جستجوی استاد راهنمای دانشگاهی

Kiri Millerمشاهده پروفایل

استاد

• American studies
• Digital media
• Ethnography
• +۸ مورد دیگر

Kiri Miller is a Professor of American Studies and Chair of the American Studies department at Brown University. Her research focuses on participatory culture, digital media, and performance studies, with a particular emphasis on interactive media like video games and their cultural implications. She holds a Ph.D. in Music (Ethnomusicology) from Harvard University and has held prestigious fellowships, including from the Radcliffe Institute and the American Council of Learned Societies. Her major works include Playable Bodies: Dance Games and Intimate Media (Oxford, 2017), which examines the cultural and kinesthetic impact of dance games, and Playing Along: Digital Games, YouTube, and Virtual Performance (Oxford, 2012), exploring game culture and virtual communities. She also authored Traveling Home: Sacred Harp Singing and American Pluralism (Illinois, 2008), studying participatory music traditions. Miller’s research interests span digital media, ethnography, gender studies, and popular music. Her current work investigates 'insomniac listening' through sleepcasts and meditation apps, analyzing their role in wellness culture and sonic comfort. She teaches courses such as Virtual Bodies, Music and Technoculture, and Popular Music Studies. Her awards include the de la Torre Bueno Book Award and the Alan Merriam Prize, recognizing her contributions to dance studies and ethnomusicology. Miller’s interdisciplinary approach bridges media studies, cultural anthropology, and technology, making her a leading voice in digital humanities and performance studies.

John H. Arnoldمشاهده پروفایل

استاد

• Medieval Christianity
• Heresy Studies
• Inquisition History
• +۴ مورد دیگر

John H. Arnold is Professor of Medieval History at the University of Cambridge and Fellow of King's College. Educated at the University of York (BA History, D.Phil Medieval Studies), his academic career includes positions at University of East Anglia and Birkbeck, University of London before joining Cambridge in 2016. He holds editorial roles at Cultural and Social History, Past & Present, and directs publication series at both York Medieval Press and Cambridge University Press. Arnold's research centers on medieval religious culture, particularly lay belief, heresy, inquisition, and the history of gender. His monograph 'The Making of Lay Religion in Southern France' (2024) exemplifies this focus. Current projects investigate the social history of confession and the repression of usury. Analysis of Arnold's 15 most recent publications reveals consistent engagement with medieval religious dissent and belief systems. Key themes include: reinterpretations of heresy trials (2019), sensory dimensions of faith (2018), historiographic debates about Catharism (2016), and methodological examinations of archival sources (2022). His work frequently employs theoretical frameworks from sociology and philosophy to reinterpret medieval religious conflict. Arnold maintains active research networks through editorial leadership and supervision. His Cambridge Studies in Medieval Life and Thought series promotes innovative scholarship in medieval history.

Kristin Schwainمشاهده پروفایل

استاد

• American Material and Visual Culture
• Art and Religion
• Arts of the African Diaspora
• +۳ مورد دیگر

Kristin Schwain is a Professor in the Department of Art History at the University of Missouri's School of Visual Studies. She holds a PhD in Art History and Humanities from Stanford University and a BA in Art History and Humanities from Valparaiso University. Her interdisciplinary research examines marginalized objects and practices in American art history, emphasizing their cultural significance through lived experience. Her educational background includes: PhD in Art History and Humanities, Stanford University BA in Art History and Humanities, Valparaiso University Dr. Schwain's research centers on American Material and Visual Culture, Art and Religion, Arts of the African Diaspora, and Public Humanities. She investigates overlooked artifacts to reveal their influence on everyday life, challenging assumptions about modernization's impact on religious expression. Her work bridges historical analysis with contemporary relevance through studies of traditional craft, artist books, photojournalism, and mass-produced objects as lenses into social practices. Her recent publications demonstrate consistent focus on art-religion intersections in American cultural history, from Henry Ossawa Tanner's biblical paintings to Afro-Cuban religious themes in Ediciones Vigía artist books. This body of work reveals evolving methodologies for uncovering marginalized narratives through interdisciplinary frameworks spanning visual culture, material studies, and diaspora scholarship. Her scholarly recognition includes: First Biennial National Basketry Association Book Award for Rooted, Revived, Reinvented: Basketry in America Dr. Schwain has secured major grants from the Smithsonian Institution, Luce/American Council of Learned Societies, Center for the Study of Religion and American Culture, and Georgia O’Keeffe Museum Research Center. Her collaborative public humanities projects with the Missouri School of Journalism's Pictures of the Year International and Scruggs-Vandervoort-Barney department store collection demonstrate institutional partnerships that translate academic research into community engagement. She actively collaborates with the Museum of Art and Archaeology at the University of Missouri on exhibitions like Rooted, Revived, Reinvented: Basketry in America and Juan Roberto Diago: Foraged Materials, Assembled Histories , fostering cross-generational dialogues through multi-venue traveling shows and digital initiatives including The iCatalog .

Peter H. Dittoمشاهده پروفایل

استاد

• Social Psychology
• Judgment and Decision Making
• Political Bias
• +۴ مورد دیگر

Dr. Peter H. Ditto is a Professor of Psychological Science at the University of California, Irvine (UCI), affiliated with the School of Social Ecology and the Department of Psychological Science. He holds a Ph.D. from Princeton University. His research focuses on 'hot cognition'—the interplay of emotion and reason in social, political, moral, medical, and legal judgments. Central themes include motivated reasoning, partisan political bias, and the role of emotion in moral decision-making. His work has explored how political ideology skews judgments, denial in response to medical threats, and how moral principles are selectively applied to justify desired conclusions. Research affiliations include the Hot Cognition Lab at UCI and contributions to platforms like Yourmorals.org for data collection. His interdisciplinary efforts bridge psychology, ethics, and societal issues through studies on topics ranging from end-of-life medical decisions to workplace wellness incentives. He has published extensively in top journals such as Science , Journal of Personality and Social Psychology , and Psychological Science . His articles collectively examine moral psychology, political behavior, and health decision-making, highlighting biases in self-reported happiness, free will perceptions, and punitive motivations. Advising and grant activities are not explicitly detailed here, but his lab’s research emphasizes practical applications to real-world social problems, such as constructive political dialogue through Civil Politics.

• Theology of the Pentateuch
• Theology of the Psalter
• Spirituality of the Old Testament
• +۱ مورد دیگر

Enrique Sanz Giménez-Rico, SJ is a Professor at the Faculty of Theology of Comillas Pontifical University , where he has taught for over two decades. His academic journey includes a Licentiate in Trilingual Biblical Philology (Pontifical University of Salamanca, 1990) Licentiate in Sacred Scripture (Pontifical Biblical Institute, 1997) Doctorate in Theology (Comillas Pontifical University, 2000) . Specializing in Old Testament theology and spirituality , his research focuses on the Theology of the Pentateuch , Theology of the Psalter , and Greek Philology . His recent publications explore themes like prophetic literature , divine mercy , and biblical foundations for environmental ethics , reflecting a synthesis of Hebrew Bible studies and contemporary theological challenges . Scientific contributions include Sexenio Campo 11 accreditation in Philosophy, Philology, and Linguistics (2011-2018) ACAP certification as Professor Doctor of Private University (2007) . Professional roles encompass Rector of Comillas Pontifical University (2021-2024) Dean of Theology and Canon Law Faculties (2015-2021) Director of the Department of Sacred Scripture and Church History (2011-2015) .

Ellen Adamsمشاهده پروفایل

استاد

• Classical Archaeology
• Minoan Crete
• Disability Studies
• +۴ مورد دیگر

Dr Ellen Adams is a Reader in Classical Archaeology and Liberal Arts at King’s College London, affiliated with the Departments of Classics and Interdisciplinary Humanities. She holds a PhD from the University of Cambridge (2004) and has conducted archaeological fieldwork across Europe. Her research focuses on Minoan Crete, disability studies in classical contexts, and museum accessibility for sensory-impaired audiences. She co-organizes the ICS Mycenaean Seminars and founded the Museum Access Network for Sensory Impairments (MANSIL) in 2018. Her work bridges archaeology and modern accessibility, emphasizing audio description, touch tours, and British Sign Language in museums. Recent projects include Disability Studies and the Classical Body (Routledge, 2021) and collaborations with institutions like the British Museum and the Courtauld Gallery. She teaches Greek archaeology, museum studies, and interdisciplinary modules in global cultures. Adams has appeared on BBC Radio discussing Minoan civilization and classical reception. Her research projects include Making Sense of Visual Art Through a Visual Language (BSL) and Anosmia in Culture and History . She actively curates public engagement events, such as BSL storytelling in Holyrood Park and creative writing competitions for blind/visually impaired audiences.

• Religious Tourism
• Sustainable Tourism
• Tourism Impacts
• +۲ مورد دیگر

Matina Terzidou is a Senior Lecturer in the Faculty of Business and Law at Middlesex University, where she belongs to the Department of Marketing, Enterprise & Tourism. Her research focuses on religious tourism, with particular emphasis on tourist experiences, motivations, and the intersection of tourism with wellbeing and sustainability. She investigates how visual media influences destination image formation and examines socio-economic impacts of tourism in cultural contexts. As a module leader for Research Project and MSc Dissertations, she coordinates postgraduate research and teaches Hospitality and Events Practicum. She has previously taught Heritage Tourism, International Tourism Industry, and Tourism & Society. She serves on scientific committees for international tourism conferences and reviews for academic journals.

Catherine Guastavinoمشاهده پروفایل

استاد

• Auditory perception & cognition
• Urban soundscapes
• Environmental noise management
• +۳ مورد دیگر

Catherine Guastavino is a Professor at McGill University's School of Information Studies (within the Faculty of Arts) and an Associate Member at the Schulich School of Music. She also contributes to the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT). Her roles include leading research projects and supervising graduate students in music technology and related fields. She holds a PhD in Psychoacoustics from Université Pierre et Marie Curie (Paris VI), an MSc from IRCAM (France), and a BSc in Mathematics from McGill University. Her research focuses on auditory perception, soundscape analysis, human-computer interaction, and urban acoustics. Notable projects include the 'Sounds in the City' partnership addressing urban noise policy and the development of immersive soundscape simulation tools. She leads or co-leads grants from SSHRC, NSERC, and MITACS, emphasizing interdisciplinary approaches to sound in urban environments. Guastavino's work bridges academic research with practical applications, such as designing sound installations for public spaces and improving acoustic environments in transportation and performance venues. She collaborates with city planners, musicians, and engineers, reflecting her commitment to making cities sound better through evidence-based strategies. Key Projects: SSHRC Partnership Grant for urban soundscape management (2018-2023) NSERC Discovery Grant on auditory localization (2019-2024) MITACS projects on Montreal festival soundscapes and noise policy Labs & Partnerships: Multimodal Interaction Laboratory (MIL) Collaborations with Ville de Montréal and Quartier des Spectacles Education: PhD: Psychoacoustics (Paris VI) MSc: Computer Science & Music Technology (IRCAM) BSc: Mathematics (McGill) Her teaching includes courses like Music Information Retrieval, integrating computational methods with artistic and scientific applications.

Hartmut Rosaمشاهده پروفایل

استاد

• Social Acceleration Theory
• Modernity Diagnosis
• Time Sociology
• +۵ مورد دیگر

Hartmut Rosa holds the Professorship of General and Theoretical Sociology at Friedrich Schiller University Jena since 2005. He serves as Director of the Max Weber College in Erfurt and leads multiple DFG-funded research groups including the Collaborative Research Center TRR 294 'Structural Change in Property'. A leading theorist in social acceleration and resonance theory , he combines temporal analysis with democratic theory and critical sociology. Born: August 1965 Current: Director of Max Weber College Key Positions: New School for Social Research affiliation His research spans : Social acceleration across technological, cultural, and experiential dimensions Resonance as alternative to alienation Democratic theory under time pressure Modernity diagnostics Critical theory foundations Recent article themes include: Digital self-tracking motivations (2021) - intersection of big data and temporal ethics Corona crisis as temporal disruption (2020) - rethinking economic priorities Acceleration's impact on democracy (2005-2023) - temporal overload analysis World relations theory (2011-2022) - new materialist approaches Major scientific awards : 2023 Gottfried Wilhelm Leibniz Prize (Germany's highest research honor) 2018 Erich Fromm Prize for Social Psychology 2018 Paul Watzlawick Ring of Honor 2016 Tractatus Prize for Philosophical Essays He leads multiple research projects : SFB TRR 294 Subproject C06 'Making Things Available' DFG Priority Programme on Aesthetic Eigenzeiten Research Group 'Land Grabbing, Acceleration, Activation' VW Foundation project on 'Aporias of Perfection' in acceleration

Wendy Salmondمشاهده پروفایل

استاد

• Russian Art
• Soviet Art
• Icons
• +۶ مورد دیگر

Wendy Salmond is a Professor of Art at Chapman University, holding the Martha Weidlein Masters Professorship in Art within the Wilkinson College of Arts, Humanities, and Social Sciences. She specializes in Russian and Soviet art, design, icons, architecture, the Romanov Family, and Russian Revolutionary Culture. Dr. Salmond received her academic training with a BA (Hons I) in Russian Language and Literature from the University of Otago in New Zealand (1978), followed by an MA in Slavic Languages and Literatures (1983) and a PhD in Art History (1989), both from the University of Texas at Austin. Professor Salmond is a renowned scholar of Russian and early Soviet art, architecture, and design, with particular expertise in exploring the intersection of diverse cultural traditions in Russia and the formation of national identity. Her research spans the Arts and Crafts movement, Art Nouveau, and Russian modernism, with a current focus on transformations in the perception and function of icons in Russia, from objects of devotion to works of art. She has made significant contributions to the study of Russian icons through extensive writing, lecturing, and curatorial work, including serving as a visiting curator at Hillwood Museum and Gardens and guest curator for exhibitions at Hillwood and The New York Public Library. Analysis of Professor Salmond's recent publications reveals a consistent focus on Russian religious and secular art, particularly icons and their evolving cultural significance. Her work spans historical periods from Imperial Russia through the Soviet era, with particular attention to the intersection of religious tradition and modern artistic movements. The 2020 publication 'Eternity in Low Earth Orbit: Icons on the International Space Station' demonstrates her innovative approach, examining how Russian Orthodox icons have been incorporated into the International Space Station as sacred objects, connecting terrestrial religious traditions with space exploration. Among her notable honors, Professor Salmond holds the Martha Weidlein Masters Professorship in Art at Chapman University. She has also been recognized through invitations to curate major exhibitions and edit significant scholarly volumes on Russian art. Professor Salmond teaches courses on European modernism, graphic design history, gender and Western art, art history methods, and Russian art, design, and visual culture of the Imperial and early Soviet era. Her teaching emphasizes close visual analysis, sustained discussion, and the development of research skills. As a prolific translator of texts on Russian art and culture, she has edited volumes on Sergei Konenkov, the Bolshevik sales of Russian art in the 1920s and 1930s, and the reception of Art Nouveau in Russia. Her scholarly work extends beyond traditional academic boundaries through her active engagement with museum curation and public scholarship, creating bridges between academic research and public understanding of Russian art and culture.

Finbarr Barry Floodمشاهده پروفایل

استاد

• Art and architecture of the Islamic world
• Cross-cultural dimensions of Islamic material culture
• Theories and practices of image-making
• +۳ مورد دیگر

Finbarr Barry Flood is the William R. Kenan, Jr., Professor of the Humanities and Founder-Director of the Silsila: Center for Material Histories at NYU's Institute of Fine Arts. He holds a Ph.D. in Islamic Art History from the University of Edinburgh (1993) and a B.A. in Archaeology from Trinity College Dublin (1988). His research focuses on Islamic art and architecture, cross-cultural material culture, and art historical methodologies. Notably, he has held prestigious fellowships such as the Slade Professorship at Oxford and ACLS Collaborative Research Fellowship. His work bridges global art histories, examining topics like medieval Hindu-Muslim encounters, iconoclasm, and the materiality of religious artifacts. Flood’s scholarly contributions include seminal books like Objects of Translation and The Great Mosque of Damascus . His awards reflect both academic excellence and teaching prowess, including NYU's Golden Dozen Award. As director of Silsila, he leads interdisciplinary research into material histories, fostering collaborations across disciplines and regions. His publications span 40+ years, addressing themes from medieval art technologies to modern reinterpretations of Islamic aesthetics.

Caroline Voutمشاهده پروفایل

استاد

• Roman Imperial History
• Classical Art History
• Reception Studies
• +۴ مورد دیگر

Caroline Vout is Professor of Classics at the University of Cambridge, holding a Fellowship at Christ's College where she serves as Director of Studies for Prelims and Part 1A in Classics. She directs the Museum of Classical Archaeology (MOCA) and co-directs Cambridge Visual Culture. From 2019-2024, she held the Byvanck Chair of Classical Archaeology/Art History at Leiden University. Born in Durham, Vout completed her undergraduate studies at Newnham College, Cambridge, followed by an MA at the Courtauld Institute of Art in London, then returned to Newnham for her PhD. Before joining Cambridge in 2006, she taught at London, Bristol, and Nottingham Universities. Vout is a cultural historian and art historian specializing in the Roman imperial period and its reception. Her research explores power dynamics in classical art, erotic representation, and how antiquity has been reinterpreted through history. She examines how classical visual culture functions as both historical evidence and living cultural force, with particular expertise in body representation and political dimensions of reception. Her publication history reveals deep engagement with classical material across centuries - from detailed artifact studies (Peplos Kore, Discobolus) to broad cultural analyses. Recent work connects antiquity with modern contexts including the Olympic Games and Victorian reinterpretations, showing consistent interest in how classical art remains dynamically relevant. As Director of Studies at Christ's College, Vout mentors undergraduate Classics students while her MOCA leadership bridges academic research and public engagement. Her curatorial work, including the upcoming 'Paris 1924: the Art of the Olympics' exhibition with Chris Young, demonstrates commitment to making classical art accessible through innovative programming and digital initiatives like MOCA's video series. Vout's interdisciplinary approach through Cambridge Visual Culture and her editorial roles (Omnibus, Sculpture Journal advisory board) reflect her position at the intersection of traditional classical scholarship and contemporary visual studies, connecting ancient artifacts with modern cultural discourse.

Crispin Branfootمشاهده پروفایل

استاد

• South Asian Art History
• Hindu Temple Architecture
• Colonial History of South India
• +۳ مورد دیگر

Dr Crispin Branfoot is a Reader in the History of South Asian Art and Archaeology at SOAS University of London, affiliated with the School of Arts and the Department of History of Art and Archaeology. He holds a BA in Ancient History and Archaeology from Manchester University, and an MA and PhD in Art and Archaeology from SOAS. His research focuses on the arts of southern India from the 14th to 20th centuries, with emphasis on Hindu temple architecture, colonial-era renovations, and the intersection of photography, archaeology, and conservation. He has supervised four PhD students examining topics ranging from temple iconography to colonial paper-making practices. His work explores how sacred spaces like the Minakshi-Sundareshvara temple in Madurai were reconfigured through colonial and post-colonial interventions, while also analyzing pilgrimage routes, portraiture traditions, and the legacy of the Vijayanagara Empire. He has contributed to major publications such as India: A History in Objects (2022), and his research bridges material culture studies with postcolonial theory. He previously worked at De Montfort University and the British Museum, where he gained expertise in South Asian art curation and historical documentation.

Alberto Cantera Gleraمشاهده پروفایل

استاد

• Zoroastrian Studies
• Avestan Language and Literature
• Iranian Linguistics
• +۶ مورد دیگر

Alberto Cantera Glera is a Professor at the Institute of Iranian Studies within the Department of History and Cultural Studies at Freie Universität Berlin. His research focuses on Zoroastrian studies, Avestan language and literature, Iranian linguistics, and manuscript studies. He teaches courses on Young Avestan, Pahlavi, Zoroastrian rituals, and Iranian literature, with office hours held on Thursdays from 3-5 p.m. Professor Cantera Glera's research interests center on Zoroastrian religious practices, particularly the Long Liturgy, Avestan textual criticism, and the transmission of Zoroastrian texts through manuscript traditions. His work bridges linguistic analysis with religious studies, examining how ritual practices evolved from ancient to medieval Iran. He has made significant contributions to understanding the relationship between oral performance and written transmission in Zoroastrian traditions, as well as the linguistic features of Avestan and Middle Persian texts. His recent publications reveal a consistent focus on Zoroastrian ritual structures, particularly the Long Liturgy, with increasing attention to the relationship between textual manuscripts and ritual performance. The articles show progression from linguistic analysis of Avestan texts toward broader studies of ritual practice, sacred geography, and the historical development of Zoroastrian religious authority. His work demonstrates sophisticated integration of manuscript evidence with ritual theory and historical linguistics. PRIX ROMAN ET TANIA GHIRSHMAN 2021 Professor Cantera has supervised numerous PhD students including Nils Purwins, Stefan Härtel, Yusef Saadat, Jaime Porro, Soheil Delshad, and Xue Li. His research has been supported through various academic projects related to Zoroastrian manuscript studies and Avestan textual criticism, contributing significantly to the field of Iranian studies at Freie Universität Berlin.

Jonnie Pennمشاهده پروفایل

استاد آموزشی

• History of Artificial Intelligence
• AI Ethics
• Technology and Society
• +۵ مورد دیگر

Dr. Jonnie Penn is an Associate Teaching Professor of AI Ethics and Society at the University of Cambridge, where he teaches in the Department of History and Philosophy of Science. He holds multiple prestigious affiliations including as a Faculty Associate at Harvard's Berkman Klein Center, Senior Research Fellow at the Leverhulme Centre for the Future of Intelligence, and Research Fellow at St. Edmund's College. His educational background includes First Class Honours from the University of Cambridge and degrees from McGill University. His research explores the deep historical relationships between notions of efficiency and authority in computer science, artificial intelligence, and management science, with particular focus on systems theory, complex science, and technocracy within AI Ethics. Penn's scholarly work reveals consistent themes across decades of research: the historical genealogy of power in AI systems, critical examinations of algorithmic governance, and the social implications of digital technologies. His publications span from technical analyses of data ecologies to broader societal critiques of corporate influence on AI development. #1 New York Times Bestselling Author FRSA (Fellow of the Royal Society for Arts) MIT Media Lab Assembly Fellow Google Technology Policy Fellow Fellow of the British National Academy of Writing As Project Development Lead of the 'Histories of AI' initiative at the Leverhulme Centre for the Future of Intelligence, Penn connects a global network of scholars examining the social, political, and economic ramifications of intelligent systems. He has co-chaired workshops at leading academic conferences including HSS, SHOT, NeurIPS, ICML, and ICLR, and has presented research to the United Nations, European Parliament, and UK House of Lords. His current work focuses on 'decomputerisation' as a critical framework for understanding our relationship with technology.