Sergio Rigoletto is an Assistant Professor of Film Studies at the University of Groningen, Faculty of Arts. Previously, he held an Associate Professor position in Cinema Studies and Italian at the University of Oregon, USA. His research focuses on the intersection of film aesthetics with social change, queer media cultures, and Italian cinema. Key areas include transnational queer imaginaries in Mediterranean media, stardom in Neorealist cinema, and gendered labor in film industries. Education: PhD from the University of Reading, MA from Birkbeck College, London, and BA/MA from the University of Catania, Italy. His publications include Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s (2014) and Le norme traviate (2020). Current projects involve a monograph on Anna Magnani and Queer from the South: Film, Video Art and Media Activism in the Mediterranean . Research interests span queer media activism, Italian film history, and international television. He has contributed to journals like Journal of Cinema and Media Studies and New Review of Film and Television Studies , analyzing topics such as Xavier Dolan’s cinematic techniques and spectrality in Call Me by Your Name . Rigoletto’s work emphasizes interdisciplinary approaches to film, blending cultural theory with close textual analysis. His recent focus on Mediterranean queer media highlights transnational collaborations and challenges traditional national narratives in cinema.
Stefan Binder is a Senior Research Assistant at the Institute for Social Anthropology and Cultural Studies (ISEK) at the University of Zurich's Faculty of Arts and Social Sciences. His academic work focuses on the intersections of gender, sexuality, and religious studies with particular attention to secular and non-religious perspectives. His primary research interests include gender and sexuality studies, queer anthropology, secularity and non-religion, religious aesthetics, ethics, and temporal dimensions of religious practices. Binder's work employs anthropological approaches to explore contested notions of "newness" and "generational change" within queer and trans* communities in both South Asia (particularly India) and Europe. His research also investigates the sensory, material, and aesthetic dimensions of lived everyday religion and non-religion. Binder's publication record shows a strong focus on nonreligion studies, with particular emphasis on atheist activism in South India. His work frequently examines the relationship between secularism and religious pluralism, with attention to how these concepts manifest in everyday practices and experiences. His scholarship demonstrates interdisciplinary engagement across religious studies, anthropology, gender studies, and South Asian studies. His monograph Total Atheism: Secular Activism and the Politics of Difference in South India (2020) represents a significant contribution to the field of nonreligion studies. His recent articles (2021-2023) continue to develop theoretical frameworks for understanding secularism, nonreligion, and religious aesthetics through ethnographic approaches.
Petra Kuppers is a Professor at the University of Michigan, specializing in disability culture, performance art, and ecocriticism. She holds a PhD from Falmouth College of Art/Plymouth University (1999) and is affiliated with multiple departments, including English, Drama, and Gender Studies. Her work bridges academic research with community-based performance, emphasizing socially just futures through art. Key roles include Artistic Director of The Olimpias, co-founder of Turtle Disco, and a Just Tech Fellow (2024–2026) for 'Planting Disabled Futures,' a VR project blending disability culture and environmental ethics. She teaches graduate courses on disability studies and creative writing, advising students through a monthly 'Research Coven.' Kuppers has authored influential books like *Disability and Contemporary Performance* (2003) and *Eco Soma* (2022), recognized with awards such as the Guggenheim Fellowship and ATHE Book Prize. Her poetry collections, including *Gut Botany* (2020) and *Diver Beneath the Street* (2024), explore intersections of disability, ecology, and true crime. Her research spans crip ecologies, archival activism, and somatic methods, with recent projects including *Crip/Mad Archive Dances* and participatory events like 'Crip Drifts.' She emphasizes accessibility in performance, digital art, and public engagement, often collaborating with Indigenous communities and global disability collectives.
Pan Xu is a tenure-track assistant professor with joint appointments in the Department of Biostatistics & Bioinformatics, Department of Computer Science, and Department of Electrical & Computer Engineering at Duke University. Previously, Xu was a Postdoctoral Scholar Research Associate at Caltech's Department of Computing and Mathematical Science and earned a Ph.D. in Computer Science from UCLA. Xu's research focuses on developing computationally- and data-efficient machine learning algorithms with strong empirical performance and theoretical guarantees. Xu's research interests center around Machine Learning with broad applications in Artificial Intelligence, Data Science, Optimization, Reinforcement Learning, and High Dimensional Statistics. The research specifically targets real-world problems in Bioinformatics and Healthcare, with recent work emphasizing distributionally robust decision making, efficient exploration strategies, and multi-agent systems. Xu has developed novel algorithms that address the challenges of exploration in sequential decision making and robustness to distributional shifts between training and deployment environments. Xu's recent publications demonstrate a strong trend toward developing theoretically grounded yet practical algorithms for reinforcement learning and bandit problems, with particular emphasis on distributionally robust methods, efficient exploration techniques, and applications to healthcare. The work spans both theoretical analysis (providing minimax optimal regret bounds) and practical implementations (validated on benchmarks like Atari games and real healthcare datasets). Whitehead Scholar award from Duke University School of Medicine (2023) Best Paper Award at ACM FAccT 2023 for Queer In AI paper PIMCO Postdoctoral Fellowship in Data Science (2022) TMLR Featured Certification (2023) NSF award on approximate sampling based exploration (2023) Xu actively mentors multiple Ph.D. students across Duke's Biostatistics & Bioinformatics, Computer Science, and Electrical & Computer Engineering programs, with several alumni now pursuing doctoral studies at top institutions. The research group has secured competitive funding including an NSF award for approximate sampling based exploration for sequential decision making. Xu serves as an action editor for TMLR and as an area chair for major conferences including ICML, NeurIPS, AAAI, ICLR, and AISTATS. Xu leads a dynamic research group focused on sequential decision making, with projects spanning theoretical algorithm development, implementation of practical systems, and applications to healthcare and bioinformatics. The group maintains active collaborations across Duke's medical and engineering schools, with recent work applying machine learning to epidemic forecasting during the pandemic.
James Wilson is the Executive Officer of the Theatre and Performance program at The Graduate Center, CUNY, and holds a Professorship in both Theatre and Africana Studies. He also teaches English at LaGuardia Community College, CUNY, and is an affiliate faculty member in the Africana Studies Certificate Program. His research focuses on African American theatre, gender/sexuality studies, musical theatre history, and applied theatre pedagogy. Wilson earned his Ph.D. in Theatre from The Graduate Center, CUNY. His notable works include Failure, Fascism, and Teachers in American Theatre (2023) and Bulldaggers, Pansies, and Chocolate Babies (2010), which explore teacher representations and Harlem Renaissance performances respectively. His recent essays analyze queer performance in musical theatre, historical teacher portrayals in drama, and the intersections of race/gender in early 20th-century performance. He co-edits the Journal of American Drama and Theatre and is a Drama Desk voting member. Current projects include studying representations of teachers in performance and examining queer pedagogical frameworks in theatre history.
Rosa Andujar is a Senior Lecturer in Liberal Arts at King's College London, where she is affiliated with both the Department of Liberal Arts and the Department of Classics within the Faculty of Arts & Humanities. She serves as Editor of the American Journal of Philology and holds positions on the editorial boards of Brazilian journals Nuntius Antiquus and PhaoS - Revista de Estudos Clássicos. Dr. Andujar was elected to the Program Committee of the Society for Classical Studies for a three-year term (2022-2025), serving as Vice President for Program and Chair from 2023-2025. Her research focuses on two complementary areas: Ancient Greek tragedy, particularly the tragic chorus and its performance capabilities Global receptions of Greek drama, with special emphasis on Latin America and the Caribbean Dr. Andujar's work examines how engagements with Graeco-Roman antiquity intersect with questions of gender, race, class, and national identity. She has particular expertise in Cuban adaptations of Greek tragedy and Latinx receptions of classical drama, exploring how these cultural encounters create new narratives that challenge traditional understandings of classical reception. Her research has been recognized with prestigious awards including the 2020 London Hellenic Prize for 'The Greek Trilogy of Luis Alfaro' and the 2022 AJP Best Article Prize. She has secured significant research funding from the Loeb Classical Library Foundation, British Academy, A. G. Leventis Foundation, Harvard Center for Hellenic Studies, Andrew W. Mellon Foundation, and Fundación BBVA. Dr. Andujar's current research projects include 'The Cambridge Companion to Classics and Race' (edited volume), 'La Puerta Electra/The Electra Door' (critical bilingual anthology of Cuban rewritings), and 'Tragedy and Revolución' (monograph on Greek drama in Caribbean cultural history), supported by recent fellowships from the Loeb Classical Library Foundation and British Academy. She is actively involved in academic service as Editor of the American Journal of Philology, co-editor of the 'Classics and the Postcolonial' book series for Routledge, and Advisory Board member of 'Hesperides: Classics in the Luso-Hispanic World.' Her external examining work for the University of Birmingham (2018-2023) demonstrates her commitment to academic standards across institutions.
Malini Guha is an Associate Professor of Film Studies at Carleton University , cross-appointed to the Institute for Studies in Art and Culture and affiliated with Migration and Diaspora Studies . She holds the Ruth and Mark Phillips Professorship (2025-2027), focusing on geographical thinking across disciplines. Education: B.A. (University of Toronto), M.A. (York University), PhD (University of Warwick) Research Interests : Guha's work spans cinema and the city , diasporic/postcolonial cinema , public projection art , and ciné-geography . Recent projects include SSHRC-funded research on traction, flight, and becoming in moving images. Selected Publications : Author of From Empire to the World: Migrant London and Paris in the Cinema (2015) and co-editor of London as Screen Gateway (2023). Her articles appear in Feminist Media Histories , Routledge Companion to Media and the City , and Canadian Journal of Film Studies . Scientific Awards : Ruth and Mark Phillips Professorship (2025-2027) FASS Mid-Career Research Grant (2021) SSHRC Insight Development Grant (2023-2025) Collaborative Work : Co-organized Carleton’s Racialized and Indigenous Faculty Alliance (2022-2024), co-taught interdisciplinary course on Race and Representation in the Arts (2023), and collaborates with artist Neven Lochhead on projects like Something Happened (2024).
Professor Lee Wallace is a distinguished academic at the University of Sydney, serving as Director of the Sydney Social Sciences and Humanities Advanced Research Centre (SSSHARC) and Professor in the Discipline of Film Studies within the Faculty of Arts and Social Sciences. She joined the university in 2011 from the University of Auckland, where she earned her PhD in postcolonial literary studies in 1997. Her research focuses on queer theory, lesbian/gay studies, feminist theory, colonial/postcolonial discourse, and cinema studies. Wallace’s work explores intersections of sexuality, space, and cultural representation, with notable projects analyzing queer architectures and cinematic narratives. Education: PhD in Postcolonial Literary Studies from the University of Auckland (1997). Roles: Director of Research Development (Humanities), Research Coordinator, and member of the Sydney Centre for Healthy Societies and Sydney Policy Lab. Research interests include queer theory’s engagement with cultural space, colonial discourse analysis, and interdisciplinary studies of film and literature. Her recent articles analyze topics like midlife lesbian identity, queer science communication, and cinematic representations of commitment. Notable publications include Lesbianism, Cinema, Space (2009) and Reattachment Theory: Queer Cinema of Remarriage (2020). Awards: 2024 Eureka Prize finalist, Marsden Fund Grants (2007 and 1997). Her work has been featured in The Conversation and media outlets. Current grants include projects on queer community-building and sexual violence prevention in schools. Supervision: Guides PhD/Master’s students in queer theory, feminist theory, and interdisciplinary cultural studies. Her research team collaborates across disciplines to address societal challenges through humanities research.
Nancy Mock is an Associate Professor in the Department of Global Health Systems and Development at Tulane University's School of Public Health & Tropical Medicine. She holds affiliated faculty status at the Stone Center for Latin American Studies. Her academic journey includes a B.S. in Biology from Yale University (1976), an M.P.H. in International Health from Tulane (1979), and a Dr.P.H. in International Health from Tulane (1985). Dr. Mock's research focuses on global health systems, evaluation methodologies, complex emergencies, and health systems in Latin America and Africa. Notable areas include Haiti's public health challenges and Rwanda's educational health programs. She has directed key institutions like the Center for International Resource Development and contributed to the Famine Early Warning System (FEWS). Her work is supported by major grants, including the Robert Wood Johnson Foundation Grant (2007), USAID's Regional Public Health Leadership Initiative (2006-2007), and Rwanda-focused projects (2000-2004). She has consulted for organizations such as the World Food Program, UNICEF, and the Pan American Health Organization. Fluent in French and Spanish, her overseas experience spans Honduras and extensive fieldwork in Africa and Asia.
Dotun Ayobade is an Assistant Professor of Performance Studies and Black Studies at Northwestern University. His research focuses on how embodied popular culture shapes community, justice, and activism in postcolonial West Africa, particularly examining the interplay of aesthetics and social performance in Nigeria. He holds a joint appointment across disciplines and has taught at the University of Texas at Austin and Brown University prior to Northwestern. His academic interests include African/Black Performance Theory, African Popular Culture, and the intersection of performance with postcolonial politics. He is currently completing a book on Nigeria’s Afrobeat Queens, analyzing their role in Fela Kuti’s music subculture, under contract with Indiana University Press. This work has earned him prestigious awards, including the University of Texas Continuing Fellowship and Brown University’s Salomon Award. His scholarly contributions span peer-reviewed journals like Dance Research Journal and Journal of African Cultural Studies , with articles exploring topics such as sonic embodiment in Nigerian music and the spatial poetics of protest. He also engages with public discourse through platforms like Africa is a Country , addressing issues like neoliberalism and cultural netizenship. Ayobade’s work bridges performance ethnography, gender studies, and postcolonial theory, emphasizing the agency of marginalized voices in shaping cultural narratives. His research integrates interdisciplinary methods to unpack how performance mediates between individual creativity and collective socio-political realities in Africa and its diasporas.
Dr. Galina Miazhevich is a Senior Lecturer at the School of Journalism, Media and Culture (JOMEC) at Cardiff University, UK. Previously, she served as a lecturer at the University of Leicester's School of Media, Communication and Sociology (2013-2017) and as the Gorbachev Media Research Fellow at the University of Oxford (2008-2012). Her academic career focuses on media representations in post-communist contexts, with particular expertise in Russian and Eastern European media landscapes. Dr. Miazhevich earned her PhD from the University of Manchester, where she subsequently worked for two years as a Research Associate on an AHRC-funded project examining representations of Islam as a security threat. Her educational background has informed her research trajectory, which bridges media studies, political communication, and cultural analysis of post-Soviet societies. Dr. Miazhevich's research spans several interconnected domains: media representations of Islam and multiculturalism in Europe; media and democracy in post-communist Europe; gender, media, and emergent forms of post-Soviet identity; feminism; Eurovision and popular culture; and diaspora, transnationalism, and media. Her work consistently examines how media shapes and is shaped by political transitions, identity formation, and social movements in post-Soviet contexts, with particular attention to marginalized voices and resistance practices. Analysis of Dr. Miazhevich's recent publications reveals a consistent focus on resistance, identity, and power dynamics in post-Soviet media environments. Her work increasingly examines gender and sexuality as political categories, particularly through the lens of feminist and LGBTQ+ resistance to authoritarian regimes. The Eurovision Song Contest serves as a recurring analytical framework for understanding cultural diplomacy and nation-branding strategies. More recently, her research has pivoted toward documenting anti-war resistance following Russia's invasion of Ukraine, examining how celebrities and media figures navigate political dissent under authoritarian conditions. Dr. Miazhevich has received several notable recognitions for her scholarly contributions: AHRC Leadership grant 'A Quiet Revolution: Discursive Representations of Non-heteronormative Sexuality in Russia' (2018-2020, £250,960) Visiting Fellowship at the Davis Centre for Russian and Eurasian Studies, Harvard University (Fall 2023) Fellow of the Higher Education Academy (FHEA) Associate Editor for the Oxford Encyclopedia of Race, Ethnicity, and Communication (2024) Dr. Miazhevich actively mentors the next generation of scholars, currently co-supervising PhD students Diyana Dobreva (with Professor Martin Innes) and John Tasker (with Professor Paul Bowman). She welcomes PhD proposals in areas including digital culture and resistance, media management and misinformation, media and democracy, representation of minority groups, post-communist identity politics, gender and feminism, Eurovision and popular culture, and geopolitics and nation-branding. Her grant portfolio demonstrates sustained success in securing competitive research funding, including leadership of an AHRC grant and participation in the Academy of Finland project FEMCORUS (2021-2025). Dr. Miazhevich is deeply engaged with academic communities, serving as co-convenor of the (Digital) Media and Culture group at the British Association for Slavic and East European Studies (BASEES) since 2016 and as a member of the Advisory Board of the European Communication Research and Education Association (ECREA) since 2021. Her work extends beyond academia through public engagement, including invited talks at prestigious institutions like Harvard University and participation in policy-relevant events at Chatham House addressing LGBTQ+ politics in Russia.
Minwoo Jung is an Assistant Professor at Loyola University Chicago, jointly appointed in the Department of Sociology and Women's Studies and Gender Studies (WSGS). His research interrogates the intersections of gender, sexuality, neoliberalism, and globalization through decolonial and queer theoretical frameworks. Research interests include: Queer theory and its epistemological limits Decolonial approaches to globalization and rights Gender and sexuality in East and Southeast Asian contexts Neoliberal political economy and cultural critique Urban inequality in South Korea Transnational LGBTQ+ movements His recent scholarship examines contested cosmopolitanisms in queer activism, flexible masculinities in global Asia, and rights projects as relational sociological phenomena. Current work analyzes sovereignty imaginaries in Taiwan's marriage equality debates and neoliberal violence in global media like Squid Game . Scientific achievements include: Mary Griffin Essay Award Laura Bassi Scholarship Active in teaching and mentorship, Jung contributes to undergraduate and graduate programs in WSGS while maintaining a robust publication record.
Prof. Dr. Isabelle Stauffer holds the Professorship for Modern German Literature at the Catholic University of Eichstätt-Ingolstadt , where she also serves as Vice Dean of the Faculty of Languages and Literature and Deputy Director of the Center for Religion, Church, and Society in Change (ZRKG) . She co-leads the ZRKG Research Field III on "Religiosity in Contemporary Transformation Processes" and examines intersections of literature with gender/queer studies , postcolonial theory , and cultural history of gallantry . Studied at University of Zurich and Humboldt University Berlin Doctorate (2006) and Habilitation (2015) from Johannes Gutenberg University Mainz Previously held positions at Goethe University Frankfurt, Philipps University Marburg, and Saarland University Her research spans early modern to contemporary German literature , with specializations in intermediality (film, digital media), epistolary culture , and dandyism/fashion history . Current projects include organizing the 2025 IVG congress panel "Figures of Crisis – Crisis of the Figure" and editing the complete works of Aurora von Königsmarck. She has published extensively on topics including: Postcolonial transformations in early modern texts Religious discourse in contemporary literature Intermedia reflexivity in digital age narratives Queer performativity in historical and modern contexts Translation as cultural transfer mechanism Surface aesthetics in cinema and art
Erik Wade is an Assistant Professor in the Department of English and Creative Writing at SUNY Oswego. He holds a PhD from Rutgers University and has taught at Rheinische Friedrich-Wilhelms-Universität Bonn in Germany. His research focuses on race, sexuality, and national identity in early medieval English literature, with a particular emphasis on how these themes intersect with religious texts and cultural narratives. He currently directs the Medieval and Renaissance Studies minor and serves on the advisory board for Exemplaria: Medieval, Early Modern, Theory . Educational Background: PhD in English, Rutgers University (2018) MA in English, University of Oregon (2011) BA in English and History with a minor in Medieval and Renaissance Studies, SUNY Oswego (2009) AA in Humanities, Onondaga Community College (2007) Research Interests: Interrogates racial and sexual discourses in medieval literature Examines how early English texts constructed national identity through contested themes like rape culture and racial hierarchies Investigates global influences (e.g., Byzantine theology) on medieval English thought Challenges Eurocentric narratives in medieval studies Recent Publications Highlight: His work analyzes trans and queer themes in medieval hagiography, the racialized language of 'Anglo-Saxon' terminology, and the intersections between animal studies and gender relations. He co-authored a Smithsonian Magazine article deconstructing the term 'Anglo-Saxon.' Teaching and Advocacy: Teaches courses on medieval global literature, critical theory, and premodern identity. Actively promotes inclusive pedagogy and addresses systemic racism in academic disciplines through published opinion pieces and collaborative projects like the upcoming Race in Early Medieval England (Cambridge UP).
Professor Ben Bollig holds the position of Professor of Latin American Literature and Film at the University of Oxford's Faculty of Medieval and Modern Languages. He is also a Fellow and Tutor in Spanish at St Catherine's College, and an Associate Lecturer at St John's College. His research focuses on contemporary Latin American literature and film, with a specialization in Argentine poetry and its cinematic adaptations. He has authored or edited numerous books, including Moving Verses and The Poetry-Film Nexus in Latin America , and serves as editor of the Journal of Latin American Cultural Studies . Teaching responsibilities include the entire Spanish course for first-year students and Latin American literature and film options for upper years. He supervises MPhil/DPhil students in Latin American cultural studies, particularly Southern Cone literature and film. His work explores intersections of poetry, film, translation, and postcolonial theory, with a focus on Argentina's cultural production. He has published widely on topics such as poetic adaptation, political literature, and cultural activism. Key contributions include co-editing Latin American Cultural Studies: A Reader and producing translated volumes of Cristian Aliaga's work. His research themes span comparative literature, postcolonial studies, environmental humanities, and global cultural dynamics. He is actively engaged in academic leadership roles within his field, maintaining a strong international profile in cultural studies and literary criticism.
