جست‌وجوی استاد و پژوهشگر

• Jazz Piano Performance
• Intercultural Music Collaboration
• Jazz Composition and Improvisation
• +۳ مورد دیگر

Dr Kevin Hunt is a Lecturer in Piano (Jazz) at the Sydney Conservatorium of Music, University of Sydney. He holds a Doctor of Philosophy (2016) and a Master of Music in Jazz Performance (2004) from the same institution. His academic roles include supervising six research projects (2017) across Honours, Masters, and PhD levels. Education: MMus(Perf) Sydney (2004), PhD in Jazz Studies (2016). Professional training includes studies with Don Burrows, Bill Motzing, and a scholarship in NYC (2001). Research focuses on jazz piano performance, intercultural collaborations with Aboriginal Torres Strait Islander musicians, and the sonic qualities of Australian-made Stuart & Sons pianos. Key projects include the OUR MUSIC workshop-festivals (2012-2016) and the Ancient & New CD project blending ancient Indigenous chants with jazz improvisation. Performance highlights include the ABC FM Listeners Choice Award-winning JS Bach Trio (1998), recordings with Don Burrows and Simon Tedeschi, and collaborations in cabaret theatre such as Prince Bettliegend (2017). Active in education since 2005, he currently leads the Kevin Hunt Trio and performs with Emma Pask and Marie Wilson. Awards include the 2016 PhD and 1998 ABC award. His work bridges jazz innovation with cultural heritage preservation, evidenced by intercultural projects and academic publications on Yiddish theatre and Indigenous music collaboration.

Ronald C. McCurdyمشاهده پروفایل

استاد

• Jazz Studies
• African American Music
• Music Education
• +۳ مورد دیگر

Dr. Ronald C. McCurdy is a Professor of Music at the University of Southern California's Thornton School of Music and former Chair of the Jazz Studies Department (2002-2008). A distinguished academic and performer, he has held leadership roles such as Associate Dean of the Culture, Community & Impact Committee and served as Director of the Thelonious Monk Institute of Jazz at USC (1999-2001). His career spans decades, including chairing the Afro-African American Studies Department and directing Jazz Studies at the University of Minnesota (1990-1999), and a Visiting Professorship at Maria-Curie Sklodowska University in Lublin, Poland (1997). PhD, University of Kansas (1983) MM, University of Kansas (1978) BM, Florida A&M University (1976) Dr. McCurdy's research and professional work focus on Jazz Studies , African American Music , and Artist Entrepreneurship . He has pioneered innovative educational approaches through publications like Teaching Music in Performance Through Jazz and The Artist Entrepreneur , blending pedagogy with cultural analysis. His Langston Hughes Project , a multimedia exploration of Hughes' poetry, has been performed internationally with artists like Ice-T and premiered at iconic venues such as Disney Hall (2015) and the Grammy Museum (2019). His publications demonstrate expertise in Jazz education , African American cultural theory , and performance pedagogy , with works including African Americans and Popular Culture (2007) and Meet the Great Jazz Legends (2004). These contributions reflect his commitment to preserving jazz heritage while advancing contemporary academic discourse. Jazz Educator of the Year 2005 (LA Jazz Society) Distinguished Alumni Award, University of Kansas (2001) FM Awards Winner for Best 'Live' Performance (2015) Dr. McCurdy has shaped global jazz education through roles at the Grammy Foundation , Jamey Aebersold Jazz Camp , and Walt Disney All-American Summer College Jazz Ensemble . He has collaborated with legendary artists including Joe Williams , Rosemary Clooney , Arturo Sandoval , and Dianne Reeves , while performing with Yamaha International Corporation as a featured artist. His creative projects, such as the Shanghai Jazz: A Cultural Mix premiere (2019), highlight his dedication to cross-cultural artistic exchange.

Sławomir Kaczorowskiمشاهده پروفایل

استاد

• Contemporary Composition
• Instrumental Music
• Choral Music
• +۲ مورد دیگر

Professor Sławomir Kaczorowski, Ph.D., has been a faculty member at the Grażyna and Kiejstut Bacewicz Academy of Music in Łódź since 1981, where he teaches composition and served as Head of the Department of Composition from 2011 to 2021. He previously held significant leadership roles including Vice-Rector for Artistic and Teaching Affairs (1999-2005) and Vice-Dean of the Faculty of Composition, Music Theory, Music Education and Rhythmics (1996-1999). His educational background includes diplomas in music theory (1981) and composition under Professor Bronisław Kazimierz Przybylski (1981) from the State Higher School of Music in Łódź. Awarded the title of professor by the President of Poland in 2002, he remains an active academic leader currently serving as chairman of the Art Section of the Polish Accreditation Commission. Kaczorowski specializes in contemporary composition with emphasis on instrumental works, chamber music, and choral compositions. His research interests manifest in diverse output featuring piano, accordion, and mixed ensembles, with notable focus on tango-inspired forms and liturgical reinterpretations. He pioneered the MUSICA MODERNA sessions promoting new music through biannual concerts and lectures. Analysis of his 15 most recent compositions reveals consistent exploration of Polish contemporary classical traditions with strong emphasis on instrumental timbre, cross-genre fusion (particularly tango elements), and innovative approaches to sacred music forms. His works demonstrate technical mastery across diverse ensembles from solo piano to full orchestral settings. Silver Medal for Merit to Culture – Gloria Artis (2021) Numerous national composition competition awards Jury membership at international competitions including the T. Baird Young Composers' Competition (Warsaw 2018) and National Association of Composers USA competitions (2017-2018) Professor Kaczorowski has mentored award-winning composers including Grzegorz Duchnowski and Tomasz Szczepanik. His institutional leadership includes directing the Grażyna Bacewicz International Composition Competition (2012, 2015, 2019) and serving as president of the Łódź Branch of the Polish Composers' Union until 2022. He maintains active artistic engagement through premieres across Europe, China, and the United States. His creative work is organized through departmental initiatives including the Department of Composition's performance series and collaboration with the Artur Rubinstein Łódź Philharmonic. Current activities focus on expanding Polish contemporary music's international presence through competitions and cross-border artistic exchanges.

Christopher Castroمشاهده پروفایل

استادیار

• Music Composition
• Music Theory
• Western Art Music
• +۳ مورد دیگر

Christopher Castro serves as an Assistant Professor of Composition at Chapman University's College of Performing Arts. A composer and double bassist from Brooklyn, New York, he combines academic rigor with avant-garde experimentation. Ph.D. in Composition and Theory from University of California, Davis Bachelor of Music from Juilliard School (Double Bass & Composition) His research bridges Western Art Music traditions with contemporary innovations , creating works that merge: Johannes Ockeghem's polyphonic complexity John Coltrane's spiritual intensity Modernist structural experimentation Historical reconstruction techniques Jazz-classical hybrid forms Interdisciplinary performance formats Recent compositions demonstrate trends in flexible instrumentation , text-music relationships , and genre synthesis . His output spans chamber works, orchestral pieces, and vocal compositions with equal mastery. Scientific recognition includes: 2023 Fromm Music Foundation Commission (Harvard University) Chamber Music America's 2021 Classical Commissioning Award As a new music advocate , Castro collaborates with ensembles like: Left Coast Chamber Ensemble (artistic advisory board) New Mexico Contemporary Ensemble Los Angeles Philharmonic's Upbeat Live series Lyris Quartet and Sharon Harms

Garth Alperمشاهده پروفایل

استاد

• Jazz
• Jazz Piano
• Popular Music
• +۳ مورد دیگر

Dr. Garth Alper is a Professor and Program Coordinator for Jazz Studies at the University of Louisiana at Lafayette's School of Music and Performing Arts. He holds a Doctor of Arts in Music Theory/Composition from the University of Northern Colorado, a Master of Arts in Piano Performance (Jazz Track) from New York University, and a Bachelor of Professional Studies in Jazz Studies from SUNY Empire State College. His research focuses on Jazz Piano, Jazz History, and Popular Music, with notable contributions to understanding improvisation techniques, postmodernism in music, and the cultural legacy of jazz icons like Duke Ellington. Dr. Alper has authored numerous articles in journals such as College Music Symposium , Rock Music Studies , and Jazz Perspectives , and guest-edited a special jazz issue of Popular Music and Society . His music compositions are featured on multiple CDs, including the acclaimed Spider’s Web (2022) and Stratus (2017). He has received significant grants and awards, including the BORSF Endowed Professorship and funding for jazz pedagogy and recording projects. Education: Doctor of Arts in Music Theory/Composition (University of Northern Colorado) Master of Arts in Piano Performance (Jazz Track, New York University) Bachelor of Professional Studies in Jazz Studies (SUNY Empire State College) Research Contributions: Includes analysis of jazz improvisation, postmodern music theory, and the sociocultural impact of jazz. He has authored encyclopedia entries on influential jazz musicians and contributed to critical discussions on popular music pedagogy. Teaching & Courses: Teaches Jazz Piano, Jazz Theory, Jazz History, Film Scoring, and directs the Jazz Combo program. Courses include MUS 312: Jazz Theory I and MUS 438: Film Scoring I . Grants & Recognition: Over $100K in grants for recording projects, multimedia facilities, and pedagogical initiatives. Holder of the Ruth Stodghill Girard BORSF Endowed Professorship since 2001. Labs/Teams: Coordinates the Jazz Studies program and collaborates on projects blending jazz with film scoring and modern media.

Sylwia Janiak-Kobylińskaمشاهده پروفایل

پژوهشگر

• Orchestral Conducting
• Music Theory
• Artistic Education
• +۳ مورد دیگر

Sylwia Janiak-Kobylińska is a Polish conductor, educator, and artistic leader currently serving as the Dean of the Faculty of Conducting, Composition, and Music Theory at the Stanisław Moniuszko Academy of Music in Gdańsk. She is President of the SAJ Foundation Supporting Young Artists, founder of the Baltic Philharmonic Orchestra of the Youth, and an active participant in international music competitions and festivals. Her work spans symphonic and opera conducting, artistic direction of multidisciplinary projects, and pedagogical leadership. Her research interests focus on Orchestral Conducting Contemporary Music Interpretation Artistic Education for Youth Symphonic and Opera Collaboration Cultural Management in Music Interdisciplinary Art Projects Her recent artistic projects, such as the inUnity. Contemporary Music from Gdańsk album and the Homage to Szymborska concert series, highlight collaborations between classical and jazz composers, youth orchestras, and interdisciplinary teams. These works emphasize themes of unity, cultural heritage, and innovation in music education. Scientific awards and recognitions include Meritorious for Polish Culture badge (2023) Antoni Wit Award at the G. Fitelberg Conducting Competition Multiple Rector’s Awards at the Academy of Music in Gdańsk Pomeranian Artistic Award in 'Artistic Hope' category As an educator, she leads orchestral workshops, mentors students across multiple faculties, and pioneered the 4C’s in Music Art program (Creativity, Collaboration, Critical Thinking, Communication). Her leadership in the SAJ Foundation and Baltic Philharmonic Orchestra of the Youth has fostered over 1000 young musicians since 2011.

Marié Abeمشاهده پروفایل

دانشیار

• sound and space
• ethnography
• human geography
• +۶ مورد دیگر

Marié Abe is an Associate Professor in the Department of Music at the University of California, Berkeley, where she joined the faculty in 2023 after twelve years at Boston University. Her research explores how auditory culture produces social space through the political and affective dimensions of sound in contemporary Japan, Okinawa, Ethiopia, and the United States. Her educational background includes: B.A. in Ethnomusicology/Cultural Anthropology, Swarthmore College (2001) M.A. in Ethnomusicology, University of California, Berkeley (2004) Ph.D. in Ethnomusicology, University of California, Berkeley (2010) Abe's research investigates how culturally specific listening practices elucidate power dynamics, human difference, and spatial understandings. Her work spans sound studies, ethnography, human geography, and affect theory, with fieldwork focusing on Japanese street music, US military bases in Okinawa, and sonic connections between Japan and Ethiopia during the Korean War. She emphasizes long-term ethical engagements with interlocutors and draws from locally grounded epistemologies. Her scientific awards include: Peabody Award (2008) for co-producing NPR program 'Squeezebox Stories' Reischauer Center for Japanese Studies Fellowship, Harvard University (2010-2011) Newhouse Center for the Humanities Fellowship, Wellesley College (2013-2014) International Research Center for Japanese Studies Fellowship, Kyoto, Japan (2018-2019) Abe has advised over a dozen doctoral students at Boston University across diverse geographical contexts including Senegal, Ghana, Cambodia, and Japan. She pioneered public ethnomusicology through the BU Global Music Festival and co-founded the Peabody Award-winning radio documentary 'Squeezebox Stories'. As an active accordion performer, she engages with indie pop, Ethiopian jazz, and free improvisation ensembles, performing at major international festivals including Bonaroo and New Orleans Jazz Festival.

Mark Simonsمشاهده پروفایل

مدرس

• Early Music
• Baroque Music
• Classical Music
• +۴ مورد دیگر

Mark Simons is an Early Clarinet Instructor at the Schulich School of Music, McGill University, and teaches at Marianopolis College. He specializes in early music performance on period instruments such as the chalumeau and classical clarinet. His expertise spans baroque, classical, jazz, and klezmer styles, with a focus on historical performance practices. Education: Studied at Marianopolis College, McGill University, and Temple University. Research interests include exploring sonorities of period instruments and chamber music collaborations. He has performed with renowned ensembles like Les Boréades, Arion Baroque Orchestra, and the Daponte String Quartet. Notable recordings include CDs on the Analekta label: Viole D’Amour and Telemann et les Gitans . No scientific awards listed. His advising and grants details are unspecified. Active in ensembles such as the Arthur Leblanc and Bozzini quartets, and regularly performs with l'Orchestre Symphonique de Québec and I Musici de Montréal.

Dmitri Tymoczkoمشاهده پروفایل

استاد

• Composition
• Music Theory
• Geometry of Music
• +۵ مورد دیگر

Dmitri Tymoczko is a Professor of Music at Princeton University, where he has taught composition and theory since 2002. His work bridges the gap between academic music theory and contemporary composition, creating a unique interdisciplinary approach that has earned him recognition as a leading figure in modern music scholarship and creation. Tymoczko's research interests focus on the geometric modeling of musical structures, polystylistic composition that draws from genres spanning Renaissance to rock, and the mathematical foundations of tonality. His theoretical work explores how harmonic structures can be represented geometrically, revealing fundamental patterns that connect diverse musical traditions. He approaches composition as 'a logical deduction from absurd premises,' blending rigorous structural thinking with playful musical exploration. His scholarly publications and compositions reveal a consistent interest in the intersection of mathematical precision and expressive freedom. The articles demonstrate expertise across music theory, composition, and the cognitive aspects of musical perception, with recurring themes of geometric modeling, tonal structure, and genre hybridization. His work often challenges traditional boundaries between academic and popular music forms. Guggenheim fellowship Rhodes Scholarship Leonard Bernstein fellowship from Tanglewood Fellowship from the Radcliffe Institute for Advanced Study Block lectureship from the Society for Industrial and Applied Mathematics First music-theory article published in Science magazine Tymoczko maintains an active performance career alongside his academic work, with his compositions performed by leading ensembles including the Brentano Quartet, Newspeak, and Roomful of Teeth. His teaching integrates theoretical insights with practical composition, fostering a generation of musicians who understand music's structural foundations while embracing creative freedom. He has developed innovative tools like the musical programming language 'arca' to explore new compositional possibilities.

Marissa Benedictمشاهده پروفایل

استادیار

• Trumpet Performance
• Classical Music
• Jazz
• +۵ مورد دیگر

Marissa Benedict is an Assistant Professor of Trumpet at the University of Minnesota, Twin Cities, where she maintains an applied studio of 16 undergraduate and graduate students. She holds affiliations with the Minnesota Orchestra, St. Paul Chamber Orchestra, and remains principal trumpet for the Pasadena Symphony/Pops while continuing performances with the Los Angeles Philharmonic and Los Angeles Chamber Orchestra. Assistant Professor, Department of Music, University of Minnesota Principal Trumpet, Pasadena Symphony/Pops Active performer with Minnesota and LA-based orchestras Education Bachelor of Music in Trumpet Performance, University of Southern California (1984) Research & Performance Focus Marissa Benedict's career spans 40 years of expertise in trumpet performance across classical, jazz, and studio recording disciplines. Her pedagogical work includes brass fundamentals instruction and chamber music coaching. Recent projects like Continental Drift (2023) and Homage (2023) showcase her solo and ensemble artistry. She has been featured on over 180 motion picture soundtracks, including Spider-Man: No Way Home (2021) and Avatar: The Way of Water (2022). Notable Collaborations Los Angeles Philharmonic tours (Asia, Scotland, Boston to London) 2019 Academy Awards (Oscars®) Yamaha Educator and Performing Artist Publications Benedict, M. (2022). Beyond Lip Service: A Framework for Brass Fundamentals. Carl Fischer Publishing. Student Development Her graduates in Music Education and Performance majors are actively teaching and performing in the Minneapolis area. Benedict continues to recruit nationally and provide masterclasses across the United States.

Agnieszka Gruczekمشاهده پروفایل

مدرس

• Jazz Studies
• Music Composition
• Piano Performance
• +۳ مورد دیگر

Agnieszka Gruczek is a Lecturer at the Faculty of Jazz and Popular Music of the G. and K. Bacewicz Academy of Music in Łódź. A graduate of the Henryk Majewski Post-Secondary Jazz School and the Academy of Music in Łódź with distinction , she excels as a pianist, keyboardist, and composer. Her artistic achievements include winning the Rector's Scholarship and securing prizes at prominent jazz festivals like Krokus Jazz Festival 2020 and JAZZiNSPIRACJE 2021. Performance Highlights : Founder of the Aga Gruczek Trio, active in Poland and abroad (Belgium, Hungary, Romania). Collaborations : Regular member of bands Rosalie and Sarsa; collaborates with vocalists like Magda Ruta and Soniamiki. Recent Work : Released debut EP "Awakening" (2022) and serves as an accompanist at the Institute of Jazz Vocalism and Stage Performance since 2021. Scientific Awards : Rector's Scholarship for the Best Students 2nd Prize at Krokus Jazz Festival 2020 Grand Prix at JAZZiNSPIRACJE 2021 Participant in Young Crocus Jazz Contest 2021 Participant in Blue Note Poznań Competition 2021

Judith A. Perainoمشاهده پروفایل

استاد

• LGBT and Queer Theory
• Medieval Song
• Rock Music
• +۶ مورد دیگر

Judith A. Peraino is a Professor in the Music Department at Cornell University's College of Arts and Sciences, with significant affiliations to the Feminist, Gender and Sexuality Studies Program, American Studies Program, Lesbian, Gay, Bisexual and Transgender Studies Program, and Medieval Studies Program. Her educational background includes a Ph.D. and M.A. from The University of California, Berkeley, and a B.A. from The University of Chicago. Peraino's research spans both medieval song and contemporary rock music, focusing on the intersection of subject formation, social identity, and musical expression across historical periods. Her primary research areas include: LGBT and Queer Theory in musical contexts Medieval song traditions and troubadour culture Rock, punk, and synthpop music genres Gender and sexuality in musical expression Sound and media studies across historical periods Peraino's scholarly work reveals two major interconnected trajectories: medieval musical traditions (particularly Guillaume de Machaut and troubadour songs) and contemporary popular music studies (focusing on punk, rock, and queer musical identities). Her research demonstrates how music has been historically used to challenge norms of gender and sexuality, from ancient times to the present. She has received prestigious recognition including a National Endowment for the Humanities Fellowship (2020), the H. Colin Slim Award, the Philip Brett Award, and Cornell's Stephen and Margery Russell Distinguished Teaching Award. Peraino gained significant public attention for discovering previously unknown Lou Reed recordings created for Andy Warhol in 1975, which was featured in The New York Times, The Washington Post, and Rolling Stone. She has co-curated major exhibitions including 'Anarchy in the Archive: Cornell's Punk Collections' and 'Electrifying Music: The Life and Legacy of Robert Moog,' and conducted interviews with prominent musical figures like Masha Alyokhina (Pussy Riot), John Doe and Exene Cervenka (X), and Gary Numan. As an educator, she teaches undergraduate courses including The History of Rock Music, Punk Culture, The Beatles, and Music and Queer Identity, as well as graduate seminars on The Velvet Underground Archive, Medieval Song traditions, and Gender and Glam Rock. She also performs as a conga drummer with Cornell ensembles and local Latin jazz groups.

• Choral Conducting
• Church Music
• Kashubian Folklore
• +۳ مورد دیگر

Sławomir Bronk is a Professor at the Stanisław Moniuszko Academy of Music in Gdańsk, specializing in choral conducting, church music, and early music performance. He holds a doctorate from the Academy of Music in Kraków (2011) and a postdoctoral degree from Gdańsk (2019). He founded the Discantus Chamber Choir (2006), which has achieved international acclaim, and directs the Schola Cantorum ensemble at his institution. His research focuses on Kashubian folklore, Gregorian chant semiology (studied in Italy), and early music interpretation. Notable achievements include winning the Gregorian chant category at the 65th Concorso Polifonico Guido d'Arezzo and the Malta International Choir Festival (2017). He has premiered works such as Anna Rocławska-Musiałczyk's Kashubian Stabat Mater and performed in major festivals like the International Bach Festival in Świdnica. As a countertenor, he specializes in Baroque oratorios with ensembles like the Wrocław Baroque Orchestra and the Early Music Ensemble Diletto. His compositions often blend traditional Kashubian texts with contemporary choral techniques.

Matt Curleeمشاهده پروفایل

دانشیار

• Music Theory
• Composition
• Improvisational Music
• +۳ مورد دیگر

Matt Curlee is an Associate Professor of Music Theory at the University of Rochester's Eastman School of Music since 2007. He holds the Eisenhart Award for Excellence in Teaching and is recognized for his work bridging music theory, composition, and interdisciplinary collaborations. His research explores ear-brain interactions, improvisation, and the interplay between fundamental physics and musical space. Curlee is also an accomplished composer, with works performed globally, including the percussion sextet Little One and the chamber ballet Nanosecond . He has collaborated with visual artists, dancers, and scientists, as seen in his film adaptation of The Yellow Wallpaper . Education: Began his career at Eastman as an undergraduate, winning the Grand Prix de Chartres in 1995. Founded the contemporary jazz ensemble Neos in 2002, serving as artistic director and composer. His compositions are featured on major streaming platforms and in film/TV soundtracks. Research: Focuses on cognitive skills for performance, collaborative music-making, and the integration of technology in music. His works emphasize interdisciplinary artistry, blending classical, jazz, and experimental forms. Awards: In addition to the Eisenhart Award, his music has garnered over 15,000 streams for Little One and recognition from Arts Canada and the Rebanks Family Foundation. Advising/Grants: Advised students in composition and performance; led Neos' commissioning program generating global composer collaborations. Current projects include Let the rain (multi-config ensemble) and adaptations of Nanosecond . Labs/Teams: Collaborates with Eastman's percussion ensembles and interdisciplinary groups. Active in the Institute for Music Leadership and Sibley Music Library initiatives.

David Chevanمشاهده پروفایل

استاد

• Jazz
• Improvisation
• Jewish Music
• +۳ مورد دیگر

David Chevan is a Professor in the Music Department at Southern Connecticut State University (SCSU), where he teaches Jazz History, American Music, and Jewish Music courses. He also offers applied instruction in improvisation for students of all skill levels and directs the SCSU Jazz Standards Ensemble. Academic Rank: Professor of Music Key Research Areas: Jazz, improvisation, Jewish music, ensemble pedagogy Performance Highlights: Co-founder of The Afro-Semitic Experience, Nu Haven Kapelye, and Theodicy Jazz Collective His scholarly work appears in the Grove Dictionary of American Music (2013), focusing on jazz musicians like Doc Cheatham and Scott LaFaro. Recent performances include concerts in Toronto, Italy, and at the Middletown Fireworks Festival (2024). He has received grants from CSU-AAUP for projects like Music for the Nu Haven Kapelye and Jazz Souls on Fire . Chevan's performances blend jazz with interfaith themes, including collaborations at venues like the State Capitol Building (Hartford, 2024) and the Great Synagogue of Florence (2023). He also explores improvisation pedagogy through presentations at conferences such as the College Music Society Northeast Chapter Meeting (2017).