جست‌وجوی استاد و پژوهشگر

William Kennedyمشاهده پروفایل

استاد

• Fiction
• Creative Writing
• American Literature
• +۲ مورد دیگر

William Kennedy is a Professor in the English Department at the University at Albany, State University of New York. For over 40 years, he has crafted a body of literature centered on Albany, New York, creating what is known as the "Albany Cycle" of novels. His work has established Albany as a significant place in American literature, comparable to Joyce's Dublin and Bellow's Chicago. His educational background includes a BA from Siena College, following attendance at Public School 20 and Christian Brother's Academy. Professor Kennedy's creative work focuses on American fiction, particularly historical and urban narratives rooted in Albany's cultural and political landscape. His writing explores machine politics, family sagas, and the interplay between individual lives and historical events, rendering Albany's "outcasts and machine politicians, lowlifes and swells" with profound humanity. His narratives transform the city into a mythic capital of national memory. His publications consistently draw from Albany's history, with recurring themes of political corruption, redemption, and the resilience of marginalized communities. The "Albany Cycle" demonstrates his mastery in blending local history with universal human struggles across multiple literary forms. William Kennedy's distinguished honors include: John D. and Catherine T. MacArthur Foundation Fellowship Election to the American Academy of Arts and Letters National Endowment for the Arts Fellowship Regents Medal of Excellence from SUNY Governor's Arts Award Commander of the Order of Arts and Letters in France Election to the American Academy of Arts and Sciences As an educator, Kennedy taught creative writing and journalism at the University at Albany from 1974-1982 and Cornell University in 1982-83. His MacArthur Fellowship directly funded the creation of the New York State Writers Institute at Albany, with matching funds from the university and legislative support from Governor Cuomo. He has served on the New York State Council for the Humanities board and the Academy of Motion Picture Arts and Sciences. William Kennedy co-founded the New York State Writers Institute in 1984, which has grown into a major literary hub conducting statewide cultural and educational activities. The Institute remains central to his legacy, fostering literary arts through readings, workshops, and educational programs across New York.

Timothy Hamptonمشاهده پروفایل

استاد

• Comparative Literature
• Renaissance and Early Modern Studies
• Literature and Politics
• +۴ مورد دیگر

Timothy Hampton is a Professor of French and Comparative Literature at the University of California, Berkeley , and serves as Director of the Doreen B. Townsend Center for the Humanities . He was previously the Director of the Designated Emphasis in Renaissance and Early Modern Studies and co-chairs the Democracy, Free Speech, and Values study group. His research explores intersections of literature and politics , poetry and song , and the history of emotion and diplomacy in Renaissance and early modern periods. Recent projects include a 2022 France-Berkeley Fund grant on poetry translation and a Diebold Foundation grant for interdisciplinary cultural studies. Notable publications include Bob Dylan: How the Songs Work (2019) and Cheerfulness: A Literary and Cultural History (2022). Upcoming works address premodern colonialism and American education through memoir and cultural critique. His scholarship appears in MLN , Critical Inquiry , and public venues like Salon and Aeon/Psyche .

Vdovin Alexey Vladimirovichمشاهده پروفایل

استاد

• Russian Literature
• Literary Canon
• 19th Century Literature
• +۵ مورد دیگر

Alexey Vladimirovich Vdovin is a Professor and Senior Research Fellow at the National Research University Higher School of Economics (HSE), working within the Faculty of Humanities and School of Philological Sciences. He began his tenure at HSE in 2012 and has accumulated 15 years of scientific and teaching experience. His academic journey includes a Doctor of Philology degree from HSE (2023), a PhD from the University of Tartu (2011), and his initial degree in 'Russian language and literature' from Vyatka State Humanitarian University (2007). He has held significant roles including Deputy Dean for Science at the Faculty of Humanities (2018-2020) and serves on numerous academic councils and committees. Vdovin's educational background demonstrates both depth and international perspective. After completing his undergraduate studies at Vyatka State Humanitarian University in 2007, he pursued doctoral studies at the University of Tartu, where he earned his PhD in 2011 with a dissertation on 'The concept of 'chapter of literature' in Russian criticism of the 1830-1860s.' His academic development has been enriched by numerous international experiences, including visiting researcher positions at Selwyn College, University of Cambridge (2019), Jordan Center at New York University (2017), and multiple research stays at Humboldt University in Berlin through the Aurora Erasmus Mundus program. Professor Vdovin's research focuses on Russian intellectual history, the history of ideas, the Russian Empire, Russian literature of the 19th century, and nationalism studies. His work particularly examines the formation of the Russian literary canon, representations of peasants in literature, and the relationship between literature and society. He has authored approximately 80 articles and 4 monographs on 19th-century Russian literature, culture, and criticism, with works on major figures like Turgenev, Dostoevsky, Tolstoy, Goncharov, Belinsky, Chernyshevsky, Dobrolyubov, and Nekrasov. His recent book 'Monsters at the Threshold: Dracula, Frankenstein, Viy and Other Literary Monsters' (2024) demonstrates his expanding interest in literary archetypes and cultural phenomena. Vdovin has received numerous awards and recognitions for his scholarly work, including the Moscow Government Prize for young scientists (2017), multiple 'Best Teacher' awards (2013-2015, 2017-2024), and recognition as a winner of HSE's competition for best Russian-language scientific works (2022, 2024). He has also received various letters of gratitude from HSE administration, the Faculty of Humanities, and the School of Philology for his contributions to academic life. As an advisor, Vdovin has supervised numerous student research projects, including Smirnova T.V.'s 2014 master's thesis on 'Representation of 'Russianness' and 'Otherness' in Russian essays of the 1840s.' He has also served as a curator for HSE's Personnel Reserve Program at the School of Philological Sciences and has been actively involved in dissertation councils. His research has been supported by significant grants, including a 2024-2025 Russian Science Foundation grant 'The Genre of 'Peasant Life Story' in Russian Literature Before 1861: Poetics, Plots, Socio-Cultural Functions' (No 24-28-00184) and a 2018-2020 RFBR grant on 'State and Literary Institutions: From Peter I's Reforms to the 'Great Reforms.' Professor Vdovin is actively engaged in academic communities beyond HSE, serving as editor-in-chief of the HSE preprint series 'Literary Studies' and participating in the Big Project 'Literature and Society: An Experience of Sociocultural Description.' He is also involved in public scholarship, frequently giving public lectures through platforms like 'Arzamas,' 'Postnauka,' and 'Stradarium,' and appearing on the 'Observer' television program (Culture channel). Since 2015, he has been a mentor at Maya Kucherskaya's Creative Writing School, bridging academic scholarship with creative practice.

Jocelyn Saidenbergمشاهده پروفایل

مدرس

• Comparative Literature
• Ancient Greek Poetry
• Latin Poetry
• +۴ مورد دیگر

Jocelyn Saidenberg is a Lecturer specializing in comparative literature, ancient poetry, and interdisciplinary studies. She holds a doctoral degree in Comparative Literature from the University of California, Berkeley. Her research integrates linguistics, social anthropology, and psychoanalysis to analyze didactic poetry’s transformative potential, as seen in her dissertation Echo Otherwise on Lucretius’s atomic poetics. Her creative work includes multiple poetry collections and essays exploring themes like displacement, existential inquiry, and interdisciplinary art. Key publications span academic interviews and poetry anthologies, with notable works such as kith & kin (2018), Dead Letter (2015), and Shipwreck (2013). Dr. Saidenberg has received prestigious awards including the Frances Jaffer Award and the American Academy of Poets Greenwald Prize (2001). Her creative and critical outputs reflect a sustained engagement with language’s capacity to interrogate human experience across historical and cultural contexts.

Justin Torresمشاهده پروفایل

دانشیار

• American Literature & Culture
• Creative Writing
• Latinx Literature
• +۱ مورد دیگر

Justin Torres is an Associate Professor at the University of California, Los Angeles (UCLA) Department of English, specializing in American Literature & Culture, Creative Writing, Latinx Literature, and Sexuality & Gender Studies. He earned his MFA from the Iowa Writers’ Workshop and has received prestigious fellowships from Stanford University (Wallace Stegner Fellowship), Harvard’s Radcliffe Institute, and the New York Public Library’s Cullman Center. Key Affiliations : UCLA Department of English, Iowa Writers’ Workshop graduate Research Focus : Intersection of queer narratives, Latinx identity, and experimental storytelling His work explores erased histories and marginalized voices, blending personal and collective memory through innovative literary techniques. Torres is celebrated for his novel We the Animals and the upcoming Blackouts , which recontextualizes early 20th-century queer research. Scientific Awards National Book Foundation '5 Under 35' (2012) NEA Grant Rolón Fellowship VCU Cabell First Novelist Award

• Renaissance Literature
• Early Modern Culture
• Textual Transmission
• +۷ مورد دیگر

Andrew Gordon is Professor of Renaissance Literature and Culture in the School of Language, Literature, Music and Visual Culture at the University of Aberdeen. He is Co-Director of the Centre for Early Modern Studies and serves as REF co-lead for English, demonstrating active leadership in research and academic governance. BA from University of Nebraska-Lincoln (UNL) MA from University of Sussex PhD from Queen Mary's, University of London His research centers on early modern literature and culture, with a focus on textual transmission , letter-writing , cultural memory , and material texts . He explores how literature interacts with cultural practices, especially in early modern London. His current project, Renaissance Cultures of the Foot , innovatively examines the cultural and literary significance of the foot, drawing on anthropological perspectives to analyze embodied experience in print and manuscript culture. The recent scholarly articles and books reflect a strong trend in interdisciplinary humanities, combining literary analysis with historical, material, and gender studies. His work frequently engages with manuscript culture, epistolary networks, and the social functions of memory, particularly in post-Reformation England. His scientific recognition includes the Hunter-Caldwell award for directing The Correspondence of Robert Beale . Hunter-Caldwell award He actively supervises graduate research and welcomes PhD students in areas related to early modern texts, cultural mobility, memory, and community. While specific grants are not listed, his funded project indicates successful grant acquisition. He has also engaged in creative collaborations with theatre professionals, bridging academic research with performance. Andrew Gordon is a central figure in Aberdeen’s Centre for Early Modern Studies, contributing to an interdisciplinary research environment that fosters collaboration across historical periods and methodological approaches.

• Digital Well-being
• Human-Microbe Interaction
• Neo-cybernetics
• +۷ مورد دیگر

Dominique Chen is a Professor at Waseda University's School of Culture, Media and Society since 2022, previously serving as Associate Professor from 2017-2022. A French national born in 1981, he holds a Ph.D. in Interdisciplinary Informatics from the University of Tokyo (2013). His work bridges technology, art, and human experience with a focus on digital well-being and more-than-human relationships. Chen's research interests include human-microbe interaction, neo-cybernetics, and the design of systems that foster mutual care between humans and non-human entities. His work with the Nukabot project exemplifies this interdisciplinary approach, exploring how fermentation processes can serve as metaphors for communication and relationship building. He leads the Ferment Media Research group, investigating how fermentation principles apply to digital cultures and communication systems. His recent publications reveal a consistent focus on designing for well-being in digital societies, with particular attention to translation processes, human-microbe relationships, and the creation of systems that support co-adaptive interaction. The Nukabot research series demonstrates how traditional fermentation practices can inform novel interaction paradigms that acknowledge and incorporate more-than-human perspectives. Best Paper Honorable Mention (2024) - ACM Synlogue with Aizuchi-bot ACM SIGGRAPH Special Prize (2023) - Nukabot Best of AppStore 2015/2016 - Picsee/Syncle applications Good Design Award (2008) - Creative Commons Japan Super Creator certification (2009) - IPA Exploratory IT Program Chen has advised numerous projects through his leadership of Ferment Media Research and has served on various committees including the Good Design Award jury (2016-), Yomiuri Shimbun Reading Committee, and advisory boards for art and design institutions. His work extends beyond academia through his founding of Divideal Inc. (acquired by Smart News in 2018) and Creative Commons Japan (now Commonsphere). His laboratory, Ferment Media Research, explores interdisciplinary connections between fermentation processes, digital systems, and human relationships, creating installations like Nukabot that facilitate human-microbe interaction and Last Words/TypeTrace that examines writing processes and communication.

Isabelle Meuretمشاهده پروفایل

استاد

• Literary Reporting
• Literature
• Medicine
• +۲ مورد دیگر

Isabelle Meuret has been a Professor of English, English-speaking world cultures, and narrative journalism at the Faculty of Letters, Translation and Communication, Free University of Brussels (ULB) since 2005. She holds a PhD in Comparative Literature and maintains active research in literary journalism and medical humanities. Her scholarly focus spans: Literary Reporting : Analysis of narrative techniques in journalism Medicine and Literature : Intersections of healthcare narratives and literary expression Cross-cultural Analysis : English-speaking world cultures She has held visiting scholar positions at: UCLA Stanford University (1999-2000) Columbia University (2019-2020) University of Oxford, Oxford Centre for Life-Writing (2022-2023) Honors include her role as Research Chair of the International Association for Literary Journalism Studies. She recently contributed to major academic references like The Routledge Companion to American Literary Journalism Studies (2020) and coordinated a special issue of Literature and Medicine journal.

Isabelle Staufferمشاهده پروفایل

استاد

• German literature (early modern period, fin de siècle, contemporary)
• Literary theory
• Cultural studies (gender/queer studies, performativity, postcolonial studies)
• +۶ مورد دیگر

Prof. Dr. Isabelle Stauffer holds the Professorship for Modern German Literature at the Catholic University of Eichstätt-Ingolstadt , where she also serves as Vice Dean of the Faculty of Languages and Literature and Deputy Director of the Center for Religion, Church, and Society in Change (ZRKG) . She co-leads the ZRKG Research Field III on "Religiosity in Contemporary Transformation Processes" and examines intersections of literature with gender/queer studies , postcolonial theory , and cultural history of gallantry . Studied at University of Zurich and Humboldt University Berlin Doctorate (2006) and Habilitation (2015) from Johannes Gutenberg University Mainz Previously held positions at Goethe University Frankfurt, Philipps University Marburg, and Saarland University Her research spans early modern to contemporary German literature , with specializations in intermediality (film, digital media), epistolary culture , and dandyism/fashion history . Current projects include organizing the 2025 IVG congress panel "Figures of Crisis – Crisis of the Figure" and editing the complete works of Aurora von Königsmarck. She has published extensively on topics including: Postcolonial transformations in early modern texts Religious discourse in contemporary literature Intermedia reflexivity in digital age narratives Queer performativity in historical and modern contexts Translation as cultural transfer mechanism Surface aesthetics in cinema and art

Jeanne Moskalمشاهده پروفایل

استاد

• British Literature from 1789 to 1900
• Critical Theory and Cultural Studies
• History of the Book
• +۷ مورد دیگر

Professor Jeanne Moskal holds a faculty position in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. She specializes in 18th- and 19th-century British literature, critical theory, and the intersection of literature with religion, medicine, and science fiction. Her research includes seminal works on Mary Shelley, including editing Shelley’s travel writings for the definitive edition of her works, and co-editing Teaching British Women Writers, 1750-1900 . Education: 1984 PhD English, University of Washington, Seattle 1982 MA English, University of Washington, Seattle 1978 BA English, Santa Clara University Her current research project, Secularization & Jane Eyre, 1930-2000 , explores how adaptations of Charlotte Brontë’s novel reflect 20th-century secularization debates. She has curated notable exhibitions, including the 2018 Reconstructing Frankenstein’s Monster at UNC’s Wilson Library. Teaching and Mentoring: A屡获殊荣的导师，她指导了13名博士生，其中9人获得终身教职或终身教职轨道职位。 Her teaching portfolio includes courses on Jane Austen, science fiction, Romanticism, and post-secularism theory. Research Grants: 2005/06 NEH Fellowship for University Teachers 2007 ACLS Course Development Grant 2014 Mellon Foundation Book Manuscript Workshop Awards: 2016 UNC最高教学奖终身成就奖 2013 Carolina Women’s Leadership Council研究生指导奖

Nick Montfortمشاهده پروفایل

استاد

• Digital Media
• Electronic Literature
• Computational Poetry
• +۳ مورد دیگر

Nick Montfort is a Professor of Digital Media at Massachusetts Institute of Technology (MIT) and Professor II & Principal Investigator at the University of Bergen 's Center for Digital Narrative. He directs MIT's Trope Tank lab/studio and contributes to platform studies, critical code studies, and electronic literature. Ph.D. in Computer and Information Science from University of Pennsylvania (2007) M.A. in Creative Writing (Poetry) from Boston University (2001) S.M. in Media Arts and Sciences from MIT (1998) B.S./B.A. in Computer Science and Liberal Arts from University of Texas at Austin (1995) Montfort's research focuses on computational creativity and digital poetics , particularly through exploratory programming and constraint-based writing . He has developed over ten computer-generated print books and co-edited MIT Press volumes like The Future and The New Media Reader . His work bridges computer science and literary arts , emphasizing algorithmic expression and platform-specific creation. His recent computational works include All the Way for the Win (2025), written entirely in three-letter words, and collaborations like The Deletionist and Sea and Spar Between . Notable books cover interactive fiction ( Twisty Little Passages ), platform studies ( Racing the Beam ), and generative literature ( 10 PRINT ). He also co-edits the Hardcopy and Using Electricity book series. Montfort's academic contributions span digital narrative systems , creative code , and computer-generated literature . His 101 BASIC Poems and Output: An Anthology of Computer-Generated Text exemplify his focus on code as cultural artifact and algorithmic literary practice . He has presented at major conferences including ELO, C&C, and Digital Arts and Culture, addressing topics from minimalist computational poems to narrative modeling . Through collaborations with institutions like University of Bergen and MIT's Comparative Media Studies/Writing, Montfort explores digital storytelling , machine-generated poetry , and platform-specific creativity . His academic leadership includes directing the Trope Tank and co-founding Bad Quarto press.

Barbara Fuchsمشاهده پروفایل

استاد

• Early Modern Literature
• Transnationalism
• Theater and Performance
• +۷ مورد دیگر

Barbara Fuchs is a Professor in the Department of English at the University of California, Los Angeles, specializing in early modern European literature across Spanish, English, French, and Italian traditions from the 15th to 17th centuries. Her work emphasizes transnational contexts, theater and performance studies, and cultural production within imperial frameworks, with significant contributions to Mediterranean and transatlantic studies. Education Ph.D. in Comparative Literature, Stanford University (1997) B.A./M.A. in Comparative Literature (English, French, Spanish), summa cum laude, Yale University (1992) Research Interests Professor Fuchs' scholarship centers on transnationalism in early modern literature, examining how theater and performance negotiated imperial identities across Mediterranean and transatlantic contexts. Her work critically engages with race and religion in the early modern world, picaresque traditions, and Cervantes studies, revealing how cultural encounters shaped literary production. She bridges historical analysis with contemporary relevance through public humanities initiatives focused on classical Hispanic theater. Publication Trends Her recent publications demonstrate interdisciplinary innovation, merging literary analysis with performance studies and material culture. Recurring themes include transnational exchange mechanisms, racial formation processes, and textual materiality, while recent work addresses pandemic-era digital performance and modern adaptations of classical works. This trajectory highlights her commitment to connecting historical scholarship with current social and artistic practices. Scientific Awards Premio Ñ from the Instituto Cervantes (inaugural award) for promotion of Spanish language and culture Advising and Leadership Professor Fuchs mentors undergraduate and graduate students in early modern studies, translation, and performance. She leads the UCLA "Diversifying the Classics" initiative and LA Escena festival, securing institutional support for these collaborative projects. Her editorial leadership includes serving as articles editor for Renaissance Quarterly and co-editing the Norton Anthology of World Literature , demonstrating field-wide influence. Projects and Teams She directs the "Diversifying the Classics" initiative, which collaborates with theater professionals to adapt Hispanic classical works for contemporary Los Angeles audiences, and founded LA Escena—the biennial festival of Hispanic classical theater. These projects unite scholars, artists, and communities to explore historical texts through modern performance lenses, emphasizing accessibility and cultural relevance.

Faisal Devjiمشاهده پروفایل

استاد

• Intellectual History
• Political Thought
• Modern South Asia
• +۴ مورد دیگر

Professor Faisal Devji is a prominent scholar of Indian and global history, currently holding the position of Professor of Indian History at the University of Oxford’s St Antony’s College. His academic journey includes a PhD from the University of Chicago (1994), a Junior Fellowship at Harvard Society of Fellows, and prior roles at Yale, The New School for Social Research, and the Institute of Ismaili Studies. He specializes in intellectual history, political thought, and the role of Islam in global contexts, with a focus on violence, non-violence, and the interplay between religion and modernity. His research interests span South Asian political thought, the global categorization of Islam, and the philosophical dimensions of Gandhi’s legacy. Notable works include Muslim Zion: Pakistan as a Political Idea (2013) and The Impossible Indian: Gandhi and the Temptation of Violence (2012). Recent projects explore the First World War’s impact on global religions and Oxford’s colonial legacy through the Oxford and Empire initiative. Professor Devji’s publications consistently address transnational themes, analyzing topics such as blasphemy crises in Pakistan, the evolving centrality of Saudi Arabia in Islam, and the poetry of militant groups like Al-Qaeda and the Taliban. His work often challenges conventional narratives, offering provocative insights into postcolonial politics and global religious dynamics. Education: PhD in Intellectual History (University of Chicago, 1994) Awards: Junior Fellow, Harvard Society of Fellows Current Roles: DPhil supervisor at St Antony’s College, affiliated with the Oxford History Faculty. Key Projects: Oxford and Empire , First World War and Global Religions As an educator, he supervises DPhil students in intellectual history, political thought, and transnational studies. His interdisciplinary approach bridges history, political theory, and religious studies, reflecting a commitment to understanding the complexities of modern global identities.

Clinton E. Arnoldمشاهده پروفایل

استاد پژوهشی

• New Testament Studies
• Pauline Epistles
• Biblical Backgrounds
• +۳ مورد دیگر

Clinton E. Arnold is a Research Professor of New Testament and former Dean of Talbot School of Theology at Biola University. He specializes in New Testament studies, particularly the letters of Paul and the Acts of the Apostles, with a focus on historical and cultural contexts. Arnold is renowned for editing the Zondervan Illustrated Bible Backgrounds Commentary and authoring works like Powers of Darkness and The Colossian Syncretism . He holds a Ph.D. from the University of Aberdeen and has published extensively in journals such as New Testament Studies and Journal for the Study of the New Testament . Education: Ph.D., University of Aberdeen; M.Div., Talbot Theological Seminary; B.A., Biola University. His research interests include early Christian practices, spiritual warfare, and biblical exegesis. He served as President of the Evangelical Theological Society (2011) and contributes to translation oversight for the ESV. Arnold’s work bridges academic rigor and pastoral application, emphasizing the relevance of biblical scholarship for contemporary faith communities. He has led Talbot’s extension programs in Kyiv and New York and advocates for the inerrancy of Scripture. His writings often address theological challenges in modern contexts, such as mental health, biblical authority, and missional theology. Awards include leadership roles in major theological societies and recognition for editorial contributions to biblical resources. His legacy includes shaping evangelical scholarship through commentaries, teaching, and mentoring future theologians.

Caterina Stefania Romeoمشاهده پروفایل

دانشیار

• Postcolonial Studies
• Italian Literature
• Gender Studies
• +۷ مورد دیگر

Caterina Stefania Romeo is an Associate Professor in the Department of Modern Literature and Culture at Sapienza University of Rome's Faculty of Letters and Philosophy. She teaches courses including Introduction to Literary Criticism, Gender, Race, and Mobilities: Narratives and Counternarratives, and Literature, Migration, Inequality. Her office is located on the 4th floor of the Faculty of Letters and Philosophy in Studio B. Dr. Romeo specializes in Postcolonial Studies, Gender Studies, Migration Studies, and Race and Ethnicity Studies, with particular focus on Italian literature and transnational perspectives. Her research explores the intersections of race, gender, and postcoloniality in contemporary Italian contexts, examining how these dynamics shape national identity, urban spaces, and literary production. She has made significant contributions to understanding postcolonial Italian literature, Black Italian experiences, and intersectional approaches to cultural studies. Her scholarly work demonstrates consistent engagement with contemporary issues in Italian society, particularly regarding migration, race relations, and gender dynamics. She has developed innovative frameworks for analyzing how postcolonial perspectives reshape understandings of Italian national identity and cultural production. Premio nazionale di divulgazione scientifica (2014) - finalista John Fante Prize (2009) for La pelle che separa di Kym Ragusa Acerbi Special Prize for Women's Writing (2008) for Vertigo di Louise DeSalvo American Italian Historical Association Award for best doctoral thesis in Italian American Studies (2000) Dr. Romeo has supervised numerous doctoral students including Christina Maraboutaki, Giulia Fabbri, Valentina Quaresima, Barbara De Vivo, Emily Marogi, and Karisma Wilson. She has received multiple research grants including Transliteratures Fellowship, Princeton-Pettoranello Foundation Dissertation Grants, and various post-doctoral fellowships. Her work demonstrates sustained engagement with both theoretical frameworks and practical applications in postcolonial, gender, and migration studies. She is actively involved in organizing academic events, conferences, and seminars focused on postcolonial studies, gender studies, and migration. Dr. Romeo has collaborated extensively with international scholars and institutions, reflecting her transnational approach to research and teaching.