Leo J. Garofalo is the Virginia Eason Weinmann '51 Professor of History at Connecticut College, where he joined in 2002. He coordinates the Social Justice and Sustainability Pathway and co-directs the Mellon Mays Undergraduate Fellowship program. His scholarship focuses on colonial Latin America with emphasis on racial dynamics and cultural exchange. Education: B.A. in History and Hispanic Studies from Brown University M.A. from Boston College Ph.D. from University of Wisconsin at Madison Research Focus: Garofalo investigates the intersection of African and Indigenous cultures in colonial Peru, examining how marketplaces, taverns, and religious practices shaped Afro-Andean identities. His current work traces West African diaspora routes to the Andes and analyzes Afro-Iberian influences on witchcraft traditions. He utilizes Inquisition records and Spanish imperial archives to reconstruct transatlantic cultural networks. Awards: Virginia Eason Weinmann '51 Professorship (endowed chair) Social Science Research Council Grant Fulbright-Hays Research Grant Academic Leadership: Garofalo has organized campus events featuring Afro-Peruvian performers (Negrura Peruana) and activists like former Colombian Governor Luis Murillo. In 2010, he co-led a Study Away Teach Away program in Oaxaca, Mexico, examining immigration and indigenous rights movements.
Ann D. Braude is a Senior Lecturer on American Religious History and Director of the Women's Studies in Religion Program at Harvard Divinity School (HDS), affiliated with Harvard University. She joined HDS in 1998 after roles at Carleton College and Macalester College. Her work emphasizes inclusive religious narratives, particularly exploring intersections of gender, spirituality, and social movements. Key research areas include 19th-century Spiritualism, Indigenous religious perspectives, and modern abstract art's relationship to spirituality. Braude holds an AB from Vassar College, MA from the University of Chicago, and PhD from Yale University. Her research has produced influential works like Radical Spirits (2008) and Sisters and Saints (2007), which examine women's roles in shaping religious history. She organized pivotal conferences such as the 2005 celebration of women at HDS and curated the bicentennial exhibition Faces of Divinity (2016). Her current projects include studying gender dynamics in abstract painting and Native American religious frameworks through a biennial speakers series. Braude’s courses focus on American religious history, feminist theology, and Indigenous religious studies. Her articles and public engagement reflect a commitment to bridging academic research with broader societal conversations about religion, gender, and culture. She maintains active roles in both Harvard Divinity School and the broader academic community, contributing to interdisciplinary dialogues on pluralism and religious diversity.
Charles Athanasopoulos is an Assistant Professor of African American and African Studies & English at The Ohio State University. His research focuses on intersections of Black rhetorics, media, and culture, with expertise in The Black Radical Tradition, Rhetorical Theory, and Cultural Critique. He earned his Ph.D. in Rhetoric & Communication from the University of Pittsburgh. His work analyzes racial progress, public symbols, and post/Ferguson America through lenses of iconoclasm and critical race theory. Education: Ph.D., Rhetoric & Communication, University of Pittsburgh. Research interests span Black American and Diasporic Cinema, Afro-Caribbean and Greek-Roma identity critiques. He has published in venues like Lateral: The Journal of the Cultural Studies Association and Western Journal of Communication. His 2024 book Black Iconoclasm explores dismantling racial symbols in public discourse. Recent articles address Fanonian thought, anti-racist campus rhetoric, and transnational Blackness studies. His publications critically engage with visual activism, film analysis, and decolonial theories. Current projects include studies on sonic rhetorics in Black women’s music and global race discourses in Mediterranean contexts.
Joanne Lee is a Senior Lecturer in the Department of Italian Studies at the University of Warwick. She holds a PhD from the University of Bristol and has taught at Cardiff University and Bristol University prior to joining Warwick in 2008. Her administrative roles include Head of Italian Studies until September 2024 and Co-head of the School of Modern Languages and Cultures (SMLC) starting January 2025. BA in Italian and Language Studies (Cardiff University, 1999) MA in Literature in European Cultures (Cardiff University, 2003) PhD (University of Bristol, 2008) Her research spans travel writing , Italian emigration/immigration , post-war women writers , and Italy's colonial memory . Recent work examines decolonizing urban spaces through Igiaba Scego's works and sustainable travel in Paolo Rumiz's pedestrian journeys. She explores ethical dimensions of travel writing, including sustainability and cosmopolitan ethics, with a focus on globalization's impact on migration narratives. Selected publications include analyses of Laura Pariani's migration novels, Soviet-Italian Cold War travel discourses, and postcolonial memory in Italian literature. She has collaborated on interdisciplinary projects addressing slow travel , virtual tourism , and post-pandemic tourism patterns. Awards include Senior Fellowship of the Higher Education Academy and Fellowship of the Warwick International Higher Education Academy.
Dr. Damien Charrieras is an Associate Professor at the School of Creative Media , City University of Hong Kong, where he serves as Program Leader for the Master of Art in Creative Media and deputy program leader for the PhD in Creative Media. His work bridges cultural studies, new media theory, and the intersection of financial technologies with artistic practices through the ACIM Laboratory for Interventions in Speculative Finance . Doctoral research on digital artists' trajectories in Montreal FRQSC Postdoctoral Fellowship at McGill University Research spans game engine design , datafication of creativity , blockchain in art , and post-anthropocentric creative processes . With over HK$3.14M in grants as Principal Investigator, he explores situated digital creativity in urban contexts, critical worldbuilding pedagogy , and the mediation of technical systems in cultural production. His publications in Cities , Organized Sound , and Human Relations analyze the reconfiguration of artistic practices through software infrastructures and automation paradigms. Scientific awards include: FRQSC Postdoctoral Fellowship
Dr. Michael R. Griffiths is a Senior Lecturer in English Literatures at the University of Wollongong, where he has been teaching since 2014. He serves as the Internationalisation Director in the School of the Arts, English and Media, managing global collaborations including UOW's campuses in Hong Kong and Dubai. Previously, he was a Postdoctoral Fellow at Columbia University's Institute for Comparative Literature and Society from 2012-2014. His educational background includes: PhD in English from Rice University (2012) Griffiths's research focuses on postcolonial literary theory, settler colonial studies, and Indigenous literatures, with a growing emphasis on decolonial thought. His work critically examines representations of Aboriginal people and culture in Australian literature, the politics of authorship in anticolonial thought, and intersections between critical animal studies and ecocriticism. In his scholarship, Griffiths explores how literature engages with questions of identity, difference, and belonging in settler colonial contexts, often challenging conventional approaches to cultural appropriation and representation. His recent publications demonstrate a clear trajectory toward examining the intersections between poststructuralist literary theory and anticolonial thought. The publication of his 2025 book The Death of the Author and Anticolonial Thought represents a significant contribution to understanding how thinkers like Edward Said and Édouard Glissant responded to Roland Barthes's "death of the author" thesis. His earlier work, particularly his 2018 monograph The Distribution of Settlement: Appropriation and Refusal in Australian Literature and Culture , established him as a scholar examining representations of Aboriginal people by non-Indigenous writers in Australian literature. Griffiths serves as Chair of the South Pacific Association for Commonwealth Literature and Language Studies (SPACLALS) and is on the editorial advisory board of Australian Literary Studies . He has also co-edited special issues of Continuum on freedom of speech debates, which received notable attention and was reprinted as a book titled Unsettled Voices . As a supervisor, Griffiths has mentored numerous PhD and Master's students through projects examining diverse topics including Indigenous Trinidadian theatre, hauntings in Chinese-Australian literature, and cosmopolitanism in Indian English fiction. His grant history shows consistent funding support for research on Australian literature, settler colonial studies, and international academic collaborations, particularly with Wuhan University in China. Griffiths contributes to several research networks focused on postcolonial studies and settler colonialism, including the South Pacific Association for Commonwealth Literature and Language Studies, which he chairs, and maintains active engagement with global scholarly conversations through his academic profiles and social media presence.
Sunny Xiang is an Associate Professor of English at Yale University, where she teaches and conducts research at the intersection of literature, race, war, and empire. Her work critically examines U.S. military empire in Asia and the Pacific, particularly through aesthetic, cultural, and documentary forms from the mid-twentieth century. She is affiliated with the Department of English in the Faculty of Arts and Sciences at Yale. Ph.D., University of California, Berkeley B.A., Northwestern University Her research focuses on the cultural genealogies of American empire, with an emphasis on how war and militarism shape perception, knowledge, and everyday life. Key areas include Cold War aesthetics, Asian American studies, Pacific studies, critical militarization studies, and feminist science studies. She is particularly interested in how literary and cultural forms reveal the intimate, quotidian, and often invisible operations of empire. Her publications span journals such as ASAP/Journal , Radical History Review , PMLA , and Public Books . Her first book, Tonal Intelligence: The Aesthetics of Asian Inscrutability During the Long Cold War (Columbia University Press, 2020), explores the visual and narrative trope of Oriental inscrutability in relation to U.S. intelligence operations. Her current project, Chemical Apophenia: Air Conspiracies and Skin Connections in the Toxic Tropics , investigates how WWII military science in the Pacific generated new paradigms for detecting toxicity. The articles reflect a consistent engagement with themes of militarized domesticity, aesthetic excess, diasporic memory, and the entanglement of fashion, food, and war in imperial contexts. Mundane Militarisms: War, Archives, and Everyday Life (2024) Militarized Comfort: How to Feel Naked While Wearing Clothes (2023) Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific (2022) Wars of Contemporary Life (2020) Global China as Genre (2019) Sunny Xiang has not been mentioned in relation to any scientific awards or fellowships in the provided text. She teaches courses such as War and Everyday Life, Readings in Comparative World English Literatures, and The Teaching of English. While her advisees or research teams are not listed, her scholarship demonstrates deep engagement with interdisciplinary methodologies and collaborative work, such as with the Mundane Militarisms Collective. She has not indicated any lab affiliations, but her research involves critical archival work and analysis of visual, literary, and cultural materials.
Clare Harris serves as Professor of Visual Anthropology and Head of the School of Anthropology and Museum Ethnography at the University of Oxford, concurrently holding curatorship of Asian Collections at the Pitt Rivers Museum and a Fellowship at Magdalen College. Her academic leadership spans institutional administration, museum curation, and doctoral supervision within Oxford's anthropological ecosystem. Her educational foundation includes a BA from the University of Cambridge and MA/doctorate from SOAS, University of London. Early career roles comprised Lecturer in Anthropology of Art at the University of East Anglia (1994-1998) before her Oxford appointment. Harris pioneers research at the intersection of visual anthropology, Tibetan studies, and museum decolonization. Her work critically examines Himalayan visual culture, colonial/post-colonial photography, and museum representation politics, evolving toward digital repatriation and community-centered curation. She integrates anthropological fieldwork (conducted in Tibetan diaspora communities since the 1990s) with art historical analysis and archival research. Her 13 recent publications (2004-2022) reveal a progressive trajectory from Tibetan art history toward urgent museum decolonization debates, with consistent focus on photographic practices and cross-cultural representation. Key thematic developments include the shift from historical analysis to active digital repatriation projects and increased engagement with contemporary artists. Harris's accolades include: Fellowship of the British Academy (2019) E. Gene Smith Prize for The Museum on the Roof of the World (2014) Visual Anthropology Prize for In the Image of Tibet (2000) She currently supervises five DPhil students while examining over 25 completed doctorates globally. Research funding spans British Academy personal grants, Leverhulme Trust support, and major collaborative projects including AHRC, Wenner-Gren Foundation, and EU grants—most notably the current AHRC-funded Decolonising the Museum: Digital Repatriation of the Gaidinliu Collection . At the Pitt Rivers Museum, Harris leads high-impact curatorial initiatives including the Abramović collaboration ( Gates and Portals ), Nyema Droma's Performing Tibetan Identities , and community projects like My Tibet Museum , establishing innovative frameworks for museum-public engagement.
Susan Bradley is a Research Fellow at the Centre for Maternal and Child Health Research at City St George's, University of London . Her work focuses on equitable access to maternity care in low-income contexts, particularly sub-Saharan Africa, using interdisciplinary approaches integrating postcolonial theory and organizational studies. Education: PhD in Health Services Research (2018), City, University of London MSc in Global Health (2007), Trinity College Dublin PGCE in Secondary Science (University of Reading) BSc (Hons) in Biology (University of Sussex) Professional Experience: Research Fellow at City St George's (2018–present) Researcher at Trinity College Dublin (2007–2014) Researcher/writer at Columbia University Mailman School of Public Health (2010) Her research examines power dynamics, organizational culture, and community-based care models in maternal health. She has extensive fieldwork experience in Malawi, Tanzania, and Mozambique, specializing in qualitative data analysis and capacity-building initiatives. Recent publications focus on group antenatal care, respectful maternity practices, and health workforce dynamics in low-resource settings. Key findings from her work include: Community-making in group care enhances health literacy and belonging Socio-spatial dynamics influencing maternal care access Structural barriers affecting midwives' ability to provide quality care
Sergio Rigoletto is an Assistant Professor of Film Studies at the University of Groningen, Faculty of Arts. Previously, he held an Associate Professor position in Cinema Studies and Italian at the University of Oregon, USA. His research focuses on the intersection of film aesthetics with social change, queer media cultures, and Italian cinema. Key areas include transnational queer imaginaries in Mediterranean media, stardom in Neorealist cinema, and gendered labor in film industries. Education: PhD from the University of Reading, MA from Birkbeck College, London, and BA/MA from the University of Catania, Italy. His publications include Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s (2014) and Le norme traviate (2020). Current projects involve a monograph on Anna Magnani and Queer from the South: Film, Video Art and Media Activism in the Mediterranean . Research interests span queer media activism, Italian film history, and international television. He has contributed to journals like Journal of Cinema and Media Studies and New Review of Film and Television Studies , analyzing topics such as Xavier Dolan’s cinematic techniques and spectrality in Call Me by Your Name . Rigoletto’s work emphasizes interdisciplinary approaches to film, blending cultural theory with close textual analysis. His recent focus on Mediterranean queer media highlights transnational collaborations and challenges traditional national narratives in cinema.
Bettina Migge is a Full Professor in the School of Languages, Cultures and Linguistics at University College Dublin, where she has been a faculty member since 2004. She previously held academic positions at Goethe University Frankfurt and earned her PhD in Linguistics from The Ohio State University. She served as Head of School from 2016 to 2021 and has held leadership roles in research centers and committees, including the Royal Irish Academy and the Society for Pidgin and Creole Linguistics, of which she is President until 2023. She is Co-Editor of the Journal of Pidgin and Creole Languages and actively contributes to COST Action LITHME, focusing on language and technology. Her educational background includes studies at Universität Hamburg, Université de Cameroun, Freie Universität Berlin, and The Ohio State University, culminating in a PhD focused on African languages in creole genesis, with fieldwork in Suriname and Benin. She is fluent in Dutch, English, French, German, and Ndyuka/Pamaka. Bettina Migge's research centers on sociolinguistics, language contact, and creole languages, with a focus on multilingual contexts undergoing rapid social change such as urbanization and migration. Her work spans French Guiana, Suriname, and Ireland, examining structural and socio-pragmatic aspects of language use, linguistic landscaping, and computer-mediated communication. She has led significant projects like the trilingual DicoNenge(e) dictionary and has explored the role of AI in reshaping language practices. Her recent publications reflect a critical engagement with the impact of AI and machine learning on language, revealing colonial continuities in language technologies and questioning dataist ideologies. She investigates how language is materially produced in both colonial and digital contexts, emphasizing power, authenticity, and control. She has received research funding from the National Science Foundation (USA), IRCHSS, IRC, Ulysses grants, and French research units like SeDyL. Her collaborative projects include work on complementation in creoles, South Dublin English, and language practices in multilingual border zones. Bettina Migge supervises MA and PhD students in sociolinguistics, linguistic landscaping, and World Englishes. She is involved in numerous editorial and professional associations, including the Society for Caribbean Linguistics and The Global Council on Anthropological Linguistics. She has coordinated modules such as World Englishes, Sociolinguistics, and Research in Creole Languages. She leads and participates in public engagement activities, including workshops on AI in linguistics, multilingualism in Ireland, and dictionary launches. Her research team includes collaborators from Europe and beyond, and she is committed to participatory and ethnographically grounded approaches in language documentation and analysis.
Stefan Binder is a Senior Research Assistant at the Institute for Social Anthropology and Cultural Studies (ISEK) at the University of Zurich's Faculty of Arts and Social Sciences. His academic work focuses on the intersections of gender, sexuality, and religious studies with particular attention to secular and non-religious perspectives. His primary research interests include gender and sexuality studies, queer anthropology, secularity and non-religion, religious aesthetics, ethics, and temporal dimensions of religious practices. Binder's work employs anthropological approaches to explore contested notions of "newness" and "generational change" within queer and trans* communities in both South Asia (particularly India) and Europe. His research also investigates the sensory, material, and aesthetic dimensions of lived everyday religion and non-religion. Binder's publication record shows a strong focus on nonreligion studies, with particular emphasis on atheist activism in South India. His work frequently examines the relationship between secularism and religious pluralism, with attention to how these concepts manifest in everyday practices and experiences. His scholarship demonstrates interdisciplinary engagement across religious studies, anthropology, gender studies, and South Asian studies. His monograph Total Atheism: Secular Activism and the Politics of Difference in South India (2020) represents a significant contribution to the field of nonreligion studies. His recent articles (2021-2023) continue to develop theoretical frameworks for understanding secularism, nonreligion, and religious aesthetics through ethnographic approaches.
Andrew J Fleck is an Associate Professor in the English and Comparative Literature Department at San José State University, affiliated with the College of Humanities and the Arts. He has been teaching since 2001, specializing in Early Modern British Literature with a focus on Dutch-English cultural relations between 1588-1688. Fleck holds a PhD from Claremont Graduate University (2000). His research explores how Dutch figures influenced English literary and cultural imagination, including studies on John Donne, Thomas Nashe, and early modern drama. He has published widely in journals like Studies in Philology and Journal of British Studies , with a particular emphasis on textual analysis, historical narratives, and cross-cultural exchanges. Fleck’s work spans from examining the role of Dutch language performances in early modern theater to analyzing the representation of national identity in texts like The Shoemaker’s Holiday . His recent publications (2013) include studies on John Donne’s engagement with astronomical themes and global adaptations of Macbeth . He maintains an active presence in academic encyclopedias, contributing entries on Milton’s Dutch connections and Renaissance authors. His scholarship bridges literary analysis with historical context, often highlighting how literature reflects political, religious, and cultural tensions of the period. Fleck’s teaching and research reflect a commitment to interdisciplinary approaches, integrating historical, linguistic, and cultural methodologies.
Timo Kaartinen serves as Professor of Social and Cultural Anthropology and Vice Dean for Research and Doctoral Education at the University of Helsinki 's Faculty of Political Science . Since 1992, he has conducted extensive research in Southeast Asia with a focus on Indonesia, exploring communicative practices, narratives, and cultural responses to uncertainty. His teaching spans social change in bachelor's, master's, and doctoral programs, covering environmental anthropology, political anthropology, cosmologies, religions, and linguistic anthropology. PhD in Anthropology, University of Chicago (2001) Docent (Adjunct Professor), University of Helsinki (2011) Research interests center on ethical discourse in Indonesian Islamic universities, resource politics in oil palm estates, and linguistic anthropology with emphasis on storytelling, folk poetry, and minority language revitalization. His work combines ethnographic focus on Southeast Asia with theoretical contributions to frontier studies and postcolonial anthropology. Recent publications examine frontier temporalities (2020-2025), Islamic transformations (2019), and oral narrative structures (2017-2013). Key projects include ARCTIC Research Centre (2025-2029), Diversity in Society and Life (DIVSOL) (2025-2030), and Religious Movements in Ethical Life (2019-2023). Grants from the Academy of Finland and University Profiling Funding support these initiatives. Academic activities include keynote speeches at international conferences (e.g., Empowering Local Wisdom 2014, Labor Migration in Asia-Pacific 2013) and editorial roles. He has conducted fieldwork in Indonesia since 1992, focusing on Bandanese cultural heritage and Maluku religious dynamics . His methodological approach combines ethnographic fieldwork with historical document analysis .
Angela Reyes is Professor in the Department of English at Hunter College, City University of New York (CUNY), and Doctoral Faculty in Anthropology at the CUNY Graduate Center. She teaches courses on English linguistic structures, discourse theory, and linguistic anthropology, while serving on advisory boards for Hunter College's Asian American Studies Program and Mellon-Mays Undergraduate Fellowship Program. Education: PhD, University of Pennsylvania (2003) Her research focuses on semiotics, racialization, and coloniality, particularly examining language-personhood relationships in the U.S. and Philippines through three major ethnographic studies: Southeast Asian American youth videomaking (Philadelphia), Korean American fifth graders in a "cram school" (NYC), and Filipino college communities (Manila). She analyzes how elite linguistic registers and mixed-race discourses reflect colonial anxieties and modern aspirations. Key publications include Discourse Analysis Beyond the Speech Event (2021, awarded Edward Sapir Book Prize) and work in The Oxford Handbook of Language and Race (2020). Awards include Advanced Research Collaborative Distinguished Fellowship (2016), Spencer Foundation Postdoctoral Fellowship (2009-2010), Woodrow Wilson Career Enhancement Fellowship (2006-2007), and Ford Foundation Dissertation Fellowship (2002-2003). Scientific Awards: Advanced Research Collaborative Distinguished Fellowship (2016) Spencer Foundation Postdoctoral Fellowship (2009-2010) Woodrow Wilson Career Enhancement Fellowship (2006-2007) Ford Foundation Dissertation Fellowship (2002-2003) Edward Sapir Book Prize (2016) Her work bridges linguistic anthropology with English studies, focusing on how language mediates colonial histories, social media dynamics, and academic institutions. She employs ethnographic, archival, and new media methodologies to trace discursive patterns across time and space.
