جستجوی استاد راهنمای دانشگاهی

Carol Ann Allredمشاهده پروفایل

دانشیار

• Vocal Performance
• Classical Music
• Opera
• +۶ مورد دیگر

Carol Ann Allred is an Associate Professor (Lecturer) at the University of Utah's School of Music, specializing in Voice. She holds a DMA and MA from Eastman School of Music, and a BM in Vocal Pedagogy from Brigham Young University. Her career spans performance and education, with roles at SUNY Fredonia, Seton Hill College, and Hampden-Sydney Chamber Music Festival. Doctor of Musical Arts (DMA), Vocal Performance - Eastman School of Music (1989) Master of Music (MA), Vocal Performance - Eastman School of Music Bachelor of Music (BM), Vocal Pedagogy - Brigham Young University Allred's research and creative works focus on vocal performance across diverse genres, including choral masterpieces like Verdi Requiem and Brahms Requiem, contemporary works such as Golijov's La Pasion Según San Marcos, and historical repertoires from Mozart and Handel. Her recent projects include international tours and cultural outreach initiatives. Her scholarly performances highlight trends in sacred choral music, operatic excerpts, and community engagement through LDS church services and interfaith concerts. She has contributed to recordings including Christmas CDs and collaborations with Salt Lake Vocal Artists. Scientific Awards : Multiple first prizes in prestigious competitions and a Faculty Recognition Award nomination Teaching : Offers private voice lessons and masterclasses; advises the Michie Undergraduate Vocal Quartet Community Leadership : Conducts multi-congregational choirs and organizes veteran-focused concerts Allred's professional activities include collaborations with orchestras such as the Pittsburgh Symphony and Utah Symphony, with a strong emphasis on vocal pedagogy, interfaith musical outreach, and family ensemble performances. She maintains active roles in judging competitions and mentoring students at both University of Utah and UVU as a substitute instructor.

Pasquale Bottalicoمشاهده پروفایل

دانشیار

• Vocal Load
• Professional Voice Techniques
• Singer Techniques
• +۳ مورد دیگر

Pasquale Bottalico serves as Associate Professor in the Department of Speech and Hearing Science at the University of Illinois, with dual appointments as Associate Professor at the Center for Latin American and Caribbean Studies and Affiliate Faculty in the School of Music. His unique interdisciplinary profile bridges engineering, music performance, and speech science, reflecting his dual academic training and professional artistry. His educational foundation includes: Bachelor's in Telecommunications Engineering from Univeristà Mediterranea di Reggio Calabria, Italy Concurrent Opera Singing degree from F. Cilea Music Academy, Reggio Calabria Master's in Telecommunications Engineering from Politecnico di Torino, Italy Ph.D. in Metrology specializing in acoustics measurement uncertainty and classroom acoustics Dr. Bottalico's research centers on vocal load quantification and professional voice techniques , with significant contributions to understanding vocal fatigue in teachers and singers. His work spans Speech Intelligibility in educational environments, Room Acoustics for performance and learning spaces, and Musical Acoustics of historical vocal styles. A distinctive thread throughout his research examines how acoustic conditions modulate voice production and perception, increasingly incorporating virtual reality and bone conduction technologies for innovative assessment and intervention approaches. His Colombian vocal health study demonstrates cross-cultural applications of his work. Analysis of his 2023-2025 publications reveals three dominant research trajectories: (1) The impact of noise and dysphonia on children's speech processing in educational settings, using multimodal assessment including EEG; (2) Virtual reality applications for voice production research and therapeutic intervention; (3) Cross-cultural validation of vocal fatigue metrics and development of biofeedback systems. His work consistently bridges engineering precision with clinical applicability, particularly for professional voice users in challenging acoustic environments. No scientific awards were documented in the available information. While specific advising relationships aren't detailed, his research collaborations span international institutions including Colombian and Italian universities, suggesting graduate mentorship in interdisciplinary projects. No grant information was provided, though his systematic reviews and cross-cultural studies imply externally funded research activities. Though no dedicated laboratory is specified, his virtual reality voice studies and acoustic parameter assessments suggest affiliations with audio engineering facilities and voice clinics, likely through the Speech and Hearing Science department's research infrastructure.

Andreas Stoehrمشاهده پروفایل

استاد

• Orchestral Conducting
• Opera Performance
• Historical Music Performance Practice
• +۳ مورد دیگر

Andreas Stoehr is a renowned Austrian conductor and professor at the Music and Arts Private University of the City of Vienna, leading the conducting department and symphony orchestra since 2013. His career spans prestigious engagements including the Paris Opéra Comique, Deutsche Oper am Rhein, and St. Gallen Theatre, focusing on operatic repertoire from Monteverdi to modernism. He is celebrated for reviving neglected works like Meyerbeer’s Emma di Resburgo and Gluck’s Ezio , emphasizing historical performance practices. His research explores stylistic transitions in music history, blending baroque precision with modern innovation. Education: Trained at Vienna's former Conservatory (now University of Music and Performing Arts), studying piano under Alfred Kremela, conducting with Gennadij Rozhdestvenskij, and musicology at the University of Vienna. Key mentors included David Lutz (accompaniment) and Reinhard Schwarz (conducting). Research Interests: Explores interdisciplinary connections between diverse musical eras, such as Bach’s influence on Schoenberg, and advocates for vocal-orchestral balance in historical repertoires. Projects include CD recordings of Amanda Maier-Röntgen and Andrea Tarrodi’s works, nominated for Swedish Grammis. Awards: Grammy nomination (2016) for Amanda Maier-Röntgen’s Violin Concerto recording. Recognized for innovative stagings of operas like Berg’s Wozzeck and Debussy’s Pelléas et Mélisande . Teaching & Leadership: As professor and symphony orchestra director, Stoehr mentors young conductors. Notable collaborations include the Langenlois Castle Festival (2012–2019) and interdisciplinary projects like Heart and Mouth, and Deed and Life blending Bach with sociological texts. His teaching emphasizes 21st-century conductorship as collaborative architecture, prioritizing emotional engagement over technical authoritarianism. Labs/Ensembles: Leads the MUK Symphony Orchestra, collaborating with ensembles like the Aarhus Symphony Orchestra and Orchestre Philharmonique de Liège. His work bridges academic research with performance practice through projects like the Styriarte Festival’s Schubert revival.

Claudia Lehmannمشاهده پروفایل

استاد

• Film Art
• Visual Communication
• Video Installation
• +۷ مورد دیگر

Claudia Lehmann is a University Professor of Film Art & Visual Communication at the Institute for Open Arts, Department of Scenography at Mozarteum University Salzburg. She has been a professor at Mozarteum University since 2019 and previously served as a visiting professor at the Berlin Weissensee Art Academy. As a faculty member, she contributes to the Institute management, teaches as a Teacher, and serves on the Curricular Commission. Dr. Lehmann holds a doctorate in physics (Dr. rer. nat.) with her dissertation "GAUGE COVARIANT MULTISCALE ANALYSIS OF COMPLEX SYSTEMS" published through DESY-Publications in 2004. Her academic journey reflects a unique interdisciplinary trajectory from scientific research to artistic practice. Claudia Lehmann's research interests center around the intersection of art and science, with particular focus on perception, reality, and systemic phenomena. Her work spans documentaries, feature films, music videos, art videos, installations, and performances, constantly searching for new forms and formats. She develops visual concepts, video stage sets, and unique live video performances, often in collaboration with Nicolas Stemann. Through her work, she explores diverse possibilities for new structures, especially in the form of artistic collaboration. Her recent artistic output shows a consistent trend toward interdisciplinary work that blends theater, film, and digital media. Lehmann frequently collaborates with Nicolas Stemann and Konrad Hempel, creating innovative performances that integrate video technology with traditional stagecraft. Her work often addresses social and political themes while experimenting with form and presentation. The Institute for Experimental Affairs (IXA), which she co-founded with Konrad Hempel, serves as a platform for exploring the interfaces between science and art through various projects and research initiatives. Dr. Lehmann has received several prestigious awards for her work: Samsung Smartfilm Award 2013 Shocking Shorts Award 2007 Nomination for German Documentary Film Music Prize 2013 Nomination for Studio Hamburg Young Talent Prize for Best Screenplay As an educator and researcher, Lehmann has developed numerous collaborative projects and performances that have been featured at major international festivals including the Berlin International Film Festival, Leipzig Documentary Film Festival, and various theater festivals. Her work with IXA represents a significant research initiative at the intersection of science and art. Lehmann co-founded the Institute for Experimental Affairs (IXA) with visual artist and composer Konrad Hempel. Through IXA, she conducts research and realizes projects at the interfaces between science and art. Her collaborative work spans theater productions, film projects, and interactive installations that have been presented at venues including the Schauspielhaus Zürich, Münchner Kammerspiele, Opéra Comique Paris, and various international festivals.

Sylwia Janiak-Kobylińskaمشاهده پروفایل

پژوهشگر

• Orchestral Conducting
• Music Theory
• Artistic Education
• +۳ مورد دیگر

Sylwia Janiak-Kobylińska is a Polish conductor, educator, and artistic leader currently serving as the Dean of the Faculty of Conducting, Composition, and Music Theory at the Stanisław Moniuszko Academy of Music in Gdańsk. She is President of the SAJ Foundation Supporting Young Artists, founder of the Baltic Philharmonic Orchestra of the Youth, and an active participant in international music competitions and festivals. Her work spans symphonic and opera conducting, artistic direction of multidisciplinary projects, and pedagogical leadership. Her research interests focus on Orchestral Conducting Contemporary Music Interpretation Artistic Education for Youth Symphonic and Opera Collaboration Cultural Management in Music Interdisciplinary Art Projects Her recent artistic projects, such as the inUnity. Contemporary Music from Gdańsk album and the Homage to Szymborska concert series, highlight collaborations between classical and jazz composers, youth orchestras, and interdisciplinary teams. These works emphasize themes of unity, cultural heritage, and innovation in music education. Scientific awards and recognitions include Meritorious for Polish Culture badge (2023) Antoni Wit Award at the G. Fitelberg Conducting Competition Multiple Rector’s Awards at the Academy of Music in Gdańsk Pomeranian Artistic Award in 'Artistic Hope' category As an educator, she leads orchestral workshops, mentors students across multiple faculties, and pioneered the 4C’s in Music Art program (Creativity, Collaboration, Critical Thinking, Communication). Her leadership in the SAJ Foundation and Baltic Philharmonic Orchestra of the Youth has fostered over 1000 young musicians since 2011.

• Vocal Music
• Opera
• Chamber Music
• +۳ مورد دیگر

Dr. hab. Eugenia Rozlach is a Professor at the Department of Vocal Studies, Faculty of Vocal and Acting, Fryderyk Chopin University of Music. A renowned opera singer, she specializes in Rossini’s music and 19th–20th-century Polish vocal lyrics, with a career spanning performances at the Warsaw Chamber Opera and international theaters (Paris, Madrid, Montpellier). Her recent roles include the Nanny in Tchaikovsky’s Eugene Onegin , Stara Buryjowska in Janacek’s Jenufa , and Mrs. Quickly in Verdi’s Falstaff . Graduate: Fryderyk Chopin Academy of Music, Warsaw Rozlach actively contributes to academic research on Polish vocal music, conducting workshops like On the Wings of Songs and organizing conferences such as the International Scientific Conference Polish Song . She has premiered contemporary works, including Marta Ptaszyńska’s Sonnets to Orpheus and Aleksandra Garbal’s opera Polonica rustica . Her chamber music collaborations include performances with pianists Tatiana Szebanowa, Maciej Paderewski, and Jerzy Godziszewski. Scientific Awards: Silver Cross of Merit (2005) Second-degree Rector’s award (2009) Rozlach has led masterclasses at the Chopin-Górecki Festival and the Keimyung-Fryderyk Chopin University of Music program (South Korea). She contributed to the UMFC research committee’s commemorative edition of Ignacy Jan Paderewski’s manuscripts and serves on the editorial team of Musica Intellectualis .

• Composition for Screen
• Film Music
• Opera
• +۳ مورد دیگر

Dimitri Scarlato serves as Area Leader in Masters Programmes in Composition for Screen and Doctoral Supervisor at the Royal College of Music's Faculty of Composition. Holding a Doctorate in Composition from the RCM (2014) alongside prior studies at Guildhall School of Music & Drama (2004) and Rome's Conservatorio di Musica S.Cecilia, he maintains active roles in academic leadership and doctoral supervision while continuing professional creative work. His research spans film composition, opera, and contemporary classical music with specialized focus on screen-based media. Key interests include soundtrack production techniques, cross-cultural narrative scoring, and innovative vocal composition for modern contexts. His work integrates academic rigor with industry practice through film scores, operatic productions, and multimedia performances that bridge traditional and contemporary forms. Scarlato's recent creative output demonstrates consistent thematic development in audiovisual storytelling, with increasing sophistication in emotional resonance and cultural contextualization across film and opera formats. His projects frequently explore Italian cinematic traditions while incorporating international perspectives from collaborations at venues like Berlinale Talent Campus and Royal Opera House. 2nd Prize, Opera Harmony Digital Opera Festival (2020) for 'A Life Reset' Award for Soundtrack to Short Film 'Intolerance' (2021) RCM Rising Star Selection (2010) As Doctoral Supervisor, Scarlato guides emerging composers through rigorous academic and creative development, emphasizing practical industry integration. His professional engagements include conducting premieres of contemporary operas across Europe and high-profile collaborations such as coaching Sir Michael Caine for the film 'Youth' (2015). Current projects focus on expanding composition techniques for digital media platforms while maintaining strong connections to traditional performance venues.

• Materials Science
• Electrochemistry
• Energy Storage
• +۳ مورد دیگر

Professor Daniel Rettenwander is a Full Professor at the Department of Materials Science and Engineering, Norwegian University of Science and Technology (NTNU), leading the Battery Materials Team within FACET. He also directs the Christian Doppler Laboratory for Solid-state Batteries and serves as Principle Scientist at the Center for Transport Technologies (Battery Technologies) at AIT Austrian Institute of Technology. His research focuses on advanced solid-state battery materials, particularly solid-state electrolytes and cathode materials for next-generation electric vehicle batteries. Key research interests include the development of high-performance solid electrolytes, interface engineering in batteries, and overcoming challenges in solid-state battery design such as dendrite formation and interfacial degradation. His work bridges fundamental materials science with applied electrochemical engineering, addressing critical barriers to commercializing solid-state batteries. Notable achievements include over 75 peer-reviewed publications, numerous awards including the Emerging Investigator awards (Chem. Comm., Journal of Physics: Energy), and leadership in major EU and national grants. His team’s work has been highlighted in media outlets like Gemini and Krone.at, emphasizing breakthroughs in battery materials science. Funding includes projects like OPERA (HORIZON-CL5-2022), SOLIMEC (M-ERA.NET), and CDG-supported initiatives. He supervises a dynamic team of PhD candidates and postdocs, advancing interdisciplinary research at the intersection of materials chemistry and energy storage technologies.

Donald Crockettمشاهده پروفایل

استاد

• Music Composition
• Contemporary Classical Music
• Orchestral Conducting
• +۴ مورد دیگر

Donald Crockett is a Professor and Chair of the Composition Department at the University of Southern California (USC) Thornton School of Music, and Senior Composer-in-Residence with the Bennington Chamber Music Conference. He has held significant roles in contemporary music composition and conducting, including Assistant Dean for Faculty Affairs at USC. His research and creative work spans orchestral and chamber music, opera, and instrumental compositions. Notable projects include conducting and composing for ensembles like SAKURA, HOCKET, and Xtet, with a focus on ecological themes and interdisciplinary collaboration. Major compositions include Carving an Alphabet (2020) for cello quintet, And the River (2018) for piano duo and chamber orchestra, and Night Scenes (2017) for piano trio, alongside a diverse portfolio of chamber operas and concertos. Arts and Letters Award in Music (2013), American Academy of Arts and Letters Guggenheim Fellowship (2006) Grants: Barlow Endowment, Bogliasco Foundation, Copland Fund, National Endowment for the Arts Active as a conductor, Crockett has premiered over a hundred orchestral works by student composers and collaborated with renowned ensembles like the Los Angeles Chamber Orchestra and Hilliard Ensemble. His music is published by Keiser Classical and recorded on labels including Albany, ECM, and New World Records.

Adam Gorbمشاهده پروفایل

استاد

• Composition
• Orchestral Music
• Operas
• +۳ مورد دیگر

Professor Adam Gorb is a renowned composer and academic, serving as Professor of Composition and former Head of the School of Composition at the Royal Northern College of Music (RNCM) from 2000 to 2023. He holds a PhD in Composition from the University of Birmingham (2013), alongside degrees from Cambridge University (BA 1980) and the Royal Academy of Music (RAM, MMus with Principal’s Prize 1993). His research and creative output focuses on orchestral, operatic, and wind ensemble composition. Notable works include operas Anya 17 (2012) and The Path to Heaven (2018), which explore themes like human trafficking and the Holocaust. His wind ensemble pieces, such as Towards Nirvana and Farewell , have won British Composer Awards and are performed globally. Awards include three British Composer Awards and a House of Commons accolade for Anya 17 . He advises PhD students in composition while maintaining international collaborations, including recent projects in Romania, Australia, and the USA. His music is frequently recorded and performed worldwide, with CDs such as 24 Preludes (2022) and Dancing in the Ghetto (2016) showcasing his diverse output. Teaching roles include undergraduate and postgraduate composition at the RNCM, alongside guest lectures at institutions globally. His current projects include commissions for the Royal Academy of Music and interdisciplinary work with Parkinson’s patients.

Anna Elisabet Einarssonمشاهده پروفایل

استاد

• Opera
• Performing Arts
• Classical Music
• +۳ مورد دیگر

Anna Elisabet Einarsson is a Dean at the Academy of Opera , part of the Oslo National Academy of the Arts . She holds degrees in organ, conducting, baroque interpretation from the Malmö Academy of Music and specialized opera training from the Oslo National Academy of Opera. As an active opera and concert singer since her 2000 debut, she has premiered contemporary works, received accolades like the Royal Norwegian Academy of Music Award, and been nominated for a US Grammy. Education in organ, conducting, and baroque interpretation Opera singer with international acclaim Focus on sustainable careers in the arts Research on collective creative processes and accessibility Her research explores intersections between opera, societal challenges, and gender diversity, with recent publications addressing cultural policy and non-binary representation. She has collaborated on academic lectures and workshops, emphasizing career development and risk management in creative teams. Scientific awards include: Royal Norwegian Academy of Music Award US Grammy nomination Her work bridges artistic practice with pedagogical innovation, contributing to Norway’s performing arts discourse through leadership and scholarship.

• Contemporary Music Conducting
• Opera Production
• New Music Composition
• +۳ مورد دیگر

Daniel Nesta Curtis is an Associate Teaching Professor and Interim Director of Orchestral Studies at Carnegie Mellon University's School of Music. He serves as Music Director of the CMU Contemporary Ensemble and leads initiatives like the Pittsburgh Composers Project. His roles include conducting the CMU Philharmonic, Baroque Ensemble, and orchestras in interdisciplinary productions. Education: BA in Music from Amherst College (2008) MM in Conducting from Carnegie Mellon University (2012) Research & Interests: Curtis specializes in adventurous programming of contemporary and underrepresented composers, blending orchestral music with theater, multimedia, and community engagement. He advocates for diversity in composition through projects like Nat 28 and Co-Opera, a collaborative initiative with CMU's drama department and Pittsburgh Opera. Advising & Grants: While no formal advisees are listed, Curtis mentors students through ensemble leadership and collaborative productions. His work includes premiering over 50 student/faculty compositions with the CMU Contemporary Ensemble. Labs/Teams: Directs ensembles such as Brass Roots, CMU Pre-College Orchestra, and the Contemporary Creative Practice group. Key collaborations include Quantum Theater, Chatham Baroque, and the New Hazlett Theater.

Barbara Pazurمشاهده پروفایل

استاد

• Music Education
• Choral Improvisation
• Audiation in Music Learning
• +۴ مورد دیگر

Barbara Pazur is a Professor at the Department of Choral Studies and Vocal Education, Faculty of Arts, Maria Curie-Skłodowska University. She specializes in Edwin E. Gordon's Music Learning Theory, focusing on audiation, choral improvisation, and early childhood music education. She leads the "Teoria uczenia się muzyki E.E. Gordona" scientific circle and serves as treasurer of the Lublin Division of Polish Choral Conductors' Association. Completed music education at Wrocław Music Academy (1985) Postgraduate studies in Vocal Emission and Choral Conducting Habilitated in Music Arts (Choral Conducting) at Fryderyk Chopin University (2014) Her research focuses on musical creativity development through Gordon's methodology, autism-friendly music approaches, and Polish folk/popular song adaptation for choral education. She pioneered the "Lubelski Festiwal Chórów Parafialnych" and co-developed national choral programs. Key awards include the Srebrny Krzyż Zasługi (2018), multiple Rector's Awards, and the Pro Maris Medal (2016). She has published numerous books and articles on Gordon-based pedagogy and choral arrangements.

Cillian O’Breachainمشاهده پروفایل

مدرس

• Violin Performance
• Orchestral Conducting
• Baroque Music
• +۳ مورد دیگر

Cillian O’Breachain is a faculty member at the Royal Irish Academy of Music (RIAM), specializing in Violin and conducting. He coordinates Beginner Group Violin classes and teaches violin performance. His conducting roles include leading the DYO Intermediate Orchestra, St. Agnes’ Chamber Orchestra, RIAM Junior and Divertimenti String Orchestras, and serving as rehearsal conductor for the DYO Symphony Orchestra. He holds a Master’s in Music Performance from the Royal Conservatoire of Scotland and a Bachelor of Music Education from Trinity College Dublin/RIAM, under Maeve Broderick. Education: Bachelor of Music Education (Trinity College Dublin/Royal Irish Academy of Music, 2014) Master’s in Music Performance (Royal Conservatoire of Scotland) Orchestral Experience: BBC Scottish Symphony Orchestra Ulster Orchestra RTE National Symphony Orchestra Camerata Ireland (touring globally) His research interests span violin performance techniques, Baroque violin practices, and traditional Irish fiddle traditions. He has performed with the Irish National Opera, Wexford Festival Opera, and the Irish Chamber Orchestra. In 2018, he received the Liam Healy Bursary for his contributions to opera performance. He has conducted numerous ensembles, including the Trinity Orchestra, Kirkos Ensemble, and the Orchestra of the Irish National Youth Ballet (2014–2018). His work bridges classical and traditional music, emphasizing collaborative performance and educational outreach.

Matthew Georgeمشاهده پروفایل

استاد

• Conducting
• Wind Literature
• Orchestral Performance
• +۳ مورد دیگر

Matthew J. George is the John Ireland Distinguished Professor of Music and Director of Bands and Orchestras at the University of St. Thomas in St. Paul, Minnesota. He also held the Chair of the Department of Music for twenty years and serves as Chair and conductor for the Music Education Center at Xi’an Jiaotong University in China. His roles include Artistic Director and Conductor of Grand Symphonic Winds and primary conductor of the Lake Wobegon Brass Band. Dr. George earned a D.M.A. in conducting from the University of North Texas, an M.M. in music education from Southern Methodist University, and a B.M. in music education and trumpet performance from Ithaca College. He has conducted professional and educational ensembles globally, including the Royal Liverpool Philharmonic, São Paulo State Symphonic Band, and Band of the People’s Liberation Army (China). He founded the Banda Sinfônica in Mexico City and serves as Artistic Director for international festivals in venues like the Sydney Opera House. Active in academic leadership, he chairs the New Music Committee for the College Band Directors National Association (CBDNA) and sits on the executive board of the World Association of Symphonic Bands and Ensembles. His research focuses on conducting pedagogy, wind literature performance, and commissioning new works, with over 100 commissioned pieces by composers like Nigel Clarke and Frank Ticheli. He leads the UST Symphonic Wind Ensemble, which has released seven CDs on innova/Naxos. Recent courses include Advanced Instrumental Conducting (Summer 2025) and directs the University Orchestra and Symphonic Wind Ensemble (Fall 2025). He has been honored with the University of St. Thomas Professor of the Year Award.