Marcello Gatti serves as Professor of Historical Flute at Mozarteum University Salzburg's Department of Wind & Percussion Instruments. An internationally recognized performer specializing in Renaissance through Romantic repertoire on period instruments, he maintains an active dual career in both academia and performance. His research focuses on historical performance practice across multiple musical eras, with particular expertise in traverso technique and interpretation. Gatti's scholarly work manifests primarily through his extensive discography and collaborations with leading period-instrument ensembles including Europa Galante, Accademia Bizantina, and Ensemble Aurora. The 15 most recent recordings demonstrate his evolving expertise across musical periods: Renaissance : Chamber works like 'Le Parler et le Silence' showcase his mastery of early flute consort repertoire Baroque : Major projects including Lully/Charpentier's 'Idylle sur la Paix' and Monteverdi's 'Vespro' Classical : Mozart opera collaborations and Schubert sacred works Romantic : Verdi, Moniuszko and Mendelssohn-Schumann symphonic projects His performance methodology consistently emphasizes historically informed techniques while maintaining artistic expressivity, particularly noted for 'sensitive cantabile' phrasing across diverse repertoire. Professor Gatti maintains significant teaching commitments beyond his Mozarteum position, regularly instructing at the Accademia Musicale Chigiana in Siena and the Fondazione Italiana Musica Antica in Urbino. His performance career includes over 80 documented productions with specialized ensembles including Ensemble Zefiro, Europa Galante, Amsterdam Baroque Orchestra, and L'Orfeo Baroque Orchestra.
جستوجوی استاد و پژوهشگر
استاد راهنما، استاد دانشگاه یا پژوهشگر مناسب برای مسیر پژوهشیتان را پیدا کنید و با او ارتباط بگیرید.
نمایش ۴۳۶-۴۳۷ از ۴۳۷ استاد راهنما
اطلاعات این پروفایلها از صفحات عمومی دانشگاهها جمعآوری شده و ممکن است بهروز نباشد.
Brianna E. Robertson-Kirkland serves as Lecturer in Historical Musicology at The Royal Conservatoire of Scotland with significant cross-institutional roles including Music Research Associate for the AHRC-funded 'The Edited Collection of Allan Ramsay' at the University of Glasgow and Principal Investigator for the Royal Society of Edinburgh-funded Scotland's Singing for Health Network (SSfHN). Her research centers on eighteenth-century vocal pedagogy, historically informed performance practices, and the therapeutic applications of singing. Key monographs include 'Venanzio Rauzzini and the Birth of a New Style in English Singing: Scandalous Lessons' examining master-pupil dynamics, while her work on Allan Ramsay's 'Tea-Table Miscellany' (co-edited with Murray Pittock) explores Scottish song traditions. She investigates intersections between historical performance and contemporary health interventions for conditions like dementia and respiratory disorders. Analysis of her 2023-2025 publications reveals consistent focus on three interconnected domains: Scottish Enlightenment-era music (particularly Ramsay and Burns), vocal education history (including Rauzzini and Corri family contributions), and evidence-based singing-for-health frameworks. Her scholarship uniquely bridges archival musicology with community health applications through projects like SSfHN. Robertson-Kirkland directs multiple research networks including SSfHN connecting health professionals with singing practitioners, and co-founded the Eighteenth-century Arts Education Research Network. Her grant portfolio features competitive funding from AHRC and RSE supporting interdisciplinary collaborations with institutions like the University of Sydney and ensembles including Concerto Caledonia. Her international impact includes Visiting Fellowships at the University of Sydney resulting in practice-based performances with Evergreen Ensemble, and research contributions to the album 'Curious Caledonians' demonstrating applied historically-informed performance.