جستجوی استاد راهنمای دانشگاهی

Annayah Prosser is a Lecturer (Assistant Professor) in Marketing, Business and Society at the University of Bath's School of Management, where she is affiliated with the Centre for Business, Organisations and Society (CBOS). She also serves as the deputy director of the Centre for Qualitative Research at Bath, demonstrating her leadership in methodological innovation within social sciences. Dr. Prosser's educational background includes a PhD in Psychology from the University of Bath (2023), an MRes in Sustainable Futures (2019), and a BSc in Psychology (2017), all from the University of Bath. Prior to her current position, she held external roles including Postdoctoral Research Associate at the University of Nottingham (2023), Graduate Research Associate at Yale University (2018), and Research Coordinator and Lab Manager at the University of Oxford (2016-2018). Her research focuses on how individuals and groups respond to societal crises, particularly the climate and ecological emergency. She explores how group identities influence societal transformations and why some groups act in more prosocial and proenvironmental ways than others. Her work examines the intersection of morality, ethics, and group interactions in driving societal change toward sustainable futures. She employs interdisciplinary mixed methods, drawing from environmental social sciences including psychology, sociology, geography, marketing, and politics, with particular expertise in qualitative methodologies and open science practices. Dr. Prosser's publication record demonstrates consistent engagement with qualitative research methods, open science, climate action, and identity studies. Her recent work has increasingly focused on methodological transparency in research, climate advocacy, and the psychological dimensions of environmental action, reflecting both academic rigor and practical relevance to contemporary societal challenges. Helen Haste Prize (2017) Doctoral Recognition Award (2022) Citation for Doctoral Excellence in Qualitative Research (2024) Dean's Award for Research Communication and Translation (2024) Dorothy Bishop Prize 2025 (2025) Dr. Prosser actively collaborates with governmental and non-governmental organizations including the Scottish Government, Northern Ireland Government, British Standards Institution, Nottingham City Council, and BaNES Council. She currently leads multiple research projects including 'Climate Perfectionism and Burnout: Empowering Climate Advocacy' and 'Daybreak Workshop Funding: Integrating Board Games within Climate Education,' demonstrating her commitment to bridging academic research with practical applications for societal change. As deputy director of the Centre for Qualitative Research, she plays a key role in developing Bath's qualitative research culture, including initiatives like QUALOS (Resource Hub for Open Qualitative Research) and 'Developing a Cohesive and Collegiate Qualitative Research Culture.' Her leadership extends to organizing major academic events such as the Qualitative Research Symposium 2025, focusing on transparency, openness, and rigour in qualitative research.

• Societal Crises Response
• Group Identity and Transformation
• Prosocial Behavior
• +۷ مورد دیگر

Dr Emily Brayshaw is an Honorary Research Fellow and Casual Academic at the University of Technology Sydney's Faculty of Design, Architecture and Building. She combines scholarly work in critical costume studies with theatrical costume design and viola performance . Holding a 2016 PhD in Design from UTS and a BA (Hons) from the University of New South Wales, her research spans fashion history, performance costume, and material culture. Current Appointments: Honorary Research Fellow (2019-2026), Casual Academic in Design/Fashion History Research Themes: WWI dress, kitsch aesthetics, sustainability in costume, shoe studies, and body-garment dynamics Her interdisciplinary work connects fashion theory with theatre practice, examining costume's psychological and ethical dimensions. Publications since 2014 explore topics ranging from vaudeville's racialized costumes to contemporary footwear trends . She actively contributes to public discourse through The Conversation and maintains memberships in the Footwear Research Network and Association of Dress Historians . Recent scholarship reveals trends in 20th-century costume methodology , WWI fashion dynamics , and shoe symbolism across media. Articles like 'Dressing for the Viola' (2023) and 'From Caftan King to Peacock Pasha' (2024) demonstrate her focus on gendered performance wear and orientalist fashion . Her 2021 Journal of Aesthetics & Culture translation of Schlemmer's kitsch manuscript bridges historical avant-garde theory with modern practice. As a public intellectual, Emily has completed over 100 media interviews since 2020, covering topics like Crocs' cultural resurgence and vaudeville's legacy . Her teaching encompasses fashion theory, critical thinking, and costume history, while she simultaneously serves as principal viola for the Woollahra Philharmonic Orchestra.

• Performance Costume
• Fashion History
• Textile Design
• +۷ مورد دیگر

Dr Rob Casey is a Lecturer in Music at the School of Arts & Humanities, Ulster University. His research explores intersections of sound arts, spatial mapping, and digital musical instruments, with a focus on interactive notation and avant-garde practices. Expertise: Sound Arts, Virtual Reality, Music Notation, Cultural Heritage, Digital Composition Contact: r.casey@ulster.ac.uk | +44 28 7167 5093 | Room MA010, Magee Campus, Derry~Londonderry Research Outputs: 6 publications (2015-2024) including works on VR affordances, Jennifer Walshe's Irish avant-garde, and phenomenological notation approaches.

• Sound Arts
• Spatial Arts
• Music Notation
• +۵ مورد دیگر

Graham St John is a cultural anthropologist and Research Fellow in Music and Music Technology at the University of Huddersfield's School of Arts and Humanities. His work focuses on transformational events like Burning Man, psytrance culture, and the intersection of psychedelics with electronic music. As founding Executive Editor of Dancecult , he shapes discourse on EDM culture while pursuing biographical research on figures like Terence McKenna. Marie Curie Senior Research Fellow Specializes in liminal spaces and technocultural countercultures Active in festival studies and psychedelic historiography Research Trends : Recent publications examine Terence McKenna's influence on rave culture, Dadaist elements in Burning Man, and global psytrance networks. His work merges ethnography with cultural theory, emphasizing altered consciousness, tribalism, and performative spirituality. Scientific Contributions : Books : 10 titles including Strange Attractor (MIT Press, 2024) Awards : Marie Curie Fellowship, h-index metrics Media : Featured in Burning Man Live podcast discussing playa pataphysics

• Cultural Anthropology
• Electronic Music and Dance Cultures
• Psytrance
• +۵ مورد دیگر

Dr David Milsom is a Senior Lecturer in Music at the University of Huddersfield , specializing in performance practice and historical violin techniques. He coordinates classical performance studies and teaches both performance and musicology. University of Sheffield: BMus (1st Class), MMus, PhD His research focuses on 19th-century violin performing practices , including acoustic recordings analysis and annotated score studies. Recent projects explore Brahms and Franck violin sonatas through historically informed approaches. David leads the Historical Performance Research Group and collaborates on digital performance projects via the MMT YouTube channel. He co-founded the professional Brigantes Orchestra and period instrument group Four's Company . Scientific Awards Edison Fellowship (British Library, 2003) AHRC Fellowship (2006) He serves as external examiner for Royal Birmingham Conservatoire and Leeds Conservatoire, and actively supervises PhD students while integrating research into undergraduate teaching.

• Music Performance
• Violin
• Historical Violin Performing Practices
• +۵ مورد دیگر

István Zalatnay is an Associate Professor in the Department of Liberal Arts at the Faculty of Humanities and Social Sciences, Gáspár Károli Reformed University. His academic work bridges philosophy and theology, with a strong focus on liturgical studies, the philosophy of religion, and the history of philosophy. His educational background includes a PhD in Philosophical Sciences from Eötvös Loránd University (2004), an MA in Philosophy from the same institution (1995), and training as a Reformed pastor (1985). He previously served as an Associate Professor and Vice-Rector at Pápai Reformed Theological Academy. His research interests are extensive, encompassing logic, epistemology, systematic theology, and international relations with a focus on minority policy. His scholarship is deeply rooted in phenomenological analysis, particularly of liturgical texts and religious experience. His recent publications, spanning from 2011 to 2023, demonstrate a consistent focus on Hungarian Reformed theology, liturgical practice, and the interplay between philosophy and religion. Key themes include the future of the church, sacred time and space, the interpretation of historical and theological texts (such as the Heidelberg Catechism), and the legacy of Hungarian philosophical and theological figures. He has supervised doctoral students, including Ágnes Fekete on the topic of liturgy and time. His international experience includes a research fellowship at the North Atlantic Assembly in 1992. He is fluent in English, German, and French, with reading proficiency in Italian. His primary point of contact is via email at zalatnay.istvan@kre.hu.

• Philosophy of Religion
• Liturgy
• History of Philosophy
• +۷ مورد دیگر

Callen Anthony is an Assistant Professor of Management and Organizations at the Leonard N. Stern School of Business, New York University, where she has been a faculty member since 2018. Her research bridges strategy and organizational theory, focusing on innovation, cognition, and the role of analytical technologies in shaping knowledge and competition. Education: PhD in Organization Studies, Boston College MSc in Social Anthropology, University of Oxford BA in Business Administration, Ivey Business School at Western University Her research explores how new technologies influence interpretation, identity, and innovation in nascent industries, with empirical contexts ranging from finance and music to transportation. She employs field research methods to investigate the social and cognitive dynamics underlying technological change. Her recent publications examine the impact of AI on workforce development and the systemic implications of human-AI collaboration in organizations. These works highlight trends in knowledge work, automation, and evolving skill requirements in modern industries. Scientific Service: Editorial Board Member, Administrative Science Quarterly Editorial Board Member, Organization Science Professor Anthony teaches courses in strategic analysis and corporate strategy. She advises on research related to competitive dynamics, team performance, and technology-driven innovation. Her work is supported by her interdisciplinary training and deep engagement with real-world organizational challenges. She is actively involved in research exploring the future of work, particularly how intelligent systems reshape learning, collaboration, and organizational hierarchies. Her projects span sectors including financial services, information technology, investment banking, and the music industry.

• Organizational Theory
• Strategy
• Cognition in Organizations
• +۷ مورد دیگر

Naoki Saito is a Professor in the Department of Mathematics at the University of California, Davis, and the Director of the UC Davis TETRAPODS Institute of Data Science (UCD4IDS). His research lies at the intersection of applied mathematics, signal processing, and data science, with a focus on multiscale analysis and harmonic analysis on graphs and networks. His research interests include Applied and Computational Harmonic Analysis , Graph Signal Processing , Multiscale Transforms , Wavelets , Spectral Graph Theory , and Mathematical Data Representation . He develops theoretical frameworks and practical algorithms for analyzing complex datasets, particularly through the use of Laplacian eigenfunctions and multiscale basis dictionaries. The recent publications reflect a strong trend toward graph-based signal processing , scattering transforms , and topological data analysis . His work emphasizes the construction of natural, adaptive bases for signals on graphs and simplicial complexes, enabling efficient and interpretable data analysis. The integration of harmonic analysis with machine learning techniques is a recurring theme. Although no specific scientific awards are listed in the provided texts, his sustained scholarly output and leadership in the field are evident. Dr. Saito advises a number of students and postdoctoral researchers, including J. Irion, Y. Shao, H. Li, and others. His research has been supported by various grants, though specific funding sources are not detailed in the provided materials. He leads the UCD4IDS, a research institute focused on data science, indicating active involvement in collaborative, interdisciplinary research and academic leadership.

• Applied and Computational Harmonic Analysis
• Graph Signal Processing
• Multiscale Transforms
• +۶ مورد دیگر

Kersten Glandien is a lecturer in the theory, history, and practice of Sound Art at the Digital Music and Sound Arts course within the School of Art and Media at the University of Brighton. She has been teaching at the university since 2003 and also serves as the artistic director of the independent artist collective Sound Art Brighton , which she founded in 2017. Her work bridges academia, curation, and artistic practice, with a strong international presence through exhibitions, symposia, and radio programming. Her research interests span a wide and interconnected range of topics, including: Sound Art and its theoretical foundations Sound as nexus art and environmental sound art Sound in public and natural domains Sound and interaction, projection art Aesthetics from below and grassroots art practices Use of technology in contemporary arts The recent publications and research outputs reflect a consistent focus on the conceptual and experiential dimensions of sound art, curation, and relational sound practices. Her work often explores how sound functions in space, society, and perception, emphasizing interdisciplinary and community-oriented approaches. She has curated major events such as the Sound Art Brighton Festival (2022), Space Through Sound symposium in Bern (2015), and Radio Art in Britain & Germany concert series. Her scientific and artistic contributions include: Curatorial leadership in sound art festivals and exhibitions International invited talks and presentations Peer-reviewed publications in leading academic presses (e.g., Cambridge University Press) Radio program production and translation of academic texts Kersten Glandien supervises at PhD level and is actively involved in shaping the discourse around sound art through both academic and public-facing initiatives. She has no listed scientific awards in the provided text. She is associated with the Sound Art Brighton collective, which functions as a platform for interdisciplinary sound-based artistic research and public engagement.

• Sound Art
• Experimental Music
• Aesthetics
• +۹ مورد دیگر

Psyche Loui is an Associate Professor of Creativity and Creative Practice in the Department of Music at Northeastern University, leading the Music, Imaging, and Neural Dynamics (MIND) Lab. She holds a PhD in Psychology from UC Berkeley and dual bachelor’s degrees in Psychology and Music from Duke University. Her research focuses on the neuroscience of music perception, including how music influences attention, emotion, and neurological conditions like ADHD. Her work has been supported by major grants from the NSF and NIH, and she has received awards such as the Templeton Positive Neuroscience Award and a NSF CAREER Award. Education : PhD in Psychology (Cognition, Brain, and Behavior), University of California, Berkeley Bachelor’s in Psychology and Music, Duke University Research & Grants : Loui’s research explores how neural mechanisms underpin music perception and cognition, with recent studies investigating the efficacy of algorithmically generated music for improving focus in ADHD. Her grants include NIH funding for projects like ‘Gamma-Music-Based Intervention for Alzheimer’s’ ($2.7M) and NSF support for ‘Reward Prediction in Creative Perception.’ Awards : National Science Foundation CAREER Award (2020) Templeton Positive Neuroscience Award (2010) Multiple Grammy Awards (text reference) Labs & Teams : Loui directs the MIND Lab, which uses neuroimaging and electrophysiology to study music-brain interactions. Collaborations include work with Brain.fm on attention-focused music interventions and global studies on cross-cultural music patterns. Teaching : Courses include Music Cognition , Acoustics and Psychoacoustics , and Creative Cognition , bridging theory with practical applications in neuroscience and education.

• Music Perception and Cognition
• Auditory Cognitive Neuroscience
• Creativity and Creative Practice
• +۳ مورد دیگر

Dr Brian Kavanagh is a Lecturer in Digital Innovation and Programme Convenor at the Department of Digital Humanities, King's College London, within the Faculty of Arts & Humanities. He is also a member of the Digital Futures Institute and serves as a Seminar Lead. His roles encompass teaching, research, and leadership in digital innovation and organizational studies. Brian holds a degree in classical music performance from Trinity College Dublin (1994), an M.Sc. in Music Technology from the University of Limerick (1998), an MA in Interactive Media from Goldsmiths College (2005), and a PhD from Imperial College Business School (2015), where he was part of the Innovation and Entrepreneurship Research Group. His research focuses on disruptive technology and identity theory, particularly how organizations innovate in response to technological change and field decline. He specializes in classical music performance organizations, examining their adaptation to digital ecosystems and audience fragmentation. His fieldwork includes studies with over twenty orchestras and opera companies globally, including the Metropolitan Opera, London Symphony Orchestra, and Berlin Philharmonic. Notable awards include the Arthur Darley Memorial Gold Medal from the Dublin Conservatoire of Music and the 2023 Institute Fellow appointment at King's College, focusing on digital futures and global cultures research. Brian supervises PhD students in areas related to digital innovation in arts organizations. While specific grants are not detailed here, his research often involves cross-disciplinary collaborations supported by institutional initiatives. He contributes to the Digital Futures Institute and collaborates with the Innovation and Entrepreneurship Research Group, fostering interdisciplinary approaches to organizational innovation. He is based at S3.26 Strand Building, Strand Campus, London, and maintains an active creative practice as a musician, photographer, and filmmaker. His work includes the photographic series Portraits of Iran and a forthcoming book ( Emerald Publishing, 2023 ) on classical music in the digital economy.

• Disruptive Technology
• Identity Theory
• Classical Music Organizations
• +۳ مورد دیگر

David M Howard is a Professor and Founding Head of the Department of Electronic Engineering at Royal Holloway, University of London. He holds a PhD in Human Communication from UCL and is an Emeritus Professor in Electronic Engineering. His research focuses on human speech/singing voice production, VR/AR applications in acoustics, and the Vocal Tract Organ. He has led major projects like the StoryFutures AHRC initiative. Awards include Fellowship of the Royal Academy of Engineering and Honorary Membership from the Croatian Choral Directors Association. Education: BSc (Eng) in Electronic Engineering from UCL (1977), PhD in Human Communication (1985). Former roles include Head of Department at University of York and roles in engineering institutions. Research interests span vocal tract modeling, forensic audio analysis, and choral singing development. He collaborates internationally on projects like heritage VR storytelling and data science in museums. His work contributes to UN SDG Education goals through advancing accessible technology and arts.

• Acoustics
• Speech Processing
• Singing Voice Production
• +۳ مورد دیگر

Dr. Julian F. Henriques is a Senior Research Fellow at Goldsmiths, University of London, and a leading scholar in sound studies, cultural studies, and Caribbean research. With a PhD thesis (2008) on Reggae Sound System Crews, his work bridges music, technology, and embodiment through practice-based research. He has authored the book Sonic Bodies (2011) and co-edited Rhythm, Movement, Embodiment (2014). Currently, he explores fetal auditory environments through the Sonic Womb Exhibition (2026) and contributes to obstetric research on noise exposure. Research Interests: His scholarship focuses on the Jamaican sound system as a cultural technology, analyzing rhythm, affect, and sonic embodiment. He investigates intersections between popular culture, Caribbean diasporic practices, and the materiality of sound through theoretical frameworks like Afrofuturism (2015) and cosmopolitan theory (2020). Recent work combines computational acoustic modeling with ethnographic insights into prenatal soundscapes. Key Publications: Includes articles on fetal noise exposure (2025), Jamaican knowledge systems (2023), and rhythm analysis (2014). His edited works span Stuart Hall's legacy (2018) and sound studies companions. Collaborations with acoustic engineers (2025) demonstrate interdisciplinary reach. Collaborations: Works with institutions like University College London (2025), Tate Modern (2011), and the University of Munich (2014). Leads the Sonic Womb project with Pierre Gélat and Atau Tanaka.

• Sound Studies
• Cultural Studies
• Caribbean Studies
• +۴ مورد دیگر

Camilo Bogoya serves as an Associate Professor of Latin American Literature (14th section) at Artois University's School of Languages. He teaches Hispanic-American literature, Spanish contemporary literature, and cultural studies across undergraduate and graduate programs, including preparation for the French national CAPES teaching examination. As an active member of the Texts and Cultures Research Center, he organizes academic events and serves on national examination juries for Spanish language teaching credentials. His educational foundation includes a Doctorate in French Language and Literature from Sorbonne Nouvelle University (2011), an External Spanish Aggregation (2015), External CAPES in Spanish (2014), DEA in General and Comparative Literature (2004), and a Master's in Philology from Colombia's National University (2002). PhD: Sorbonne Nouvelle University (2011) DEA: Sorbonne Nouvelle University (2004) Master's: National University of Colombia (2002) Bogoya's research centers on three interconnected domains: the essayist-writer figure bridging novel and essay genres; literary transfers between Latin American and French traditions; and music's role as structural element and thematic concern in literature. His work examines how authors like García Márquez, Borges, and contemporary Colombian writers negotiate cultural identity through genre experimentation and cross-Atlantic dialogues, with particular focus on León de Greiff's poetic legacy and Quignard's musical aesthetics. His scholarly contributions reveal evolving engagement with Colombian literary identity, shifting from historical analysis of independence narratives toward contemporary explorations of globalization's impact on regional literature. His scientific recognition includes: National Literature Prize, University of Antioquia (2020) National Literature Prize, Central University of Bogotá (2008) As academic supervisor, Bogoya directs Master's research theses and oversees professional internships for Languages and International Business students. His editorial leadership spans journals including L'Autre Amérique , Ojo Vulgar , and Colombia's Literatura: teoría, historia, crítica , while his organizational work features doctoral seminars on literary diaries and writer interviews. The Texts and Cultures Research Center provides Bogoya's primary academic home, where he coordinates interdisciplinary projects examining Latin American-French literary connections through study days, edited volumes, and collaborative publications that bridge historical and contemporary perspectives.

• Latin American Literature
• Comparative Literature
• French Literature
• +۳ مورد دیگر

Beatriz Naranjo Sanchez is a researcher at the University of Murcia, Spain, currently affiliated with the Translation, Didactics and Cognition research group and previously with the Translation, Lexicology and Writing Group. Her work bridges translation studies, cognitive psychology, and musicology through experimental methodologies. She earned her PhD from the University of Murcia in 2017 with the dissertation La influencia de la música sobre la calidad y la creatividad en traducción literaria (inglés-español, inglés-italiano) una aproximación estético-psicológica , supervised by Dr. Ana María Rojo López. Her research centers on psychological and emotional dimensions of translation processes, particularly examining how background music influences literary translation creativity, how anger affects decision-making with offensive content, and emotional processing in dubbing. She employs cognitive-experimental approaches to investigate narrative engagement, vocal qualities in emotionally charged scenes, and pandemic-related stressors on evaluative language translation. Analysis of her 2015-2023 publications reveals consistent focus on music-translation interactions and emotional variables, with methodological emphasis on laboratory experiments, psycholinguistic measurements, and cognitive assessments. Her work demonstrates interdisciplinary innovation through the fusion of aesthetic theory, cognitive science, and translation practice. Scientific awards: No awards documented in provided sources. Regarding advising and grants, while she supervises research within university groups, no specific students or funded projects were mentioned. Her institutional affiliation suggests collaborative research within translation psychology frameworks. She actively contributes to the Translation, Didactics and Cognition research group, which investigates cognitive-affective translation processes through experimental paradigms, likely involving lab-based studies on emotional and musical variables in professional translation contexts.

• Translation Studies
• Cognitive Translation
• Emotion in Translation
• +۴ مورد دیگر