Robert Jenssen is a Professor in the Machine Learning Research Group at UiT The Arctic University of Norway and serves as the Director of Visual Intelligence , an 8-year Research Council of Norway-funded SFI center. His research focuses on solving societal challenges in healthcare, marine mapping, energy, and Earth observation through collaborations with industry and public stakeholders. Director, Visual Intelligence (SFI) Center Professor, UiT Adjunct Professor, Pioneer Centre for AI (University of Copenhagen) and Norwegian Computing Center His methodological expertise spans neural networks, information-theoretic learning, self-learning, and explainable AI (XAI). Recent work emphasizes multimodal learning, uncertainty estimation, and medical image analysis. Scientific awards include: Best Paper, Pattern Recognition Letters (2024) Dissertation Award, Norwegian AI Society (2023) Best Paper, Color and Visual Computing Symposium (2022) IEEE GRS Society Letters Prize (2013) Prize for Young Researchers, University of Tromsø (2007) He contributes to international leadership as a member of the Scientific Advisory Board (SAB) for the Max Planck Institute for Intelligent Systems, France's SequoIA AI Excellence Cluster, and Denmark's DIREC center.
Roswitha Skare is a Professor of Documentation Science at the Department of Language and Culture, UiT The Arctic University of Norway, within the Faculty of Humanities, Social Sciences and Teacher Education. She is actively engaged in research and teaching, focusing on documentation studies, public libraries, archives, museums (LAM sector), digitalization, and film history. Her research interests include: Documentation and document theory Paratext and digital documents Public libraries and their role in society Libraries and social media Migration and refugee services in libraries Film history, especially silent films and early documentaries Cultural memory and Sámi cultural resilience Institutional convergence in cultural policy Her recent publications (2019–2025) reveal a strong focus on public libraries during and after the Covid-19 pandemic, the role of libraries in supporting immigrants and refugees, theoretical developments in document studies, and historical film analysis—particularly Robert Flaherty’s Nanook of the North . She frequently collaborates with scholars such as Andreas Vårheim, Noah Lenstra, and Sigrid Stokstad. Her work appears in journals like Journal of Documentation , Library & Information Science Research , and Proceedings from the Document Academy . Roswitha Skare teaches courses such as: MDV-1001: Multimediale dokumenter: Historie, teori og analyse MDV-1203: Bibliotek og formidling MDV-1207: Dokumentinstitusjoner og digitalisering MDV-1206: Prosjektoppgave i bibliotek- og dokumentasjonsvitenskap She supervises bachelor’s, project, and master’s students in library and documentation science. She is a member of the research group Engaging Conflicts in a Digital Era (ENCODE) and participates in projects such as LAMCOM – Libraries, archives, and museums in the community and SAMCOM - Sámi cultural centers as community and cultural resilience infrastructure , which explore the societal roles of cultural institutions and Indigenous resilience. No scientific awards are listed in the provided text.
Habib Ullah is an Associate Professor in Data Science at the Norwegian University of Life Sciences (NMBU), Norway, where he conducts research at the intersection of computer vision and machine learning. He is affiliated with the Institute of Data Science under the Faculty of Science and Technology. He has previously held academic positions at COMSATS University Islamabad, Pakistan, and the University of Ha'il, Saudi Arabia, and served as a postdoctoral researcher at The Arctic University of Norway. Educational Background: PhD in Information and Communication Technology (Computer Vision), University of Trento, Italy (2011–2015) MSc in Electronics and Computer Engineering, Hanyang University, South Korea (2007–2009) BSc in Computer Systems Engineering, NWFP University of Engineering and Technology, Pakistan (2002–2006) Habib Ullah's research is primarily focused on computer vision and machine learning, with applications in aquaculture, agriculture, and human behavior analysis. He investigates underwater fish feeding sounds using audio classification, develops zero-shot learning models for recognizing unseen classes, and applies deep learning to detect stress in salmon via skin dot patterns. He also explores AI-driven controlled environment agriculture, leveraging sensors and automation for optimal crop growth. His work emphasizes practical AI solutions for real-world challenges in environmental and biological domains. The recent publications highlight a strong trend in leveraging deep learning for zero-shot and semi-supervised learning, particularly in computer vision tasks such as sea ice classification, crowd anomaly detection, and agricultural monitoring. His research spans remote sensing, biomedical signal processing, and human activity recognition, demonstrating interdisciplinary versatility. The keywords reflect a focus on robust feature representation, knowledge transfer, and model generalization. Scientific Awards and Funding: Industrial PhD grant 'Advancing Controlled Environment Agriculture AI' from The Research Council of Norway (Project number 354125, 2 million NOK, 2024) Team member (Coordinator-Participant) in the Battery Cell Assembly Twin (BatCAT) project funded by Horizon Europe (7 mEuro, 2023–2027) Development of an AI-Based Image Analysis System for Monitoring Plant Status (Funding: 1.8 mNOK, starting 2025) Habib Ullah actively supervises PhD projects and contributes to academic service through editorial and organizational roles. He has served as an Associate Editor for IEEE Access, Guest Editor for MDPI Remote Sensing, and Editor of the Springer book Machine Learning Techniques and Sensor Applications for Human Emotion, Activity Recognition, and Support (ML-SHEARS) . He has also been a Track Chair and Program Committee Member for several international conferences, reflecting his leadership in the academic community. His research is supported by significant grants and collaborative projects, indicating strong institutional and international engagement. He is involved in multiple research teams and projects, including the BatCAT project on battery manufacturing and AI applications in controlled environment agriculture with RIFT LABS AS. His lab work integrates deep learning, sensor fusion, and data analytics for environmental and biological monitoring systems.
Jørgen Bakke is an Associate Professor in History of Art at the Department of Linguistic, Literary and Aesthetic Studies, University of Bergen. His academic work spans classical archaeology, Byzantine studies, and visual culture with a particular focus on ancient Greek art, landscape archaeology, and the cultural history of the Mediterranean region. Bakke has been actively involved in archaeological research in Greece, particularly in the Tegea region of Arcadia. His research interests encompass a broad range of topics in art history and classical studies. Bakke specializes in visual culture of ancient Greece, Byzantine garden traditions, landscape archaeology, and the intersection of art with memory and knowledge representation. His work often bridges disciplines, connecting classical literature with visual analysis and exploring how ancient visual culture functioned within historical and religious contexts. Bakke's research demonstrates particular expertise in the interpretation of ancient texts related to art (ekphrasis), the visual poetics of ancient Greek culture, and the reception of classical themes in later periods. Bakke's scholarly output reveals a consistent focus on Mediterranean cultural landscapes, particularly examining the Tegea region through multiple historical periods from classical antiquity through the Byzantine era and into the Ottoman period. His work shows a progression from early studies on ancient Greek visual culture toward more specialized research on Byzantine visual traditions and garden culture. A notable thread throughout his publications is the examination of how visual culture functions within religious and devotional contexts across different historical periods. His recent work increasingly engages with digital humanities approaches to art historical analysis. Bakke is actively involved in multiple research groups at the University of Bergen, including the Images of Knowledge Research Group, the Antiquity and the Classical Tradition Research Group, and the Literature & Religion Research Group. These affiliations reflect the interdisciplinary nature of his work, which bridges art history, classical studies, religious studies, and literary analysis. His research demonstrates how visual culture serves as a critical lens for understanding historical, religious, and philosophical developments across different eras.
Ali Ramezani-Kebrya is an Associate Professor with tenure in the Department of Informatics at the University of Oslo (UiO), where he leads research in machine learning theory. He holds dual Principal Investigator roles at the Norwegian Center for Knowledge-driven Machine Learning (Integreat) and SFI Visual Intelligence, and is an active member of the European Laboratory for Learning and Intelligent Systems (ELLIS) Society. His service includes Area Chair positions for NeurIPS and AISTATS, and Action Editor for Transactions on Machine Learning Research. His research focuses on theoretical foundations of deep learning with emphasis on understanding input data distribution encoding in neural network layers. Key themes include minimizing statistical risk under resource constraints, addressing distribution shifts in distributed settings, and developing practical tools for robust federated learning. Current applications span emotion recognition, marine data analysis, and neuroscience, reflecting his commitment to real-world machine learning challenges as evidenced by his FRIPRO-funded Machine Learning in Real World (MLReal) project. Recent publication trends reveal three dominant threads: (1) label/covariate shift mitigation in distributed systems through entropy regularization and density ratio estimation; (2) communication-efficient optimization via layer-wise quantization and adaptive compression techniques achieving 150% speedups; and (3) robustness guarantees against tailored attacks and distribution shifts. These works consistently bridge theoretical bounds with empirical validation across domains from GAN training to federated settings. Scientific recognition includes: FRIPRO Grant for Early Career Scientists (2025) for MLReal project SFI Visual Intelligence Spotlight Publication award (2023) for federated learning work He actively mentors 11 graduate students across Oslo and Tromsø universities, with recent PhD placements at Apple and NVIDIA. Current grant portfolio features the FRIPRO Early Career award and leadership roles in two major Norwegian research centers. His lab maintains strong industry collaborations through Vector Institute and EPFL, with recent hiring for PhD and postdoc positions in physics-informed machine learning.
Michael Rauhut is a Professor at the University of Agder where he leads the PhD specialization in popular music performance and represents subject teachers within scientific disciplines at the Department of Rhythmic Music . His academic work focuses on popular music studies and musicology, with supervisory responsibilities for master's and doctoral candidates. Rauhut's research explores the intersection of music, politics, and society, with particular emphasis on: Popular music history in socialist contexts (especially the GDR) Cultural transfer during the Cold War Blues, rock, and jazz as forms of cultural expression Youth cultures and music under authoritarian systems Church-state dynamics in musical expression His work demonstrates how music functioned as both state propaganda and vehicle for dissent. Analysis of Rauhut's publications reveals consistent focus on: Cultural mechanisms in socialist states (75% of recent works) Transnational music exchanges across the Iron Curtain Archival methodologies for reconstructing musical histories Identity formation through popular music State censorship and artistic resistance strategies His documentary filmography expands these themes into visual media. As PhD supervisor, Rauhut guides research in popular music performance and musicology. His extensive conference participation includes keynote addresses in Germany, USA, Georgia, and Ukraine, covering topics from blues reception to music's role in political revolutions.
Festo Kayima is an Associate Professor in Chemistry Didactics at the Department of Teacher Education, Faculty of Social and Educational Sciences, Norwegian University of Science and Technology (NTNU). His research focuses on science teacher education, classroom knowledge, and pedagogical strategies in chemistry. Doctorate in Chemistry Education (2018, University of Bergen) Master’s in Science Education (2020, NTNU) Kayima’s research projects include developing science teacher trainees’ professional knowledge through reflective practice, enhancing scientific literacy, and integrating sustainability into chemistry education. He leads the Erasmus+ project STEMkey (2020–2023), emphasizing graduate attributes and key skills for educators. His recent publications (2025) with Springer explore pedagogical themes like chemical knowledge, outdoor teaching, and technology integration. These works align with broad keywords such as Science Education, Curriculum Development, and Experiential Learning, with subfields spanning digital tools, sustainability, and misconceptions in chemistry. Co-supervised Kristine Fjelldal Sunde’s thesis on teacher questioning in labs He contributes to research groups Naturfaglig Literacy i Skole og Lærerutdanning and ScienceHumanities , bridging interdisciplinary approaches in education. His teaching includes courses like Science as a School Subject (MGLU4211) and Teacher Education: Teaching Chemistry (PPU4626).
Reidar Hvalvik is an Adjunct Professor at MF University College of Theology, Religion and Society, contributing as an external academic member. His work bridges theology, religious studies, and art history, focusing on early Christian contexts and interdisciplinary research. He has authored a scientific monograph (2025) and encyclopedia entries, while also publishing technical analyses of biblical texts and their intertextual connections with Greco-Roman literature and art. His research interests span Pauline studies, the New Testament’s Greco-Roman setting, reception history, and the role of art in early Christian communities. He examines topics like Jewish-Christian relations, apocryphal writings, and the theological implications of classical influences on early Christian thought. Across over 146 publications, Hvalvik’s recent articles (2021–2025) highlight trends in analyzing motifs in Christian art, reinterpreting New Testament texts through historical and cultural lenses, and exploring connections between Paul’s writings and classical traditions. No scientific awards or grants are explicitly noted in the text. While no formal advisees or lab affiliations are listed, his external role suggests collaboration with academic teams in theology and biblical studies. His contributions emphasize scholarly synthesis between textual analysis and visual/ artistic expressions of early Christian ideas.
Johan Schimanski is a Professor of Comparative Literature at the University of Oslo, affiliated with the Faculty of Humanities and the Department of Literature, Area Studies and European Languages. He holds a Ph.D. from the University of Oslo (1997) and has held academic positions at institutions including the University of Tromsø and the University of Eastern Finland as a visiting professor. His research focuses on borders in literature, postcolonialism, Arctic discourses, and migration narratives, with notable contributions to border aesthetics and cultural encounters. Education: Magister in Comparative Literature (University of Oslo, 1990), Ph.D. (1997). Key professional milestones include leadership roles such as Head of Research at ILOS (2017–2020) and co-leadership of the TRAUM project on author museums (2016–2019). He has authored or edited over 20 books and numerous articles, exploring themes like migration literature, Arctic studies, and the political aesthetics of borders. Research interests span borders and national identity, postcolonialism, science fiction, and literary museums. He co-leads initiatives like the Temporalities and Subjectivities workshop series (2019–2021) and serves on editorial boards for journals such as Journal of Borderlands Studies . His work bridges literary analysis with interdisciplinary approaches to contemporary global issues, emphasizing the role of aesthetics in understanding border dynamics.
Jason Nelson is a Professor of Digital Culture in the Department of Linguistic, Literary and Aesthetic Studies at the University of Bergen, Norway. He is a creator of digital poems and fictions, builder of surrealist and politically focused art games and digital creatures. His work is exhibited widely in galleries and journals around the globe at FILE, ACM, LEA, ISEA, SIGGRAPH, ELO and numerous other venues. Nelson serves on organizational boards including the Australia Council Literature Board and the Electronic Literature Organization. Nelson's research focuses on the intersection of digital technology, creative writing, and artistic expression. He explores how AI and machine learning can be harnessed for creative purposes, developing new forms of digital literature and interactive art. His work often involves building expansive visual worlds through collaborative AI processes, creating interactive digital poetry, and developing novel approaches to digital narrative. Nelson's research spans digital humanities, electronic literature, AI-generated art, and interactive media, with particular emphasis on how these technologies transform creative processes and experiences. Over the past decade, Nelson's work has increasingly focused on the creative potential of AI technologies, especially in the areas of text-to-image generation and multimodal authorship. His projects often blend game engines with poetic expression, creating immersive experiences that challenge traditional boundaries between human and machine creativity. Recent works explore themes of multispecies futures, time perception, and the transformation of physical spaces through augmented reality. Nelson has received numerous scientific awards and fellowships including: Fulbright Fellowship at the University of Bergen Moore Fellowship at the National University of Ireland Winner of the Digital Writing Prize, Queensland Literary Awards (15,000 AUD) Winner of the Woollahra Library Digital Poetry Prize (5,000 AUD) Runner-Up Prize at the Videomedeja digital art exhibition Finalist for the Turn-on Literature Prize Finalist for the Queensland Literary Awards, Digital Writing Category Multiple finalist nominations for the New Media Writing Prize Nelson actively participates in academic advising and has secured significant research funding, including a 125,000 AUD grant from the Australia Council of the Arts, Literature Board for his project "Cube Cryptext and Nomencluster," which was recognized as the world's largest interactive art-game. His work "Nine Billion Branches" received multiple awards including the Digital Writing Prize from the Queensland Literary Awards. He has also received a 75,000 NOK grant for the "Flood Mosaic Artwork" project featured in the Floodlines Exhibition at the State Library of Queensland. Nelson is affiliated with the Center for Digital Narrative at the University of Bergen, where he collaborates with researchers like Scott Robert Rettberg and Alinta Krauth. Together they form EphemerLab, exploring new creative processes that move beyond simple "ask and generate" AI methods. Their work involves stitching together hundreds of individual image fragments and components into cohesive visual and narrative concepts, pushing the boundaries of what's possible with current AI technologies.
Kjetil Nordby is a Professor at the Oslo School of Architecture and Design (AHO), specializing in interaction design for maritime environments. He leads the Ocean Industries Concept Lab (OICL) and manages the OpenBridge Design System, an open-source framework for standardized ship bridge interfaces. Research focus: Augmented/Virtual Reality in maritime operations Key projects: OpenRemote (remote operation center UI), OpenAR (AR integration) Collaborations with institutions like Royal Institution of Naval Architects His work addresses cross-vendor interface consistency, safety-critical UX, and open innovation in maritime design. Recent publications explore AR/VR applications for navigation, collaborative workstations, and energy-conscious maritime systems. Scientific contributions include: 15+ peer-reviewed articles in journals like Journal of Marine Science and Engineering and Applied Ergonomics Book chapters on sensemaking in safety-critical maritime environments
Eirik Valseth is an Associate Professor of Scientific Computing at the Norwegian University of Life Sciences (NMBU), Department of Data Science. He holds concurrent roles as a research associate at the Oden Institute, University of Texas at Austin, and an affiliated researcher at Simula Research Laboratory (Department of Numerical Analysis and Scientific Computing). His expertise lies in advanced finite element methods for PDEs with applications in flood modeling and hydropower systems. Current Affiliation: NMBU (Norwegian University of Life Sciences) Secondary Affiliations: Oden Institute (UT Austin), Simula Research Laboratory Research interests span numerical methods for challenging PDE systems, including: Stabilized finite element formulations Hurricane storm surge and riverine flood modeling Hydropower infrastructure analysis Computational mechanics and applied mathematics His recent publications (2024–2025) emphasize flood risk assessment (compound flooding, dam breaks, dredging impacts), advanced numerical methods (isogeometric analysis, stochastic finite elements, graph-grammar algorithms), and environmental applications (pollution transport, pathogen distribution, mosquito population dynamics after hurricanes). Key trends include cross-disciplinary integration of physics-aware machine learning and robust hydrodynamic simulation tools. Valseth's work extends to software development (e.g., WAVEx for spectral wave models, SWEMniCS for coastal circulation) and large-scale modeling frameworks like the ADCIRC unstructured mesh model for US coasts. Collaborative projects involve institutions such as University of Texas at Austin, Simula, and NOAA.
Hans Petter Hildre is Head of Department at the Department of Ocean Operations and Civil Engineering , part of the Faculty of Engineering at the Norwegian University of Science and Technology (NTNU). His work focuses on maritime engineering, digital twin technology, and marine operations. Research interests include: Digital Twin Applications in Maritime Industry Offshore Operations and Wind Turbine Installation Marine Robotics and Autonomous Systems Wave Field Estimation and Environmental Load Analysis Human-Machine Interaction in Maritime Contexts Co-simulation and Real-time Monitoring Recent publications highlight trends in: Wave shielding effects for offshore vessels Knowledge transfer from automotive/aviation to maritime Crane path planning using digital twins Visual attention zone recognition systems Hydrodynamic modeling and sensitivity analysis Smart city-maritime integration Scientific collaborations span institutions including: European Commission (Future Skills Reports) Royal Institution of Naval Architects The American Society of Mechanical Engineers (ASME) IEEE Transactions on multiple domains Springer Publishing
Karen O'Brien is a Professor in the Department of Sociology and Human Geography at the University of Oslo, where she has been a full-time faculty member since 2005. She is internationally recognized for her work on the human and social dimensions of global environmental change, with a focus on climate change, adaptation, and transformative pathways to sustainability. She currently serves as co-chair of the IPBES transformative change assessment and has contributed to major scientific assessments including the IPCC Fifth Assessment Report. Her educational background includes a BA in International Relations from the College of William and Mary (1985), an MS in Environmental Studies from the University of Wisconsin-Madison (1990), and a PhD in Geography from Pennsylvania State University (1995). She completed a postdoc at the North American Commission for Environmental Cooperation in 1996 and was a Senior Research Fellow at CICERO from 1997 to 2005. Karen O'Brien's research centers on integrative and transdisciplinary approaches to sustainability, emphasizing the role of beliefs, values, and worldviews in driving social and systems change. She is a leading proponent of quantum social science as a framework for understanding and scaling transformative change. Her recent scholarly output explores youth activism, climate education, and the philosophical underpinnings of transformation in the Anthropocene. Her publications reveal a strong thematic focus on transformation, adaptation, and the intersection of climate change with social theory. Articles consistently engage with interdisciplinary frameworks, action research, and innovative methodologies such as SenseMaker, reflecting her commitment to bridging science, policy, and societal action. BBVA Foundation's Frontiers of Knowledge Award for Climate Change (2021) Member of Academia Europaea (2022) University of Oslo Student Parliament's Teaching Award (2015) Burtoni Prize for Adaptation Research (2011) AAG Meridian Book Award (2008) Shared in the 2007 Nobel Peace Prize as part of the IPCC Karen O'Brien has supervised numerous PhD and Master’s students, though specific names are not listed in the provided text. She has led significant research projects such as the AdaptationCONNECTS project and co-founded cCHANGE, an organization dedicated to sustainability transformations. Her advisory roles include membership on the Science Committees of Future Earth and Our Common Future in a Changing Climate, as well as leadership in the transition to global sustainability research initiatives. She has no reported grants listed, but her involvement in large-scale international assessments implies substantial funding support. She is affiliated with key research platforms including the Department of Sociology and Human Geography at the University of Oslo, where she has served on the Board, and the Research Center for Socially Inclusive Energy Transition (Include). Her work is deeply collaborative, involving networks such as IPBES, IPCC, and Future Earth, and she frequently publishes with interdisciplinary teams across Europe and North America.
Jon Andoni Duñabeitia is a Full Professor at the School of Languages and Education of Universidad Nebrija in Madrid. He serves as Director of the Centro de Investigación Nebrija en Cognición (CINC) and the International Chair in Cognitive Health . With an h-index of 43 (Scopus), he has published 170+ articles across psycholinguistics, multilingualism, cognitive training, and virtual reality applications in education. His research examines how language processing interacts with cognitive load, emotional modulation, and technological innovation. Principal Investigator for 8+ projects funded by Spanish Government, Basque Government, BBVA Foundation Associate Editor and Editorial Board Member of high-impact journals Recognized among Spain's top 3% scientists across all disciplines Recent publications span topics including: Second-language reading dynamics in VR environments Multilingual cognitive interactions in neurological conditions Emoji/typographic effects on word processing Computerized cognitive assessment and training systems He actively contributes to scientific meetings as invited speaker across Europe, Asia, and Americas. His work bridges basic research in psycholinguistics with applied technologies for cognitive health.
