Dale Shuger is a Professor of Spanish & Portuguese in the School of Liberal Arts at Tulane University. His academic career includes roles as Visiting Assistant Professor (2012-2013), Assistant Professor (2013-2023), and Associate Professor (2018-2023) before his current position since 2023. He holds a Ph.D. from New York University (2008) and a B.A. from Harvard University (2001). Shuger’s research focuses on early modern Spanish literature, heterodox religions, and popular culture in Spain and colonial Latin America. His work bridges literary analysis with cultural history, exploring topics such as mysticism, the Inquisition, and symbolic practices in early modern texts. His publications include God Made Word: An Archaeology of Mystic Discourse in Early Modern Spain (2021) and articles on Cervantes, puppetry, and religious symbolism. His research has been supported by grants like the COR International Travel Fund and the Lurcy Award. Shuger has led Tulane’s Program in Medieval and Early Modern Studies (2014-2017) and currently serves on the School of Liberal Arts Curriculum Committee. He advises Spanish majors and has supervised one thesis in the past five years.
Costanza Beltrami is a Senior Lecturer at Stockholm University in the Department of Culture and Aesthetics. She is a dedicated art historian with a focus on Gothic art and architecture of the late fifteenth and early sixteenth centuries, particularly in the Spanish region of Castile and its international connections. Her research interests include architectural drawings, collaboration, transculturation, and temporality in architecture. Dr. Beltrami teaches courses on Medieval and Renaissance art and architecture from Cordoba to Florence. Her academic background includes studying Art History at the Courtauld Institute of Art in London and working at the University of Oxford/St Catherine's College before joining Stockholm University. Her research has focused on late-Gothic architecture, including a monumental drawing of a tower from Rouen cathedral and ornament prints as artists' models. She is Reviews Editor for the Journal of the British Archaeological Association and has completed her PhD thesis on Juan Guas (active 1453–1496), the leading architect of late fifteenth-century Spain. She is currently working on a book project about collaboration, artistic identity, and the geographies of exchange in late-Gothic Castile. Her co-edited volume "Art, Travel and Exchange between Iberia and Global Geographies, 11400–1550" challenges traditional narratives about Iberian art history and emphasizes multi-directional cultural exchange. Dr. Beltrami's recent research includes editing a special issue on portable drawings and paper in Medieval and Gothic architecture. Her work explores how architectural practices in Castile demonstrate fascinating questions regarding migrant networks, cultural contact, the meanings of architecture, and the role of art in debates on national identity from the 15th century to the present.
John H. Arnold is Professor of Medieval History at the University of Cambridge and Fellow of King's College. Educated at the University of York (BA History, D.Phil Medieval Studies), his academic career includes positions at University of East Anglia and Birkbeck, University of London before joining Cambridge in 2016. He holds editorial roles at Cultural and Social History, Past & Present, and directs publication series at both York Medieval Press and Cambridge University Press. Arnold's research centers on medieval religious culture, particularly lay belief, heresy, inquisition, and the history of gender. His monograph 'The Making of Lay Religion in Southern France' (2024) exemplifies this focus. Current projects investigate the social history of confession and the repression of usury. Analysis of Arnold's 15 most recent publications reveals consistent engagement with medieval religious dissent and belief systems. Key themes include: reinterpretations of heresy trials (2019), sensory dimensions of faith (2018), historiographic debates about Catharism (2016), and methodological examinations of archival sources (2022). His work frequently employs theoretical frameworks from sociology and philosophy to reinterpret medieval religious conflict. Arnold maintains active research networks through editorial leadership and supervision. His Cambridge Studies in Medieval Life and Thought series promotes innovative scholarship in medieval history.
Emily Butterworth is a Professor in the Department of Languages, Literatures and Cultures at King’s College London, within the Faculty of Arts & Humanities. She holds a prestigious position in Early Modern French literature studies, focusing on speech practices, women’s writing, and cultural analysis. Her career includes roles at the University of Sheffield (2002–2006) before joining King’s, where she has been a core faculty member since 2006. Education: Emily studied French at University College London (UCL) and the University of Cambridge, establishing her foundation in French literary and cultural studies. Research Interests : Her work centers on early modern literature and thought, particularly deviant speech, gossip, and the role of scandal in French Renaissance texts. Key focuses include: Analysis of Marguerite de Navarre’s Heptameron and its cultural context Montaigne’s exploration of ethics and skepticism Gendered discourse in early modern women’s writing The intersection of print culture, censorship, and obscenity Projects & Engagement : Co-Investigator on the AHRC-funded Gossip and Nonsense in the French Renaissance (2012–2015), she collaborated on artistic projects such as Spinning Stories and Chinese Whispers . She has contributed to BBC programs like Radio 4’s Something Understood and Radio 3’s Free Thinking , discussing gossip’s cultural significance and early modern news. Publications : Her scholarship includes monographs like The Unbridled Tongue (2016) and Marguerite de Navarre: A Critical Companion (2022). Her articles span topics from Renaissance book history to the ethics of speech in Montaigne’s essays. Affiliations : She is part of King’s Centre for Early Modern Studies and contributes to research groups on textual representation and visual culture.
Wael B. Hallaq is the Avalon Foundation Professor in the Humanities at Columbia University’s Department of Middle Eastern, South Asian, and African Studies. His work focuses on Islamic law, intellectual history, and the socio-political impacts of modernity. He critiques Orientalist paradigms and explores the interplay between moral theory and legal history in Islamic traditions. His research spans structural dynamics of legal change in pre-modern law, moral theory’s role in Islamic legal history, and the critique of modern state sovereignty. His influential books include *The Impossible State* (2013), which earned Columbia University Press’s Distinguished Book Award, and *Shari‘a: Theory, Practice, Transformations* (2009). Education: No explicit educational details provided in text. His writings bridge legal theory, history, and political thought, challenging Eurocentric frameworks in Islamic studies. His analyses of pre-modern legal systems and modernity’s moral dilemmas have been translated into multiple languages, including Arabic, Hebrew, and Persian. Awards: Columbia University Press Distinguished Book Award (2013–2015) No grants, labs, or advising details explicitly mentioned in the text.
Seb Falk is a College Fellow and Research Fellow at Girton College, University of Cambridge, and a Senior Admissions Tutor. He holds academic roles including Praelector and Director of Studies for the Cambridge Foundation Year. His research focuses on medieval mathematical sciences, particularly astronomy, navigation, and the history of scientific instruments and texts. Falk earned a BA in History and Spanish from Oxford University, followed by an MPhil and PhD in History and Philosophy of Science from Cambridge. His research explores the interplay between religion, literature, and science in the Middle Ages, challenging the 'Dark Ages' narrative. Key projects include studies on late medieval astronomical tables and instruments, and a global comparative analysis of natural sciences around the year 1000. Falk has published widely, including the acclaimed book The Light Ages (2020), which was shortlisted for the Hughes Prize and awarded the Osterbrock Prize in 2025. His articles span topics like medieval astronomical practices, manuscript studies, and the cultural history of science. Falk is also a sought-after media contributor, appearing on BBC programs and podcasts, and has engaged in public outreach through lectures and museum collaborations.
Julie Orlemanski is an Associate Professor and Director of Graduate Studies in the Department of English Language and Literature at the University of Chicago. She holds a Ph.D. and MA from Harvard University (2010) and a BA from the University of Georgia (2004). Her scholarly work bridges late medieval literature with contemporary theoretical debates in literary criticism, the history of science, and the philosophy of fictionality. Harvard University - Ph.D. and MA (2010) University of Georgia - BA (2004) Her research focuses on medieval medical discourse, the poetics of literary personhood, and the historiography of fiction. She is currently completing Making Literary Persons: A Poetics of Voice in Chaucer , which explores Chaucerian narratology, and developing a book on Bernard of Clairvaux's Sermons on the Song of Songs , considering how medieval writing virtualized embodied speech. Her 2019 monograph Symptomatic Subjects examines medical causation in pre-modern literature. Julie serves as Book-Review Editor for Exemplaria: Medieval, Early Modern, Theory (2025–) and has edited special issues on trans-regional medieval studies. Her recent publications analyze medieval fictionality, personification, and the ethical stakes of literary voice. She has presented at the English Institute Annual Conference and organized graduate research symposia.
Professor Helena Sanson is a Full Professor of Italian, History of Linguistics, and Women's Studies at the University of Cambridge , where she is also a Fellow of Clare College and serves as Postgraduate Teaching and Examining Officer for the Italian Section. She joined Cambridge in 2005 after teaching at University College London (1998-2003) following her British Academy Postdoctoral Fellowship. PhD from University of Reading (2002) Her interdisciplinary research focuses on the intersection of Italian linguistic history , literary culture , and gender studies from the Renaissance to post-Unification period. Particular emphasis includes women's contributions to linguistic thought , conduct literature analysis , and female roles in translation networks . Her work examines how women navigated language standardization, educational access, and literary production across social strata. Recent projects include Leverhulme-funded research on women's linguistic experiences in 18th-19th century Italy and co-edited volumes on transnational travelers' accounts and early modern female education . She founded the Women and Gender in Italy (1500-1900) book series and the journal Women Language Literature in Italy . Scientific awards include: British Academy Postdoctoral Fellowship Leverhulme Research Fellowship Philip Leverhulme Prize CRASSH Early Career Fellowship Isaac Newton Trust grant Senior Visiting Fellowship at University of Bologna She supervises graduate research in topics spanning women's writing , linguistic thought , translation history , and cultural marginalization in 16th-20th century Italy. Her work bridges philology, literary criticism, and social history through rigorous textual analysis.
Professor Alberto Rigolio is a scholar of Classics and Ancient History at Durham University, specializing in the Eastern Mediterranean during the Roman and Late Antique periods. He focuses on Syriac literature, Greco-Roman intellectual traditions, and the reception of classical texts in early Christian and Islamic contexts. Rigolio holds a D.Phil. from Oxford University and has held prestigious fellowships at Harvard, Princeton, and All Souls College, Oxford. He serves as Chair of the Board of Examiners at Durham and is a Fellow of the Higher Education Academy. His research explores the transformation of classical dialogue forms in late antiquity, the transmission of Greek texts into Syriac and Arabic, and the cultural intersections between Greco-Roman, Christian, and Islamic traditions. Key works include Christians in Conversation (Oxford UP, 2019), which examines late antique dialogue literature, and a forthcoming book on the emergence of Syriac literature supported by British Academy and Princeton IAS fellowships. Education: BA/Milan, D.Phil./Oxford, Postdoctoral Fellowships at Harvard and Princeton Affiliations: Institute of Medieval and Early Modern Studies, Durham Rigolio's articles analyze Syriac translations of Aristotelian works, Plutarch, and Themistius, revealing how Greco-Roman thought was adapted to meet religious and cultural needs. His projects include studies on Syriac rhetoric, the Roman household in late antique conflicts, and para-biblical narratives. He supervises postdoctoral researchers and PhD students on topics ranging from Syriac literary culture to late antique religious identity. Awards: British Academy Mid-Career Fellowship (2024), All Souls College Visiting Fellowship (2024) Grants: Leverhulme Trust, British Academy, American Philosophical Society He directs research labs examining Syriac intellectual culture and co-ordinates interdisciplinary projects on late antique translation movements. Rigolio is actively involved in public outreach, offering talks on Roman religion, Palmyrene military identity, and the Graeco-Syro-Arabic textual tradition.
Erik Wade is an Assistant Professor in the Department of English and Creative Writing at SUNY Oswego. He holds a PhD from Rutgers University and has taught at Rheinische Friedrich-Wilhelms-Universität Bonn in Germany. His research focuses on race, sexuality, and national identity in early medieval English literature, with a particular emphasis on how these themes intersect with religious texts and cultural narratives. He currently directs the Medieval and Renaissance Studies minor and serves on the advisory board for Exemplaria: Medieval, Early Modern, Theory . Educational Background: PhD in English, Rutgers University (2018) MA in English, University of Oregon (2011) BA in English and History with a minor in Medieval and Renaissance Studies, SUNY Oswego (2009) AA in Humanities, Onondaga Community College (2007) Research Interests: Interrogates racial and sexual discourses in medieval literature Examines how early English texts constructed national identity through contested themes like rape culture and racial hierarchies Investigates global influences (e.g., Byzantine theology) on medieval English thought Challenges Eurocentric narratives in medieval studies Recent Publications Highlight: His work analyzes trans and queer themes in medieval hagiography, the racialized language of 'Anglo-Saxon' terminology, and the intersections between animal studies and gender relations. He co-authored a Smithsonian Magazine article deconstructing the term 'Anglo-Saxon.' Teaching and Advocacy: Teaches courses on medieval global literature, critical theory, and premodern identity. Actively promotes inclusive pedagogy and addresses systemic racism in academic disciplines through published opinion pieces and collaborative projects like the upcoming Race in Early Medieval England (Cambridge UP).
Professor Ben Bollig holds the position of Professor of Latin American Literature and Film at the University of Oxford's Faculty of Medieval and Modern Languages. He is also a Fellow and Tutor in Spanish at St Catherine's College, and an Associate Lecturer at St John's College. His research focuses on contemporary Latin American literature and film, with a specialization in Argentine poetry and its cinematic adaptations. He has authored or edited numerous books, including Moving Verses and The Poetry-Film Nexus in Latin America , and serves as editor of the Journal of Latin American Cultural Studies . Teaching responsibilities include the entire Spanish course for first-year students and Latin American literature and film options for upper years. He supervises MPhil/DPhil students in Latin American cultural studies, particularly Southern Cone literature and film. His work explores intersections of poetry, film, translation, and postcolonial theory, with a focus on Argentina's cultural production. He has published widely on topics such as poetic adaptation, political literature, and cultural activism. Key contributions include co-editing Latin American Cultural Studies: A Reader and producing translated volumes of Cristian Aliaga's work. His research themes span comparative literature, postcolonial studies, environmental humanities, and global cultural dynamics. He is actively engaged in academic leadership roles within his field, maintaining a strong international profile in cultural studies and literary criticism.
Shane Butler is the Nancy H. and Robert E. Hall Professor in the Humanities and Professor of Classics at Johns Hopkins University, where he also directs the Classics Research Lab and serves as Director of Graduate Studies. He holds a PhD from Columbia University (2000) and has taught at the University of Bristol, UCLA, and the University of Pennsylvania. His research spans Latin literature, classical reception, sensation studies, aesthetics, queer theory, and media history, focusing on the interplay between embodiment and art. Education: PhD in Classics from Columbia University (2000). Prior to Hopkins, he held faculty positions at the University of Bristol, UCLA, and UPenn. He has been a residential fellow at the American Academy in Rome, Villa I Tatti, the Getty Villa, and the MPIWG Berlin. Research focuses on Latin literature from antiquity to early modernity, classical reception theory, and the sensory dimensions of ancient aesthetics. Notable works include The Passions of John Addington Symonds (2022), The Ancient Phonograph (2015), and Sound and the Ancient Senses (2019). He co-edits the Classical Philology special issue on 'Philology Transfigured' and directs the John Addington Symonds Project. Awards include fellowships at leading institutions and editorial roles, including Associate Editor of the I Tatti Renaissance Library. His recent work explores queer philology and the intersection of sound studies with ancient literature.
Annette Yoshiko Reed is the Krister Stendahl Professor of Divinity and Professor of New Testament and Early Christianity at Harvard Divinity School (HDS). She joined HDS in 2022 after roles at New York University, the University of Pennsylvania, and McMaster University. Her expertise spans Second Temple Judaism, early Christianity, and Jewish-Christian relations, with a focus on how ancient texts shape identity and difference. Key research areas include apocalypses, demonology, and the Old Testament Pseudepigrapha. She has authored or co-authored books such as Fallen Angels and the History of Judaism and Christianity and Demons, Angels, and Writing in Ancient Judaism . Education: BA from McGill University, MTS from Harvard Divinity School, and MA/PhD from Princeton University. Her work integrates Biblical Studies, Patristics, Jewish Studies, and Classics. She serves on the editorial boards of Texts and Studies in Ancient Judaism and Studia in Veteris Testamenti Pseudepigrapha , and chairs the Society of Biblical Literature’s “Jewish Christianity/Christian Judaism” section. A Fellow of the American Academy of Jewish Research, her current project explores the cultural power of forgetting in ancient Jewish history. Her research highlights marginalized writings like 1 Enoch and Pseudo-Clementine literature to bridge Jewish and Christian histories. Recent publications include studies on Enochic reception, rabbinic historiography, and demonology in ancient texts. She teaches at both HDS and Harvard’s Faculty of Arts and Sciences.
Stephen Spector is a Professor of English at Stony Brook University since 1972, with a PhD from Yale University (1973). His work bridges medieval literature, religious studies, and language history. He has held visiting positions at the Hebrew University (Jerusalem, 1996–97) and fellowships at the National Humanities Center and Wesleyan University. His research focuses on medieval English literature, particularly mystery plays and biblical texts, alongside modern topics like Christian Zionism and the Ethiopian Jewish rescue operation (Operation Solomon). He has authored influential books such as Evangelicals and Israel (2009), which won the London Book Festival Prize, and Operation Solomon (2005), honored with the JDC-Herbert Katzki Award. Education: B.A. in English and Psychology from Penn State University (1968), M.Phil. and Ph.D. from Yale University (1973). He has taught courses ranging from the history of the English language to medieval literature and the Bible as literature. Research highlights include pioneering studies on anti-Semitism in medieval mystery plays, textual editing of the N-Town Play, and modern analyses of religious-political intersections. His recent work explores biblical prophecy’s influence on US foreign policy and contemporary grammar usage guides. Awards include the Van Courtlandt Elliott Prize (1980) for medieval scholarship, National Endowment for the Humanities grants, and SUNY Research Foundation fellowships. He has also contributed op-eds on topics like Sarah Palin’s religious influences and Israel-Evangelical relations. Grants and fellowships span decades, including directing NEH summer seminars on Jewish presence in early English literature (1993, 1996). His work often integrates historical methodologies with contemporary cultural analysis. Labs/Teams: Not explicitly listed, but his research collaborations are evident in co-edited volumes like The Olde Daunce (1991) and contributions to interdisciplinary projects like the Early English Text Society.
Niamh Pattwell is Associate Professor and Head of School at the School of English, Drama and Film, University College Dublin. She holds a PhD from Trinity College Dublin and has been a faculty member at UCD since 2004, progressing from Lecturer in Old and Middle English to her current role. Her academic leadership extends to curriculum development, postgraduate teaching, and serving on university committees, including the Board of Trustees for UCD Volunteer Overseas. Her educational background includes a BA, H.Dip.Ed., H.Dip.T.Rel.Ed., and MA from University College Cork, and a PhD from Trinity College Dublin. She taught secondary school in Co. Wexford and Co. Cork before transitioning to higher education, holding teaching fellowships at Queen’s University Belfast and Trinity College Dublin. Niamh Pattwell's research focuses on the circulation and transmission of vernacular religious prose in the late Middle Ages. She has developed expertise in codicology, palaeography, and manuscript fragment studies, particularly through her work with Marsh's Library and the Index of Middle English Prose at Trinity College Dublin. Her scholarship explores the production, readership, and theological context of both orthodox and Wycliffite texts. Her recent publications show a consistent focus on Middle English religious prose, manuscript provenance, and the material culture of books. She has contributed to the Year's Work in English Studies and published on fragments, personal notebooks, and devotional texts, reflecting a deep engagement with the material and spiritual dimensions of medieval manuscripts. National Digital Learning Resources Award (2012) Broad Curriculum Post-doctoral Teaching Fellow, Trinity College Dublin (2003–2004) Irish Research Council for the Humanities and Social Sciences Postgraduate Scholarship (1999–2002) Niamh Pattwell has successfully supervised postgraduate students to MA and PhD completion and has led curriculum innovation at UCD, including the development of research-based modules on medieval manuscript fragments. She has secured internal research grants such as the HoS Research Support Scheme and has been actively involved in organizing major academic events, including the Early Book Society Biennial Conference in 2019 and 2023. Her teaching includes modules on King Arthur, medieval literature, and animal narratives, emphasizing student engagement with primary texts. She collaborates with institutions such as Marsh's Library and Trinity College Dublin and has contributed to public engagement through radio appearances and public lectures. Her work bridges academic research, teaching innovation, and cultural heritage preservation.
