James Newman, PhD, is a Research Professor in Media and University Teaching Fellow at Bath Spa University. He specializes in videogame studies, game sound/music, and media histories. As Senior Curator at the National Videogame Museum and co-founder of the Videogame Heritage Society, he focuses on preservation and digital heritage. His work spans academic research, public engagement, and creative practice. Education: Holds a PhD in Media Studies. Research: Explores game spectatorship, early game sound, and ludomusicology. Grants: Supported by ESRC, Wellcome Trust, AHRC, and others. Awards: Includes fellowships from Stanford University and ICHEG. Contributions: Co-authored White Papers, directed the All Your Bass festival, and collaborates with institutions like the British Library on the Game Sound Archive. Public Engagement: Regular media contributor (BBC, The Guardian) and international adviser on game studies. Creative Work: Composes electronic music using obsolete synthesis systems and game hardware.
Professor Kathy Bowrey is a leading academic in Intellectual Property Law at UNSW Sydney's Faculty of Law. Her work explores laws shaping knowledge creation, technology, and culture, with expertise in IP, Indigenous rights, and open research advocacy. She holds a Doctor of Juridical Studies from the University of Sydney and a BA LLB from Macquarie University. Her research focuses on historical and contemporary IP frameworks, including their impact on creators, Indigenous communities, and global innovation systems. Notable projects include the ARC-funded 'Producing, Managing and Owning Knowledge in the 21st Century University' (2019–2022), which shaped Australia's open research policies. Awards include the 2022 ANZLHS Book Prize for *Copyright, Creativity, Big Media & Cultural Value* and fellowships at the State Library of NSW and Museum of Applied Arts and Sciences. She co-authored *Adventures in Childhood* (2023), examining IP in toy and media industries, and *David Unaipon* (2023), exploring Indigenous innovation. Professor Bowrey co-leads the International Society for the History and Theory of Intellectual Property (ISHTIP) and advises on national research policies. Her grants include ARC Discovery Projects on Australian copyright history and IP commercialization.
Roswitha Skare is a Professor of Documentation Science at the Department of Language and Culture, UiT The Arctic University of Norway, within the Faculty of Humanities, Social Sciences and Teacher Education. She is actively engaged in research and teaching, focusing on documentation studies, public libraries, archives, museums (LAM sector), digitalization, and film history. Her research interests include: Documentation and document theory Paratext and digital documents Public libraries and their role in society Libraries and social media Migration and refugee services in libraries Film history, especially silent films and early documentaries Cultural memory and Sámi cultural resilience Institutional convergence in cultural policy Her recent publications (2019–2025) reveal a strong focus on public libraries during and after the Covid-19 pandemic, the role of libraries in supporting immigrants and refugees, theoretical developments in document studies, and historical film analysis—particularly Robert Flaherty’s Nanook of the North . She frequently collaborates with scholars such as Andreas Vårheim, Noah Lenstra, and Sigrid Stokstad. Her work appears in journals like Journal of Documentation , Library & Information Science Research , and Proceedings from the Document Academy . Roswitha Skare teaches courses such as: MDV-1001: Multimediale dokumenter: Historie, teori og analyse MDV-1203: Bibliotek og formidling MDV-1207: Dokumentinstitusjoner og digitalisering MDV-1206: Prosjektoppgave i bibliotek- og dokumentasjonsvitenskap She supervises bachelor’s, project, and master’s students in library and documentation science. She is a member of the research group Engaging Conflicts in a Digital Era (ENCODE) and participates in projects such as LAMCOM – Libraries, archives, and museums in the community and SAMCOM - Sámi cultural centers as community and cultural resilience infrastructure , which explore the societal roles of cultural institutions and Indigenous resilience. No scientific awards are listed in the provided text.
Dr Sean Fear is a Lecturer in International History at the School of History, University of Leeds , specializing in Vietnamese history, the Cold War, and U.S. foreign relations. He advises the Independence Palace Museum in Ho Chi Minh City on a landmark exhibition about South Vietnam's political and cultural history (1967–1975), a project funded by Leeds' Faculty of Arts and supported by design firm Thincdesign. Fear’s research focuses on domestic politics and foreign diplomacy during the Vietnam War, drawing on Vietnamese-language archives and oral histories. Education: PhD (Cornell University), BA (University of Toronto) Visiting Roles: Visiting Professor at Fulbright University (2022–23) Fellowships: Dartmouth College, NYU Cold War Center, McGill University His forthcoming book (Harvard UP) analyzes the collapse of South Vietnam’s legitimacy, leveraging underutilized Vietnamese sources. Fear collaborates internationally with institutions like the British Library and the Social Sciences and Humanities Research Council of Canada. He supervises MA/PhD students on topics including decolonization, Cold War geopolitics, and post-war memory. Key Projects: Independence Palace Museum exhibit (since 2019) Research on Vietnamese state-building and U.S. influence Contributions to Cambridge History of the Vietnam War (AAP-award winning) Awards: His work earned two Association of American Publishers awards for the Cambridge History collaboration. Grants include Leeds' Research Innovation Service funding to finalize the museum exhibit’s physical design.
Dr Melanie Brunner is a Lecturer in Medieval Studies at the University of Leeds, affiliated with the School of History and the Institute for Medieval Studies. She holds a PhD in Medieval Studies from the University of Leeds and an MA in History and English from Universität Augsburg. Her research focuses on late medieval ecclesiastical history, papal administration, and the history of mendicant orders, particularly the Franciscans. She has contributed to major projects like the International Medieval Bibliography and led research networks such as the DFG-Netzwerk Imitation and Stilus Curiae. Her work explores political culture of the Avignon papacy, canon law dynamics, and religious reform movements. Education: PhD (Medieval Studies, University of Leeds), MA (History and English, Universität Augsburg). Professional affiliations include the Ecclesiastical History Society and Mediävistenverband. She supervises doctoral students in areas like Franciscan history, papal politics, and medieval book culture. Current projects include editorial direction of the International Medieval Bibliography and leadership of the MA Medieval Studies program. Research Interests: Late medieval papal governance, mendicant orders' institutional development, theological debates on poverty, and decision-making mechanisms in the Avignon Curia. She examines how theology, law, and political strategy intersected in medieval church administration. Advising & Grants: Supervises 4 current PhD students and has completed 6 theses. Involvement with EU-funded COST Action IS1301 and White Rose Collaboration Fund projects. Collaborates internationally with institutions like the Sächsische Akademie der Wissenschaften and Universität Zürich. Labs/Teams: Core member of research groups including Galleries, Libraries, Archives, and Museums (GLAM) and Politics, Diplomacy, and International History at Leeds. Active in interdisciplinary medieval studies networks.
Susan Schreibman serves as Full Professor and Key Domain Chair of Digital Arts and Culture within the Faculty of Arts and Social Sciences at Maastricht University. She concurrently holds board positions at the National Library of Ireland and Research School Media Studies, and serves as Academic Editor for the University of Illinois Press. Her research centers on computationally-driven analysis of digital archives, cultural innovation, and participatory engagement design, with core specializations in Digital Humanities, Media Studies, Literary Modernism, and Irish Cultural Studies. She pioneers methodologies for remediating analog publication modalities into born-digital paradigms while critically examining their societal impact. Analysis of her 2022-2025 publications reveals dominant trends in 3D digital scholarship (particularly multimodal historical narratives like the Battle of Mount Street Bridge project), feminist approaches to digital humanities infrastructure, and social justice applications in archival systems. Her work consistently bridges technical innovation with cultural critique across heritage, education, and gender studies contexts. No scientific awards were documented in the source materials. Professor Schreibman leads significant research initiatives including PURE3D Contested Memories and #dariahTeach, indicating active grant-funded collaborations though specific funding sources remain unmentioned. Her editorial role for University of Illinois Press and co-edited volumes like Feminist Digital Humanities: Intersections in Practice (2025) demonstrate scholarly leadership. She directs the PURE3D project developing 3D reconstructions of historical events, contributes to the #dariahTeach digital humanities education platform, and participates in the IGNITE initiative advancing digital scholarly practices. These efforts operate within Maastricht University's Faculty of Arts and Social Sciences infrastructure with external partnerships at cultural institutions like the National Library of Ireland.
Olle Sköld is a Senior Lecturer at the Department of ABM (Archives, Libraries, and Museums) at Uppsala University. He is also the Head of the Department of ABM and holds an Associate Professor position in Library and Information Science. His research spans digital humanities, documentation practices, knowledge production, and digital preservation, with a particular focus on archaeological data processes and virtual world communities. Archaeological data documentation and reuse Digital game preservation Paradata theory and applications Information practices in social media His recent publications explore paradata in data papers, literacy challenges in research data management, and trust technologies like blockchain in digital archives. Olle is involved in the CAPTURE project, investigating documentation workflows for archaeological data. He has contributed to the Master's Programme in Digital Humanities at Uppsala University, blending digital humanities with library and information science education.
Professor Isto Huvila is a leading scholar at Uppsala University's Department of ABM (Archives, Libraries, and Museums) within the Faculty of Humanities. His academic profile spans information science, digital humanities, and cultural heritage studies with a distinctive focus on documentation practices and information management across diverse contexts. His research interests encompass: Information and knowledge management Social and participatory information practices Documentation and paradata theory Digital humanities and archaeological information systems Health information and e-health services Open data and research data management Recent scholarly output reveals a strong trajectory toward understanding information practices across multiple domains. A significant portion of his work examines paradata in archaeological contexts through the CAPTURE project, investigating how documentation of data creation processes can enhance research transparency and data reuse. He also conducts extensive research on digital inclusion among older adults and immigrant populations regarding e-health services, analyzing both experiences and expectations of these user groups. Professor Huvila publishes in high-impact journals including Journal of Documentation, Information Research, Journal of the Association for Information Science and Technology, and Journal of Medical Internet Research. His interdisciplinary approach connects information science with archaeology, health informatics, and digital humanities, yielding practical insights for improving documentation standards, research data management, and e-health service design. His 2025 book 'Paradata: Documenting Data Creation, Curation and Use' represents a major contribution to the field, alongside influential review articles like 'Trends in information behavior research, 2016-2022' in the Annual Review of Information Science and Technology. His work bridges theoretical and practical concerns in information science, making substantive contributions to both academic knowledge and real-world applications in cultural heritage institutions and healthcare information systems.
Frédéric Kaplan serves as Director of the College of Humanities at École Polytechnique Fédérale de Lausanne (EPFL), where he holds the Chair of Digital Humanities. He also serves as President of the Time Machine Organisation, a nonprofit entity comprising over 600 institutions. His academic appointments span multiple departments including the Digital Humanities Laboratory (DHLAB), School of Architecture (SAR), and School of Humanities (SODH), demonstrating his interdisciplinary leadership across EPFL's academic structure. Dr. Kaplan's research focuses on the intersection of computational methods and humanities, particularly in historical urban analysis, cultural heritage digitization, and the development of the Mirror World concept. His work bridges computational techniques with historical scholarship, creating new methodologies for analyzing historical documents, maps, and urban structures through advanced digital tools. His research has significant implications for how we understand and reconstruct historical urban environments and cultural heritage. His publication record reveals a strong emphasis on computational approaches to historical data, with recent work focusing on LLM applications for historical cadastre navigation, historical map analysis through deformation patterns, 4D city modeling, and language technology applications for historical document processing. This research trajectory demonstrates an evolving focus from basic digitization toward sophisticated analytical frameworks that extract deeper historical insights from digital representations. Kaplan has supervised numerous doctoral students whose work spans digital heritage applications, historical document analysis, computational cartography, and language technology. His research has been supported through multiple institutional frameworks at EPFL and has resulted in practical applications demonstrated through exhibitions at major institutions including the Venice Architecture Biennale, Grand Palais, Centre Pompidou in Paris, and the Museum of Modern Art in New York. He leads the Digital Humanities Laboratory (DHLAB) which serves as a nexus for computational approaches to humanities research. The lab focuses on developing methodologies for historical data analysis, creating digital tools for cultural heritage institutions, and exploring the theoretical implications of computational approaches to historical scholarship. The lab's work with the Time Machine Organisation represents one of the most ambitious efforts to create comprehensive digital reconstructions of historical urban environments.
David Armitage is the Lloyd C. Blankfein Professor of History at Harvard University, where he serves as Chair of the Committee on Degrees in Social Studies and teaches intellectual history and international history. He also holds affiliations with the Harvard Department of Government, Harvard Law School, and is an Honorary Professor at the University of Sydney and Queen's University Belfast. Previously, he chaired Harvard's Department of History (2012-14, 2015-16) and taught at Columbia University for eleven years before joining Harvard in 2004. Armitage was born in Britain and educated at the University of Cambridge and Princeton University. His academic journey includes: Undergraduate studies at University of Cambridge PhD at Princeton University Teaching position at Columbia University (1993-2004) Professorship at Harvard University (2004-present) Honorary positions at University of Sydney, Queen's University Belfast, and St Catharine's College, Cambridge Professor Armitage specializes in intellectual history, international history, and global history, with particular expertise in the history of political thought, empires, and international law. His scholarly approach emphasizes the longue durée perspective, seeking to understand historical phenomena across extended time periods rather than narrow chronological frames. He has been a leading voice in advocating for historians to engage with "big history" that spans centuries, arguing that contemporary challenges like climate change and economic inequality require historical understanding that transcends the short-term thinking prevalent in modern politics and policy. His extensive publication record demonstrates consistent engagement with foundational texts and concepts in political theory, declarations of independence, civil wars, and oceanic history. Armitage's work shows a clear trajectory toward increasingly global and interdisciplinary approaches, connecting intellectual history with legal, political, and environmental frameworks. His scholarship bridges early modern and contemporary history, examining how historical concepts continue to shape modern international relations and political thought. Armitage's significant contributions to historical scholarship have been recognized with prestigious awards: Caird Medal from the National Maritime Museum (2006) for "conspicuously important work ... of a nature that involves communicating with the public" Walter Channing Cabot Fellow from Harvard (2008) for "achievements and scholarly eminence in the fields of literature, history or art" LittD from Cambridge University (2015), the university's highest degree, for "distinction by some original contribution to the advancement of science or of learning" As an advisor and mentor, Armitage has guided numerous graduate students through doctoral programs at Harvard and previously at Columbia. His scholarly leadership extends to co-editing two major book series with Cambridge University Press ( Ideas in Context and Cambridge Oceanic Histories ), serving on the Steering Committee of the Center for Early Modern Political Thought at the Folger Shakespeare Library, and contributing to various academic organizations. His work has attracted significant research funding supporting his global historical investigations. Professor Armitage is deeply involved in collaborative scholarly initiatives, particularly through his work with the Harvard Academy for International and Area Studies, where he serves as a Senior Scholar. His research often involves interdisciplinary teams examining oceanic histories, international law, and global political thought. He has been instrumental in developing the "Cambridge Oceanic Histories" series, which brings together scholars from multiple disciplines to explore the historical significance of oceans as connective spaces rather than barriers.
Alexandra Gillespie is a Professor at the University of Toronto Mississauga (UTM), where she also serves as Vice-President and Principal. She is a leading scholar in book history and medieval literature, with a focus on the interplay between text technologies, literary theory, and cultural heritage. Her work bridges disciplines, connecting historical and global perspectives through collaborative research. Hons. BA, Victoria University of Wellington MSt and DPhil in English, University of Oxford Her research spans medieval and early modern literary studies, book history, and digital humanities. She has co-edited major publications on premodern text production and authored the seminal monograph Print Culture and the Medieval Author , which remains highly cited in the field. Gillespie co-founded the Old Books New Science Lab (OBNS) at UTM and St George campuses, fostering interdisciplinary research in medieval bookbinding, computational humanities, and manuscript studies. Her recent scholarship focuses on the global history of the book, including the Mellon-funded Hidden Stories project, which involves over 130 collaborators from 60 institutions. Key themes in her publications include manuscript-aesthetic form, print invention, and philological approaches to medieval texts. She has contributed to foundational handbooks in Chaucer and novel studies. At UTM, Gillespie mentors undergraduate research assistants, graduate students, and postdoctoral fellows, integrating pedagogy with her research on textual materiality. She actively collaborates with international networks and institutions, such as the Aga Khan Museum, where her work on The Book and the Silk Roads was exhibited.
Dr. Agnes Hsu-Tang is an Adjunct Professor at Columbia University’s Department of East Asian Languages & Cultures, specializing in archaeology and art history with a focus on cultural heritage and transnational trade routes. She holds a PhD from the University of Pennsylvania and has served in prestigious roles including Board Chair of The New York Historical Society and Co-chair of the Metropolitan Museum of Art’s Objects Conservation Committee. Her academic contributions span UNESCO missions, international film collaborations, and co-founding institutions like the Tang Center for Early China and Silk Road Studies. Education: BA (Bryn Mawr College, Classical Languages & English Literature), MA (University of Pennsylvania, East Asian & Middle Eastern Studies), PhD (University of Pennsylvania, 2004). Research interests include early Chinese cartography, Silk Road cultural exchanges, and the intersection of art history with imperial geography. Her work bridges archaeology, art, and policy, addressing illicit cultural trafficking and heritage preservation. She has produced award-winning documentaries and serves on global arts and museum boards. Her publications explore topics such as ancient mapping techniques and Silk Road heritage. Awards recognize her academic and leadership roles in cultural preservation. She co-founded the Tang Centers and Hsu-Tang Library, advocating for interdisciplinary scholarship and global cultural dialogue.
Margaret Carlyle is an Assistant Professor in the Department of History and Sociology at the Irving K. Barber Faculty of Arts and Social Sciences, University of British Columbia Okanagan. She is a graduate student supervisor and member of UBCO’s Science and Technology Studies (STS) Collective. Her academic journey includes postdoctoral research at the University of Chicago and University of Cambridge, and a Visiting Assistant Professor role at the University of Minnesota. Research Interests: Carlyle specializes in the history of medicine, science, and technology within early modern France and transatlantic contexts. Her work examines women’s roles as experimentalists, artisans, and translators in scientific knowledge formation, utilizing archival and museum sources. Key themes include scientific imaging, medical technologies, gender and women’s studies, and the intersection of race and science in the French Atlantic World. Selected Articles: Recent publications analyze Enlightenment anatomy education, reproductive technologies, and transnational scientific networks. Her research spans topics from midwifery training to fetal representation in media, reflecting interdisciplinary engagement with medical humanities and material culture. Scientific Awards: SSHRC Insight Development Grant (2021–2023) UBCO Curricular Innovation Grant (2023) CIHR Project Grant (2023–2027) Molina Fellow at Huntington Library (2014) Teaching & Public Engagement: Offers courses on science and empire, reproductive technologies, and pandemics. Created the SSHRC-funded Reproductive Technologies podcast and co-curated the University of Chicago’s 'Fetus in Utero' digital exhibition. Collaborates on medical education tools for chronic gynecological pain.
Sunny Stalter-Pace serves as the Hargis Professor of American Literature in Auburn University's College of Liberal Arts, English Department. A specialist in modernist performance, literature, and urban space, she authored Imitation Artist: Gertrude Hoffmann's Life in Vaudeville and Dance (2020) and is currently completing a cultural history of the New York Hippodrome. Her work bridges academic research with public engagement through blogs, interviews, and collaborations with institutions like the Library of Congress. Her educational foundation includes: Ph.D. in English, Rutgers University (2007) M.A. in English, Rutgers University (2003) B.A. in English and French, Loyola University Chicago (1997), magna cum laude Stalter-Pace's research interrogates intersections of mobility, gender, and performance in 20th-century American culture. She examines how vaudeville, subway systems, and theatrical spectacles shaped public identity, with particular attention to women's experiences and spatial politics. Her methodology combines literary analysis, archival research, and visual studies to reveal how imitation and movement function as cultural forces. Current projects explore aquatic performances at the New York Hippodrome and the legacy of vaudeville producer Gertrude Hoffmann. Her 15 most recent publications demonstrate an evolving trajectory from subway systems ( Underground Movements , 2013) toward aquatic spectacles and vaudeville legacies, consistently centered on New York City's infrastructure. This body of work establishes mobility studies as a critical lens for understanding modernism, revealing how transportation networks and performance venues structured social interactions. Her interdisciplinary approach connects theater history, gender studies, and urban theory to uncover marginalized narratives in American cultural production. Key recognitions include: Harry Ransom Center Fellowship (2020) New York Public Library Short-Term Research Fellowship (2020) Alabama Humanities Foundation Grant (2014) College of Liberal Arts Excellence in Teaching Award nomination (2011) Multiple research fellowships from 2003-2017 Stalter-Pace has secured substantial funding for archival research through fellowships from the NEH, MLA, and university grants. She serves on Biographer’s International Organization's program committee and curated the 'Common Grounds' exhibition at Auburn's Jule Collins Smith Museum. Her teaching innovations include the first-year seminar 'Thinking Through the Arts' and courses on contemporary drama that integrate Hamilton into American literature pedagogy. As Book Review Editor for Transfers: Interdisciplinary Journal of Mobility Studies , she shaped scholarly discourse in mobility studies. Through her Hippodrome research blog and collaborations with the New York Public Library, Stalter-Pace transforms specialized scholarship into accessible public history. Her Library of Congress presentation on Albertina Rasch and the Hippodrome exemplifies her commitment to bridging academic research with community engagement, while ongoing interviews and blog posts extend her work beyond traditional academic boundaries.
Professor Ian Ruthven is a Professor of Information Seeking and Retrieval in the Department of Computer and Information Sciences at the University of Strathclyde. He chairs the Scottish Library and Information Council (SLIC) and the Steering Committee of the Information Seeking in Context (ISIC) conference series. His research focuses on human information interaction, including information seeking in health, migration, and cultural heritage contexts. He authored Dealing With Change Through Information Sculpting , proposing a theory explaining how people use information behaviors to adapt during life transitions. Education: PhD in Abduction, Explanation, and Relevance Feedback (University of Glasgow, 2001), MSc (University of Birmingham, 1993), BSc in Computing Science (University of Glasgow, 1992). Research Interests: Information seeking theory, interface design for information access, user studies. His work bridges human-computer interaction with socio-technical systems, emphasizing ethical and inclusive design. Publications: Over 170 peer-reviewed papers, including influential works on information resilience, digital divides, and pandemic impacts on international students. Recent work includes Grey Digital Divide: Factors Associated with Older People’s Use of the Internet for Financial Transactions (2025) and Information Avoidance: A Critical Conceptual Review (2025). Awards: Tony Kent Strix Memorial Award (2020), Fellow of the Royal Society of Arts (2010), and multiple best paper awards. His contributions span academic and policy realms, addressing societal challenges through information science. Projects: Co-investigator in the Participatory Harm Auditing Workbenches and Methodologies (PHAWM) project (2024–2028) and leader of the Scottish Network on Digital Cultural Resources Evaluation (ScotDigiCH) (2015–2016). These projects emphasize participatory design and cultural heritage evaluation. Professional Activities: Editorial roles for major conferences, visiting researcher at the University of Pretoria (2021), and advisory roles in library and information science initiatives. His work fosters collaboration between academia and cultural institutions.
