Sasha Welland is an Adjunct Associate Professor in the Department of Anthropology at the University of Washington, affiliated with Gender, Women & Sexuality Studies; China Studies; Comparative History of Ideas; and graduate certificate programs in Cinema & Media Studies and Public Scholarship. Her research focuses on Asian American studies, East Asian ethnography, feminism, visual culture, and sociocultural anthropology. Welland’s scholarship bridges historical and contemporary analyses. Her book Experimental Beijing (2018) explores Chinese contemporary art as a site of cultural negotiation around gender, globalization, and post-socialist transformations. Her earlier work A Thousand Miles of Dreams (2006) traces the transnational lives of two 20 th -century Chinese women activists. She contributes to Journal of Visual Culture and has published in Signs and Yishu . An engaged public scholar, Welland has curated feminist art exhibitions in Beijing, Shanghai, and Hong Kong, blending academic research with cultural practice. Her work interrogates intersections of gender, space, and global flows in East Asian contexts.
Emre Caglayan is an Assistant Professor and Program Coordinator for Film Studies at the American University of Paris (AUP). He holds a PhD in Film Studies from the University of Kent (2014) and an MA in Film and Television from Istanbul Bilgi University (2009). His research focuses on global art cinema, slow cinema aesthetics, and the intersection of cinematic form with embodied experiences like walking. Caglayan’s work explores how cinema shapes lived experiences through close analyses of film texts and their cultural contexts. Key research interests include the affective qualities of film sound, urban space representations, and ethical dimensions of political filmmaking. His monograph Poetics of Slow Cinema: Nostalgia, Absurdism, Boredom (Palgrave, 2018) is a seminal work in slow cinema studies. He currently investigates walking as an artistic practice linked to cinema, curating film seasons and designing participatory walking activities. Caglayan teaches courses on film theory, international cinema, and cinematic history at AUP. His work has been published in journals like Quarterly Review of Film and Video , Projections , and Jump Cut , with recent contributions on Turkish cinema and film/music intersections.
Jonathan R. Lyon is Professor of History of the High and Late Middle Ages at the Institute for Austrian Historical Research within the Faculty of Historical and Cultural Studies at the University of Vienna. He maintains office hours on Thursdays from 14:00-16:00 (available via Zoom by appointment) and can be contacted at jonathan.lyon@univie.ac.at or +43-1-4277-27297. His educational background includes: B.A. in History and Latin, Colgate University (1997, Summa cum laude) Exchange year at Albert-Ludwigs-Universität Freiburg (1996) M.A. in History, University of Notre Dame (1999) Ph.D. in History, University of Notre Dame (2005) Lyon's research centers on the Holy Roman Empire during the High and Late Middle Ages, European political and social structures (1000-1500), the evolution of statehood, corruption mechanisms, medieval kinship systems, and gender dynamics with particular emphasis on masculinity. His work examines how political power, social networks, and religious institutions intersected in shaping medieval governance and community life, often challenging traditional narratives about medieval state formation through comparative analysis of German and Hungarian contexts. Analysis of his 15 most recent publications reveals consistent chronological focus on the 12th-15th centuries with increasing attention to corruption, gender, and monastic institutions since 2015. His scholarship demonstrates methodological diversity through charter analysis, prosopography, and comparative institutional studies, while maintaining thematic continuity in examining power dynamics between nobility, monarchy, and religious entities across Central Europe. His major scientific awards include: 2024 Otto Gründler Book Prize for Corruption, Protection and Justice in Medieval Europe: A Thousand-Year History 2017 John Nicholas Brown Prize for Princely Brothers and Sisters: The Sibling Bond in German Politics, 1100–1250 Lyon has secured prestigious research funding including the Fulbright Fellowship (2000-2001), DAAD Research Fellowship (2007), FWF Lise Meitner Fellowship (2013-2014), and Alexander von Humboldt Research Fellowship (2017-2018). He served as Academic Director of the Berlin Consortium for German Studies (2012-2013) and currently advises the Manchester Medieval Sources Series. His ongoing projects include editing charters of Quedlinburg abbesses and authoring an introductory text on the medieval Holy Roman Empire.
Dr. Kyla Walters is an Associate Professor in the Department of Sociology at Sonoma State University. Her research focuses on gender, labor, and education policy, particularly exploring issues of inequality in retail work, sexual harassment in industries, and resistance to charter school expansion. She holds a Ph.D. from the University of Massachusetts-Amherst. Current research includes an interview-based study on beauty appraisals during pregnancy and childbirth, conducted with Sonoma State sociology students. Her work has been published in journals like Sociology of Race and Ethnicity and Hospitality & Society , as well as in the book Walking Mannequins (University of California Press, 2022). She has also contributed to policy analyses on teacher union resistance to educational reforms.
Elaine Chun is an Associate Professor in the Department of English Language and Literature at the McCausland College of Arts and Sciences, University of South Carolina. She holds a Ph.D. in Linguistics from the University of Texas at Austin (2007) and an A.B. in Linguistics from Stanford University (1995). Education: Ph.D. in Linguistics, University of Texas at Austin (2007); A.B. in Linguistics, Stanford University (1995). Research Interests Dr. Chun specializes in sociolinguistics and linguistic anthropology, with a focus on language, race, gender, and sexuality. Her work examines how language practices traverse racial and national boundaries, particularly in contexts like Asian American YouTube commentary, K-pop fandom, and U.S. public spaces. She investigates ideologies of race and gender, collaborative interpretation in social media, and anti-racist strategies. Publication Trends Her recent publications emphasize language in digital media, racial ideologies, and sociocultural identity. Topics include racism in public discourse, transnational social media analysis, racial parody, and the intersection of language with race and gender. Her work spans journals like American Speech , Language in Society , and Discourse & Society .
Therese Nordin is an Assistant Professor at Umeå University's Department of Community Medicine and Rehabilitation, specializing in occupational therapy. Her research focuses on social participation and togetherness among older adults within home care contexts, particularly through the STAY-IN-TOUCH project. Research Themes Gerontological perspectives on loneliness Co-creative methods in home care interventions Relational and transactional models of human activity Power dynamics in health services research Qualitative approaches to social participation Recent Publications Her work explores the interplay between structural care provision and subjective experiences of social connectedness in aging populations, with specific attention to: Gender norms and loneliness in men Home care professionals' conceptualization of social needs Design of participatory care models Quantitative-qualitative integration in aging research Methodological Expertise Therese employs a range of qualitative approaches, including: Scoping reviews Creative co-design methodologies Narrative analysis Transactional perspective frameworks
Jason Cortés is an Associate Professor and Program Director in American Studies at Rutgers University-Newark, with affiliations in the Department of Classical and Modern Languages and Literatures, Africana Studies, Spanish and Portuguese Studies, and the Program in Women's and Gender Studies. His research focuses on Caribbean, US Latina/o, and Spanish American literatures through the lenses of cultural studies and critical theory. Education: Ph.D., Spanish American Literature, Pennsylvania State University M.A., Comparative Literature, PSU B.A., Comparative Literature, University of Puerto Rico (Mayaguez, PR) His scholarship explores intersections of masculinity, authorship, and cultural identity in Latino-Caribbean narrative. Current projects include Loving Death: The Necrophilic Imagination in Latin/o America and Tales of Disposability: Puerto Rico in the Post-911 Era .
Prof. Dr. Sebastian Conrad holds the Chair of Modern History at Freie Universität Berlin , specializing in Global History , (Post-)colonial History , and Intellectual History . He joined the faculty in 2010 after teaching at European University Institute in Florence and serving as visiting scholar at institutions including NYU Abu Dhabi and The New School, New York. Director of MA "Global History" (FU Berlin/Humboldt University joint program) Director of Graduate School "Global Intellectual History" Principal Investigator, Cluster of Excellence "Temporal Communities" (2024) Research Interests focus on transnational historical frameworks , globalization of historical narratives , and postcolonial historiography . His latest book Die Königin: Nofretetes globale Karriere (2024) analyzes cultural globalization through Nefertiti's iconography, while his current project explores global history of bodily aesthetics and identity formation since the 19th century. Recent Publications include: 2022: "Empire and Nationalism" (American Historical Review) 2021: "Globalizing the Beautiful Body" (Journal of World History) 2020: "Greek in Their Own Way" (American Historical Review) Scientific Honors : Elected member, Berlin-Brandenburg Academy of Sciences and Humanities (2024) Elected member, Academia Europaea (2024) Finalist, German/NDR non-fiction book awards (2024) for Nefertiti study Academic Leadership includes editorial roles at Geschichte und Gesellschaft , Past & Present , and Globalgeschichte book series (Campus Verlag). His work bridges historical analysis with contemporary debates on memory, identity, and global cultural dynamics.
Professor Tamsin Bradley is a leading academic in International Development Studies at the University of Portsmouth, affiliated with the School of Area Studies, Sociology, History, Politics and Literature. Her research focuses on ending violence against women and girls, social inclusion, and harmful cultural practices. She holds a PhD from SOAS, University of London, and has held roles at institutions like the University of East Anglia and London Metropolitan University before joining Portsmouth in 2011. She was promoted to Professor in 2017. Her work is supported by grants from the British Academy, ESRC, and AHRC. Bradley is also a Fellow of the Royal Anthropological Institute. She currently supervises two PhD students on ESRC-funded projects and collaborates with organizations like Plan International and Stop Domestic Abuse. Her research integrates applied social anthropology with policy-relevant outcomes, addressing issues such as FGM, breast ironing, and gender-based violence in South Asia and Africa. Education: Bachelor's in Politics and Study of Religion (SOAS, 1996) MA in Social Anthropology of Development (SOAS, 1997) PGCE (University of Cambridge) PhD (SOAS, 2006) Research Focus: Ending violence against women and girls, harmful cultural practices, gender and social inclusion in South Asia/Africa, humanitarianism in conflict zones. Key Grants: £300k from British Academy (2018) for the 'Art Heritage, Resilience and Humanitarianism in South Sudan' project. External Roles: Council member of British Association of South Asian Studies (2014–2016), Editorial Board member of African Identities . Media Availability: Actively engages with media on gender-based violence and development topics. Bradley’s work bridges academic research and practical solutions, emphasizing community-led approaches. Her recent publications highlight intersections between culture, conflict, and gendered violence, with a focus on marginalized communities in South Sudan, Sudan, and South Asia.
Prof. Dr. Julia Bee holds a Professorship for Gender Media Studies with special emphasis on diversity at the Institute for Media Studies (IfM) at Ruhr-Universität Bochum. Her work focuses on critical intersections of gender, media, and social justice. Her research interests span Gender Media Studies, Diversity, Media Climate Justice, Digital Violence, Digital Misogyny, and Antifeminism. She examines how digital spaces perpetuate gender-based violence and how media can be leveraged for climate justice initiatives. Her recent publications include the experimental learning book Learning Experiments, Exchanging Techniques No. 2 (2025), which explores innovative pedagogical approaches in media studies. Her work shows a clear trend toward examining the connections between digital violence, climate justice, and gender politics. Prof. Bee is actively involved in numerous academic initiatives including the relaunch of the online journal Culture&Gender and organizing the Spring School Media Climate Justice. She frequently collaborates with colleagues like Prof. Dr. Henriette Gunkel on interdisciplinary projects. She organizes and participates in significant academic events, including the lecture series 'Conflicting Masculinities' and 'Digital Violence and Antifeminism,' which examine contemporary challenges in digital spaces from gender and intersectional perspectives. Her work on 'Politics and Ethics of Activist Research' demonstrates her commitment to ethical collaborations between academics and activists.
Heidi R. Lewis is the David and Lucile Packard Professor of Feminist & Gender Studies at Colorado College. She serves as President of the National Women's Studies Association (2023-25) and Editor-in-Chief of the Oxford Bibliography in Women's & Gender Studies. Her research focuses on Black Feminisms, Hip Hop discourse, and Critical Media Studies, with a current project challenging narratives around Mumble Rap's authenticity. Lewis holds a Ph.D. in American Studies from Purdue University and has taught interdisciplinary courses including Hip Hop & Feminism and Critical Media Studies. Education: Ph.D., American Studies, Purdue University (2011) M.A., English Literature, Ohio University (2005) B.A., English Studies, Robert Morris University (2003) Research Interests: Lewis interrogates intersections of race, gender, and media through projects like her forthcoming book on Mumble Rap and a documentary on her experiences during the crack cocaine epidemic. She employs discourse analysis to challenge dominant narratives in Hip Hop and feminist theory, emphasizing marginalized voices and transnational collaborations. Service & Leadership: As Director of Feminist & Gender Studies, Lewis secured funding for new faculty lines, student programs, and community partnerships. Nationally, she co-created the #FemSTEMSymposium to bridge feminist inquiry and STEM fields. Her service prioritizes equity, including roles on promotion committees and external reviews for academic centers. Community Engagement: Lewis collaborates with organizations like the Kampagne für Opfer Rassistischer Polizeigewalt and the U.S. Olympic Committee. Her work extends beyond academia through public talks, media contributions, and initiatives like the Marsha P. Johnson Professorship.
Alyssa Woods is an Assistant Professor at the School of Fine Art and Music, University of Guelph. Her research focuses on popular music, particularly examining race, gender, and politics within hip-hop culture. She investigates how female artists like Beyoncé, Lily Allen, and Nicki Minaj reclaim discourse around the female body through parody and hyperbole in music videos, challenging hyper-masculine norms in hip-hop. Her work bridges cultural studies and music analysis, addressing contemporary trends in music video production and their sociopolitical implications. Contact: awoods08@uoguelph.ca , Office: Johnston Hall, Rm 113.
Justin Russell Greene serves as an Advanced Instructor in the Department of English within Virginia Tech's College of Liberal Arts and Human Sciences. With over 15 years of teaching experience across multiple institutions, he currently teaches courses in film, literature, and writing at Virginia Tech, where he has been employed since 2019. His academic journey spans various teaching positions at Virginia Tech, Hampden-Sydney College, Virginia Commonwealth University, and several community colleges. Greene earned his BA, MA, and PhD in English and Media, Art, and Text from Virginia Commonwealth University. His educational background reflects his interdisciplinary approach that bridges traditional literary studies with contemporary media and cultural analysis. He has also completed professional development certifications in Anti-Racist Teaching and Foundations of Online Teaching at Virginia Tech. His research focuses on the intersections of cinema, media, and cultural studies, with particular attention to authorship, celebrity, and gender performance. Greene examines how authors and celebrities construct their identities across various media platforms, exploring topics ranging from Quentin Tarantino's cinematic masculinity to Roxane Gay's digital presence. His work often analyzes the performative aspects of identity in contemporary culture, particularly through fashion, social media, and visual storytelling. Greene's scholarly output demonstrates a consistent focus on authorial identity construction across media platforms. His publications reveal a trajectory from examining literary authors' fashion choices to analyzing digital performances of identity on social media, and more recently to cinematic studies of directors like Quentin Tarantino and Jordan Peele. The evolution of his work reflects broader cultural shifts toward digital and visual media while maintaining a consistent theoretical framework centered on performance and identity construction. Joyce Gentry Smoot Award (2025) for Excellence in Teaching by an Instructor As an educator, Greene has served as a reader on graduate student capstones and has been actively involved in curriculum development and pedagogical innovation. He has participated in numerous professional development activities focused on writing instruction, anti-racist pedagogy, and the integration of AI in teaching. His teaching philosophy emphasizes building student confidence in writing abilities, recognizing diverse student backgrounds, and providing individualized feedback to help students develop their unique voices. Greene is currently working on projects examining Jordan Peele's Nope (2022) regarding point-of-view and gore, as well as speculative adaptations in contemporary US media. His research interests continue to evolve with cultural trends while maintaining his core focus on performance, identity, and media representation.
Ann Heilmann is Professor of English Literature at Cardiff University, serving as Director of Research and REF coordinator for the School of English, Communication and Philosophy. Research spans Victorian to contemporary literature with focus areas in women's writing, gender/sexuality studies, and neo-Victorianism. Current work examines in/authenticity in neo-Victorian cultural productions and intersections between transgender studies and life-writing. Publications analyze feminist engagements with history, New Woman fiction, and contemporary reimaginings of Victorian cultural paradigms. Recent scholarship explores comic strategies in suffrage narratives, gender representations in life-writing, and neo-Victorian adaptations of historical figures. Heilmann has supervised 16 PhD students to completion and serves as general editor for Routledge's Gender and Genre and History of Feminism book series. Editorial board membership includes journals such as Memory Studies and Neo-Victorian Studies. Significant service includes Deputy Chair roles for REF2021 English sub-panel and co-chair for REF2029 History pilot panel, shaping national research assessment frameworks.
Anupama Rao is Professor of History and MESAAS (Institute for Comparative Literature and Society) at Columbia University, with affiliations in Women's, Gender and Sexuality Studies and Human Rights. She is based at Barnard College, where she holds office hours and engages in interdisciplinary teaching and research. Her educational background includes a B.A. with honors from the University of Chicago and a Ph.D. from the Interdepartmental Program in Anthropology and History at the University of Michigan. Rao’s research spans South Asian history and anthropology , gender and sexuality studies , caste and race , social theory , comparative urbanism , and colonial genealogies of human rights . She is known for her groundbreaking work on anti-caste thought, particularly the political philosophy of B. R. Ambedkar, and for theorizing caste subalternity in modern India. Her scholarship critically examines the intersections of caste, gender, urban space, and political subjectivity. Her recent and ongoing publications reflect a deep engagement with global racisms, Cold War humanism, and justice futures. Key themes across her articles include Dalit aesthetics, subaltern urbanism, affirmative action, and the transnational dimensions of caste. Her work shows a consistent trend toward interdisciplinary, postcolonial, and decolonial frameworks that challenge Western-centric epistemologies. Fellow-in-Residence, National Humanities Center (2008–2009) Fellow, Center for Advanced Study in the Behavioral Sciences, Stanford (2010–2011) Fellow, REWORK, Humboldt University, Berlin (2014–2015) Global Humanities Institute Awardee, CHCI (2023) Rao has served as Senior Editor of Comparative Studies in South Asia, Africa, and the Middle East (2012–2021), President of the Society for the Advancement of the History of South Asia (SAHSA), and member of the South Asia Council of the Association for Asian Studies. She is Principal Investigator for the Mellon-funded Global Humanities Institute project Global Racisms, Cold War Humanism, and Just Futures (2022–2024) and co-directs Geographies of Injustice at Columbia’s Center for the Study of Social Difference. She has secured major research grants from the ACLS, NEH, SSRC, and Mellon Foundation. She advises and mentors graduate students, though specific names are not listed in the text. Rao directs the Institute for Comparative Literature and Society and convenes the Ambedkar Initiative, fostering interdisciplinary research and public engagement on caste, race, and justice. She leads and participates in multiple research collectives, including the Geographies of Injustice project and the Asian Spatialities initiative. She is deeply involved in institutional leadership through her roles at the Institute for Comparative Literature and Society and the Ambedkar Initiative, both of which serve as hubs for critical humanities research.
