Robert Kaufman is a Professor of Comparative Literature at the University of California, Berkeley. He holds a B.A. (1979), J.D. (1982), and Ph.D. (1995) from UC Berkeley. Prior to academia, he practiced labor and employment law. His career includes positions at McGill University, Stanford University (where he was an Assistant Professor of English and affiliated with German Studies and Modern Thought & Literature), and visiting roles at the University of Chicago and UC Berkeley. He has held fellowships including Stanford Humanities Center, Hellman Family, and Institute of International Studies. He co-chairs Berkeley's Program in Critical Theory. His research focuses on 20th-21st century American poetry, Latin American poetry, Romantic-era poetics, Frankfurt School Critical Theory, and aesthetic philosophy. Key projects include Negative Romanticism: Adornian Aesthetics in Keats, Shelley, and Modern Poetry , and studies on César Vallejo, Paul Celan, and Robert Duncan. His work bridges Marxist theory, lyric form, and sociopolitical critique. Kaufman's essays analyze Adorno's influence on modern poetry, the ethics of lyric form, and intersections between poetry and democracy. His recent work engages postmodernism's aftermath and contemporary political crises. He frequently collaborates on translation projects and public humanities initiatives, including events on Paul Celan's centenary.
Carol Ann Allred is an Associate Professor (Lecturer) at the University of Utah's School of Music, specializing in Voice. She holds a DMA and MA from Eastman School of Music, and a BM in Vocal Pedagogy from Brigham Young University. Her career spans performance and education, with roles at SUNY Fredonia, Seton Hill College, and Hampden-Sydney Chamber Music Festival. Doctor of Musical Arts (DMA), Vocal Performance - Eastman School of Music (1989) Master of Music (MA), Vocal Performance - Eastman School of Music Bachelor of Music (BM), Vocal Pedagogy - Brigham Young University Allred's research and creative works focus on vocal performance across diverse genres, including choral masterpieces like Verdi Requiem and Brahms Requiem, contemporary works such as Golijov's La Pasion Según San Marcos, and historical repertoires from Mozart and Handel. Her recent projects include international tours and cultural outreach initiatives. Her scholarly performances highlight trends in sacred choral music, operatic excerpts, and community engagement through LDS church services and interfaith concerts. She has contributed to recordings including Christmas CDs and collaborations with Salt Lake Vocal Artists. Scientific Awards : Multiple first prizes in prestigious competitions and a Faculty Recognition Award nomination Teaching : Offers private voice lessons and masterclasses; advises the Michie Undergraduate Vocal Quartet Community Leadership : Conducts multi-congregational choirs and organizes veteran-focused concerts Allred's professional activities include collaborations with orchestras such as the Pittsburgh Symphony and Utah Symphony, with a strong emphasis on vocal pedagogy, interfaith musical outreach, and family ensemble performances. She maintains active roles in judging competitions and mentoring students at both University of Utah and UVU as a substitute instructor.
Maximilian Miguel Scholz is Associate Professor of History at Florida State University, specializing in social/religious history of early modern Europe. PhD from Yale University. Research examines how refugees shaped religious transformations during Reformation. Author of Strange Brethren (2022) analyzing refugee impact on Frankfurt's Reformation. Current project investigates migration's role in Prussia's Reformation. Receives funding from American Philosophical Society, DAAD, and Prussian Cultural Heritage Foundation. Teaches courses on Reformation history, Catholicism, and refugee history. Publications appear in Central European History , Archiv für Reformationsgeschichte , and Sixteenth Century Journal . Research grants: American Philosophical Society (2025, 2022) DAAD (2021) Stiftung Preußischer Kulturbesitz (2020)
Cathryn Carson is a Professor in the Department of History at the University of California, Berkeley. Her work bridges the philosophical, cultural, and political dimensions of 20th-century science, with a focus on theoretical physics, nuclear history, and the integration of social sciences and humanities into engineering education. Education: AB in History and Philosophy of Science from University of Chicago (1990) AM in Physics from Harvard University (1993) PhD in History of Science from Harvard University (1995) Her research explores the interplay between science and philosophy, particularly in Germany and the U.S., alongside the institutionalization of data science. She teaches graduate and undergraduate courses, including Berkeley’s Data Science major’s Human Contexts and Ethics of Data course. Scientific Awards: Berkeley Collegium Award for Excellence in Undergraduate Education (2017) Distinguished Service Award, Division of Social Sciences (2014) Carol D. Soc Distinguished Graduate Student Mentoring Award (2014) Fellow of the American Association for the Advancement of Science Fellow of the American Physical Society Mellon New Directions Fellowship NSF CAREER Award Alexander von Humboldt Foundation Research Fellowship Member, Institute for Advanced Study, Princeton Carson has served in multiple leadership roles, including Associate Dean of Social Sciences, founding Interim Director of the D-Lab (Social Science Data Laboratory), and Faculty Lead of Berkeley’s Data Science Education Program. She is currently accepting students for advising and contributes to campus governance through roles in the Academic Senate.
Peter C. Caldwell is the Samuel G. McCann Professor of History at Rice University and Director of the Program in Politics, Law, and Social Thought. He specializes in modern European history with a focus on Germany, constitutionalism, welfare state development, and political thought. His research spans Weimar Republic legal crises, postwar West Germany, and 19th/20th-century intellectual movements. Education: PhD (1993), MA (1989), and BA (1987) from Cornell University, New York University. Awards include the George R. Brown Award for Teaching (2016) and Humboldt Fellowship. He has authored/co-authored major works like Democracy, Capitalism, and the Welfare State (2019) and Germany Since 1945 (2018, 2023 revision). Teaching focuses on European political history, comparative welfare states, and 19th-century political thought. Current research examines democratic rhetoric in contemporary Mexican politics and authoritarian constitutionalism. Advised over a dozen undergraduate theses on topics ranging from Weimar Republic legal theory to Cold War historiography. Publications span German constitutional history, Cold War dynamics, and East German politics. His work bridges legal, economic, and cultural dimensions of modern European history with interdisciplinary approaches to political theory.
Jeffrey Rossman is an Associate Professor at the University of Virginia , affiliated with the Department of History and serving as Director of the Center for Russian, East European, and Eurasian Studies . His work bridges historical analysis with cultural and literary studies, focusing on Russia/USSR, Modern Europe, Communism, Genocide, Espionage, and Jewish Cultural Studies. Education: Ph.D., University of California, Berkeley, 1997 A.B., Harvard University, 1989 His research explores worker resistance under Stalin, the intersection of Jewish identity and German literature, and the role of translation in cultural exchange. He has authored key works on Soviet labor movements and Holocaust memory, blending historical narratives with literary theory. Jeffrey’s recent publications and Google Scholar contributions highlight trends in 20th-century European history , Yiddish-German literary dynamics , and translation as a tool for identity formation . His work spans comparative literature, cultural memory, and diaspora studies, emphasizing interdisciplinary approaches. Scientific Awards: ACLS Collaborative Research Fellowship (2013-15) Harry Frank Guggenheim Foundation Research Grant (2013-15) Multiple grants from the University of Virginia’s College of Arts & Sciences and Faculty Summer Research Grant program Fulbright-Hays and IREX fellowships for international research As an educator, Rossman has taught courses such as Genocide: A Global History and Stalinism , mentoring students in historical and literary analysis. His lab, the Center for Russian, East European, and Eurasian Studies, fosters research on Soviet history, Jewish cultural studies, and transnational literary exchange.
University of Illinois Urbana-ChampaignUnited States
Craig M. Koslofsky is a Professor of History at the University of Illinois at Urbana-Champaign, with additional affiliations in Germanic Languages and Literatures, the European Union Center, and the Program in Medieval Studies. His research focuses on early modern Europe, particularly the history of everyday life and human skin in the early modern era (1400–1800). He explores topics such as medical practices, slavery’s impact on indigenous populations, and supernatural beliefs in colonial contexts. His research interests span the Atlantic World, British Empire, and medieval Europe, reflecting interdisciplinary approaches to historical analysis. Recent publications address the intersection of skin studies and colonialism, the cultural history of ghosts in Enlightenment America, and the Reformation’s local manifestations. He has edited works on transatlantic slave trade surgeons and early modern religious debates. Koslofsky holds a Ph.D. and is based in Gregory Hall. His work bridges global and local histories, emphasizing the material and cultural dimensions of early modern life. He collaborates across disciplines, engaging with medical history, literary studies, and colonial studies.
Eric J Klaus is Professor of German Area Studies and Chair of the German Area Studies program at Hobart and William Smith Colleges (HWS), where he has been a faculty member since 2001. He holds a Ph.D. in German Studies from Brown University, an M.A. in Germanic Studies from the University of Maryland College Park, and a B.A. in German with a minor in History from Dickinson College. His academic home is within the Faculty of Humanities, focusing on German literature and intellectual history. Ph.D., German Studies, Brown University M.A., Germanic Studies, University of Maryland College Park B.A., German (minor in History), Dickinson College His research and teaching focus on modern German literature and intellectual history, with particular emphasis on modernism , the Bildungsroman , the uncanny , esotericism , and vanitas and dance of death motifs . He explores the evolution of selfhood, allegory, and humanism in literary texts, especially in Goethe and Gorky. His dissertation, Engineering Souls: Humanism, Allegory, and Specularity in Goethe's Wilhelm Meisters Lehrjahre and Gorky's Mother , reflects this deep engagement with identity and narrative form. The available publication information indicates ongoing scholarly work on Gustav Meyrink and forthcoming articles on the uncanny and the Bildungsroman, suggesting a continued contribution to the understanding of psychological and metaphysical dimensions in modern German literature. These works fall within broader disciplines of literature, philosophy, and cultural studies, with subfields including symbolic interpretation, narrative theory, and intellectual history. Professional Affiliations: Modern Language Association (MLA) American Association of Teachers of German (AATG) ACTFL MACLA Europäischer Totentanz-Vereinigung Klaus integrates his research into the classroom, teaching courses such as Beginning through Intermediate German , Madness and Mayhem in Modernity , and Haunting Memories – revealing the uncanny . He values the teacher-scholar model, emphasizing student engagement in exploring complex literary and philosophical themes. There is no indication of grant funding in the provided text, but his pedagogical philosophy highlights mentorship and collaborative inquiry. He has taught previously at Brown University, the University of Rhode Island, and the University of Maryland College Park. Klaus leads the German Area Studies program as its Chair, shaping curriculum and academic direction. While no formal lab or research team is mentioned, his leadership role and active scholarship suggest a guiding presence in the department’s intellectual life.
Jacob M. Baum serves as the Buena Vista Foundation Associate Professor in the Department of History at Texas Tech University, specializing in later medieval and early modern European history with particular focus on the German-speaking world from 1400-1800. His research explores the intersections of ideas, culture, and daily life through the lens of the human body, spanning sensory studies, disability studies, and medical history. Dr. Baum challenges traditional narratives by examining how bodily experiences shaped historical developments during pivotal periods including the Protestant Reformation and early European colonial expansion, emphasizing how sensory knowledge emerged from practical problems confronted in daily life rather than purely intellectual frameworks. Dr. Baum's scholarly contributions include significant publications such as Reformation of the Senses (2019) and the co-edited volume Embodiment, Expertise and Ethics in Early Modern Europe: Entangling the Senses (2020), with his work increasingly focusing on disability history, particularly deafness in sixteenth-century Germany. His research demonstrates consistent methodological innovation, moving from sensory history to disability studies while maintaining focus on how bodily differences influenced social, cultural, and religious transformations. Hans Rosenberg Article Prize (2015) for 'From Incense to Idolatry: The Reformation of Olfaction in Late Medieval German Ritual' His research has received substantial support from prestigious organizations including the National Endowment for the Humanities, the National Humanities Center, the Mellon Foundation, and the Leibniz Institute for European History. At Texas Tech, Dr. Baum teaches undergraduate courses in European history, medical history, and disability history, as well as graduate courses in research methodology and historiography, actively mentoring students interested in his specialized chronological and thematic areas.
Anne-Lise François is an Associate Professor in the Departments of English and Comparative Literature at the University of California, Berkeley. She earned her PhD in Comparative Literature from Princeton University. Her work bridges 18th- and 19th-century British literature with contemporary environmental humanities, focusing on themes of ecological ethics, literary minimalism, and non-productive temporalities. Current research explores pastoral worldliness and commons-based economies in Romantic and modernist texts. Key scholarly contributions include her prize-winning book *Open Secrets: The Literature of Uncounted Experience* (2007), which examines 'affirmative reticence' in works by Jane Austen, Mme de Lafayette, and Emily Dickinson. Her recent projects address climate crisis narratives, food politics, and the intersection of aesthetic theory with ecological urgency. Teaching emphasizes transhistorical literary studies and environmental criticism Active in interdisciplinary collaborations across literature, philosophy, and environmental science Current book project: *Provident Improvisers: Parables of Subsistence from Wordsworth to Benjamin* Her writing synthesizes close textual analysis with broader socio-ecological frameworks, challenging Enlightenment models of productivity and advocating for 'recessive fulfillment' in both art and life.
Claudia Schwabe is a Professor in the Department of World Languages and Cultures at Utah State University, within the College of Humanities and Social Sciences. She holds a Ph.D. in German Studies from the University of Florida and has been teaching at USU since 2012. Her academic work bridges German language, literature, and cultural studies with a strong focus on fairy tales and folklore in both historical and contemporary contexts. Education: Ph.D., German Studies, University of Florida, 2012 M.A., Teaching Business Education, Georgia College & State University, 2005 B.A., International Business Administration, Northumbria University, UK, 2003 B.A., International Administrative Management, Accadis, Germany, 2003 Her research centers on 18th- and 19th-century Romantic literature, literary and folk fairy tales (Kunstmärchen), East German cinema, German Orientalism, and the adaptation of fairy tales in new media and popular culture. She explores how traditional narratives are transformed across media and cultures, especially in American television and film. Her teaching reflects this interdisciplinary approach, covering German language, literature, film, business German, and translation. Her recent scholarly publications reveal a strong trend in analyzing the cultural and political significance of fairy tales, particularly in DEFA films and modern adaptations like Grimm and Once Upon a Time . She has published monographs, edited volumes, and peer-reviewed articles with leading presses and journals in folklore and German studies, demonstrating sustained scholarly impact. Scientific Awards and Honors: Faculty Undergraduate Advisor of the Year Award, LPCS, USU (2015) Ed Glatfelter Service Award, LPCS, USU (2016-2017) Nominations for Dean’s Giraffe Award (2016, 2018) Nominations for Researcher of the Year (2016, 2017) Travel Awards from College of Humanities and Social Sciences and Center for Women and Gender Studies (2014) Graduate Student Teaching Award, University of Florida (2010) Grinter Fellowship, University of Florida (2008–2010) Claudia Schwabe has been actively involved in academic service, grant writing (participant in grant proposal seminar), and mentoring. She has served as a faculty advisor and contributed to curriculum development, particularly in interdisciplinary folklore and fairy-tale pedagogy. Her editorial work on volumes like New Approaches to Teaching Folk and Fairy Tales highlights her leadership in shaping scholarly discourse. She has also reviewed books for major journals, contributing to peer evaluation in her field. While no formal lab or research team is mentioned, her work is deeply collaborative, involving co-edited volumes, co-authored entries, and invitations to contribute to high-impact academic projects. Her ongoing research suggests continued exploration of fairy tales in global media, pedagogy, and cultural politics.
Rutgers, The State University of New JerseyUnited States
Jochen Hellbeck is a Distinguished Professor of History and Vice Chair for Graduate Education in the Department of History at Rutgers University's School of Arts and Sciences, where he has been teaching since 2003. He holds a Ph.D. from Columbia University and specializes in the history of the Soviet Union, with particular focus on individual life stories and the shaping of the self in modern Europe. Professor Hellbeck's research centers on the place and self-understandings of individuals during cataclysmic 20th century events, including the Russian Revolution, Stalin's terror regime, and World War II. His work examines how narratives of redemptive violence and transformation attached themselves to individuals on the ground, revealing how authors of diaries and personal texts became co-authors of the revolutionary script. More recently, he has explored comparative and transnational aspects of how Soviet, German, and British states mobilized citizens during World War II, highlighting the centrality of the Soviet war effort to the broader history of the conflict. His acclaimed book Stalingrad: The City that Defeated the Third Reich (2015) was the first Western study to probe the meaning of the Battle of Stalingrad for Soviet soldiers and civilians. The book draws on dozens of oral histories recorded by Moscow historians during and after the battle. Hellbeck's research consistently focuses on personal narratives and eyewitness accounts to provide grounded perspectives on major historical events. Morphomata Fellowship, Cologne (2019) Guggenheim Fellowship (2017) Short list, non-fiction prize of the Moscow Book Fair (2017) Davis Center Fellowship, Princeton (2016) Damals prize for best historical monograph (2013) American Academy in Berlin Fellowship (2009) Rutgers Board of Trustees Fellowship for Scholarly Excellence (2007) Michigan Society of Fellows (1997-1999) As a member of the Rutgers graduate faculty, Professor Hellbeck works with students interested in modern Russia and the Soviet Union, and in transnational explorations of Communism, World War II, and the Cold War. He encourages prospective graduate students to contact him before application deadlines. His website, Facing Stalingrad , features portraits and voices of veterans he interviewed during his research.
Ernest Julius Mitchell serves as Assistant Professor of English and Humanities at Yale University, where he contributes to the Department of English within the Faculty of Arts and Sciences. His interdisciplinary work bridges literature, philosophy, and religion with methodological grounding in Black studies. Education: Ph.D., Harvard University, 2019 M.T.S., Harvard Divinity School, 2009 A.B., Princeton University, 2006 Professor Mitchell's research centers on the intersections of literature, philosophy, and religion, with particular focus on the Harlem Renaissance viewed expansively as integral to transatlantic modernism. His work spans aesthetics and phenomenology in German thinkers from Kant to Benjamin, and religious traditions from the ancient Mediterranean to the contemporary Caribbean. He is currently completing three major book projects: a biography of Jamaican writer Claude McKay for Yale University Press, a new edition of Jean Toomer's Cane for the Norton Library, and a study of theological elements in Zora Neale Hurston's work, all reflecting his interest in questions of literary style—charm, revision, and grace. His scholarly publications demonstrate consistent engagement with African American literary traditions, particularly examining figures from the Harlem Renaissance era. Mitchell's work shows strong interdisciplinary connections between literary analysis, philosophical inquiry, and religious studies, with particular attention to how these fields shape modern consciousness and identity formation within Black literary production. Current Teaching: ENGL 351: Fictions of the Harlem Vogue (HUMS 370 / AFAM 354) ENGL 127: Readings in American Literature HUMS 223: Claude McKay: Interpretations (ENGL 242) DRST 002: Directed Studies: Literature
Hillary Herzog is an Associate Professor of German Studies at the University of Kentucky, affiliated with the Modern & Classical Languages Literatures & Cultures department. She holds a Ph.D. from the University of Chicago. Her research focuses on 20th-century German and Austrian literature, Jewish Studies, medicine and literature, and gender/sexuality studies. She co-edits The Journal of Austrian Studies and has authored Vienna is Different (2011) and co-edited Rebirth of a Culture (2008). Herzog teaches across levels, from language courses to graduate seminars, and emphasizes practical applications of German (e.g., German for Professions). Her scholarship bridges literary analysis with cultural history, particularly exploring intersections of medicine, Jewish identity, and gender. Recent work examines Arthur Schnitzler’s medical writings and Viennese Jewish cultural production across centuries. She actively contributes to interdisciplinary dialogues through publications and editorial work.
Richard Steigmann-Gall is an Associate Professor of History at Kent State University's Department of History, within the College of Arts & Sciences. He previously served as Director of the Jewish Studies Program (2004–2010). Holding degrees from the University of Michigan (BA, MA) and the University of Toronto (PhD), his research focuses on religion and Nazi Germany, transatlantic fascism, and antisemitism. His seminal work, *The Holy Reich: Nazi Conceptions of Christianity, 1919-1945*, has been translated into Spanish, Portuguese, and Italian, earning widespread academic and public acclaim. His research has been supported by grants from institutions like the Social Science and Humanities Research Council of Canada, the Max Planck Institute, and the U.S. Holocaust Memorial Museum. Dr. Steigmann-Gall has presented globally, including at Georgetown, NYU, Cambridge University, and the University of Sydney. He is a recipient of the Distinguished Teaching Award from Kent State's College of Arts & Sciences (2004) and has been a frequent media commentator on fascism and modern political movements. Research & Education: His expertise spans Nazism’s religious dimensions, comparative fascist ideologies, and the cultural underpinnings of antisemitism. Current projects include a chapter on religion and genocide in pre-WWII American fascist thought for *American Fascism: Past and Present* (Cambridge). He has published in journals like *German History*, *Journal of Holocaust Research*, and *Totalitarian Movements and Political Religions*. Teaching & Outreach: Dr. Steigmann-Gall teaches courses on modern European history, fascism, and the Holocaust. He has mentored students in topics including Nazi Germany and transnational extremism, and his pedagogical approach has been recognized through teaching awards and nominations. He has also engaged with public discourse through media appearances in *The New York Times*, *The Daily Beast*, and documentaries on the History Channel. Awards & Grants: Distinguished Teaching Award (2004) Grants from the Max Planck Institute, SSHRC, and the U.S. Holocaust Memorial Museum Collaborations & Networks: He has collaborated on edited volumes and contributed to projects at institutions worldwide, reflecting his commitment to transnational historical inquiry.
