommodation, and neural mechanisms of speaker identity encoding. Key article trends include self-supervised learning for speech recognition , multimodal emotion detection , and forensic voice analysis . Subfields span acoustic variability, temporal envelope dynamics, and voice quality metrics. Publications emphasize computational phonetics , cross-linguistic studies , and neural network applications in speaker identification. Research also addresses challenges in forensic audio analysis and synthetic speech dataset generation.
