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نمایش ۳۱-۴۵ از ۹۴ استاد راهنما

اطلاعات پروفایل‌ها از صفحات عمومی دانشگاه‌ها گرفته شده و ممکن است به‌روز نباشد.

Edward Sykesمشاهده پروفایل

دانشیار مدعو

McMaster UniversityCanada

Edward Sykes serves as an Adjunct Associate Professor in the Department of Computing and Software within the Faculty of Engineering at McMaster University. His academic work bridges computer science with healthcare applications, focusing on innovative technological solutions for real-world medical challenges. Dr. Sykes' research interests span mobile healthcare systems, artificial intelligence applications in medicine, and context-aware computing. His work demonstrates a strong commitment to developing practical mHealth technologies that address critical healthcare needs, particularly in elderly care, remote patient monitoring, and diagnostic support systems. His research trajectory shows a consistent evolution from earlier work in educational technology toward increasingly sophisticated healthcare applications of AI and mobile computing. Analysis of his recent publications reveals a strong emphasis on AI-driven healthcare solutions, with particular focus on fall detection systems, fracture risk assessment, and remote patient monitoring. His work integrates multiple technical domains including machine learning, computer vision, mobile computing, and human-computer interaction to create comprehensive healthcare technology solutions. The interdisciplinary nature of his research demonstrates strong connections between computer science fundamentals and practical healthcare applications. His scholarly contributions include numerous publications in healthcare technology venues, with recent work appearing in Communications in Computer and Information Science, Health Systems, and Digital Health journals. His research has been referenced in patents and has garnered attention across academic platforms. Dr. Sykes has maintained an active research program with consistent publication output, demonstrating particular productivity in recent years with multiple publications in 2023-2025. His work shows strong potential for real-world healthcare impact, particularly in the areas of elderly care technology and AI-assisted medical diagnostics.

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Laurie Bloomfieldمشاهده پروفایل

دانشیار

Algoma UniversityCanada

Dr. Laurie Bloomfield is an Associate Professor in the Department of Psychology at Algoma University. Her research focuses on songbird vocal complexity, examining both production and perception mechanisms across species like black-capped, mountain, and boreal chickadees. Utilizing fieldwork, lab experiments, and neural analysis, she investigates acoustic communication, species recognition, and auditory processing. PhD: University of Alberta (2002-2007) MA: Queen’s University (2000-2002) BA: Laurentian University (1996-2000) Her work explores: Acoustic structure and function of chick-a-dee calls Cross-species vocal discrimination Neural correlates of auditory perception Environmental influences on vocal development Frequency-range discrimination and absolute pitch Comparative analysis of sympatric/allopatric populations Recent publications emphasize neural encoding, computational modeling, and ecological adaptations in vocal communication. She maintains a lab in CC 103 at Algoma University, with contact details provided.

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Adam Tindaleمشاهده پروفایل

دانشیار

OCAD UniversityCanada

Adam Tindale is an Associate Professor of Human-Computer Interaction at OCAD University’s Faculty of Arts & Science, specializing in electronic musical instruments and innovative interaction design. He is renowned for his work on the E-Drumset, an instrument combining physical modeling, machine learning, and intuitive interfaces. His research bridges music technology, wearable systems, and immersive environments, emphasizing cross-disciplinary collaboration. Education: B.Mus. (Queen's University), M.M. in Music Technology (McGill University), Ph.D. in Interdisciplinary Studies (University of Victoria, focusing on Music, Computer Science, and Electrical Engineering). Research interests include: Design of digital musical instruments Wearable technology for performance VR audio interfaces Gesture-based interaction systems His recent work explores: Generative art through GANs (e.g., calligraphic Arabic scripts) Anisochronous rhythmic interfaces 3D-printed information embedding Key contributions include the JunctionBox toolkit for sound interfaces and frameworks like Flocking for web-based music.

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Lauren Knightمشاهده پروفایل

مدرس پاره‌وقت

University of TorontoCanada

Lauren Knight (she/her) is a PhD Candidate and Part-Time Course Instructor in the Faculty of Information at the University of Toronto, specializing in Media, Technology, and Communication. She teaches courses including Popular Music and Media Cultures (Winter 2025) and Popular Culture and Society (Summer 2024), while completing her doctoral research. PhD Student, Faculty of Information: University of Toronto (2022–ongoing) MA in Communication: Simon Fraser University (2021) BA Honours in Media Production: Toronto Metropolitan University (2019) Her research explores acoustic ecology, decolonial media studies, and sensorial ethnography through sound-based artistic practices. Knight examines how sound functions as a political and environmental tool across urban landscapes, Indigenous knowledge systems, and technological interfaces. Her creative work spans sound installations, podcasts, and documentary media, with pieces nationally broadcast on CBC and featured on CBC Gem. Her recent publications reveal a trajectory examining sound's relationship to power structures (neoliberalism, colonialism) and ecological systems. The work increasingly incorporates participatory methods, co-creation with marginalized communities, and nonhuman perspectives through sonification techniques. SSHRC Canadian Graduate Scholarship Doctoral Award ($105,000) Ontario Graduate Scholarship ($15,000) R. Murray Schafer Soundscape Award ($1,200) Graduate Student Merit Award - Canadian Communication Association Conference ($500) Knight actively mentors through teaching roles across three institutions since 2019, serving as Course Instructor, Guest Lecturer, and Teaching Assistant for 15+ courses. Her research is supported by multiple SSHRC-funded projects examining AI discourse, Toronto arts funding, and remote connectivity infrastructures. She co-created the BEEP zine project mapping Toronto's urban soundscapes and produced the CBC-broadcast documentary Stereo Toronto profiling musicians in significant city locations. As a practicing sound artist, Knight develops community-based projects like Livable Soundscapes (a community toolkit) and has presented work through the Canadian Association for Sound Ecology. She serves on the Doctoral Students Association and Academic Appeals Committee at UofT while maintaining membership in CASE.

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Caroline Traubeمشاهده پروفایل

استاد

University of MontrealCanada

Caroline Traube is a Professor at the Faculty of Music, Université de Montréal. She leads the Laboratoire de recherche sur le geste musicien (LRGM) and collaborates with interdisciplinary research groups including OICRM, CIRMMT, BRAMS, and LFO. Her work bridges musicology, acoustics, and digital music through empirical and creative approaches. Ph.D. in Music Technology, McGill University (2004) Engineer Degree in Electrical Engineering, Stanford University (2000) Civil Engineer (Telecommunications), Faculté Polytechnique de Mons (1996) Her research focuses on instrumental timbre , performance studies , and musician well-being , integrating acoustics , biomécanics , and digital music methodologies. Current projects include: 2025-2031: Music, Humanities, and Sciences in France (SSHRC-funded) 2025-2030: Analytical Approaches to Orchestration (FRQSC) 2024-2026: PianOptim - Optimal Piano Gestures (FRQSC) She supervises doctoral and master's students in topics ranging from virtual orchestration to Buddhist mantra performance . Her recent publications address digital performance tools and timbre analysis in piano, flute, and video game music contexts.

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Jentery Sayersمشاهده پروفایل

دانشیار

University of VictoriaCanada

Dr. Jentery Sayers is an Associate Professor in the English Department at the University of Victoria (UVic), serving as Director of Media Studies. He holds a PhD in English from the University of Washington and has been at UVic since 2011, earning tenure in 2017. His work focuses on media studies, game studies, American literature, and critical theory, emphasizing intersections between fiction and technology. Sayers founded and directs the Praxis Studio for Comparative Media Studies, supported by major grants from CFI, BCKDF, and SSHRC. He teaches courses in Media Studies, English, and Cultural, Social, and Political Thought, with a focus on digital humanities, critical making, and speculative design. Education: BA/BSc (Virginia Commonwealth University), MA/PhD (University of Washington) Affiliations: HASTAC Executive Committee, MLA Digital Humanities Forum, multiple editorial boards Research explores how media shape narratives and vice versa, with projects like 'Experimental Worldbuilding' and 'Allied Audio Archives'. He advocates for minimal computing and ethical technology practices, publishing widely in journals like Digital Humanities Quarterly and Kairos. Sayers has secured over $2M in grants for digital humanities initiatives and collaborates internationally on media history and pedagogy. His advising work spans topics from indie games to biopower critiques, with students pursuing careers in tech, publishing, and education. The Praxis Studio hosts workshops and exhibitions, emphasizing hands-on fabrication for humanities research. Sayers' work bridges critical theory with practical innovation, challenging traditional disciplinary boundaries through 'maker' methodologies.

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Florian Grondمشاهده پروفایل

استادیار

Concordia UniversityCanada

Florian Grond is an Assistant Professor in the Department of Design and Computation Arts within Concordia University's Faculty of Fine Arts. His interdisciplinary work bridges media arts, technology, and disability studies through innovative sonic research. His research focuses on Spatial and Immersive Audio , Assistive Technology Design , and Critical Disability Studies , with significant contributions to auditory display, human-computer interaction, and participatory design methodologies. Grond develops technologies that center disability perspectives, particularly through collaborations with blind scholars and autistic individuals. His publication trends reveal strong specialization in 3D sound recording techniques using Ambisonic microphone arrays Biomusic systems for autism intervention Ethical frameworks for disability technology Artistic sonification practices with recent work advancing brain-computer interfaces and spatial audio reproduction. Grond actively engages in artistic practice through installations like DELAY (collaborating with Mary Sherman and Piet Devos) and has curated disability-focused exhibitions including Hands On! at Concordia's Critical Disability Studies Working Group. His academic trajectory includes postdoctoral research at McGill University's CIRMMT and Shared Reality Lab, where he pioneered 6-degrees-of-freedom sound recording systems. He previously served as research lead for ZYLIA, a VR/AR microphone array company.

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Ilja Frissenمشاهده پروفایل

دانشیار

McGill UniversityCanada

Ilja Frissen is an Associate Professor at McGill University's School of Information Studies (Faculty of Arts). He holds a PhD in Experimental Psychology from Tilburg University and an MSc in Cognitive Psychology from Maastricht University. His research focuses on auditory and haptic perception, multimodal cognition, and tacit knowledge sharing. Current projects include investigating how humans perceive container contents via touch and integrating cognitive science principles into knowledge management theory. PhD: Experimental Psychology, Tilburg University, Netherlands MSc: Cognitive Psychology, Maastricht University, Netherlands Research interests span haptic cognition (e.g., tactile object enumeration), sensorimotor processes in knowledge, and the embodiment of tacit knowledge. His work bridges disciplines like cognitive science and organizational behavior, with recent contributions to IEEE Haptics, Perception, and Knowledge Management journals. Recent articles emphasize haptic perception of container contents and crossmodal integration, reflecting a focus on sensory-motor systems' role in cognition. His studies have been featured in Psychology Today and Muy Interesante. No scientific awards listed. No formal advisees are currently documented. Labs: Multimodal Interaction Lab, Knowah Research Group

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Gillian Russellمشاهده پروفایل

استادیار

Simon Fraser UniversityCanada

Dr. Gillian Russell is an Assistant Professor at Simon Fraser University's School of Interactive Arts and Technology, working at the intersection of design, anthropological futures, and narrative environments. Her research investigates how design can engage publics in unveiling present realities and future possibilities through speculative intervention and value-sensitive approaches. Holding a PhD in Design History from the Royal College of Art, London, and having completed a SSHRC post-doctoral fellowship at SFU's Digital Democracies Institute, she co-directs the Imaginative Methods Lab. Her work has been exhibited internationally at venues including Museum of Art, Architecture and Technology Lisbon, Porto Design Biennale, Helsinki Design Museum, Design Museum London, and Victoria & Albert Museum.

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Suresh Raja Neethirajanمشاهده پروفایل

دانشیار

Dalhousie UniversityCanada

Dr. Suresh Raja Neethirajan is an Associate Professor and Dalhousie University Research Chair in the Faculty of Computer Science at Dalhousie University, Halifax, Canada. His research program focuses on digital livestock farming, integrating artificial intelligence, big data analytics, and advanced sensor technologies to improve animal health, welfare, and sustainable agricultural practices. His research interests span Digital Agriculture , Artificial Intelligence , Big Data Analytics , Animal-Computer Interaction , and Sensors & Bio-Instrumentation . He leads the Mooanalytica research lab, which develops innovative tools such as facial recognition systems for emotion detection in cows and pigs, rapid diagnostic sensors for avian influenza and food allergens, and wearable devices for non-invasive physiological monitoring. The recent publications reflect a strong trend in developing AI-driven, sensor-based solutions for precision livestock farming. These include emotion recognition in pigs, sex detection in chicken eggs, and circadian rhythm modeling in dairy cows, all leveraging computer vision, machine learning, and multimodal data fusion to advance animal welfare and farm efficiency. Dalhousie University Research Chair Dr. Neethirajan supervises BSc, MSc, and PhD students and is actively involved in teaching and guest lectures on sensor technologies. His lab has access to state-of-the-art research facilities in the Netherlands and collaborates across veterinary, agricultural, and biomedical domains. He has previously held academic and research positions at Wageningen University, the University of Guelph, Oak Ridge National Laboratory, and the National Agricultural Research Organization in Japan. His team has developed numerous industrial-ready solutions, including on-farm detection tests for ketosis and coronavirus, and is focused on transforming laboratory innovations into practical applications for the agri-food industry. Future work continues to emphasize resilience sensing, data management systems, and non-contact vital sign technologies.

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Ammie Kalanمشاهده پروفایل

استادیار

University of VictoriaCanada

Dr. Ammie Kalan is an Assistant Professor in the Department of Anthropology at the University of Victoria, Canada, and Principal Investigator of the Great Ape Behaviour (GAB) Lab. She specializes in biological anthropology, primate behavioral ecology, and animal conservation, with a focus on chimpanzee behavior and cultural diversity. PhD in Biological Anthropology from University of Leipzig/IMPRS Postdoctoral fellowship at Max Planck Institute for Evolutionary Anthropology Kalan's research explores the social and ecological drivers of behavioral flexibility in wild great apes, particularly in communication, tool use, and nonhuman cultural traditions. She employs interdisciplinary methods including passive acoustic monitoring, camera trapping, and 3D modeling to study chimpanzee populations in Africa. The GAB Lab, under Kalan's leadership, investigates primate interactions with anthropogenic environments and collaborates with the Pan African Programme: The Cultured Chimpanzee (PanAf) and Chimp&See. Her recent projects highlight chimpanzee accumulative stone throwing (AST) as a potential cultural behavior and examine leopard predation effects on primate activity patterns. Her publications emphasize the intersection of primate conservation and behavioral ecology, with technological innovations applied to field research. She mentors graduate students and honors researchers in primate studies and welcomes collaborations focused on non-invasive monitoring and conservation strategies. Active collaborations: PanAf, PRISM Lab, Chimbo NGO Research methods: Bioacoustics, camera trapping, community science Prospective students are encouraged to contact her directly through her lab website or email akalan@uvic.ca .

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David Ogbornمشاهده پروفایل

استاد

McMaster UniversityCanada

David Ogborn is a Professor in McMaster University’s Department of Communication Studies and Media Arts within the Faculty of Humanities. He coordinates the Networked Imagination Laboratory (NIL) and teaches across undergraduate and graduate programs including Media Arts, Communication and New Media, and PhD in Communication, New Media, and Cultural Studies. His work bridges computational arts, live coding, and interdisciplinary research. Education: Not explicitly mentioned Current Appointments: Professor at McMaster University Research focuses on live coding environments, networked musical ensembles, and computational creativity. He has developed platforms like Estuary (collaborative live coding), Seis8s (localized computer-music language), and EspGrid (synchronization protocol). His interests include improvisation in digital settings and software as artistic medium. Recent scholarly activity spans 2012-2022, covering live coding pedagogy, collaborative platforms, and networked music systems. He has secured SSHRC Insight grants and Canada Foundation for Innovation support for NIL. Teaching includes digital audio, game design, and doctoral seminars. The Cybernetic Orchestra (laptop ensemble) remains active since 2010 with global collaborations. Professional contributions include multiple software tools (Estuary, NIL, EspGrid), international performances at live coding festivals, and publications in journals like Computer Music Journal and Journal of Music, Technology and Education . No scientific awards are mentioned in available records.

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Helge Rhodinمشاهده پروفایل

استاد

University of British ColumbiaCanada

Helge Rhodin is a full professor at Bielefeld University (since March 2024) and an affiliate at the University of British Columbia (UBC). His research focuses on advancing 3D computer vision, machine learning, and computer graphics to enable non-intrusive human-computer interaction, particularly in augmented reality (AR) and virtual reality (VR) environments. He previously held positions as an Assistant Professor at UBC, a postdoctoral researcher at EPFL, and a PhD candidate at the Max-Planck-Institute for Informatics under Christian Theobalt. Education & Career: PhD in Computer Science, Max-Planck-Institute for Informatics (2016) Postdoctoral Researcher, EPFL (2016–2020) Assistant Professor, UBC (2020–2024) Full Professor, Bielefeld University (2024–present) Research Interests: Rhodin’s work spans 3D human pose estimation, neural rendering, AR/VR applications, and generative models. Key contributions include real-time motion capture systems (e.g., XNect), self-supervised learning frameworks, and synthetic biomarker development for movement disorders. Publications: His work has been published at top venues like CVPR, ICCV, and SIGGRAPH, with notable achievements like the Best Paper Award at CRV 2023 and an IEEE VR Honorable Mention in 2019. Research trends emphasize human-centric computer vision and interdisciplinary applications in healthcare and sports analytics. Awards & Recognition: Best Paper Award at CRV 2023 IEEE VR Best Journal Paper Honorable Mention (2019) Advising & Labs: He leads a multidisciplinary team at Bielefeld, previously mentoring over 30 students at UBC. His group focuses on developing open-source tools and frameworks for 3D vision and AR. Current research directions include mirror-aware neural humans and scalable neural rendering techniques.

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Cheng-Zhi Anna Huangمشاهده پروفایل

دانشیار

University of MontrealCanada

Dr. Cheng-Zhi Anna Huang is currently a faculty member at the Massachusetts Institute of Technology (MIT) with a joint appointment between the Department of Electrical Engineering and Computer Science (EECS) and the Department of Music and Theater Arts (MTA), spanning both the College of Computing and School of Humanities, Arts, and Social Sciences. She simultaneously holds an adjunct associate professor position at the Université de Montréal's Department of Computer Science and Operations Research. Her academic background includes a PhD from Harvard University, a master's from the MIT Media Lab, and dual bachelor's degrees in music composition and computer science from the University of Southern California. Dr. Huang's research focuses on human-AI co-creation in music, with particular emphasis on: Generative AI models for music composition and performance Neural network interpretability for musical applications Interactive systems for real-time human-AI collaboration Reinforcement learning frameworks for creative expression Cross-cultural music modeling and computational musicology She pioneers novel approaches to musical interaction through machine learning, aiming to develop systems that extend how humans understand, learn, and create music. Her publication portfolio shows strong emphasis on generative models for music, particularly transformer architectures, with consistent output in top AI/ML venues since 2014. Recent work focuses on controllable music synthesis, human-AI co-creation frameworks, and performance modeling. The 14 most recent publications demonstrate progression from fundamental music representation research toward sophisticated interactive systems and evaluation frameworks. Awards and Honors: Canada CIFAR AI Chair (Mila) Outstanding Paper Award at NeurIPS Workshop CtrlGen (2021) First Prize in San Francisco Choral Artists New Voices Project (composition) Dr. Huang actively supervises graduate students, with recent master's advisees including Nithya Shikarpur (2024) working on human-AI co-creation for Hindustani music, and Yusong Wu (2023) researching controllable performance synthesis. She is currently recruiting postdoctoral researchers and PhD students for her MIT Music Technology laboratory, focusing on multi-agent reinforcement learning and human-AI interaction in musical contexts.

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Adam Fourneyمشاهده پروفایل

پژوهشگر

University of WaterlooCanada

Adam Fourney is a Senior Principal Researcher at Microsoft Research's Human-AI eXperiences (HAX) group in Redmond. He holds a Ph.D. and M.Math. from the University of Waterloo and a B.Sc. from the University of Ottawa. His work focuses on AI agents collaborating with humans to complete complex tasks, including projects like AutoGen and Magentic-One. He previously studied web search, intelligent assistants, and information systems at the University of Waterloo. Education: Ph.D. (Computer Science), University of Waterloo M.Math. (Computer Science), University of Waterloo B.Sc. (Computer Science), University of Ottawa His research interests span Human-AI collaboration, multi-agent systems, AI ethics, and AI-assisted programming. He explores how AI systems can support human tasks while addressing challenges like uncertainty, communication breakdowns, and alignment with human goals. His work bridges technical innovation with user-centered evaluation, emphasizing real-world usability and societal impact. His recent articles highlight advancements in interactive AI debugging, alignment of AI tools with human needs, and leveraging search data for public health insights. Notably, he received a Best paper honorable mention at CHI 2024 for work on AI-assisted programming costs. Adam has collaborated extensively with researchers across Microsoft and academia, contributing to open-source tools like AutoGen Studio and foundational studies in human-LLM interactions. His interdisciplinary approach combines technical rigor with insights from user behavior and social dynamics.

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