جستجوی استاد راهنمای دانشگاهی

WANG Ye is an Associate Professor in the Department of Computer Science at the School of Computing, National University of Singapore (NUS). He holds a PhD in Information Technology from Tampere University of Technology, Finland, and has been a tenured faculty member at NUS since 2002, following his industry research role at Nokia Research Center. He is the director of the Sound and Music Computing Lab at NUS, leading cutting-edge research in AI-driven music and health technologies. PhD, Information Technology, Tampere University of Technology, Finland (2002) MSc, Telecommunications, Braunschweig University of Technology, Germany (1993) BSc, Telecommunications, South China University of Technology, China (1983) His research is centered on Sound and Music Computing for Human Health and Potential (SMC4HHP) , with a focus on eHealth, eLearning, mobile/wearable computing, and music information retrieval. His work spans AI for stroke rehabilitation, language learning through singing, singing voice synthesis, and automatic music transcription. He has pioneered systems like SLIONS (language learning via karaoke), CocoLyricist (AI co-creation for stroke recovery), and SinTechSVS (expressive singing voice synthesis). The latest articles highlight a strong trend in AI-driven music and health technologies , particularly in controllable lyric generation, singing voice synthesis, automatic pronunciation assessment, and multimodal music transcription. The research increasingly integrates large language models, explainable AI, fairness, and real-world deployment, reflecting a shift from theoretical exploration to practical, human-centered applications in healthcare and education. Dr. Wang has received numerous scientific honors, including: Best Paper Awards at ACM MM, ISMIR, IEEE ISM, and CHI First Prize, Asia Pacific Assistive, Rehabilitative, and Therapeutic Technologies Challenge (2015) Faculty Teaching Excellence Award, NUS School of Computing (2024) Top Paper Award, ACM Multimedia 2022 AI in Medicine Collaborative Grant for CocoLyricist project He has supervised over 11 PhD and 20 MComp students and is currently guiding six PhD candidates. His grants come from MOE, NRF, A*STAR, Nokia, and Smule. He has served as General Chair of ISMIR2017 and TPC Co-Chair of ICOT2017, and is on the editorial boards of IEEE Transactions on Multimedia and Journal of New Music Research. He has also developed and taught the first course on Sound and Music Computing in Singapore. Dr. Wang leads the Sound and Music Computing Lab (SMC Lab) , a multidisciplinary team exploring the synergy of music computing, AI, mobile technology, and cloud systems for health and education. The lab actively collaborates with medical institutions such as NUS Yong Loo Lin School of Medicine, Singapore General Hospital, and Harvard Medical School, and is currently working on projects in AI-supported language learning, stroke rehabilitation, and intelligent music interfaces.

• Sound and Music Computing
• Music Information Retrieval
• eHealth
• +۱۲ مورد دیگر

Pasquale Bottalico serves as Associate Professor in the Department of Speech and Hearing Science at the University of Illinois, with dual appointments as Associate Professor at the Center for Latin American and Caribbean Studies and Affiliate Faculty in the School of Music. His unique interdisciplinary profile bridges engineering, music performance, and speech science, reflecting his dual academic training and professional artistry. His educational foundation includes: Bachelor's in Telecommunications Engineering from Univeristà Mediterranea di Reggio Calabria, Italy Concurrent Opera Singing degree from F. Cilea Music Academy, Reggio Calabria Master's in Telecommunications Engineering from Politecnico di Torino, Italy Ph.D. in Metrology specializing in acoustics measurement uncertainty and classroom acoustics Dr. Bottalico's research centers on vocal load quantification and professional voice techniques , with significant contributions to understanding vocal fatigue in teachers and singers. His work spans Speech Intelligibility in educational environments, Room Acoustics for performance and learning spaces, and Musical Acoustics of historical vocal styles. A distinctive thread throughout his research examines how acoustic conditions modulate voice production and perception, increasingly incorporating virtual reality and bone conduction technologies for innovative assessment and intervention approaches. His Colombian vocal health study demonstrates cross-cultural applications of his work. Analysis of his 2023-2025 publications reveals three dominant research trajectories: (1) The impact of noise and dysphonia on children's speech processing in educational settings, using multimodal assessment including EEG; (2) Virtual reality applications for voice production research and therapeutic intervention; (3) Cross-cultural validation of vocal fatigue metrics and development of biofeedback systems. His work consistently bridges engineering precision with clinical applicability, particularly for professional voice users in challenging acoustic environments. No scientific awards were documented in the available information. While specific advising relationships aren't detailed, his research collaborations span international institutions including Colombian and Italian universities, suggesting graduate mentorship in interdisciplinary projects. No grant information was provided, though his systematic reviews and cross-cultural studies imply externally funded research activities. Though no dedicated laboratory is specified, his virtual reality voice studies and acoustic parameter assessments suggest affiliations with audio engineering facilities and voice clinics, likely through the Speech and Hearing Science department's research infrastructure.

• Vocal Load
• Professional Voice Techniques
• Singer Techniques
• +۳ مورد دیگر

Amit Singer is a Professor of Mathematics at Princeton University, specializing in computational methods for structural biology and cryo-electron microscopy (cryo-EM). His work focuses on developing mathematical frameworks and algorithms for analyzing large-scale microscopy datasets, particularly in 3D reconstruction and heterogeneity analysis of molecular structures. He leads research in manifold learning, optimal transport, and harmonic analysis, with applications to cryo-EM, signal processing, and inverse problems. Research interests include: (1) Mathematical methods for cryo-EM, including particle alignment, density map analysis, and subspace-based reconstruction techniques; (2) Development of rotation-invariant representations for imaging problems; (3) Application of machine learning and optimization to biomedical imaging challenges. His contributions bridge pure mathematics (e.g., harmonic analysis, manifold theory) with applied computational techniques for real-world microscopy data. Key trends in his recent articles (2023–2025) include advancements in multi-reference alignment methods, Wasserstein distance-based image registration, and overcoming particle detection limitations in cryo-EM. He also explores sparsity constraints, autocorrelation analysis, and novel algorithms for handling heterogeneous datasets. These methods improve resolution and reduce computational costs in analyzing molecular structures at atomic scales. Notable contributions include the ASPiRE software package for steerable PCA, and foundational work on synchronization problems in cryo-EM orientation estimation. His research often addresses algorithmic scalability and robustness to noise in experimental setups.

• Computational Mathematics
• Structural Biology
• Cryo-Electron Microscopy
• +۳ مورد دیگر

Dr. Lucian Sulica is the Sean Parker Professor of Laryngology and Director of the Sean Parker Institute for the Voice at Weill Cornell Medical College. He is an attending Otolaryngologist at NewYork-Presbyterian Hospital with a clinical practice exclusively focused on voice disorders. Dr. Sulica served as the 2023 President of the American Laryngological Association and is a Fellow of the American Laryngologic, Rhinologic and Otologic Society (the Triologic Society). His educational background includes: A.B. from Dartmouth College (1989) M.D. from Georgetown University School of Medicine (1993) Residency at Georgetown University Medical Center Fellowship at New York Center for Voice & Swallowing Disorders, St. Luke's-Roosevelt Hospital Center Dr. Sulica's research focuses on evidence-driven principles for treating voice conditions, with particular emphasis on vocal fold injuries from voice use (especially in performers), neurologic voice disorders (including vocal fold paralysis, spasmodic dysphonia, and tremor), and in-office procedures for voice disorders that don't require general anesthesia. His work has addressed critical aspects such as gender differences in vocal fold injury, pathophysiology of laryngeal nerve injury, and diagnostic accuracy in voice disorders. Analysis of Dr. Sulica's recent publications reveals a strong focus on advancing diagnostic techniques through artificial intelligence, improving surgical outcomes for vocal fold lesions, understanding performers' unique voice care needs, and developing evidence-based protocols for vocal fold hemorrhage and other voice disorders. His research increasingly incorporates technology-driven approaches while maintaining a strong clinical focus on patient-centered outcomes. Dr. Sulica has received numerous prestigious awards including: Casselberry Award of the American Laryngological Association (2021) Felix Semon Lectureship in Laryngology, Royal Society of Medicine (2022) American Academy of Otolaryngology – Head & Neck Surgery Honor Award (2008) Consistent recognition as one of "Best Doctors in America" (2005-2024) Designation as one of "America's Top Physicians in Voice Disorders/Laryngology" (since 2006) Inclusion in "New York Magazine Best Doctors" list annually since 2013 As an educator, Dr. Sulica has authored more than 110 journal articles and 40 book chapters, and has edited three books including "Vocal Fold Paralysis," "Classics in Voice and Laryngology," and "Patologia Laringea y Fonocirugia" (in Spanish). He is passionate about teaching and has lectured extensively across the United States, Europe, Latin America, and Australia. His clinical work at the Sean Parker Institute for the Voice represents a comprehensive approach to voice care, incorporating innovative in-office procedures that have helped establish new standards in laryngology.

• Voice Disorders
• Laryngology
• Vocal Fold Injuries
• +۷ مورد دیگر

Dan Spielman is the Sterling Professor of Computer Science and holds joint appointments as Professor of Statistics and Data Science and Mathematics at Yale University. He is affiliated with the Department of Mathematics within the Faculty of Arts and Sciences. His research focuses on spectral graph theory, algorithms, linear systems, and their applications in computer science, mathematics, and statistics. He has been recognized as an ACM Fellow for his contributions to theoretical computer science and mathematics. Dr. Spielman's work bridges theoretical and applied domains, with notable advancements in graph sparsification, Laplacian solvers, and the resolution of the Kadison-Singer problem. His research also encompasses algorithmic design, optimization, and probabilistic methods. Key grants include NSF funding for projects like 'Generalized Algebraic Graph Theory: Algorithms and Analysis' (2016). His scientific awards include the ACM Fellowship (2011), acknowledging his impactful contributions to algorithms and complexity theory. Spielman’s interdisciplinary approach integrates spectral graph theory with practical applications, addressing fundamental problems in computation and mathematics.

• Algorithms
• Spectral Graph Theory
• Computer Science
• +۵ مورد دیگر

Ursula Ludwig is a Professor at Université Côte d'Azur in Nice, France, affiliated with the Laboratoire Jean-Alexandre Dieudonné. She previously held professorial and permanent academic positions at the University of Münster and Universität Duisburg-Essen, and has been actively involved in major research collaborations and grants across Germany and France. Her educational background includes a PhD from the University of Leipzig and the Max-Planck Institute, followed by a habilitation at the University of Freiburg. Her research is centered on the interplay between geometry, topology, and analysis on singular spaces, with a focus on index theory, analytic torsion, and stratified Morse theory. Ludwig’s recent publications reveal a strong trajectory in extending classical theorems like the Cheeger-Müller and Bismut-Zhang theorems to singular and conical spaces, using advanced tools from global analysis and intersection cohomology. Her work bridges deep theoretical mathematics with concrete analytic methods, particularly on stratified and singular manifolds. She has been recognized with prestigious honors including being an Invited Sectional Speaker at the European Congress of Mathematics 2024 and serving as Associate Editor for the Journal of Singularities. She has led multiple DFG and ANR-DFG research projects and was a Marie Curie Fellow. Invited Sectional Speaker at ECM 2024 Associate Editor, Journal of Singularities Marie Curie Actions Research Fellow Principal Investigator, RTG 2553 and ANR-DFG project She advises PhD students such as Robert Franz and Ravjot Kohli, and has secured significant research funding. Her involvement in outreach includes organizing workshops for high school students and mentoring programs. She is a key member of the Cluster of Excellence Mathematics Münster and has organized multiple international scientific events.

• Global Analysis
• Index Theory
• Analytic and Topological Torsion
• +۷ مورد دیگر

Dr. Brandon A. Boyd serves as Associate Professor and Director of Choral Activities at the University of Missouri's College of Music, holding the Marie M. and Harry L. Smith Endowed Chair. He directs the MU University Singers, Sankofa Chorale, and Choral Union Symphonic Chorus while teaching graduate courses in choral conducting, literature, and arranging. His research focuses on community-building through choral singing, with specific interests in organizing choirs for homeless populations, studying the social and physical effects of choral singing on senior citizens, and creating authentic field experiences for music therapy and choral education students. His work extends internationally through partnerships with Bolivian universities and domestic community initiatives including prison choirs and senior citizen ensembles. As a composer and arranger, Dr. Boyd's works appear in publications by Hinshaw Music, Gentry Publications, GIA, and Kjos Music Press. He curates the 'Brandon A. Boyd Choral Series' with Hinshaw Music and serves as Executive Choral Editor for Gentry Publications. His compositions primarily focus on African-American spirituals and traditional arrangements, often incorporating gospel elements and contemporary rhythmic signatures. Notable performances include collaborations with the London Symphony Orchestra, NDR Elbphilharmonie Orchestra, Nashville Symphony, Missouri Symphony, and St. Louis Symphony, with multiple appearances at Carnegie Hall as conductor, composer, and collaborative pianist. Marie M. and Harry L. Smith Endowed Chair National ACDA Composition Initiative committee member Executive Choral Editor of Gentry Publications Dr. Boyd maintains active community engagement through initiatives like the Santa Fe Desert Chorale's 'Giving Voice to the Voiceless' program, where he served as Composer-in-Residence and created the Interfaith Community Shelter Street Choir for homeless populations. His international work includes conducting workshops at Universidad Católica Boliviana and Universidad Evangelica in Bolivia through Partners of the Americas. He directs significant choral community partnerships including the Tallahassee Senior Choir, RAA Middle School Partnership Choir, and MTC Women's Prison Glee Club, demonstrating his commitment to music's social impact beyond traditional academic settings.

• Choral Music Education
• Community Choir Development
• African-American Spirituals
• +۶ مورد دیگر

Aayush Jain is an Assistant Professor in the Computer Science Department at Carnegie Mellon University. Previously, he was a Postdoctoral Fellow at NTT Research and a PhD student at UCLA, advised by Professor Amit Sahai. His work bridges theoretical and applied cryptography with core computer science principles. Education PhD in Computer Science, University of California, Los Angeles (UCLA) Postdoctoral Fellowship, NTT Research Research Focus His research explores: foundational cryptography, indistinguishability obfuscation, functional encryption, lattice-based cryptography, secure multi-party computation, and post-quantum security. Work emphasizes rigorous theoretical frameworks with practical implications. Publication Trends Recent articles (2021-2024) demonstrate consistent focus on cryptographic primitives, obfuscation techniques, and security reductions. Dominant venues include CRYPTO, EUROCRYPT, FOCS, and STOC with emerging work in machine learning interfaces. Awards Best Paper Award at STOC 2021 for foundational contributions to indistinguishability obfuscation Advising and Collaboration Current PhD advisees: Alper Cakan, Quang Dao (co-advised), Sagnik Saha, Noah Singer (co-advised). Mentored postdocs: Mitali Bafna (2022-2023) and Rex Fernando (2022-2023). Teaches graduate courses in cryptography and theoretical tools. Leadership Leads the CMU Cryptography research group; organized the CMU Cryptography Workshop. Program committee member for FOCS, TCC, ITCS, and ICALP.

• Cryptography
• Theoretical Computer Science
• Applied Cryptography
• +۳ مورد دیگر

Charlotte Baskerville is a postgraduate researcher at the University of York (School of Arts and Creative Technologies) and Head of Choral Music at Warwick School. Her PhD research explores placemaking through composition, focusing on community engagement and shared musical identity. She holds a BA from Christ’s College, Cambridge (2015) and a master’s thesis on music cognition under Prof. Ian Cross. Her work bridges composition, choral performance, and community projects with groups like dementia care groups and schools. A prize-winning clarinetist and choral scholar, she actively performs with choirs in Cheltenham, Gloucester, and Tewkesbury. Her research interests center on creative placemaking via collaborative composition processes, leveraging local musical heritage to foster community identity. Her compositional output spans liturgical works, seasonal carols, and secular choral pieces, emphasizing accessibility and communal participation. Recent publications reflect her dual focus on sacred music traditions and innovative community-driven projects. Education: Bachelor of Arts in Music, Christ’s College, Cambridge (2015) Master’s thesis on music cognition under Prof. Ian Cross Sir Jack Lyons Research Scholar, University of York Awards: Christ’s College Charles Blackham Memorial Recital Competition (2016) Professional Roles: Head of Choral Music at Warwick School Clarinetist with multiple ensembles Active choral singer in multiple locations Her compositional output emphasizes collaborative creation with communities, particularly through workshops and participatory performances. Current projects involve primary/secondary schools, professional choirs, and dementia groups, aiming to strengthen communal bonds through shared musical experiences.

• Composition
• Choral Music
• Creative Placemaking
• +۳ مورد دیگر

Lynn Helding serves as Professor of Practice in Voice and Vocal Pedagogy at the University of Southern California's Thornton School of Music, where she also coordinates the Vocology & Voice Pedagogy program. She is a distinguished author, most notably of The Musician's Mind: Teaching, Learning and Performance in the Age of Brain Science , and was appointed Editor-in-Chief of the Journal of Singing in 2023. With decades of experience as both a performer and pedagogue, Helding bridges the gap between voice science and artistic practice, advocating for cognitive science as the "Third Pillar of Voice Science" alongside physiology and acoustics. Helding's educational background includes: Master's Degree in Vocal Pedagogy with Distinction from Westminster Choir College of Rider University (2005) Artist Diploma from Indiana University (1988), where she was the first singer ever accepted into this prestigious program Completion of the Summer Vocology Institute at the National Center for Voice and Speech Helding's research focuses on the application of cognitive science to voice pedagogy, with particular emphasis on motor learning theory and expertise studies from social psychology. She pioneered the concept of cognitive science as the "Third Pillar of Voice Science," arguing that understanding the brain's role is essential for effective voice teaching. Her work challenges traditional approaches by emphasizing the "how" of teaching over the "what," advocating for science-informed (rather than science-based) pedagogy that respects both scientific findings and artistic tradition. Helding's research has significant implications for addressing performance anxiety, optimizing practice methods, and developing more effective teaching strategies that account for how musicians actually learn. Her scholarly contributions demonstrate a consistent focus on bridging cognitive science with practical voice teaching. Rather than treating voice science as purely technical knowledge, Helding examines how this information can be effectively communicated to students, recognizing that the delivery method is as important as the content itself. This approach has led to innovative frameworks for evidence-based voice pedagogy that consider both physiological realities and cognitive processing limitations. Helding's significant recognition includes: Lifetime Achievement Award from the Contemporary Commercial Music (CCM) Vocal Pedagogy Institute at Shenandoah University (2020) Van L. Lawrence Fellowship, jointly awarded by the Voice Foundation and the National Association of Teachers of Singing Foundation (2005) Induction into the prestigious American Academy of Teachers of Singing (2022) Recognition as a "legendary figure in the field of voice pedagogy" As an educator, Helding maintains a thriving studio with private clients including members of the Los Angeles Opera and Los Angeles Master Chorale. Her USC Thornton voice students have earned fellowships to prestigious programs including the Aspen and Tanglewood Music Festivals. She has presented masterclasses described as "life-altering" at major voice conferences throughout the United States, Europe, and Australia. Helding previously served twenty-two years as Associate Professor of Voice and Director of Performance Studies at Dickinson College, and four years as voice faculty at Vanderbilt University's Blair School of Music. Helding is actively involved with the USC Voice Center at Keck Medicine of USC as a team member, where she applies her vocology expertise to help singers with functional vocal issues and those recovering from voice surgery. She is a co-founder of the NATS Science-Informed Voice Pedagogy Institute and frequently collaborates with voice scientists and medical professionals to advance the field of vocology.

• Voice Pedagogy
• Vocology
• Cognitive Science
• +۴ مورد دیگر

Lars Berglund is Professor of Musicology at Uppsala University's Department of Musicology, where he serves as Director of Studies for the doctoral program. He earned his PhD from Uppsala in 2002 with a thesis on German musician Christian Geist and has held progressive academic positions since 2003, becoming Professor in 2015. Berglund chaired the department from 2012-2018 and currently leads the Swedish Research Council's Humanities and Social Sciences Subject Council (2025-2027). He is a board member of HERA (Humanities in the European Research Area) and holds memberships in the Royal Swedish Academy of Letters and Royal Swedish Academy of Music. His research specializes in 17th-century music history, combining philology, music analysis, and reception studies with focus on: Italian-Scandinavian cultural exchange Court and church music patronage systems Performance theory and vocal traditions Scandinavian modernist music Recent publications (2019-2025) demonstrate strong emphasis on transnational music transfer, archival reconstruction of Baroque repertoires (particularly the Düben Collection), and ceremonial music analysis. Key themes include royal patronage networks, contrafactum techniques, and music's role in early modern diplomacy. Awards & Honors: Member, Royal Swedish Academy of Letters Member, Royal Swedish Academy of Music Major Funded Projects: "Translatio musicae: French and Italian Music in Northern Europe" (Riksbankens Jubileumsfond 2019-2023) Swedish Church Music History monograph (2020-2024) Digitization of court/university music (Riksbankens Jubileumsfond 2020-2025) STINT network on Early Modern musical exchange (2012-2016) He supervises doctoral candidates and teaches advanced courses in historical musicology and analysis.

• Music History
• Early Modern Music
• Reception History
• +۷ مورد دیگر

Professor Stuart Green is a full-time faculty member at the University of Leeds, serving as Professor of Spanish and Popular Culture in the School of Languages, Cultures and Societies. He has been with the university since 2005, progressing from Teaching Fellow to Professor in 2024. His academic work bridges Spanish cultural studies, race, media, and transnational identity. Education: PhD in Hispanic Studies, University of Sheffield (2006) MA in Hispanic Studies, University of Sheffield (2002) BA in Spanish and History of Art, University College London His research centers on Spanish popular culture, particularly how Afro-Spaniards use music to articulate identity, resist exclusion, and connect with the global African diaspora. He critically engages with Paul Gilroy’s concept of the 'black Atlantic' from a Hispanic perspective. His work also spans racial representation in Spanish film, television, and theatre, including blackface performance and the careers of migrant-origin artists like Minke Wang and Santiago Zannou. He has contributed to studies on theatre publicity, cinematic techniques in theatre, and right-wing political discourse in post-war Spanish theatre. Stuart Green is co-convenor of the European Popular Musics Research Group and has co-edited a book on European singer-songwriters and a special issue of the Journal of European Popular Culture. With Prof. Duncan Wheeler, he has analyzed music festivals such as Live at Leeds. His pedagogical contributions include translating José Luis Alonso’s play La estanquera de Vallecas into English as The Granny and the Heist , supplemented with extensive teaching resources for A-level, IB, and undergraduate education. Professional Memberships and Editorial Roles: Member, Association of Hispanists of Great Britain and Ireland Member, Editorial Board, Estreno: Cuadernos del Teatro Español Contemporaneo Editor, Neuróptica: Estudios sobre el Cómic Member, Editorial Board, New Cinemas: Journal of Contemporary Film He teaches across all levels of undergraduate Spanish programs, focusing on peninsular culture including theatre, film, novel, poetry, and painting, while also contributing to transnational modules. He emphasizes the use of target language in classroom instruction. He welcomes PhD research inquiries and is actively engaged in research supervision and academic leadership.

• Spanish
• Popular Culture
• Theatre
• +۱۷ مورد دیگر

Martha Elliott is a Lecturer in Voice at Princeton University's Music Department since 1985. She has performed globally with ensembles like Continuum and the Princeton University Orchestra, and her teaching focuses on vocal performance practices from Baroque to contemporary music. A.B. cum laude, Princeton University (1982) M.M., Juilliard School (1984) Fellowship at Aspen Music School (1983) Fellowship at Tanglewood Music Festival (1984) Oberlin Baroque Performance Institute (1987) Her research interests include historical performance practice , Baroque singing , and mindfulness in vocal pedagogy . She has also explored menopause and vocal health , with publications on the topic. Her publications, including two books, emphasize Baroque music and historical vocal techniques . Academic keywords span musicology , early music , and vocal education . Martha Elliott has received recognition including a Grammy nomination for her performance in 2005 and critical acclaim for her books in Early Music America and Classical Singer Magazine . She has taught generations of vocal students, many of whom pursued professional careers in musical theatre, opera, and graduate programs. Her courses at Princeton include German Lieder , Baroque Vocal Chamber Music , and musical theatre .

• Historical Performance Practice
• German Lieder
• 20th Century Musical Theatre
• +۳ مورد دیگر

Prof. Katharina Thoma is a renowned opera director currently serving as Head of the Opera School at the University of Music Würzburg . She also holds the positions of Deputy Chair of the Music Academy and Dean of Studies . With a career spanning major European opera houses including the Royal Opera House Covent Garden and Glyndebourne Festival, she specializes in blending historical accuracy with modern theatrical innovation. Studied piano at Lübeck University of Music Resident director at Dortmund Opera (2011-2014) Visiting professor at Graz University of Music (2018) Freelance director since 2008 Katharina Thoma's research and practice focus on opera stage direction , scenic training for singers , and historical opera interpretation . Her work spans from Baroque masterpieces to contemporary political operas, emphasizing: Contextual authenticity in period-specific productions Modern reinterpretation of classical works Interdisciplinary approaches to staging Integration of visual and musical elements Training of next-generation opera performers Exploration of war-related themes in opera Notable productions include: 2024: Johann Strauss' The Bat (University of Music Würzburg) 2023: De Falla's El retablo de Maese Pedro 2022: Britten's The Rape of Lucretia 2019: Schönberg's Pierrot lunaire 2007: European Opera Directing Competition Finalist Her artistic contributions have been recognized with: Second Prize at the European Opera Directing Competition 'Camerata Nuova' (2007) Katharina Thoma actively mentors young singers and develops innovative opera productions at the University of Music Würzburg's Opera School. Her recent work includes: Wagner operas debut (2019/20 season) Collaboration with composers like Richard Jones and Christof Loy Participation in renowned festivals (Munich Biennale, Glyndebourne) The Opera School under her leadership focuses on comprehensive training combining: Historical performance practices Contemporary staging techniques Technical vocal training Interdisciplinary collaboration

• Opera Directing
• Classical Music
• Scenic Arts
• +۳ مورد دیگر

James Tweedie is a Professor in the Department of Cinema and Media Studies at the University of Washington. His research focuses on 20th-century film, globalization, modernist cinema, and post-WWII film history. Academic Rank: Professor Department: Cinema and Media Studies University: University of Washington His work explores intersections between film, urban networks in East Asia, and the evolution of new media in the late 20th century. Current projects include a history of Hollywood art direction and production design. Scientific Awards: Katherine Singer Kovács Book Award (2014) Academy Scholar by the Academy of Motion Picture Arts and Sciences He has authored and co-edited influential publications on cinema and taught courses on global film networks and modernist cinema.

• Film Studies
• Globalization and Film
• Modernist Cinema
• +۴ مورد دیگر