جستجوی استاد راهنمای دانشگاهی

WANG Yeمشاهده پروفایل

دانشیار

• Sound and Music Computing
• Music Information Retrieval
• eHealth
• +۱۲ مورد دیگر

WANG Ye is an Associate Professor in the Department of Computer Science at the School of Computing, National University of Singapore (NUS). He holds a PhD in Information Technology from Tampere University of Technology, Finland, and has been a tenured faculty member at NUS since 2002, following his industry research role at Nokia Research Center. He is the director of the Sound and Music Computing Lab at NUS, leading cutting-edge research in AI-driven music and health technologies. PhD, Information Technology, Tampere University of Technology, Finland (2002) MSc, Telecommunications, Braunschweig University of Technology, Germany (1993) BSc, Telecommunications, South China University of Technology, China (1983) His research is centered on Sound and Music Computing for Human Health and Potential (SMC4HHP) , with a focus on eHealth, eLearning, mobile/wearable computing, and music information retrieval. His work spans AI for stroke rehabilitation, language learning through singing, singing voice synthesis, and automatic music transcription. He has pioneered systems like SLIONS (language learning via karaoke), CocoLyricist (AI co-creation for stroke recovery), and SinTechSVS (expressive singing voice synthesis). The latest articles highlight a strong trend in AI-driven music and health technologies , particularly in controllable lyric generation, singing voice synthesis, automatic pronunciation assessment, and multimodal music transcription. The research increasingly integrates large language models, explainable AI, fairness, and real-world deployment, reflecting a shift from theoretical exploration to practical, human-centered applications in healthcare and education. Dr. Wang has received numerous scientific honors, including: Best Paper Awards at ACM MM, ISMIR, IEEE ISM, and CHI First Prize, Asia Pacific Assistive, Rehabilitative, and Therapeutic Technologies Challenge (2015) Faculty Teaching Excellence Award, NUS School of Computing (2024) Top Paper Award, ACM Multimedia 2022 AI in Medicine Collaborative Grant for CocoLyricist project He has supervised over 11 PhD and 20 MComp students and is currently guiding six PhD candidates. His grants come from MOE, NRF, A*STAR, Nokia, and Smule. He has served as General Chair of ISMIR2017 and TPC Co-Chair of ICOT2017, and is on the editorial boards of IEEE Transactions on Multimedia and Journal of New Music Research. He has also developed and taught the first course on Sound and Music Computing in Singapore. Dr. Wang leads the Sound and Music Computing Lab (SMC Lab) , a multidisciplinary team exploring the synergy of music computing, AI, mobile technology, and cloud systems for health and education. The lab actively collaborates with medical institutions such as NUS Yong Loo Lin School of Medicine, Singapore General Hospital, and Harvard Medical School, and is currently working on projects in AI-supported language learning, stroke rehabilitation, and intelligent music interfaces.

Golan Levinمشاهده پروفایل

استاد

• Interactive Art
• Digital Fabrication
• Information Visualization
• +۴ مورد دیگر

Golan Levin is Professor of Electronic Art at Carnegie Mellon University's School of Art, with courtesy appointments in the School of Design, School of Architecture, School of Computer Science, and Entertainment Technology Center. From 2009 to 2022, he served as Director and Co-Director of CMU's Frank-Ratchye STUDIO for Creative Inquiry, a laboratory dedicated to supporting atypical, anti-disciplinary research at the intersection of arts, science, technology, and culture. Levin's research spans interactive art, digital fabrication, information visualization, and generative design. He explores the critical potential of visualization, generative computation for expressive form, and how abstraction connects to realities beyond language. His practice engages interactive gestural robotics, nonverbal interaction aesthetics, and tactical applications of personal digital fabrication through responsive artifacts and media provocations that highlight human-machine relationships. His publications reveal consistent innovation in real-time audiovisual systems, interactive fabrication interfaces, and pedagogic tools for artists. Key trends include slit-scan video techniques, tangible augmented-reality performance, and noise-based visualizations, demonstrating his commitment to expanding human action vocabulary through digital media while bridging artistic expression with computational systems. Levin's work has received significant recognition: Permanent collection inclusion at Museum of Modern Art (MoMA) Whitney Biennial exhibition "50 Designers Shaping the Future" by Fast Company (2012) Competitive grants from National Endowment for the Arts, National Endowment for the Humanities, Creative Capital, and Rockefeller MAP Fund As an educator, Levin teaches "studio courses in computer science" on interactive art, experimental capture, and generative design, emphasizing computation as a medium for critical inquiry. His research funding from major cultural institutions supports interdisciplinary exploration at the arts-technology nexus. The Frank-Ratchye STUDIO for Creative Inquiry, which he directed for 13 years, remains a vital hub for anti-disciplinary collaboration, continuing his legacy of fostering creative agency through technology-infused artistic practice.

• Intellectual Property Law
• Copyright Law
• Information Law
• +۳ مورد دیگر

Tatsuhiro Ueno serves as Professor at Waseda University's Faculty of Law and School of Law, specializing in Intellectual Property Law, Copyright Law, and Information Law. He currently holds leadership positions as Director of the Institute of Comparative Law (since 2024) and President of SARLIB (Society for Administration of Remuneration for Public Transmission by Libraries or Similar Facilities). With extensive international experience including visiting scholar positions at Ludwig Maximilian University of Munich and the Max Planck Institute for Intellectual Property and Competition Law, Professor Ueno has established himself as a leading authority in copyright law reform and international intellectual property matters. Professor Ueno earned his Master of Law from Kyoto University following undergraduate and graduate studies there. His academic career includes teaching positions at Rikkyo University College of Law and Politics and Seijo University Faculty of Law before joining Waseda University in 2013, where he now contributes to shaping Japan's legal education landscape. His research focuses on the critical intersection of intellectual property law with emerging technologies, particularly artificial intelligence systems and digital platforms. Professor Ueno has pioneered work on text and data mining exceptions, copyright limitations in digital environments, and creator-oriented copyright frameworks. His scholarship bridges theoretical analysis with practical policy development, influencing both domestic legislation and international copyright discourse. His recent publications demonstrate a concentrated focus on AI and copyright law, with numerous articles examining the legal challenges posed by generative AI systems, text and data mining exceptions, and the evolving landscape of copyright protection in the digital era. Professor Ueno's work consistently addresses the balance between protecting creators' rights and ensuring public access to knowledge. KDDI Foundation Book Publishing Grant (January 2025) for "Creator-Oriented Copyright System" Professor Ueno actively participates in numerous government committees shaping Japan's copyright law, including serving as Chairman of the Law and Computers Society and as a longstanding member of the Copyright Subcommittee of the Council for Cultural Affairs. His research is supported by multiple grants from the Japan Society for the Promotion of Science, including ongoing projects examining human portraits and voices in the AI age (2025-2029) and AI and intellectual property rights systems (2024-2029). He regularly presents at international forums including WIPO Summer Schools, ATRIP conferences, and copyright forums worldwide, establishing his reputation as a key thought leader in global copyright policy development.

R. Luke DuBoisمشاهده پروفایل

دانشیار

• Digital Media
• Human Computer Interaction
• Cyber Physical Systems
• +۳ مورد دیگر

R. Luke DuBois is an Associate Professor and Co-Chair of the Technology, Culture and Society Department at the NYU Tandon School of Engineering, where he also directs the Integrated Design & Media program and the Brooklyn Experimental Media Center. He holds a DMA in music composition from Columbia University and is a renowned artist, composer, and performer whose work explores intersections between technology, sound, and visual media. His research focuses on digital media, human-computer interaction, and emerging technologies applied to artistic expression and accessibility. Key roles include directing the SONYC initiative (addressing urban noise pollution via AI) and leading the NYU Ability Project (advancing disability studies through technology). He has collaborated with institutions like the Smithsonian and artists such as Maya Lin, and his work has been exhibited globally, including at the Sundance Film Festival and the Aspen Institute. DuBois co-developed the Jitter software suite for real-time data manipulation and performs in avant-garde groups like Bioluminescence and Fair Use. His artistic practice combines time-lapse phonography, interactive installations, and interdisciplinary projects that critique cultural ephemera while advancing accessibility in STEM and the arts. Recent contributions include browser-based tools for accessible music notation (SoundCells) and sonification techniques for calculus education. He serves on the Board of the ISSUE Project Room and has been featured in major publications like the New York Times and TED Conference talks.

• Sound and Music Computing
• Music technology
• Artificial intelligence
• +۸ مورد دیگر

Koray Tahiroglu is a University Lecturer at Aalto University's School of Arts, Design and Architecture, specializing in Sound and Music Computing. His work bridges artificial intelligence, digital musical instruments, and embodied interaction, with a focus on deep learning applications in audio synthesis and human-AI creative collaboration. His research explores New Interfaces for Musical Expression (NIME), sonic interaction, and physical computing. He collaborates with SOPI Research Group and Google Brain Team (Magenta) on AI-driven artistic innovation. Recent Publications : 2024 studies on dance-sound cross-correlation and intra-action frameworks; 2023 work on AI-terity and deep learning syllabi; 2022 explorations of GAN synthesis, musical expectations, and lifeworld sonification. Scientific Awards : Co-Creative Artificial Intelligence of Music (2022) 2010 grant for scientific publications and artistic activities 2017 Honorable Mention for mobile cultural heritage research Tahiroglu contributes to digital art education and leads projects at Media Lab Helsinki, advancing sonic interaction and generative audio systems.

Marcelo M. Wanderleyمشاهده پروفایل

استاد

• Music Technology
• Computer Music
• Digital Musical Instruments (DMIs)
• +۵ مورد دیگر

Marcelo M. Wanderley is a Professor and Director of the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) at McGill University's Schulich School of Music. His academic roles include Area Coordinator for Music Technology and membership on the Executive Committee. He holds a PhD in acoustics, signal processing, and computer science from Université Pierre et Marie Curie (Paris VI). Wanderley's research focuses on novel interfaces for music performance, digital musical instruments (DMIs), and human-computer interaction. He has authored influential works such as New Digital Musical Instruments: Control and Interaction Beyond the Keyboard (2006) and pioneered research in gestural control of music. His work integrates engineering, computer science, and musicology to create innovative performance tools, including the T-Stick and Karlax instruments. He has held visiting professorships at Université de Bretagne Sud, Universidade Federal de Minas Gerais (Brazil), and the University of Mons (Belgium), where he was awarded prestigious chairs. Wanderley's awards include the Inria International Chair (2016–2020) and the Distinguished Visitor Award from the University of Auckland. His research has been widely cited in the International Conference on New Interfaces for Musical Expression (NIME), and he actively contributes to editorial boards (e.g., Computer Music Journal ) and academic leadership roles. Wanderley's lab, the Input Devices and Music Interaction Lab (IDMIL), develops open-source frameworks like Puara and Probatio for DMI design and mapping. Key research areas include haptic feedback systems, motion capture of musical performances, and accessibility in music technology. He emphasizes interdisciplinary collaboration, bridging engineering, art, and cognitive science to advance musical expression and performance practices.

Alexander Hunterمشاهده پروفایل

مدرس

• Open/Non-linear Music
• Open Music Notation
• Spectralism
• +۷ مورد دیگر

Dr. Alexander Hunter is a Lecturer and Composition Convenor at the School of Music, Australian National University (ANU). He holds a PhD in composition from Edinburgh Napier University (2014) and has taught composition, theory, and music history since relocating to Canberra in 2014. Hunter founded ANU's Experimental Music Studio, focusing on open-form compositions that engage performers in fluid interpretive roles. His research spans open musical forms, spectralism, acoustic ecology, and intersectional feminism, with a commitment to disability and autistic advocacy in the arts. Education includes studies at Northern Illinois University (BA 2006) and HNC from Colaisde Bheinn na Faoghla (2007). His work integrates multimedia collaborations with artists like Mike Parr and Martyn Jolly, exploring themes of dis/ability, environmental health, and Métis cultural heritage. Key projects include Helping the River Sing (2018–2021), linking river health with artistic expression, and AI-driven music composition research with Charles Martin. Hunter’s performance-led projects often involve magic lantern technology, reimagining 19th-century projection as a medium for contemporary ecological and historical narratives. Research interests also encompass New York School music, reductionist improvisation, and anarchist philosophies in composition. His collaborations with ensembles like Ensemble Dal Niente and the Edinburgh Quartet highlight his commitment to experimental performance practices. Recent publications (2023–2025) explore AI applications in music creation and interdisciplinary performance frameworks.

Anthony Hornofمشاهده پروفایل

استاد

• Human-Computer Interaction
• Cognitive Modeling
• Eye Tracking
• +۹ مورد دیگر

Anthony Hornof is a Professor in the Department of Computer Science at the University of Oregon, part of the College of Arts and Sciences. He has been a faculty member since 1999 and was granted tenure in 2005. His research is centered on human-computer interaction, with strong emphases on cognitive modeling, eye tracking, and assistive technology. He leads an active research laboratory and has secured substantial funding from the National Science Foundation and the Office of Naval Research. University: University of Oregon School: College of Arts and Sciences Department: Department of Computer Science Position: Professor Email: hornof@uoregon.edu, hornof@cs.uoregon.edu Office: 356 Deschutes Hall Phone: (541) 346-1372 Education: B.A. in Computer Science, Columbia University, 1988 M.S. in Computer Science and Engineering, University of Michigan, 1996 Ph.D. in Computer Science and Engineering, University of Michigan, 1999 Research Interests: Dr. Hornof's research lies at the intersection of human cognition and computing. He is particularly interested in understanding and modeling the perceptual, cognitive, and motor processes involved in human-computer interaction. His work uses eye tracking both as an evaluation tool for cognitive models and as a real-time input method for creative expression and accessibility. A major focus is assistive technology, especially developing tools like EyeDraw that enable children with severe motor impairments to create art using only eye movements. He also explores eye-controlled musical compositions, bridging technology and artistic expression. His research is grounded in participatory design, involving end-users directly in the development process. Publication Trends: His recent publications demonstrate a consistent focus on modeling human behavior in complex interactive tasks. Key themes include visual search strategies, dual-task performance, cognitive modeling using eye-tracking data, and accessibility. His work spans top venues in HCI (CHI, TOCHI), cognitive science (CogSci, ICCM), and specialized conferences like ETRA and NIME. There is a strong methodological thread involving data calibration, model validation, and the development of predictive tools for interface design. Scientific Awards: Best Paper Award (Top 1%) at CHI 2014 (two papers) Honorable Mention Paper (Top 5%) at CHI 2010 Siegel-Wolf Award for Best Applied Paper at ICCM 2010 Advising and Grants: Dr. Hornof actively seeks to mentor exceptional undergraduate students, graduate students, and postdoctoral researchers in his lab. He emphasizes rigorous and creative scientific research. He has been awarded over $2.9 million in single-investigator research grants from prestigious agencies including the National Science Foundation (NSF) and the Office of Naval Research (ONR). Notably, he served as an NSF Program Director from 2012 to 2014, contributing to funding decisions for approximately $65 million in research. Labs and Teams: He leads the Human-Computer Interaction Laboratory at the University of Oregon, where interdisciplinary research is conducted on cognitive modeling, eye tracking, and assistive technologies. His team has developed software such as VizFix for visualizing eye-tracking data and has ported the Eyegaze system to Macintosh. The lab fosters collaborations with new media artists and musicians, and engages in participatory design with children who have disabilities.

• Music Technology
• Music Psychology
• Embodied Music Cognition
• +۵ مورد دیگر

Alexander Refsum Jensenius is a Professor of Music Technology and Director of the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo. He also leads the fourMs Lab and co-founded the MishMash Centre for AI and Creativity. His work bridges musicology, psychology, and technology, focusing on embodied music cognition, human motion analysis, and creative applications of AI. Notably, he pioneered research on air guitar motion and human micromotion through projects like the Oslo Standstill Database . Educated at the University of Oslo (BA in Music and Mathematics, MA in Musicology) and Chalmers University of Technology (MSc in Applied IT), Jensenius holds a PhD in Music Technology from UiO. He has held visiting researcher roles at UC Berkeley, McGill University, and KTH. Leadership roles include Department of Musicology Head (2013–2016) and Steering Committee Chair for the International Conference on New Interfaces for Musical Expression (NIME, 2011–2022). Research interests span music-related body motion, AI in creative contexts, and open research practices. Key contributions include the Music Moves and Motion Capture MOOCs, the Musical Gestures Toolbox software, and monographs like Sound Actions and Sonic Design . His work emphasizes interdisciplinary collaboration, with projects addressing ventilation systems' acoustic properties and cell culture vibrational effects. Awards include the European Open Data Champion recognition. He advocates for open science and maintains extensive digital archives of research materials, emphasizing institutional web pages as critical research infrastructure.

Lauren Sarah Hayesمشاهده پروفایل

دانشیار

• Sound Studies
• Embodied Cognition
• Haptic Technology
• +۷ مورد دیگر

Lauren Sarah Hayes is an Associate Professor of Sound Studies within the School of Arts, Media and Engineering at Arizona State University. She founded the research group Practice and Research in Enactive Sonic Arts (PARIESA) and holds degrees in Mathematics and Philosophy (MA), Digital Composition and Performance (MSc, dist.), and Creative Music Practice (PhD), all from the University of Edinburgh, UK. Dr. Hayes' research centers around embodied and enactive music cognition, enactive approaches to digital instrument design, and haptic technologies. Her scholarly work has been published in major journals including Contemporary Music Review, Organised Sound, and Computer Music Journal. As a performer and improviser, she explores new strategies for live electronic performance by investigating the performer's physical relationship with the digital realm, with music lying between free improv, experimental pop, techno, and noise. Her research on embodied music education won Best Paper Award at the International Computer Music Conference in 2016, and her work addressing political and epistemological themes won Best Paper Award at New Interfaces for Musical Expression (NIME) in 2020. Dr. Hayes composes haptic music experienced as vibration throughout the body and has developed bespoke haptic technologies for people with sensory impairment, learning difficulties, and autism. She has performed internationally at major festivals including Moogfest (USA), Tectonics (Scotland), and Norberg (Sweden), and represented the USA at the ISCM World New Music Days festival in the Faroe Islands in 2024. Best Paper Award, International Computer Music Conference (2016) Best Paper Award, New Interfaces for Musical Expression (NIME) (2020) Dr. Hayes serves on the editorial board of the Journal of Music, Technology & Education and has held leadership roles including Paper Chair for Tangible, Embedded, and Embodied Interaction (TEI) in 2019, associate of the New BBC Radiophonic Workshop, and Director-At-Large of the International Computer Music Association (ICMA). She founded the AME Listening Group at ASU, which hosts listening, workshop, and performance opportunities for students.

Ajay Kapurمشاهده پروفایل

استاد

• Human-Computer Interaction
• Artificial Intelligence in Music
• Mechatronic Musical Instruments
• +۵ مورد دیگر

Ajay Kapur serves as Associate Provost for Creative Technologies and Director of the Music Technology program (MTIID) at California Institute of the Arts. With an interdisciplinary background spanning computer science, electrical engineering, and music, he bridges technological innovation with artistic expression through leadership in academic programs and entrepreneurial ventures. His research centers on symbiotic human-machine interaction for artistic creation, particularly exploring computer improvisation with humans through Indian Classical music frameworks. This manifests in developing programmable mechatronic instruments, sensor-based interfaces, and AI-driven systems for musical expression. His work extends traditional techniques while creating new performance paradigms like the globally touring Machine Orchestra and KarmetiK Orchestra. Kapur's recent publications reveal evolving expertise from music robotics to blockchain applications, with significant focus on NFT systems, tokenization, and immersive environments. His scholarly output demonstrates consistent innovation at the intersection of artistic practice and emerging technologies. As an educator and entrepreneur, he has co-founded companies in edtech and AI while authoring foundational texts like Digitizing North Indian Music and Introduction to Programming for Musicians and Digital Artists . His performances at venues including LACMA, Singapore Arts Festival, and the 2010 Winter Olympics showcase practical applications of his research.

• Sonic Arts
• Sound Studies
• Music Technology
• +۵ مورد دیگر

Gaute Barlindhaug serves as an Assistant Professor in the Department of Language and Culture at UiT The Arctic University of Norway, within the Faculty of Humanities, Social Sciences and Teacher Education. His academic work bridges artistic practice with scholarly research in sonic arts and cultural documentation. His research interests span Sonic Arts , Sound Studies , Music Technology , and Digital Humanities , with particular focus on the ontological status of sound recordings, the intersection of traditional and digital sound technologies, and the preservation of cultural heritage through both artistic and technological approaches. His work often examines how sonic mediations transform aesthetic experiences and cultural expressions. Analysis of his publications reveals a consistent trajectory exploring the relationship between technology and sonic expression, with recent work incorporating artificial intelligence applications in document preservation. His research demonstrates an interdisciplinary approach that combines artistic practice with scholarly inquiry, particularly evident in his contributions to the Journal for Artistic Research. Barlindhaug is actively involved in multiple research initiatives: Engaging Conflicts in a Digital Era (ENCODE) Worlding Northern Art LAMCOM – Libraries, archives, and museums in the community His scholarly output includes both traditional academic publications and creative works, reflecting his position at the intersection of artistic practice and academic research. His contact information is available through the university directory at gaute.barlindhaug@uit.no.

Liane Gaboraمشاهده پروفایل

استاد

• Creativity
• Cultural Evolution
• Cognitive Science
• +۵ مورد دیگر

Liane Gabora is a Full Professor in the Department of Psychology at the University of British Columbia's Okanagan Campus, affiliated with the Irving K. Barber Faculty of Arts and Social Sciences. She holds additional research affiliations with the Australian National University's School of Music, University of Waterloo's Institute for Complexity & Innovation, and Free University of Brussels' Centre Leo Apostel for Interdisciplinary Studies. Her educational background includes a BSc from the University of Western Ontario, PhD from the Free University of Brussels, and postdoctoral positions at UC Berkeley and the Free University of Brussels. Gabora's research program explores creativity, cultural evolution, and cognitive transitions through interdisciplinary approaches. Her work examines: How concepts combine and adapt to new contexts The origins of modern cognition and human creativity Computational models of cultural evolution Quantum formalisms for concept interactions Self-Other Reorganization (SOR) theory of cultural evolution Honing theory of creativity integrating complex systems and memory Her publications demonstrate strong cross-disciplinary integration spanning psychology, physics, anthropology, and computer science. Major research awards include the 2011 Berlyne Award from the American Psychological Association for outstanding research by a junior scholar. She has secured over $1 million in funding from NSERC, SSHRC, and private donors. Gabora supervises graduate students in Psychological Science and Digital Humanities programs and leads research on cognitive transitions underlying cultural evolution. Her laboratory focuses on mathematical and computational modeling of creativity mechanisms, with ongoing projects exploring AI creativity, quantum models of cognition, and the evolution of behavioral modernity through autocatalytic network frameworks.

Daniel Nylenمشاهده پروفایل

دانشیار

• Digital Innovation
• Digital Transformation
• Artificial Intelligence
• +۳ مورد دیگر

Daniel Nylen is an Associate Professor at the Department of Informatics, Umeå University. He holds the qualification of Docent and is recognized as a university teacher. Based at the MIT building in Umeå, he maintains an active research profile with publications spanning from 2008 to 2024. His research focuses on digital transformation processes across diverse sectors, examining how organizations implement and adapt to digital technologies. His work investigates: Digital innovation strategies and frameworks AI implementation in public sector contexts Organizational implications of digitalization Technology adoption in traditional industries Value creation through digital platforms Analysis of his recent publications reveals a clear evolution from early work on digital magazines and forestry industry transformation toward current research on AI implementation, algorithmic decision-making, and digital infrastructure needs in public administration. His research consistently employs detailed case studies to develop nuanced understandings of digital transformation dynamics. Dr. Nylen is actively involved in multiple research projects including 'AI-based automation in forestry' (2024-2026), 'UmArts Art & AI research project' (2023-2027), 'Digital twins for forest planning' (2023-2024), and 'HYDE – Human agency in semi-automated decision-making systems' (2021-2024). He is a member of both the 'AI and society' research group and the 'Swedish Center for Digital Innovation,' collaborating with researchers across disciplines to address complex digital transformation challenges in contemporary organizations.

Andrew McPhersonمشاهده پروفایل

استاد

• Music Computing
• New Interfaces for Musical Expression
• Digital Signal Processing
• +۳ مورد دیگر

Andrew McPherson is a Professor of Musical Interaction at Queen Mary University of London, affiliated with the School of Electronic Engineering and Computer Science and the Centre for Multimodal AI. He leads the Augmented Instruments Laboratory, a research team focused on music technology and interdisciplinary collaboration. His work bridges electrical engineering, composition, and human-computer interaction, emphasizing the creation of new tools for musicians through hardware/software interfaces and expressive performance modeling. McPherson's research interests include augmented instruments, digital signal processing, and the design of intuitive musical interfaces. He has pioneered projects like the Bela embedded platform and the Magnetic Resonator Piano, emphasizing practical applications in traditional and experimental music venues. Collaborations with artists and industry inform his approach, ensuring research outputs are artistically relevant and accessible. Education & Expertise: Trained in electrical engineering and composition, McPherson combines technical proficiency with artistic sensibility. His lab’s projects, such as the TouchKeys and hackable instruments, highlight his focus on democratizing music technology. Grants & Awards: He holds a Royal Academy of Engineering Senior Research Fellowship (2021–2026) and an ERC Consolidator Grant (2023–2027). He co-leads the UKRI Centre for Doctoral Training in Artificial Intelligence and Music, fostering future researchers in AI-driven music innovation. Labs/Teams: The Augmented Instruments Lab collaborates across disciplines, with dual affiliation at Queen Mary and Imperial College London’s Dyson School of Design Engineering. The lab’s work spans from foundational research to industry partnerships, including spinout company Augmented Instruments Ltd, which supports maker communities and industry consultancy.