جست‌وجوی استاد و پژوهشگر

Bora Uslusoyمشاهده پروفایل

دانشیار

• Music Production
• Audio Engineering
• Music Technology
• +۷ مورد دیگر

Bora Uslusoy is an Associate Professor in the Music Production and Engineering (MP&E) department at Berklee College of Music. He is based in the greater Boston area and brings a rich blend of academic, artistic, and entrepreneurial experience to his role. Education: Master of Arts in Digital Communications and Media/Multimedia, Beykent University (2017) Bachelor of Arts in Business Administration/Management, Istanbul University (1999) Studio Production Specialist Certificate, Berklee Online Guitar Studies, Musicians Institute London Bora Uslusoy's research and professional interests lie at the intersection of music production, audio engineering, and music technology. He is deeply engaged in the creative integration of acoustic and electronic instruments, emphasizing modern production techniques and collaborative workflows. His work reflects a holistic approach to music creation, spanning performance, production, and education. He is certified as an Avid Pro Tools instructor and a Steinberg Cubase trainer, reinforcing his technical expertise in digital audio environments. His recent production work spans a wide range of artists and genres, with projects released from 2014 through 2025. These works showcase his consistent involvement in mixing, mastering, producing, and performing—particularly on guitar. The articles reflect a strong focus on contemporary music production, with recurring themes in vocal engineering, electronic programming, and collaborative recording. His work often features Turkish and international artists, highlighting a cross-cultural musical perspective. Scientific and Professional Awards: Gold Award, Musicians Institute London: Guitar Institute of Technology Bora Uslusoy has played a significant mentoring and advisory role through his teaching, authorship, and leadership. He founded Modern Müzik Akademisi in Istanbul (2005–2012) and has authored five of the most popular guitar instruction books in Turkey, with over 20,000 copies sold. He has developed online courses and written numerous magazine articles and reviews. While specific grant information is not mentioned, his entrepreneurial ventures—such as bUMA RecordZ—and his sustained artistic output suggest ongoing project-based funding and industry engagement. He leads bUMA RecordZ, an independent record label and project studio equipped for modern music production. The studio serves as a hub for his creative and professional output, supporting recording, mixing, mastering, and production for diverse artists. His work environment reflects a blend of academic rigor and real-world industry practice.

• Music Production
• Audio Engineering
• Music Business
• +۳ مورد دیگر

Russ Hepworth is an Associate Professor at York St John University, teaching across the School of the Arts and York Business School. His roles include instructing modules on recording, production, mastering, music business, entrepreneurship, and innovation. Beyond academia, he operates a professional mastering service, consults in the music industry, and co-chairs the Audio Engineering Society's UK Mastering Group. He has held leadership positions such as Finance Director for the Music Producers Guild and co-founder of the Innovation in Music international conference series. He holds an LCM Diploma in Music Technology, MA in ICT in Education, and a PG Certificate in Teaching and Learning in Further and Higher Education. His research focuses on music production education, audio mastering techniques, and entrepreneurship within the music industry. He has contributed over 100 articles to outlets like Pro Sound News Europe and Sound On Sound, and authored/co-authored numerous books with Routledge, including Mastering in Music (2020) and Innovation in Music: Future Opportunities (2021). Russ has mastered over 1,000 albums since 2003, collaborating with artists such as Billy Ray Cyrus and Steve Earle. His work bridges professional practice and academic research, emphasizing knowledge transfer and industry engagement. He also serves on international conference committees, furthering innovation and educational discourse in music.

• Audio Engineering
• Sound Design
• Immersive Audio Systems
• +۳ مورد دیگر

John Freyermuth is an Associate Teaching Professor in the Visual and Performing Arts department at Clark University. He holds an M.F.A. in Sound Design from Savannah College of Art and Design (2011) and a B.A. in Audio/Radio with a Music Appreciation minor from Emerson College (2007). His work focuses on immersive audio systems, object-based recording techniques, and audio curriculum development. Key research interests include: Object-Based Audio Standards Stereo Compatibility in Immersive Formats Pro Tools & Dolby Atmos Training Live Performance Sound Design Recent presentations include 'Compression and Dynamics Processor Design' at Emerson College (2024) and 'Immersive Audio for the Modern Music Industry' sponsored by Genelec and Dolby (2023). He has collaborated on projects like the AVID Pro Tools Dolby Atmos training series and the 'Produce Like a Pro' educational content. His creative works span theater sound design (e.g., Menotti’s Amahl and the Night Visitor) to music production projects like Lost Home and the Holiday Pops Album. He actively develops audio curricula emphasizing both technical proficiency and artistic creativity.

• Music Composition
• Guitar Performance
• Music Production
• +۴ مورد دیگر

Mark Marshall is a Lecturer of Studio Production at Purchase College's Conservatory of Music. Based in Brooklyn, he combines his expertise as a touring/recording artist with innovative composition techniques using analog equipment and real instruments. His work spans genres from delta blues to minimalist music, emphasizing 'feeling before theory' to create authentic sonic experiences. Research interests include: Genre-specific composition and sonic nostalgia Hybrid analog/digital recording methodologies Intuitive collaboration through abstract musical descriptors Development of 'Future Relics' sound library Professional highlights: Collaborations with artists like Phil Lesh and Levon Helm Production credits for Jenna Nicholls and Abby Ahmad Contributions to Premier Guitar Magazine and The Pro Audio Files His approach prioritizes organic instrumentation (grand piano, analog synths, etc.) over digital samples, ensuring unique character in all compositions.

David Thibodeauمشاهده پروفایل

دانشیار

• Music Technology
• Audio Engineering
• Digital Signal Processing
• +۶ مورد دیگر

David Thibodeau is an Associate Professor in the Music Production and Engineering (MP&E) department at Berklee College of Music, where he has been teaching since 2012. His academic work is deeply informed by decades of professional experience in audio engineering, studio design, and pro audio technology development. His research interests lie at the intersection of music and technology, with a strong focus on digital signal processing (DSP) , audio converter applications , microcontroller programming , and recording studio systems . He brings a unique, holistic understanding of the technical and creative environments within professional recording studios. Although no formal publications are listed, his technical contributions are evident through real-world applications, equipment designs, and educational outreach. He created the YouTube channel How To SigmaDSP and SigmaStudio in 2024 to teach DSP programming, reflecting his commitment to accessible, hands-on learning in audio technology. Designed custom recording console for Aerosmith Installed consoles for Tony Bennett, Jon Bon Jovi, Metallica, A-ha, and major studios Provided broadcast audio for 2008 Beijing Olympics, 2012 London Olympics, and 2010 FIFA World Cup Co-developed pro audio equipment including consoles, compressors, and microphone preamps David Thibodeau also works full-time as an applications engineer at Analog Devices, supporting audio converters and DSPs, demonstrating his dual commitment to industry innovation and academic education. He mentors students through practical, technology-driven music production curricula at Berklee. He has no listed formal advisees or scientific awards in the provided text. His professional journey—from freelance musician to electronics technician, chief engineer, VP of technical operations, and now educator—exemplifies a lifelong integration of music, engineering, and education.

• Spatial Audio
• Machine Learning for Audio
• Environmental Soundscapes
• +۳ مورد دیگر

Dr. Marc C. Green serves as a Postdoctoral Research Fellow within the School of Science, Engineering & Environment at the University of Salford, affiliated with the Acoustics Innovation Institute. His research bridges acoustic engineering, machine learning, and environmental psychology with focus on unmanned aircraft systems noise impact assessment. PhD in Music Technology, University of York (2020) Dr. Green's research investigates how drone noise interacts with urban soundscapes through innovative methodologies including soundwalk assessments in controlled environments, psychoacoustic laboratory testing , and deep learning model development . His work specifically examines time-variant noise characteristics, flight operation impacts, and environmental interactions (such as pine tree barriers in urban parks) to understand human annoyance responses. The integration of spatial audio techniques with machine learning enables novel approaches to predicting UAV sound affect beyond traditional sound pressure level metrics. Analysis of his 11 recent publications (2024-2025) reveals a strong focus on practical solutions for urban drone integration, with 55% dedicated to psychoacoustic modeling, 27% to field assessment methodologies, and 18% to technical noise characterization. His work consistently addresses the tension between societal benefits of drone technology and community noise impacts. EPSRC connected nation pioneers prize for 'Creative Computing for the Digital Economy' (for EigenScape database development) Currently leading the RefMap project to reduce UAS environmental impact, Dr. Green's research receives direct institutional support through the Acoustics Innovation Institute. His EigenScape database continues to serve as a foundational resource for global soundscape researchers. The systematic review framework he developed for UAS noise impact testing provides regulators with evidence-based assessment protocols. Dr. Green operates within the Acoustics Innovation Institute's collaborative ecosystem, leveraging specialized recording equipment and computational resources. His research group maintains comprehensive drone noise datasets across multiple platforms and develops open methodologies for community noise assessment in evolving urban air mobility scenarios.