Robert Kaufman is a Professor of Comparative Literature at the University of California, Berkeley. He holds a B.A. (1979), J.D. (1982), and Ph.D. (1995) from UC Berkeley. Prior to academia, he practiced labor and employment law. His career includes positions at McGill University, Stanford University (where he was an Assistant Professor of English and affiliated with German Studies and Modern Thought & Literature), and visiting roles at the University of Chicago and UC Berkeley. He has held fellowships including Stanford Humanities Center, Hellman Family, and Institute of International Studies. He co-chairs Berkeley's Program in Critical Theory. His research focuses on 20th-21st century American poetry, Latin American poetry, Romantic-era poetics, Frankfurt School Critical Theory, and aesthetic philosophy. Key projects include Negative Romanticism: Adornian Aesthetics in Keats, Shelley, and Modern Poetry , and studies on César Vallejo, Paul Celan, and Robert Duncan. His work bridges Marxist theory, lyric form, and sociopolitical critique. Kaufman's essays analyze Adorno's influence on modern poetry, the ethics of lyric form, and intersections between poetry and democracy. His recent work engages postmodernism's aftermath and contemporary political crises. He frequently collaborates on translation projects and public humanities initiatives, including events on Paul Celan's centenary.
Norman M. Naimark serves as the Robert & Florence McDonnell Professor of East European Studies and Professor of History at Stanford University, with courtesy appointments in German Studies. He holds senior fellowships at both the Hoover Institution and Freeman Spogli Institute for International Studies, and is affiliated with The Europe Center and the Center on Democracy, Development and the Rule of Law. Education: Ph.D. in History, Stanford University (1972) Naimark specializes in Soviet-era Eastern European history, with dual research pillars: Soviet policies in post-WWII Europe and 20th-century genocide/ethnic cleansing phenomena. His work bridges historical analysis with contemporary human rights discourse, emphasizing geopolitical power dynamics and systematic violence against civilian populations. Methodologically, he combines archival rigor with comparative frameworks across national contexts. His publication trajectory from 1979–2019 reveals evolving focus from Marxist movements in partitioned Poland to Soviet occupation mechanics, culminating in comprehensive genocide studies. The 2019 monograph on Stalin's postwar European sovereignty struggles synthesizes decades of research into Soviet imperial practices. Scientific awards: Officer's Cross of the Order of Merit of the Federal Republic of Germany (1996) Richard W. Lyman Award for outstanding faculty volunteer service (1995) Stanford Dean's Teaching Award (1991-92, 2002-3) Naimark's academic leadership includes directing Stanford's Global Studies Division, Bing Overseas Studies Program, and Center for Russian, East European, and Eurasian Studies. His research informs current policy discussions on authoritarianism and democratic resilience, as evidenced by recent engagements with Belarusian democracy movements and U.S.-Russia relations. He collaborates extensively through Stanford's interdisciplinary centers, particularly contributing historical perspectives to The Europe Center's sovereignty research and the Center on Democracy, Development and the Rule of Law's governance initiatives.
David B. MacDonald is a full Professor of Political Science at the University of Guelph's Department of Political Science, housed within the College of Social & Applied Human Sciences. He holds an honorary academic position at the University of Auckland and previously taught at the University of Otago and ESCP Business School in Paris. His research focuses on Indigenous-settler relations, genocide studies, decolonization, and comparative politics in Canada, New Zealand, Australia, and the U.S. He has held significant grants from the Social Sciences and Humanities Research Council (SSHRC), including principal investigator roles on projects like 'Complex Sovereignties' and 'Bi-Nationalism as Reconciliation.' Education: PhD in International Relations from the London School of Economics (2001). Key publications include The Sleeping Giant Awakens (2019) and co-authored textbooks like Comparative Politics (2020). He is North American series editor for Palgrave Macmillan's Global Political Sociology. Research interests emphasize settler colonialism, Indigenous sovereignty, and truth and reconciliation processes. He has contributed to policy discussions, including advising the Canadian Senate on the National Council for Reconciliation. His work bridges academic scholarship with activism, aiming to address systemic inequalities and promote Indigenous rights. SSHRC Grants: Over $200k in grants since 2008, focusing on Indigenous self-determination and colonialism. Publications: 4 sole-authored books; 31 refereed articles; numerous edited volumes. Awards: Shortlisted for the John McMenemy Prize (2013, 2017).
Roger Luckhurst is Professor of Modern Literature and currently holds the prestigious Geoffrey Tillotson Chair of Nineteenth Century Studies at Birkbeck College, University of London. A leading scholar in Gothic literature, science fiction, and trauma studies, he has been affiliated with Birkbeck for over 25 years, contributing significantly to interdisciplinary literary and cultural studies. Education and Career Trajectory: 2020-present: Geoffrey Tillotson Chair of Nineteenth Century Studies, Birkbeck College 2008-2020: Professor of Modern and Contemporary Literature, Birkbeck College 2004-2008: Senior Lecturer, Birkbeck College 1994-2004: Lecturer, Birkbeck College 1992-1994: Lecturer, University of Hull Research Interests and Scholarly Contributions: Luckhurst's research spans multiple interconnected fields, establishing him as a preeminent voice in literary and cultural studies. His work on late 19th century English literature examines the intersections of Victorian culture with emerging scientific discourses. His expertise in science fiction studies encompasses both literary analysis and cultural theory, exploring how speculative fiction reflects and shapes contemporary anxieties. In Gothic studies , he investigates the persistence of Gothic aesthetics and themes across different media and historical periods. His groundbreaking work in trauma studies has contributed significantly to understanding how literature and culture process collective trauma. Publications and Scholarly Impact: His extensive publication record demonstrates a remarkable breadth of scholarly inquiry. From his early work on J.G. Ballard to his recent comprehensive study of Gothic culture, Luckhurst has consistently produced influential scholarship. His books have been translated into multiple languages including French, Japanese, Turkish, and German, indicating significant international impact. His forthcoming The Gothic: An Illustrated History (2021) promises to be a definitive work in the field. Honors and Awards: 2009: Visiting Research Fellow, University of Birmingham 2009: Visiting Research Fellow, Flemish Academic Centre for Science and the Arts (VLAC), Brussels January-June 2011: AHRC Fellowship, Birkbeck College Spring 2016: Mellon Distinguished Visiting Professor, Department of English, Columbia University, New York Public Engagement and Media Presence: Beyond academia, Luckhurst has demonstrated exceptional commitment to public scholarship. He has served as a broadcaster for BBC radio, bringing literary criticism to wider audiences. His journalism has appeared in leading British newspapers, bridging the gap between academic research and public discourse. This dual role as academic and public intellectual exemplifies Birkbeck's tradition of making scholarship accessible to broader communities. Interdisciplinary Approach and Institutional Contributions: At Birkbeck College, Luckhurst has been instrumental in fostering the institution's renowned culture of interdisciplinary studies. His work seamlessly integrates literary analysis with cultural theory, film studies, architectural history, and scientific discourse. This approach has influenced generations of students and scholars, establishing Birkbeck as a leading center for innovative literary and cultural research.
Dr Maurizio Cinquegrani is a Senior Lecturer in Film and Equity, Diversity and Inclusion Lead at the University of Kent's School of Arts. He holds a PhD from King's College London and has held roles including Head of Film and Media, School Director of Graduate Studies, and Deputy Dean (Student Experience). His research focuses on film's relationship with space, memory, and historical events, particularly the Holocaust and Cold War. He is a Fellow of the Royal Geographical Society (2018-2023). Education: PhD in Film Studies (King's College London, 2010), MA in Contemporary Cinema Cultures (King's College London), BA in Film Studies (University of Bologna). Research interests include cinematic geographies, urban space representation, and documentary film. His notable works include Of Empire and the City: Remapping Early British Cinema (2014), Journey to Poland: Documentary Landscapes of the Holocaust (2018), and Film, Hot War Traces and Cold War Spaces (2022). He has also produced essay films such as Aran Diary (2023) and Formosa 228 (2024). Professional activities include editorial roles for Immagine. Note di Storia del Cinema and AHRC-funded research projects. He supervises doctoral students in film history, documentary cinema, and spatial memory studies. Key awards include the Royal Geographical Society Fellowship. His teaching emphasizes research-led learning and has been influenced by his extensive international collaborations, including visiting roles at Taipei National University of the Arts and Poznań University of Technology.
Jeffrey Rossman is an Associate Professor at the University of Virginia , affiliated with the Department of History and serving as Director of the Center for Russian, East European, and Eurasian Studies . His work bridges historical analysis with cultural and literary studies, focusing on Russia/USSR, Modern Europe, Communism, Genocide, Espionage, and Jewish Cultural Studies. Education: Ph.D., University of California, Berkeley, 1997 A.B., Harvard University, 1989 His research explores worker resistance under Stalin, the intersection of Jewish identity and German literature, and the role of translation in cultural exchange. He has authored key works on Soviet labor movements and Holocaust memory, blending historical narratives with literary theory. Jeffrey’s recent publications and Google Scholar contributions highlight trends in 20th-century European history , Yiddish-German literary dynamics , and translation as a tool for identity formation . His work spans comparative literature, cultural memory, and diaspora studies, emphasizing interdisciplinary approaches. Scientific Awards: ACLS Collaborative Research Fellowship (2013-15) Harry Frank Guggenheim Foundation Research Grant (2013-15) Multiple grants from the University of Virginia’s College of Arts & Sciences and Faculty Summer Research Grant program Fulbright-Hays and IREX fellowships for international research As an educator, Rossman has taught courses such as Genocide: A Global History and Stalinism , mentoring students in historical and literary analysis. His lab, the Center for Russian, East European, and Eurasian Studies, fosters research on Soviet history, Jewish cultural studies, and transnational literary exchange.
Sandro Zanetti, Full Professor of General and Comparative Literature at the University of Zurich's Faculty of Arts and Humanities, specializes in avant-garde research, artistic production processes, and poetics of (im)probability. He studied German, History, and Philosophy at Basel, Freiburg, and Tübingen (1993-1999), earned his PhD in 2005 at Basel's SNSF project, and held positions including Junior Professor at Hildesheim (2008-2011) and DFG network head (2010-2014). Since 2011 at UZH, he progressed from Assistant to Full Professor (2022) and serves as Co-Dean of Studies since 2021. Current affiliations: Department of General and Comparative Literature (UZH), Center for Arts and Cultural Theory (ZKK), Literary Radio Zurich Former roles: ZGW Center (2010-2022), SNF project leader (2015-2019), Co-editor of History of the Present (2016-present) His research explores: Avant-garde genealogies and postwar literary modernity Time perception and aesthetic temporality Writing as cultural technique Interdisciplinary intersections with philosophy, media studies, and art Publications reveal trends in: 2022-2024: Dada historiography, AI-generated literature, Paul Celan's late works 2019-2021: Aesthetic theory, transactuality, Barthesian concepts 2014-2017: Improvisation networks, multilingualism, collaborative writing He co-founded interdisciplinary platforms and maintains editorial roles across 15 anthologies since 2004.
Miryam Sas is a Professor of Comparative Literature at the University of California, Berkeley. Her work bridges Japanese literature, film, theater, and avant-garde arts with critical theory. She specializes in 20th-century cultural movements, postwar Japanese experimental arts, and media theory. Her research includes studies on surrealism, intermedia, and post-Holocaust representation, with notable works like Feeling Media: Potentiality and the Afterlife of Art (2022) and Experimental Arts in Postwar Japan (2010). Her research interests span Japanese modernism, intermedia art, feminist film analysis, and photographic theory. She has curated exhibitions for institutions such as MoMA, the Getty Museum, and the Mori Art Museum, contributing essays on postwar avant-gardes and Japanese photography. Recent projects include translations of modernist poets Sagawa Chika and Ema Shōko, and collaborative archival work on Finding Zbaraż . Prof. Sas has been awarded the UC President’s Research Fellowship for her media theory work. Her teaching focuses on critical theory, Japanese cinema, and media studies, offering courses on infrastructural aesthetics and transnational Asian media. She actively participates in interdisciplinary dialogues through lectures and radio programs like France Culture’s La Fabrique de l’Histoire .
Professor Helen Finch (University of Leeds) is a leading scholar in German Literature , with a focus on Holocaust Studies , Queer Memory , and German-Jewish Cultural Production . Affiliated with the School of Languages, Cultures and Societies and the Centre for Jewish Studies , she co-leads the LCS Queer Area Studies Network and contributes to equality initiatives through the LGBT+ staff network . Research: Holocaust representation in German works, queer identity in postwar literature, transnational memory studies, curriculum design in German studies Awards: Fellow of the Higher Education Academy (2014) Academic Output : Her 15 most recent publications span Holocaust poetics , queer life writing , translation ethics , and Sebaldian intertextuality , with a particular focus on intersections between trauma , identity , and intergenerational testimony . Supervision : Currently guides PhD research on topics including transnational transphobia , queer art practices , and LGBTQ+ cross-cultural representation . Her students explore areas from German exile photography to postcolonial queer narratives .
Barry Langford is a Professor of Film Studies in the Department of Media Arts at Royal Holloway, University of London. He holds degrees from Queens’ College, Cambridge, and Columbia University. His research focuses on critical theory, Holocaust film representations, theories of mass culture, urban studies, postmodernism, and post-classical Hollywood cinema. He has authored major works including Film Genre: Hollywood and Beyond (2005) and Post-Classical Hollywood: Film Industry, Style and Ideology since 1945 (2010). Currently, he is preparing a study titled Darkness Visible on Holocaust film. Langford is also a professional screenwriter. His short film Torte Bluma (2005) won multiple awards, including Best Drama at the Los Angeles International Short Film Festival and Best Film at Palm Springs. He co-created the ITV drama series The Frankenstein Chronicles (2015). His work contributes to UN Sustainable Development Goals related to education and cultural preservation. His research interests span film genre evolution, Holocaust cinema’s ethical dimensions, and the intersection of cinema with urban and postmodern themes. He has presented at international conferences, including invited talks on 'Film Genre in the 21st Century' and 'Soundscapes of Holocaust Film'. Langford leads the Holocaust Research Institute’s academic initiatives and collaborates on projects like the Rothschild Foundation-funded 'Global Jewish Studies in/as Holocaust Studies' (2022–2026).
Aleksandra Pomiecko is a Lecturer in Modern History at King's College London, specializing in Eastern European and Soviet history. She has held teaching positions at the University of St Andrews, the University of Manitoba, and the University of Toronto, and was a postdoctoral fellow at the Mandel Center for Advanced Holocaust Studies. PhD, University of Toronto MA, Uniwersytet Jagielloński Her research focuses on war and violence in twentieth-century Eastern Europe, particularly paramilitary activity, partisan movements, and local experiences of conflict. She explores topics such as Belarusian nationalism, post-war insurgency, and the role of religious institutions during the Holocaust. Recent publications examine paramilitarism in Polish borderlands, Soviet nation-building policies, and religious resistance in wartime Poland. Her work contributes to understanding the longue durée of paramilitary dynamics and their global implications. Scientific awards: Postdoctoral Fellowship at the Mandel Center for Advanced Holocaust Studies
Dr. Enrico Lucca serves as a Research Fellow at the Dubnow Institute, where he has held the position of Research Associate since January 2018. He concurrently coordinates the Research Unit 'Knowledge', the Institute's Forum, and oversees peer reviewing for the Dubnow Institute Yearbook. His academic work centers on twentieth-century European-Jewish history and thought, with specialized focus on knowledge transfer between Europe and Israel/Palestine, intellectual history, and institutional history within Jewish contexts. Lucca completed his Master's degree in Philosophy at the University of Milan in 2007, followed by doctoral studies (2009-2012) at the same institution, culminating in a dissertation titled 'A Dialectic Vision of Jewish History. Gershom Scholem and the Legacy of Messianism.' His academic training includes post-graduate specialization in Cultural Studies at Scuola Alti Studi in Modena (2009) and visiting research periods at the University of Chicago Divinity School (2009-2010) and Hebrew University of Jerusalem (2011). His research traverses European-Jewish intellectual history, Jewish cultural studies, and philosophy of religion, with particular emphasis on messianic thought, Kabbalah studies, and Hebrew literature. Lucca's scholarship frequently examines biographical and institutional frameworks that shaped Jewish thought in the twentieth century, especially through figures like Gershom Scholem, Franz Rosenzweig, and Hugo Bergmann. His methodological approach integrates cultural history with philosophical analysis to explore knowledge transmission across geographical and temporal boundaries. Analysis of his 15 most recent publications reveals consistent engagement with Central European Jewish intellectual migration to Palestine/Israel, institutional history of the Hebrew University, and critical reinterpretations of Scholem's legacy. His work demonstrates interdisciplinary breadth across history, philosophy, and literary studies, with recurring themes of linguistic identity, cultural transfer, and the interplay between mysticism and modernity in Jewish thought. No scientific awards are documented in the provided materials. While no formal students are listed, Lucca has secured significant research funding including a Gerda Henkel Foundation fellowship (2016-2017) for 'German-Jewish Knowledge and Cultural Transfer 1918–1948' and currently serves as Principal Investigator for the German Research Foundation-funded International Research Training Group 'Belongings: Jewish Material Culture in Twentieth-Century Europe and Beyond' (since 2024). Lucca actively leads the Research Unit 'Knowledge' and co-directs the International Research Training Group 'Belongings'—a tripartite collaboration between the Dubnow Institute, Leipzig University, and Hebrew University of Jerusalem—focusing on material culture approaches to Jewish history through comparative, transnational frameworks.
Richard Steigmann-Gall is an Associate Professor of History at Kent State University's Department of History, within the College of Arts & Sciences. He previously served as Director of the Jewish Studies Program (2004–2010). Holding degrees from the University of Michigan (BA, MA) and the University of Toronto (PhD), his research focuses on religion and Nazi Germany, transatlantic fascism, and antisemitism. His seminal work, *The Holy Reich: Nazi Conceptions of Christianity, 1919-1945*, has been translated into Spanish, Portuguese, and Italian, earning widespread academic and public acclaim. His research has been supported by grants from institutions like the Social Science and Humanities Research Council of Canada, the Max Planck Institute, and the U.S. Holocaust Memorial Museum. Dr. Steigmann-Gall has presented globally, including at Georgetown, NYU, Cambridge University, and the University of Sydney. He is a recipient of the Distinguished Teaching Award from Kent State's College of Arts & Sciences (2004) and has been a frequent media commentator on fascism and modern political movements. Research & Education: His expertise spans Nazism’s religious dimensions, comparative fascist ideologies, and the cultural underpinnings of antisemitism. Current projects include a chapter on religion and genocide in pre-WWII American fascist thought for *American Fascism: Past and Present* (Cambridge). He has published in journals like *German History*, *Journal of Holocaust Research*, and *Totalitarian Movements and Political Religions*. Teaching & Outreach: Dr. Steigmann-Gall teaches courses on modern European history, fascism, and the Holocaust. He has mentored students in topics including Nazi Germany and transnational extremism, and his pedagogical approach has been recognized through teaching awards and nominations. He has also engaged with public discourse through media appearances in *The New York Times*, *The Daily Beast*, and documentaries on the History Channel. Awards & Grants: Distinguished Teaching Award (2004) Grants from the Max Planck Institute, SSHRC, and the U.S. Holocaust Memorial Museum Collaborations & Networks: He has collaborated on edited volumes and contributed to projects at institutions worldwide, reflecting his commitment to transnational historical inquiry.
Dr. Valerie Hebert is a Professor of History and Interdisciplinary Studies at Lakehead University, specializing in Holocaust photography, genocide studies, transitional justice, and human rights. She joined Lakehead in 2010 and previously held a SSHRC Post-Doctoral Fellowship at York University. Ph.D., University of Toronto (2006) M.A., McGill University (1999) H.B.A., McGill University (1997) Her research intersects 20th-century European history , legal historiography , and visual analysis , with a focus on post-atrocity justice (Nuremberg, Rwanda) and the role of photography in documenting human rights violations. She has presented internationally at conferences in Canada, the U.S., U.K., and Europe. Dr. Hebert has received multiple fellowships, including from the German Historical Institute , US Holocaust Memorial Museum , and Martin Buber Society . Her SSHRC Insight Grant -funded monograph project Five Shots from Sdolbunow examines Holocaust photography.
William Collins Donahue is the Rev. John J. Cavanaugh, C.S.C., Professor of the Humanities at the University of Notre Dame. He holds concurrent appointments in the Department of European Studies (Keough School of Global Affairs), Film, Television & Theater, and German. As Director of the Initiative for Global Europe, he leads interdisciplinary research on contemporary European challenges. His academic journey includes a Ph.D. from Harvard University, an M.T.S. from Harvard Divinity School, an M.A. from Middlebury College, and a B.S.F.S. from Georgetown University's Walsh School of Foreign Service. His research focuses on German literature and film, Holocaust Studies, and the socio-economic dynamics of literary production. He co-directs an annual seminar exploring the intersection of German literature with market forces and institutional contexts, resulting in publications like Die große Mischkalkulation . His work also examines how art responds to societal issues like migration and populism, blending philological rigor with historical and sociological perspectives. Donahue’s scholarship includes analyses of Elias Canetti’s modernist works and Bernhard Schlink’s Holocaust narratives. He co-founded the Nexus: Essays in German Jewish Studies series and the andererseits journal. His teaching emphasizes literature’s role in fostering resilience and sociability, using grueling narratives to explore human challenges. While no specific grants or advisees are listed, his editorial roles and collaborative projects reflect ongoing academic engagement. He directs the Initiative for Global Europe, fostering transatlantic dialogue on European integration, migration, and political trends. His work bridges artistic analysis with broader societal contexts, advocating for literature’s role in understanding complex historical and cultural dynamics.
