Agustín Zaballos Diego is an Assistant Professor in the Department of Computer Engineering at University Ramon Llull (URL), Barcelona, Spain, since 1999. He serves as Research Coordinator in the Department of Engineering at La Salle Campus Barcelona and leads the R&D Networking and Security Area since 2002. His academic background includes a PhD in Data Networks and Internet Technologies (2012), an International MBA (2014), and an M.S. in Electronic Engineering (2000). University: University Ramon Llull (URL) Department: Department of Computer Engineering Research Group: GRITS Research Focus: Real-time QoS-aware routing protocols in Smart Grids, Ubiquitous Sensor Networks, and IoT communications. His work bridges telecommunications, computer science, and energy systems through projects like OPERA (FP6), INTEGRIS (FP7), and FINESCE (FP7). Publication Trends: Recent articles highlight advancements in HF communications for Antarctic research, hybrid genetic algorithms for traffic engineering, IPv6 testing, and Industry 4.0-related networking solutions. Keywords span Smart Grids, IoT, Sensor Networks, and QoS optimization. Collaborative Projects: Key initiatives include the Antarctica Project , ATHIKA (ICT in healthcare), ENVISERA (environmental sensor networks), HOTSUP (online teaching innovation), PLANET4 (AI/ML in industry), and XIoT (IoT scalability challenges).
Keith Obadike is a Professor in the Department of Art at Cornell University's College of Architecture, Art, and Planning (AAP), where he also serves as Director of Undergraduate Studies. He is an acclaimed interdisciplinary artist and composer, known for his collaborative work with Mendi Obadike, which spans sound art, digital media, public installations, performance, and internet-based projects. His artistic and academic work critically engages with technology, race, history, and identity. Obadike earned a B.A. in Visual Art from North Carolina Central University and an M.F.A. in Sound Design from Yale University. Prior to joining Cornell, he taught at William Paterson University and held visiting positions at Princeton University, Columbia University, Northwestern University, and the Art Institute of Chicago. His research and creative practice focus on sound art, digital media, public art, performance, and collaborative practice , with strong interdisciplinary connections to Afrofuturism, data sonification, and social justice. He explores how sound and technology mediate racial identity, memory, and liberation, notably through the concept of acousmatic blackness , which he and Mendi developed to describe the racial perception of sound when its source is unseen. Obadike’s selected works include large-scale public sound installations such as Blues Speaker (for James Baldwin) , Free/Phase , Compass Song (Times Square Arts), and GuideStar (Space Needle, Seattle). His projects often use data sonification, archival research, and mythic storytelling, blending historical inquiry with futuristic vision. Notable series include the Opera-Masquerades , Americana Suites , and Numbers Station works, which transform databases of violence into sonic experiences. His honors include: Rockefeller New Media Arts Fellowship (2004) Louis Comfort Tiffany Biennial Award (2015) New York Foundation for the Arts Fellowship in Fiction New Music USA Creator Development Fund (2022) Obadike has received commissions and support from institutions such as the Vera List Center, Harlem Stage, Times Square Arts, the American Composers Orchestra, and the Cornell Mui Ho Center for Cities. He has exhibited and performed at The New Museum, The Whitney Museum of American Art, MoMA, and The Studio Museum in Harlem. His writings and publications include contributions to Studies into Darkness (2022), and artist books such as Four Electric Ghosts and Big House / Disclosure (both 2014). He has also released albums like Crosstalk (2008) and created internet artworks such as Blackness for Sale (2001) and The Interaction of Coloreds (2002), which are foundational in new media and critical race art. While specific advisees are not listed, his role as Director of Undergraduate Studies and Professor indicates active mentorship. His work is deeply collaborative, often co-created with Mendi Obadike, and supported by interdisciplinary teams and institutions.
Dr. John Severn is a Research Fellow at Macquarie University's Department of International Studies: Languages and Cultures. His career spans academia, law, and translation, with a focus on theatre internationalization, Shakespearean adaptation, and community engagement. Education: PhD in Theatre Studies and English, University of New South Wales MA(Hons) in Shakespeare and Theatre, University of Birmingham LLB(Hons) in Law and French, University of Edinburgh Postgraduate Diploma in Legal Practice, University of Edinburgh BA(Hons) in Theatre Studies and Opera Studies, University of Manchester/Rose Bruford College CertHE in Scottish Gaelic language and culture, University of the Highlands and Islands His research explores theatre and internationalization through opera, musicals, and Shakespearean adaptation. He investigates how performing arts foster inclusive/exclusive communities and addresses barriers to participation. His work intersects European cultural history, arts policy, and transnational practices. Recent publications highlight trends in Shakespearean operatic adaptation, Australian theatre censorship, and decolonial processes in performance. His co-edited works include The Routledge Companion to Theatre and Internationalization and Theatre and Internationalization: Perspectives from Australia, Germany, and Beyond . Dr. Severn collaborates with institutions like the University of Sydney, University of New South Wales, and the Goethe-Institut Australia. He founded the research cluster 'Staging Migration in Berlin' and co-organizes international conferences on theatre internationalization.
Richard Boulanger is a Professor in the Electronic Production and Design (EPD) department at Berklee College of Music, where he contributes significantly to music technology education and innovation. His work bridges performance, composition, and technological exploration. His research and expertise focus on music technology , electronic music , and music synthesis , particularly through tools like Csound. He advocates for technology as a means to uncover and express a musician’s inner voice, integrating historical traditions with contemporary and future-facing practices. Richard Boulanger is internationally recognized as a lecturer, author, performer, and consultant. He edited The Csound Book (MIT Press, 1999), a seminal work in computer music. His career includes performances with prestigious ensembles such as the La Jolla Symphony Orchestra, San Diego Opera Orchestra, and Boston Symphony Orchestra. Scientific Awards: Fulbright Scholar Recipient of numerous awards, honors, and grants As an educator, he teaches courses in music technology and supports students in exploring their musical identities through technological tools. He is affiliated with the Professional Writing and Music Technology programs at Berklee.
Wesley Bradford serves as Assistant Professor and Program Coordinator for Music Theory at the University of Louisiana at Lafayette's School of Music and Performing Arts, teaching courses from freshman theory to graduate composition since joining the faculty in 2016. His international engagement includes study abroad courses in London and presentations at conferences like the North American Conference on Video Game Music. Dr. Bradford's educational foundation includes: Ph.D. in Music Theory from Louisiana State University (2016) M.M. in Music Theory from the University of Oklahoma (2013) B.A. in Music Composition from Austin Peay State University (2010) His research centers on musical meaning through narrative and semiotic frameworks, with concentrated exploration of video game music. Recent projects analyze narrative structures in The Legend of Zelda series, demonstrating how mathematical and interpretive approaches reveal new dimensions in contemporary genres like interactive media soundtracks. Bradford's publication trend shows consistent focus on video game narrative analysis since 2016, evolving from woodwind repertoire studies to digital media. His work bridges classical music theory with emerging game studies, particularly examining environmental storytelling through audio in interactive contexts. His scholarly recognition includes: Dissertation Year Fellowship (Spring 2016) As Theory/Composition studio coordinator, Bradford mentors students through recitals and studio meetings while securing research funding like the 2021 SPARK ArTech Grant. His active conference participation reflects ongoing scholarly contribution to music theory communities. He maintains professional engagement through the South Central Society for Music Theory and national Society for Music Theory, fostering collaborative research networks within the university's music theory ecosystem.
Dimitri Scarlato serves as Area Leader in Masters Programmes in Composition for Screen and Doctoral Supervisor at the Royal College of Music's Faculty of Composition. Holding a Doctorate in Composition from the RCM (2014) alongside prior studies at Guildhall School of Music & Drama (2004) and Rome's Conservatorio di Musica S.Cecilia, he maintains active roles in academic leadership and doctoral supervision while continuing professional creative work. His research spans film composition, opera, and contemporary classical music with specialized focus on screen-based media. Key interests include soundtrack production techniques, cross-cultural narrative scoring, and innovative vocal composition for modern contexts. His work integrates academic rigor with industry practice through film scores, operatic productions, and multimedia performances that bridge traditional and contemporary forms. Scarlato's recent creative output demonstrates consistent thematic development in audiovisual storytelling, with increasing sophistication in emotional resonance and cultural contextualization across film and opera formats. His projects frequently explore Italian cinematic traditions while incorporating international perspectives from collaborations at venues like Berlinale Talent Campus and Royal Opera House. 2nd Prize, Opera Harmony Digital Opera Festival (2020) for 'A Life Reset' Award for Soundtrack to Short Film 'Intolerance' (2021) RCM Rising Star Selection (2010) As Doctoral Supervisor, Scarlato guides emerging composers through rigorous academic and creative development, emphasizing practical industry integration. His professional engagements include conducting premieres of contemporary operas across Europe and high-profile collaborations such as coaching Sir Michael Caine for the film 'Youth' (2015). Current projects focus on expanding composition techniques for digital media platforms while maintaining strong connections to traditional performance venues.
Prof. Dr. Florian Freitag is a Professor of American Studies at the University of Duisburg-Essen (Germany) since 2019, specializing in Transnational American Studies, Canadian Studies, and Theme Park Studies. His academic journey includes a PhD in North American literatures from the University of Constance (Germany) in 2011, followed by postdoctoral research at the Obama Institute, JGU Mainz. His educational background includes: 1998-2005: Student of English and French, University of Konstanz, Germany 2002-2003: Exchange student, Department of American Studies, Yale University 2006-2011: Doctoral Student, Department of Literature, University of Konstanz 2009: Visiting Scholar, University of British Columbia, Vancouver, Canada 2015-2016: Visiting Scholar, CityTech (CUNY), New York, USA Freitag's research interests span Transnational American Studies, Canadian Studies, Popular Culture, Theme Park Studies, Periodical Studies, Performance Studies, and Hurricane Katrina studies. His work explores the intersections of cultural representation, spatial theory, and transnational flows, with particular attention to how American culture travels and transforms in global contexts. He has made significant contributions to understanding theme parks as cultural spaces that negotiate national identity, transnational influences, and historical narratives through spatial design, narrative construction, and visitor experience. His publications reveal a strong focus on how themed spaces mediate cultural understanding across national boundaries. His scholarship demonstrates how popular culture forms like theme parks serve as important arenas for cultural work that often goes unrecognized in more traditional academic contexts. His work examines the political dimensions of themed environments, the adaptation of classical mythology in global theme parks, and how cities like New Orleans are represented across different media forms. Among his notable scientific contributions are his books The Farm Novel in North America: Genre and Nation in the United States, English Canada, and French Canada, 1845-1945 (Camden House 2013), Popular New Orleans: The Crescent City in Periodicals, Theme Parks, and Opera, 1875-2015 (Routledge 2021), and Key Concepts in Theme Park Studies: Understanding Tourism and Leisure Spaces (Springer 2023), which established him as a leading scholar in interdisciplinary theme park studies. Freitag has also been active in academic service, including co-editing special issues and volumes on intersectionality, Chinese theme parks, and transnational approaches to North American regionalism. His work demonstrates a commitment to interdisciplinary approaches that bridge literary studies, cultural geography, and media studies, with significant contributions to understanding cultural representation in themed environments.
Dr. Naomi Matsumoto is a Reader in Music at Goldsmiths, University of London , specializing in opera studies, music historiography, and Baroque performance practices. She serves as Convenor of the Integrated Degree in Music and International Admissions Tutor, bridging academic administration with research leadership. Key affiliations: Royal Musical Association, Society for Seventeenth-Century Music, Japan Musicological Society Fellowships: Royal Society of Arts, Royal Historical Society Research Interests include: Operatic madness from Monteverdi to Donizetti Baroque performance conventions and manuscript studies Transnational reception of Western opera in Japan Interdisciplinary work with medical history and cultural studies Her publications focus on Lucia di Lammermoor , Carmen , and Madama Butterfly , examining their cultural adaptations and diagnostic representations. Recent projects explore Wagner's influence on Japanese theatre and Bess of Bedlam's identity crisis. Scientific Awards : Overseas Research Scholarship British Federation of Women Graduates Award Gladys Krieble Delmas Foundation Award Daiwa Anglo-Japanese Foundation Award Japan Society for the Promotion of Science Award Royal Musical Association Prize As an educator , she supervises areas in 17th-19th century Italian opera, intercultural reception studies, and Baroque performance. She contributes to critical editions and liner notes for major musical releases.
Andrea Bechert is an Associate Professor & Designer in the Film & Theatre Department at San José State University (SJSU). She holds a prominent role in academic and professional theatre design, with over 400 productions designed nationally and internationally. Her affiliations include SJSU and prior teaching roles at the University of Michigan, University of Chicago, Stanford University, and others. Education History Extensive academic experience across multiple institutions, though specific degree details are not listed. Research & Creative Activity Focuses on theatrical and film design, including scenic, costume, and projection design. Her work has been featured in major exhibitions like the World Design Expo, USITT Design Expo, and the Prague Quadrennial. She emphasizes collaborative design processes and innovative technical approaches in live performance. Awards & Recognition Recipient of the Silicon Valley Laureate Award for design excellence Bay Area Theatre Critics Circle Award for Fun Home (TheatreWorks) RSCA Award from SJSU's College of Humanities & Arts Multiple Authors & Artists Awards from SJSU Advising & Service Actively involved in professional service, serving as Western Region Board Trustee for United Scenic Artists (USA829), National Wellness Committee member, and Chair of the Design Exam Committee. No formal advisees listed in the provided text. Labs & Collaborations Collaborates with major institutions like TheatreWorks (Silicon Valley), SMUIN Ballet, Opera San Jose, and Berkeley Repertory Theatre. Maintains an active design portfolio at ScorpionDesigns.net .
Reetuparna Das is an Associate Professor at the University of Michigan in the Department of Computer Science and Engineering, School of Electrical Engineering and Computer Science (EECS). She previously worked as a research scientist at Intel Labs and as researcher-in-residence for the Center for Future Architectures Research (C-FAR). She co-founded the precision medicine start-up Sequal Inc. and leads the M-Bits research group, which is part of the Computer Engineering Lab at Michigan. Her research focuses on computer architecture and its intersections with software systems and device/VLSI technologies . Key projects include in-memory computing for BigData and ML, fine-grain heterogeneous architectures for mobile systems, and energy-efficient network-on-chip (NoC) designs for many-core processors. Her work has been funded by the NSF, C-FAR, Semiconductor Research Corporation, and Intel. She has authored over 50 papers, filed 7 patents, and received numerous awards, including the Sloan Foundation Faculty Fellowship CRA-W Borg Early Career Award NSF CAREER IEEE Top Picks MICRO/ISCA Hall of Fame inductions Das has served on over 40 program committees, is associate editor for TACO, and co-founded initiatives like WiCArch (Women In Computer Architecture) to promote diversity. She mentors students through outreach programs like Girls Encoded and Ada Lovelace opera events.
Elizabeth Hudson is Dean of the College of Arts, Media, and Design and Professor of Music at Northeastern University since 2015. Previously, she was Professor of Musicology and inaugural Director of the New Zealand School of Music (2006–2013), and held leadership roles at the University of Virginia, including Director of Undergraduate and Graduate Music Programs. She holds a Ph.D. and M.A. from Cornell University, a B.A. from Smith College, and training from the Manhattan School of Music and Vienna. Her research explores opera composers like Verdi, Donizetti, and Puccini, integrating musicology with Italian Risorgimento history, trauma studies, and neuroscience of music and emotion. Her critical edition of Verdi’s Il corsaro (University of Chicago Press) has gained global attention. She currently serves on the executive board of the American Institute of Verdi Studies and the editorial board of Verdi Forum . Awarded grants/fellowships include National Endowment for the Humanities, Lilly Teaching Fellowship, and the Thomas Jefferson Visiting Fellowship at Cambridge. Her professional experience includes editorial leadership roles such as Associate Editor of the Cambridge Opera Journal .
Michele Jonsson-Funk, PhD, is an Associate Professor in the Department of Epidemiology at the UNC Gillings School of Global Public Health and Director of the Center for Pharmacoepidemiology. She leads the Pharmacoepidemiology Program within the Department and serves as an Affiliate Faculty member at the Injury Prevention Research Center. Dr. Jonsson-Funk is also a Fellow of the International Society for Pharmacoepidemiology and holds leadership roles in several professional organizations, including the Board of the International Society for Pharmacoepidemiology and advisory roles in epidemiology and clinical research networks. Dr. Jonsson-Funk holds a PhD in Epidemiology from the University of North Carolina at Chapel Hill (2003), a Master of Science in Public Health (MSPH) in Epidemiology from UNC Chapel Hill (2000), and a BA in Psychology from Reed College (1994). Her research focuses on pharmacoepidemiology, methods for estimating treatment effects in observational data, and women’s health. She examines topics such as sex differences in medication safety and efficacy, maternal and child health outcomes, and the application of electronic health records for population-level analyses. Her work integrates data from Medicare, Marketscan, and the Carolina Data Warehouse for Health to evaluate treatment effectiveness and safety. Dr. Jonsson-Funk has received several honors, including: Fellow, International Society for Pharmacoepidemiology (2018–present) Research Fellow, Sheps Center for Health Services Research, UNC Chapel Hill (2005–present) Member, Delta Omega Honorary Public Health Society, Theta Chapter (2004–present) Her research portfolio includes grants such as an R01 evaluating treatment effect heterogeneity in cardioprotective medications. She advises on interdisciplinary teams through her leadership roles in the Building Interdisciplinary Research Careers in Women’s Health (BIRCWH) Program and the Observational Pharmaco-Epidemiology Research & Analysis (OPERA) network. She also leads the Pharmacoepidemiology Research Lab Network under BIRCWH. Dr. Jonsson-Funk collaborates with clinical colleagues on studies addressing pelvic floor disorders, medication use during pregnancy, and diabetes-related cancer risks. Her methodological contributions include improving propensity score techniques and addressing confounding by frailty in observational studies.
Professor Daniel Rettenwander is a Full Professor at the Department of Materials Science and Engineering, Norwegian University of Science and Technology (NTNU), leading the Battery Materials Team within FACET. He also directs the Christian Doppler Laboratory for Solid-state Batteries and serves as Principle Scientist at the Center for Transport Technologies (Battery Technologies) at AIT Austrian Institute of Technology. His research focuses on advanced solid-state battery materials, particularly solid-state electrolytes and cathode materials for next-generation electric vehicle batteries. Key research interests include the development of high-performance solid electrolytes, interface engineering in batteries, and overcoming challenges in solid-state battery design such as dendrite formation and interfacial degradation. His work bridges fundamental materials science with applied electrochemical engineering, addressing critical barriers to commercializing solid-state batteries. Notable achievements include over 75 peer-reviewed publications, numerous awards including the Emerging Investigator awards (Chem. Comm., Journal of Physics: Energy), and leadership in major EU and national grants. His team’s work has been highlighted in media outlets like Gemini and Krone.at, emphasizing breakthroughs in battery materials science. Funding includes projects like OPERA (HORIZON-CL5-2022), SOLIMEC (M-ERA.NET), and CDG-supported initiatives. He supervises a dynamic team of PhD candidates and postdocs, advancing interdisciplinary research at the intersection of materials chemistry and energy storage technologies.
Associate Professor Antony Moulis is a faculty member at the University of Queensland's School of Architecture, Design and Planning, where he also serves as Deputy Head of School. He holds a Bachelor of Design Studies and a Bachelor degree from UQ. His research focuses on productive cities, urban retrofit, and global architectural knowledge transfer, with notable contributions to books like House, Precinct, Territory (2023) and Le Corbusier in the Antipodes (2021). He collaborates with industry on projects addressing micro-urban resilience, energy transitions, and cross-cultural architectural exchanges. Research interests include urban infill housing strategies, architectural techniques from the 20th to 21st century, and the global influence of figures like Le Corbusier. He led UQ's participation in the Water Sensitive Cities CRC, focusing on green infrastructure and urban intensification. Awards include the 2025 Architecture Australia Prize for Unbuilt Work and multiple Queensland Architecture Awards for collaborative designs like the Blue Bower and One Room Tower. His work spans academic and professional journals, with over 50 articles and 4 books. He has supervised numerous research projects and contributed to exhibitions at venues like the Seoul Biennale. Moulis is a past President of the Society of Architectural Historians, Australia and New Zealand (SAHANZ), and actively engages in architectural historiography and design pedagogy.
Yuhang Li is an Associate Professor of Chinese Art at the University of Wisconsin–Madison’s Department of Art History. She serves as Affiliate of the Religious Studies Program, Department of Asian Languages and Cultures, and Center for East Asian Studies, and holds the role of Faculty Director of Material Culture at the Center for Design and Material Culture. Her education includes a B.A. from Central Academy of Fine Arts (Beijing, 1991), M.A. from the University of Illinois at Urbana-Champaign (2001), and Ph.D. from the University of Chicago (2011). Her research focuses on gender and material practice in late imperial China, particularly Buddhist women’s artistic devotions, Chinese textiles and costume, opera’s role in visual culture, and Qing court art. Her book Becoming Guanyin (2020) won major academic awards. She co-edited Performing Images: Opera in Chinese Visual Culture (2014) and contributed to special issues on Empress Dowager Cixi. Teaching includes courses on Asian art surveys, Chinese art history, material culture, and gender studies. Her work bridges art history with religious studies, exploring how material practices reflect gendered identities and religious belief. Awards include the 2021 Religion and the Arts Book Award and the 2024 Geiss-Hsu Book Prize. Her research frequently examines the intersection of ephemeral mediums (e.g., paper, hair embroidery) with enduring cultural and religious themes.
