جستجوی استاد راهنمای دانشگاهی

José Angel Araguz is an Assistant Professor of English at Suffolk University, specializing in creative writing and literary studies. His research focuses on Latinx poetics, poetic forms, and experimental literary genres. He holds a PhD from the University of Cincinnati, an MFA from New York University, and a BA from the College of Santa Fe. Dr. Araguz is deeply involved in literary publishing, serving as Editor-in-Chief of Salamander , a member of The Cincinnati Review’s Strategic Board, and an advisory board member for SWING literary journal. He also leads editorial roles at Airlie Press and Right Hand Pointing. His creative work spans poetry, nonfiction, and hybrid genres, with a focus on Latino/a identity, speculative elements, and formal innovation. Major publications include Ruin and Want (2023), La esperanza espera (2023), and Rotura (2022). His research explores blackout poetry, microcuentos, and the intersection of creative writing with cultural critique. He teaches courses like Latinx Literature, Creative Writing, and Poetry Workshops. Office hours are Fridays 10:30 a.m.–1:30 p.m. or by Zoom appointment.

• Latinx Poetics & Literature
• Poetic Forms
• Blackout/Erasure Poetry
• +۴ مورد دیگر

Professor Beth Williamson is a leading scholar of medieval culture, holding dual roles as Professor of Medieval Culture and Chair in the History of Art at the University of Bristol's Department of History of Art (Historical Studies), and as Academic Director (Research Impact & Translation Partnerships) within the Faculty of Social Sciences and Law. She earned her B.A. from Oxford University (Oxon), an M.A., and a Ph.D. from the University of London (Lond.). Her research focuses on visual, material, and aural dimensions of medieval religious practice, exploring how sensory experiences shaped devotional life. Key themes include sacred imagery (e.g., the Virgin Lactans and Madonna of Humility), liturgical spaces, and the intersection of art with music, time, and political power. Recent projects include studies of Westminster Abbey’s royal patronage and collaborations in interdisciplinary historical research. Her publications span over three decades, addressing topics from Italian Renaissance altarpieces to Irish medieval sculpture, with a strong emphasis on material culture and devotional practices. Despite her prolific output, no formal awards are listed, though her academic leadership roles reflect her scholarly impact. As a mentor, her supervisory activities are noted in her profile but lack specific student names. Her work bridges academic and public spheres, particularly through her role in translating research into societal impact initiatives. She is affiliated with the University of Bristol’s Senate House and contributes to institutional leadership.

• Medieval Culture
• Visual Culture
• Material Culture
• +۴ مورد دیگر

Reyhan Durmaz is an Associate Professor of Religious Studies at the University of Pennsylvania, affiliated with the School of Arts & Sciences and multiple interdisciplinary programs. Her research focuses on Syriac Christianity, medieval religious dynamics, and the intersection of Christianity and Islam in late antiquity. She holds a Ph.D. from Brown University (2019) and has received prestigious fellowships such as the Dumbarton Oaks Junior Fellowship and the Charlotte Newcombe Dissertation Fellowship. Her seminal book Stories between Christianity and Islam (2022) examines the transmission of saints' stories between religious traditions, earning Honorable Mention from the Middle East Medievalists. Current projects include a study of rural Christianity in the medieval Middle East through soldier-monk narratives and an analysis of the 19th-century Arabic newspaper Kawkab America . She co-leads the Digital Photograph Archive project Visualizing Countryside , documenting medieval religious sites. Dr. Durmaz teaches courses on global Christianity, material culture, and late antiquity, and serves as co-chair of the Philadelphia Seminar on Christian Origins. Her work bridges historical analysis, textual scholarship, and digital humanities, addressing themes of religious identity, cultural exchange, and marginalized communities.

• Syriac Christianity
• Medieval Studies
• Byzantine Studies
• +۷ مورد دیگر

Andrew R. Meyer is an Associate Professor in the Department of Health, Human Performance, and Recreation at Baylor University, where he teaches courses in Sport Psychology and Religion and Sport. His academic work bridges the fields of sport sociology, cultural studies, and theology, with a particular focus on the enduring influence of muscular Christianity in American sports. His research interests include: Contemporary American Sport Culture and Religion Muscular Christianity and its modern manifestations Hero-celebrity athletes in popular culture Character development through sport and education Traditional and contemporary Indigenous sport cultures Sport's cultural impact on communities The themes across his publications reveal a consistent exploration of the moral, spiritual, and cultural dimensions of sport. His work analyzes how religious values, particularly those rooted in Christian traditions, shape athlete identity, media narratives, and public perception of sports figures. He has developed the Contemporary Muscular Christian Instrument (2017, 2020) to measure these values across global sport contexts. His articles appear in interdisciplinary journals spanning religion, sociology, public health, and cultural studies, reflecting the broad relevance of his research. Scientific awards and recognitions include: Baylor Teaching Fellow (2017) Dr. Meyer has been active in academic and public discourse, serving as a keynote speaker at international conferences on sport and Christianity and being featured on media outlets such as NPR and the Sport, Faith, Life podcast. His teaching emphasizes character formation in the classroom, aligning with his research on moral development through sport. While specific grant funding is not mentioned, his extensive publication record in peer-reviewed journals and edited volumes indicates sustained scholarly productivity. He has contributed to discussions on mega-sport events, cycling culture, and the redemption narratives of fallen athletes like Lance Armstrong. He is affiliated with the College of Health, Human Performance, and Recreation at Baylor University, contributing to both graduate and undergraduate education in sport studies.

• Sport Psychology
• Religion and Sport
• Cultural Sport Studies
• +۷ مورد دیگر

Andreas Stoehr is a renowned Austrian conductor and professor at the Music and Arts Private University of the City of Vienna, leading the conducting department and symphony orchestra since 2013. His career spans prestigious engagements including the Paris Opéra Comique, Deutsche Oper am Rhein, and St. Gallen Theatre, focusing on operatic repertoire from Monteverdi to modernism. He is celebrated for reviving neglected works like Meyerbeer’s Emma di Resburgo and Gluck’s Ezio , emphasizing historical performance practices. His research explores stylistic transitions in music history, blending baroque precision with modern innovation. Education: Trained at Vienna's former Conservatory (now University of Music and Performing Arts), studying piano under Alfred Kremela, conducting with Gennadij Rozhdestvenskij, and musicology at the University of Vienna. Key mentors included David Lutz (accompaniment) and Reinhard Schwarz (conducting). Research Interests: Explores interdisciplinary connections between diverse musical eras, such as Bach’s influence on Schoenberg, and advocates for vocal-orchestral balance in historical repertoires. Projects include CD recordings of Amanda Maier-Röntgen and Andrea Tarrodi’s works, nominated for Swedish Grammis. Awards: Grammy nomination (2016) for Amanda Maier-Röntgen’s Violin Concerto recording. Recognized for innovative stagings of operas like Berg’s Wozzeck and Debussy’s Pelléas et Mélisande . Teaching & Leadership: As professor and symphony orchestra director, Stoehr mentors young conductors. Notable collaborations include the Langenlois Castle Festival (2012–2019) and interdisciplinary projects like Heart and Mouth, and Deed and Life blending Bach with sociological texts. His teaching emphasizes 21st-century conductorship as collaborative architecture, prioritizing emotional engagement over technical authoritarianism. Labs/Ensembles: Leads the MUK Symphony Orchestra, collaborating with ensembles like the Aarhus Symphony Orchestra and Orchestre Philharmonique de Liège. His work bridges academic research with performance practice through projects like the Styriarte Festival’s Schubert revival.

• Orchestral Conducting
• Opera Performance
• Historical Music Performance Practice
• +۳ مورد دیگر

Erik Wade is an Assistant Professor in the Department of English and Creative Writing at SUNY Oswego. He holds a PhD from Rutgers University and has taught at Rheinische Friedrich-Wilhelms-Universität Bonn in Germany. His research focuses on race, sexuality, and national identity in early medieval English literature, with a particular emphasis on how these themes intersect with religious texts and cultural narratives. He currently directs the Medieval and Renaissance Studies minor and serves on the advisory board for Exemplaria: Medieval, Early Modern, Theory . Educational Background: PhD in English, Rutgers University (2018) MA in English, University of Oregon (2011) BA in English and History with a minor in Medieval and Renaissance Studies, SUNY Oswego (2009) AA in Humanities, Onondaga Community College (2007) Research Interests: Interrogates racial and sexual discourses in medieval literature Examines how early English texts constructed national identity through contested themes like rape culture and racial hierarchies Investigates global influences (e.g., Byzantine theology) on medieval English thought Challenges Eurocentric narratives in medieval studies Recent Publications Highlight: His work analyzes trans and queer themes in medieval hagiography, the racialized language of 'Anglo-Saxon' terminology, and the intersections between animal studies and gender relations. He co-authored a Smithsonian Magazine article deconstructing the term 'Anglo-Saxon.' Teaching and Advocacy: Teaches courses on medieval global literature, critical theory, and premodern identity. Actively promotes inclusive pedagogy and addresses systemic racism in academic disciplines through published opinion pieces and collaborative projects like the upcoming Race in Early Medieval England (Cambridge UP).

• Medieval Studies
• Race and Ethnicity
• Sexuality Studies
• +۳ مورد دیگر

Rev Dr Michael Fuller is a Lecturer in Science and Religion at the University of Edinburgh's School of Divinity. He holds degrees in Chemistry (MA and DPhil from Oxford) and Theology (BA from Cambridge), with additional ordination in the Scottish Episcopal Church. His work bridges science-religion dialogue, theological analysis of literature and music, and ethical considerations of emerging technologies like big data. Qualifications include: MA Chemistry (Oxford, 1989) DPhil Chemistry (Oxford, 1989) BA Theology (Cambridge, 1991) Fellow of the Higher Education Academy (2010) Fellow of the International Society for Science and Religion (2016) Research interests emphasize interdisciplinary dialogue between scientific disciplines and religious thought, particularly exploring human uniqueness, ethics of technology, and theological interpretation in music and literature. Recent work examines big data's ethical implications and Wagnerian redemption narratives. Key affiliations include: Vice-President for Publications, European Society for the Study of Science and Theology International Advisory Board member for Zagreb University's CePOZiR Centre Former Chair of the Science and Religion Forum Publications include over ten edited volumes and numerous articles on science-religion interface topics. His work often addresses public intellectualism, advocating for constructive dialogue between scientific and religious communities.

• Science and Religion
• Theological Ethics
• Theology of Music and Literature
• +۳ مورد دیگر

Stephen Spector is a Professor of English at Stony Brook University since 1972, with a PhD from Yale University (1973). His work bridges medieval literature, religious studies, and language history. He has held visiting positions at the Hebrew University (Jerusalem, 1996–97) and fellowships at the National Humanities Center and Wesleyan University. His research focuses on medieval English literature, particularly mystery plays and biblical texts, alongside modern topics like Christian Zionism and the Ethiopian Jewish rescue operation (Operation Solomon). He has authored influential books such as Evangelicals and Israel (2009), which won the London Book Festival Prize, and Operation Solomon (2005), honored with the JDC-Herbert Katzki Award. Education: B.A. in English and Psychology from Penn State University (1968), M.Phil. and Ph.D. from Yale University (1973). He has taught courses ranging from the history of the English language to medieval literature and the Bible as literature. Research highlights include pioneering studies on anti-Semitism in medieval mystery plays, textual editing of the N-Town Play, and modern analyses of religious-political intersections. His recent work explores biblical prophecy’s influence on US foreign policy and contemporary grammar usage guides. Awards include the Van Courtlandt Elliott Prize (1980) for medieval scholarship, National Endowment for the Humanities grants, and SUNY Research Foundation fellowships. He has also contributed op-eds on topics like Sarah Palin’s religious influences and Israel-Evangelical relations. Grants and fellowships span decades, including directing NEH summer seminars on Jewish presence in early English literature (1993, 1996). His work often integrates historical methodologies with contemporary cultural analysis. Labs/Teams: Not explicitly listed, but his research collaborations are evident in co-edited volumes like The Olde Daunce (1991) and contributions to interdisciplinary projects like the Early English Text Society.

• Medieval English Literature
• Religious Studies
• Biblical Literature
• +۳ مورد دیگر

Katharine Ellis is the 1684 Professor of Music at the University of Cambridge (since 2017) and a cultural historian specializing in French music of the 19th and early 20th centuries. She previously held lectureships at the Open University and Royal Holloway, and chairs at the Universities of London and Bristol. Director of the Institute of Musical Research, School of Advanced Study, University of London (2006) Elected to Academia Europaea (2010) Fellow of the British Academy (2013) Member of the American Philosophical Society (2017) Her research spans three major monographs: Music Criticism in Nineteenth-Century France (1995), Interpreting the Musical Past (2005), and The Politics of Plainchant in fin-de-siècle France (2013). Current projects examine provincial perspectives in French musical life. Her work bridges canon formation, early music revival, and political-religious intersections in musical historiography. Key themes in her publications include: 19th-century French musical culture Historical performance practices Church-state dynamics in music Music criticism and media Regional musical histories Interdisciplinary methodologies Scientific Awards: Fellow of the British Academy (2013) Member of the American Philosophical Society (2017) Academia Europaea membership (2010)

• Musicology
• French Music History
• 19th-century Music
• +۵ مورد دیگر

David Burn is a Professor and Program Director of the POC Archeologie, Kunstwetenschappen en Musicologie (AKM) at the Faculty of Arts, KU Leuven. His research focuses on Heinrich Isaac and Renaissance musicology, with specializations in polyphony, liturgical chant, and source-critical studies. He leads multiple projects on medieval and Renaissance courtly song, Jesuit musical heritage, and multilingualism in early song. Burn supervises doctoral research and teaches courses on music history, analysis, and digital musicology. His editorial work includes co-editing the Journal of the Alamire Foundation . Research Interests: Polyphony, liturgical music, 15th–16th century Imperial lands, source studies, early music analysis. Teaching: Courses include 'Analysis in Context: Music to 1750', 'Music of the Middle Ages and Renaissance', and 'Research Colloquia in Musicology'. Projects: Promoting studies on Trouvère music, Jesuit musical inheritance, and Scottish polyphony. He actively contributes to academic conferences and publishes on topics like Czech National Library manuscripts and Low Countries musical traditions.

• Musicology
• Renaissance Music
• Medieval Music
• +۷ مورد دیگر

Jonathan Nangle is a Lecturer in Music Technology and Electro-Acoustic Composition at the Royal Irish Academy of Music. His work spans acoustic/electro-acoustic composition, live electronics, installations, and improvisation. Educated at Trinity College Dublin under Donnacha Dennehy, Rob Canning, and later privately with Kevin Volans, his music has been performed by ensembles like RTÉ National Symphony Orchestra and Crash Ensemble. Research interests include spatial music, interactive installations, and hybrid acoustic/digital forms. Notable works include Pause (Ergodos, 2017), Iridescent Cobalt Glow (2015), and our headlights blew softly... which earned a 2009 Rostrum commendation. Awards include dual Irish Rostrum representations (2009/2011) and the 2007 AIC/Music 21 Prize. Recordings span solo piano works to ensemble commissions, often integrating innovative electronic elements. His work has been broadcast internationally and choreographed for stage/film. Current roles include academic teaching and ongoing creative exploration at the intersection of technology and traditional composition.

• Electro-Acoustic Composition
• Live Electronics
• Interactive Sound Installation
• +۳ مورد دیگر

Susan Ashbrook Harvey is the Willard Prescott and Annie McClelland Smith Professor of History and Religion at Brown University. Her research focuses on late antique and Byzantine Christianity, particularly Syriac studies, with expertise in asceticism, hagiography, women's roles, hymnography, and liturgical practices. She holds affiliations with the American Academy of Religion, Society of Biblical Literature, and the North American Patristic Society. Her research interests include the intersection of religion and the senses, women in ancient Christianity, and liturgical lament. Notable publications include Scenting Salvation (2006) and Knowing Bodies, Passionate Souls (2017). She has received prestigious awards such as the Guggenheim Fellowship and honorary doctorates from Lund University, the University of Bern, and Grinnell College. Harvey teaches courses like 'Sacred Stories' and 'Women and Gender in Ancient Religions.' Her work bridges historical scholarship with contemporary theological discourse, emphasizing marginalized voices in early Christian traditions.

• Byzantine Studies
• Late Antiquity
• Syriac Christianity
• +۳ مورد دیگر

C. Michael Sampson is an Associate Professor in the Department of Classics at the Faculty of Arts , University of Manitoba . Holding a PhD in Classical Studies (2009) from the University of Michigan, an MA in Classics (2003) from Dalhousie University, and a BA (First Class Honours) in Classics and Early Modern Studies (2001) from the University of King's College, Sampson is a broadly trained philologist specializing in Greek and Latin literature with a focus on poetry, and a papyrologist working on fragmentary texts from Egypt. Research interests: Greek/Latin literature, papyrology, reception studies, Hellenistic literature Current project: The Books of Karanis (interdisciplinary study of Greek literary culture in Egypt) Awards: SSHRC Insight Grant (2021-2025), SSHRC Connections Grant (2020-2022), Community Engagement Award (2018) Editorial roles: Digital Corpus of Literary Papyri, Pylon: Editions and Studies of Ancient Texts Teaching: Courses on Ancient Greek culture, Roman comedy, Euripides, and Archaic poetry

• Classical Philology
• Greek and Latin Literature
• Papyrology
• +۵ مورد دیگر

Denise Neary is a Professor and Doctoral Studies Coordinator at the Royal Irish Academy of Music (RIAM), overseeing doctoral supervision and research methods in musicology. Previously, she was Senior Lecturer at Canterbury Christ Church University, UK. She organizes international guest lectures at RIAM and actively participates in academic societies such as the Society for Musicology in Ireland (SMI) and Performance Research Ireland. Her research focuses on 17th- to 19th-century music in Ireland and Britain, particularly church music and artistic research. She has supervised numerous doctoral dissertations, including studies on Beethoven, Schubert, and Irish choral traditions. Affiliations: RIAM (current), SMI (Council Member since 2009), RILM National Committee of Ireland. Educations: Extensive academic background in musicology, with research concentrated on historical performance practices and institutional music history. Her research interests span Irish musical heritage, cathedral music in England, and the evolution of artistic research methodologies. Recent work includes exploring performance as academic practice and the role of music in 17th-century Irish parish churches. She has contributed to major publications like the Encyclopedia of Music in Ireland (2013) and presented at international conferences on topics such as ‘Artistic Research in Music’ (2018). Denise has supervised over 20 doctoral students since 2010, specializing in performance analysis of classical and contemporary works. She also serves on advisory boards for Irish Musical Studies and collaborates internationally on projects like the ‘Doctors in Performance’ conference series. Labs/Teams: Leads the Doctoral Studies Program at RIAM, fostering interdisciplinary research in musicology and performance.

• Musicology
• Historical Music Studies
• Church Music History
• +۳ مورد دیگر

Alberto Cantera Glera is a Professor at the Institute of Iranian Studies within the Department of History and Cultural Studies at Freie Universität Berlin. His research focuses on Zoroastrian studies, Avestan language and literature, Iranian linguistics, and manuscript studies. He teaches courses on Young Avestan, Pahlavi, Zoroastrian rituals, and Iranian literature, with office hours held on Thursdays from 3-5 p.m. Professor Cantera Glera's research interests center on Zoroastrian religious practices, particularly the Long Liturgy, Avestan textual criticism, and the transmission of Zoroastrian texts through manuscript traditions. His work bridges linguistic analysis with religious studies, examining how ritual practices evolved from ancient to medieval Iran. He has made significant contributions to understanding the relationship between oral performance and written transmission in Zoroastrian traditions, as well as the linguistic features of Avestan and Middle Persian texts. His recent publications reveal a consistent focus on Zoroastrian ritual structures, particularly the Long Liturgy, with increasing attention to the relationship between textual manuscripts and ritual performance. The articles show progression from linguistic analysis of Avestan texts toward broader studies of ritual practice, sacred geography, and the historical development of Zoroastrian religious authority. His work demonstrates sophisticated integration of manuscript evidence with ritual theory and historical linguistics. PRIX ROMAN ET TANIA GHIRSHMAN 2021 Professor Cantera has supervised numerous PhD students including Nils Purwins, Stefan Härtel, Yusef Saadat, Jaime Porro, Soheil Delshad, and Xue Li. His research has been supported through various academic projects related to Zoroastrian manuscript studies and Avestan textual criticism, contributing significantly to the field of Iranian studies at Freie Universität Berlin.

• Zoroastrian Studies
• Avestan Language and Literature
• Iranian Linguistics
• +۶ مورد دیگر