Interactive Entertainment Professors and Supervisors | ApplySharif

جست‌وجوی استاد و پژوهشگر

استاد راهنما، استاد دانشگاه یا پژوهشگر مناسب برای مسیر پژوهشی‌تان را پیدا کنید و با او ارتباط بگیرید.

نمایش ۱-۱۵ از ۱٬۴۰۷ استاد راهنما

اطلاعات این پروفایل‌ها از صفحات عمومی دانشگاه‌ها جمع‌آوری شده و ممکن است به‌روز نباشد.

Jean Ohمشاهده پروفایل

پژوهشگر

Carnegie Mellon UniversityQatar

Jean Oh is a Researcher at the Robotics Institute of Carnegie Mellon University (CMU) , leading the interdisciplinary Bot Intelligence Group (BIG) . Her work focuses on developing persistent robots that co-exist and collaborate with humans in shared environments, emphasizing continuous improvement through training, exploration, and human interaction. Education: Ph.D. in Language and Information Technologies, CMU M.S. in Computer Science, Columbia University B.S. in Biotechnology, Yonsei University Oh's research integrates vision, language, and planning systems in robotics, with applications in human-robot teaming , self-driving cars , disaster response , eldercare , and creative robotics . She has pioneered projects like socially-compliant robot navigation in human crowds and AI-driven robotic painting systems. Recent publication trends highlight her work in vision-language planning , social navigation , computational creativity , and human-robot collaboration . Notable contributions include the StyleCLIPDraw algorithm for text-to-art generation and Social-PatteRNN for human-like trajectory prediction. Scientific Awards: Best Paper Award in Cognitive Robotics (ICRA'18, ICRA'15) Best Systems Paper Finalist (HRI'25) Best Oral Paper Finalist (Humanoids'24) Best Paper in Entertainment (IROS'24) Argoverse Challenge Winner (CVPR'24) Best Student Paper (AIAA'24) Best Demo Finalist (RoboSoft'24) Oh mentors a diverse team of PhD, MS, and undergraduate students from CMU departments including Robotics, Computer Science, and Mechanical Engineering. Her research is funded by US Army Research Lab , DiDi Chuxing , and DARPA , with collaborations across industry and academia .

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Matthew Thomas Payneمشاهده پروفایل

دانشیار

University of Notre DameUnited States

Matthew Thomas Payne is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame. He serves as Director of Graduate Studies and focuses on video games' cultural history, media literacy, and representations of war. His research explores media industries, gaming culture, and educational applications of games through initiatives like the Learning Games Initiative. Payne's work includes authoring books such as *Eugene Jarvis: King of the Arcade* (2025) and *Ultima and Worldbuilding* (2024), alongside articles on military video games and transmedia storytelling. His creative output includes video essays analyzing game design and cultural impact. Payne holds a terminal degree in media studies and actively contributes to academic conferences and digital platforms like Vimeo. Education: Ph.D. in Media Studies (assumed based on faculty role). Research emphasizes intersections between digital media and cultural narratives, with grants likely supporting projects on gaming preservation and pedagogy. He collaborates with institutions like Amherst College Press and NYU Press, and his professional activities include editorial roles and industry research with Warner Brothers.

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WANG Yeمشاهده پروفایل

دانشیار

National University of SingaporeSingapore

WANG Ye is an Associate Professor in the Department of Computer Science at the School of Computing, National University of Singapore (NUS). He holds a PhD in Information Technology from Tampere University of Technology, Finland, and has been a tenured faculty member at NUS since 2002, following his industry research role at Nokia Research Center. He is the director of the Sound and Music Computing Lab at NUS, leading cutting-edge research in AI-driven music and health technologies. PhD, Information Technology, Tampere University of Technology, Finland (2002) MSc, Telecommunications, Braunschweig University of Technology, Germany (1993) BSc, Telecommunications, South China University of Technology, China (1983) His research is centered on Sound and Music Computing for Human Health and Potential (SMC4HHP) , with a focus on eHealth, eLearning, mobile/wearable computing, and music information retrieval. His work spans AI for stroke rehabilitation, language learning through singing, singing voice synthesis, and automatic music transcription. He has pioneered systems like SLIONS (language learning via karaoke), CocoLyricist (AI co-creation for stroke recovery), and SinTechSVS (expressive singing voice synthesis). The latest articles highlight a strong trend in AI-driven music and health technologies , particularly in controllable lyric generation, singing voice synthesis, automatic pronunciation assessment, and multimodal music transcription. The research increasingly integrates large language models, explainable AI, fairness, and real-world deployment, reflecting a shift from theoretical exploration to practical, human-centered applications in healthcare and education. Dr. Wang has received numerous scientific honors, including: Best Paper Awards at ACM MM, ISMIR, IEEE ISM, and CHI First Prize, Asia Pacific Assistive, Rehabilitative, and Therapeutic Technologies Challenge (2015) Faculty Teaching Excellence Award, NUS School of Computing (2024) Top Paper Award, ACM Multimedia 2022 AI in Medicine Collaborative Grant for CocoLyricist project He has supervised over 11 PhD and 20 MComp students and is currently guiding six PhD candidates. His grants come from MOE, NRF, A*STAR, Nokia, and Smule. He has served as General Chair of ISMIR2017 and TPC Co-Chair of ICOT2017, and is on the editorial boards of IEEE Transactions on Multimedia and Journal of New Music Research. He has also developed and taught the first course on Sound and Music Computing in Singapore. Dr. Wang leads the Sound and Music Computing Lab (SMC Lab) , a multidisciplinary team exploring the synergy of music computing, AI, mobile technology, and cloud systems for health and education. The lab actively collaborates with medical institutions such as NUS Yong Loo Lin School of Medicine, Singapore General Hospital, and Harvard Medical School, and is currently working on projects in AI-supported language learning, stroke rehabilitation, and intelligent music interfaces.

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Zizi Papacharissiمشاهده پروفایل

استاد

University of Illinois ChicagoUnited States

Zizi Papacharissi is a UIC Distinguished Professor of Communication and Political Science at the University of Illinois at Chicago (UIC), serving as Department Head of Communication. She is also a University Scholar and affiliate faculty at the Discovery Partners Institute (University of Illinois System). Her research explores the social and political implications of digital media, with a focus on affective publics, networked identities, and democratic processes. She holds a PhD from the University of Texas at Austin and has authored over 10 books and 80+ journal articles. Education: PhD, University of Texas at Austin (2000) in New Media Technologies and Political Communication MA, Kent State University (1997) in Communication Studies BA, Mount Holyoke College (1995) in Media Studies and Economics Research Interests: Dr. Papacharissi investigates how digital media shape political participation, identity formation, and public discourse. Key areas include affective publics (emotional dimensions of online activism), the role of social media in democracy, and the ethical implications of AI and connective technologies. Her work bridges communication studies, political theory, and sociology. Recent Contributions: Her 2021 book After Democracy explores post-democratic futures in the digital age. She edits Social Media & Society and collaborates with tech firms like Facebook/Meta and Tencent on media ethics and policy. Her research on #Egypt and #OWS movements highlights social media’s role in mobilizing protests. Awards & Recognition: 2018 Wayne Danielson Award (National Communication Association) 2015 Best Book Award (NCA Human Communication and Technology Division) High-Impact Scholar (University of Texas at Austin) Advising & Grants: While no student names are listed, her courses (e.g., Democracy in a Digital Age ) reflect her mentorship in critical media studies. She has secured grants from the National Academies of Science and the Institute of Medicine for projects on youth well-being and digital media. Labs & Teams: Her research lab focuses on digital media’s societal impact, collaborating with global institutions like the Oxford Internet Institute and the Harvard Kennedy School. She chairs UIC’s interdisciplinary Digital Media and Democracy initiative.

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Olga Petriمشاهده پروفایل

استادیار

University of CambridgeUnited Kingdom

Dr Olga Petri is an Assistant Professor in Human Geography at the Department of Geography, University of Cambridge. She is a Bye-Fellow and Director of Studies in Geography (Part II) at Jesus College, and a Leverhulme/Newton Trust Early Career Research Fellow. Her research bridges cultural and historical geography, queer studies, and more-than-human geographies, with a focus on urban modernity in non-Western contexts. Born in St Petersburg, Olga holds a BA and MA in Geography from Saint-Petersburg State University, an MSc in Urban Studies from University College London (merit), and a PhD in Geography from the University of Cambridge. Olga's research explores four key areas: Queer Geographies in authoritarian urban spaces, More-than-Human Geographies analyzing human-animal relationships, Russian Arctic Studies examining environmental and geopolitical transformations, and Migration Urbanism studying cities as hubs for political refugees. Her work on Beastly St Petersburg and Winged Worlds reconfigures urban history through animal and queer lenses. Scientific awards include the Leverhulme/Newton Trust Early Career Research Fellowship and a 2020 shortlisting for Student-Led Teaching Award . She is a Junior Research Fellow at Wolfson College since 2018. Olga leads postdoctoral research on human-animal dynamics in imperial Russia. She supervises graduate students in cultural/historical geography and urban studies. Her work features in Vital Geographies research group at Cambridge.

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Alenda Y. Changمشاهده پروفایل

استادیار

University of California , Santa Barbara (UCSB)United States

Alenda Y. Chang serves as an Assistant Professor in Film and Media Studies at the University of California, Santa Barbara. With a multidisciplinary background spanning biology, literature, and film, she integrates ecocritical theory with contemporary media analysis. Her scholarly work appears in journals including Interdisciplinary Studies in Literature and Environment , Qui Parle , and electronic book review , focusing on sustainable media practices and ecological frameworks for digital engagement. Her educational background includes: M.A. and Ph.D. in Rhetoric from the University of California, Berkeley M.A. in English Language and Literature from the University of Maryland Chang specializes in environmental media and game studies, developing theoretical frameworks for ecological game design. Her research examines how digital games model environmental systems and foster player engagement with climate change through concepts like "slow violence" and "rambunctious play." She advocates for sustainable design patterns that address gaming's carbon footprint while creating immersive ecological narratives. Analysis of her 15 most recent publications reveals a consistent trajectory from foundational ecological game theory (2013-2018) to current work on thermal contexts of play and sustainable infrastructure (2022-2024). Her scholarship increasingly bridges data-driven activism with critical game design, emphasizing multispecies entanglements and infrastructural play as tools for environmental awareness. As co-founder of Wireframe—a collaborative media studio at UCSB—Chang cultivates critical game design practices through initiatives like growinggames.net . The studio supports data-driven global media art, environmental activism, and experimental pedagogy, serving as a hub for translating ecological theory into tangible digital interventions that challenge anthropocentric perspectives in gaming.

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Anand Bhojanمشاهده پروفایل

دانشیار

National University of SingaporeSingapore

Anand Bhojan is an Associate Professor (Educator Track) at the Department of Computer Science, School of Computing, National University of Singapore (NUS). He is a member of the Communication and Internet Research Lab and serves on the Graduate Studies Committee. Dr. Bhojan is also the founder of Anuflora Systems and Virtual and Augmented Reality Labs (www.varlabs.org), and serves as Associate Editor of Computers and Electrical Engineering Journal, Elsevier, and Vice President of International Researchers Club, Singapore. Dr. Bhojan earned his Ph.D. in Computer Science & Engineering from NUS in 2011, where his thesis was nominated for the Best PhD Thesis Award. He also holds a Professional Master's in Computer Applications from Bharathidasan University (1999), a Bachelor's degree in Computing with Gold Medal (University topper) from Bharathiar University (1994), and a Postgraduate Certificate in Teaching Higher Education from University of Sheffield, UK (2003). His research spans multiple domains including Distributed Computing and Wireless Networks (IoT, Security, Blockchain), Artificial Intelligence (Generative AI, FinTech), and Entertainment Computing with focus on Games, VR/AR/Metaverse technologies. Dr. Bhojan leads the Metaverse Foundry research group which focuses on content generation for games & XR simulations across multiple domains including entertainment, healthcare, and architecture, while also experimenting with innovative teaching methods for entertainment media technologies. Dr. Bhojan's recent research has pioneered hybrid rendering techniques that strategically combine ray tracing and rasterization to create more realistic video game graphics without compromising performance. His work addresses critical challenges in real-time rendering, particularly in depth of field and motion blur effects, with the goal of making Hollywood-quality graphics accessible on a wider range of hardware. Earlier work focused on energy efficiency in mobile gaming, including power management techniques and latency optimization for cloud gaming. Among his notable achievements: 2012 Nominated for Best PhD Thesis Award (Wang Gungwu Medal & Prize), NUS 2011 Dean's Graduate Research Achievement Award (PhD), SoC, NUS 2006 Best R&D Project award from TOTE Board, Singapore 1995 Gold medal for first Rank (out of 4000) in Computing, Bharathiar University Dr. Bhojan has served as Organizing Chair and Program Chair for multiple international conferences and has delivered keynote talks at IEEE/ACM International Conferences. He teaches courses including Computer Networks Practice, Game Development, Interaction Design for Virtual and Augmented Reality, and Game Development Project. He leads the Metaverse Foundry research group and the Virtual and Augmented Reality Labs, where undergraduate and graduate students have won multiple research and innovation awards. His research bridges entertainment, education, and emerging technologies with practical applications in making immersive experiences more accessible across different hardware capabilities while maintaining energy efficiency.

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Zhiyong Huangمشاهده پروفایل

دانشیار

National University of SingaporeSingapore

Zhiyong Huang is an Associate Professor at the National University of Singapore (NUS) School of Computing. He holds multiple leadership roles, including Deputy Director of the NUS Business Analytics Centre, Director of the Computing Translational Research & Development (C-TReND) Centre, and Assistant Dean (Industry Relations). He is also a Senior Principal Investigator at the NUS Chongqing Research Institute. Education: PhD in Computer Science from École Polytechnique Fédérale de Lausanne (EPFL), MEng and BEng in Computer Engineering from Tsinghua University. Leadership: Senior Member of ACM and IEEE, Pioneer Member of ACM SIGGRAPH, and Chair of the Singapore ACM SIGGRAPH Chapter. Research Interests: His work spans Data Analytics, Machine Learning, Computer Vision, Human-Robot Interaction, and Computer Graphics. Key projects include the NUS Digital Twin initiative and secure data analytics pipelines. Article Trends: Recent publications focus on time series generation, cryptocurrency benchmarks, medical image registration, and phishing detection. These works integrate machine learning, computer vision, and multimodal systems. Scientific Awards: Finalist, World Technology Summit & Awards (Entertainment, 2010) Bronze, National Science and Technology Progress Award (1992) Tsinghua 12.9 Distinguished Young Teacher Award (1989) Grants & Service: Extensive involvement in Singapore's IT Standards Committee, review panels for EDB SIIRD projects, and editorial roles. He has served as PC co-chair, local chair, and reviewer for numerous conferences and journals.

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Gyu Tag Leeمشاهده پروفایل

استاد

George Mason UniversityUnited States

Gyu Tag Lee is a Professor in the International Studies Department at George Mason University Korea, specializing in Cultural Studies with a focus on K-Pop, media criticism, and the globalization of culture. He holds a PhD in Cultural Studies from George Mason University (2013), an MA in Communication from Seoul National University, and a BA in English Language and Literature from the same institution. Having completed three years of military service in the Republic of Korea Air Force, he has been teaching at George Mason University Korea since 2014. His research interests span Cultural Studies, Media Criticism, Popular Music, K-Pop and Hallyu, Globalization of Culture, and Music Industry studies. Professor Lee is particularly recognized for his expertise on K-Pop's global expansion, cultural appropriation issues within the industry, and the relationship between Korean cultural identity and global pop music markets. His extensive publications reflect a consistent focus on K-Pop's evolution, from its historical roots to contemporary challenges and future directions. His work examines the tension between local Korean identity and global appeal, the role of digital platforms in fan engagement, and the cultural politics surrounding K-Pop's international success. Professor Lee's research demonstrates how K-Pop functions as both a cultural product and economic phenomenon with significant implications for understanding transnational cultural flows. As a respected commentator in the field, he serves on the selection committee for the Korean Music Awards and has been featured in numerous international media outlets including Wall Street Journal, South China Morning Post, Netflix's documentary Explained, and major Korean broadcasters such as KBS, MBC, and SBS. His insights on cultural appropriation in K-Pop have been particularly influential in shaping discussions about cultural sensitivity and global cultural exchange. Professor Lee teaches courses including Media Criticism, Globalization and Culture, K-Pop, Hallyu, and Korean Society, and Korean Popular Culture in a Global World, bringing his scholarly expertise directly into the classroom to educate the next generation of cultural critics and analysts.

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Fumiya Iidaمشاهده پروفایل

پژوهشگر

University of CambridgeUnited Kingdom

Dr. Fumiya Iida is a researcher affiliated with the University of Cambridge , contributing to interdisciplinary research through Cambridge Reproduction and the Department of Engineering . His work spans bio-inspired robotics , soft robotics , and embodied intelligence , with a focus on biomechanics and human-robot interaction. His research integrates evolutionary robotics , reservoir computing , and tactile sensing , aiming to bridge engineering, physiology, and synthetic biology. Recent publications highlight innovations in Soft robotic actuation Robust control systems Multimodal sensor integration Human-robot collaborative tasks Dr. Iida's 15 most recent 2025 articles emphasize reservoir computing , soft sensor design , and adaptive motor coordination , reflecting his commitment to advancing embodied intelligence in robotics. No formal awards or student advisement details were found in the provided texts.

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Wenhu Chenمشاهده پروفایل

استادیار

University of WaterlooCanada

Wenhu Chen is an Assistant Professor at the University of Waterloo's Computer Science Department and a CIFAR AI Chair at the Vector Institute. He also holds a part-time role as a Senior Research Scientist at Google DeepMind (20% allocation). His research focuses on natural language processing, deep learning, and multimodal reasoning, with contributions to models like MAmmoTH, OpenCoderInterpreter, and VISTA. He received awards including the Canada CIFAR AI Chair (2022) and the UCSB CS Outstanding Dissertation Award (2021). Education: PhD in Computer Science from the University of California, Santa Barbara (under William Wang and Xifeng Yan). Research interests include complex reasoning, controllable GenAI, and multimodal benchmarks like MEGABench and MMMU. Grants include CIFAR AI Chair Funding (2022-2027), NSERC Discovery Fund (2023-2028), and multiple NRC Canada grants. He directs the TIGER Lab, advancing generative models in text, images, videos, and music. Recent talks include presentations on multimodal reasoning at Apple and NeurIPS workshops.

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Matthew Payneمشاهده پروفایل

دانشیار

University of Notre DameUnited States

Matthew Payne is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame. His affiliations include roles as Director of Graduate Studies and regional director for the Learning Games Initiative, a multi-institute research collective focused on game archiving and education. His research spans video game studies, media literacy, military entertainment, and the cultural history of video games. He explores play theory, media and war, and the intersection of media production with new technologies. The 15 most recent articles highlight his focus on video game studies, transmedia narratives, and the cultural implications of gaming. These works cover topics from Nintendo Amiibo to slow game time mechanics in Red Dead Redemption 2, with recurring themes of military representation and ludic storytelling. Matthew Payne has co-edited notable works including How to Play Video Games and Joystick Soldiers , emphasizing collaborative approaches to game studies and critical analysis of military gaming.

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Mennatallah El-Assadyمشاهده پروفایل

استادیار

ETH ZurichSwitzerland

Mennatallah El-Assady serves as Assistant Professor at ETH Zurich's Department of Computer Science, where she leads the Interactive Visualization and Intelligence Augmentation Lab (IVIA). Her academic trajectory includes research fellowships at ETH's AI Center and doctoral work at University of Konstanz and OntarioTech University, establishing her expertise at the intersection of visualization and artificial intelligence. Her research focuses on advancing responsible data-driven decision-making through human-centered analytics, with particular emphasis on explainable machine learning systems. Dr. El-Assady combines data mining techniques with visual interfaces to create transparent AI workflows, specializing in text data analysis. Her work bridges computational linguistics, digital humanities, and information visualization to develop tools that make complex AI processes interpretable for end users. Recent publications demonstrate growing focus on generative AI's impact on visualization practices and sophisticated frameworks for interactive machine learning. Her research consistently addresses the challenge of maintaining human agency in increasingly automated systems, with applications spanning political debate analysis, musicology, and healthcare data interpretation. The trend shows increasing sophistication in evaluation methodologies for visual analytics systems. Best Paper Award: Honorable Mention for 'Progressive Learning of Topic Modeling Parameters: A Visual Analytics Framework' Dr. El-Assady actively shapes her field through workshop leadership including ArgVis (Argument Visualization), Vis4DH (Visualization for Digital Humanities), and VISxAI (Visualization for AI Explainability). Her teaching includes 'Interactive Machine Learning- Visualization and Explainability' at ETH Zurich, training next-generation researchers in human-centered AI development. She maintains strong industry connections with coverage in Forbes and ETH News regarding human-AI collaboration frameworks. The Interactive Visualization and Intelligence Augmentation Lab (IVIA) develops cutting-edge tools including explAIner for transparent machine learning, LingVis for linguistic analysis, VisArgue for debate structure visualization, and VALIDA for political deliberation analysis. These projects share a common thread of enhancing human understanding through carefully designed visual interfaces that expose AI decision processes.

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Tilo Hartmannمشاهده پروفایل

استاد

Vrije University AmsterdamNetherlands

Prof. Tilo Hartmann is a Full Professor at the Department of Communication Science, Vrije Universiteit Amsterdam (VU), affiliated with the Network Institute and Communication Choices, Content and Consequences (CCCC). He holds a PhD from Hanover University of Music, Drama and Media (2005) and has held positions at institutions including the University of Southern California, University of Erfurt, and University of Zurich. His research focuses on immersive technologies like Virtual Reality (VR), examining presence, media awareness, and their psychological impacts. He explores how immersive experiences affect beliefs, wellbeing, and social behaviors, with applications in education (e.g., reducing plastic waste via VR interventions). Key research areas include: presence theory, media psychology, effects of XR technologies, and entertainment’s role in wellbeing. He co-founded the Immersive High Tech Group at VU's Network Institute and contributes to UN Sustainable Development Goals related to sustainable behavior and education. Prof. Hartmann has served on editorial boards of top journals (e.g., Journal of Communication) and professional roles such as secretary of ICA's Game Studies Interest Group. His teaching spans over 12 courses across universities globally, emphasizing curriculum development and student supervision. He holds advanced teaching qualifications (SKO).

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Golan Levinمشاهده پروفایل

استاد

Carnegie Mellon UniversityQatar

Golan Levin is Professor of Electronic Art at Carnegie Mellon University's School of Art, with courtesy appointments in the School of Design, School of Architecture, School of Computer Science, and Entertainment Technology Center. From 2009 to 2022, he served as Director and Co-Director of CMU's Frank-Ratchye STUDIO for Creative Inquiry, a laboratory dedicated to supporting atypical, anti-disciplinary research at the intersection of arts, science, technology, and culture. Levin's research spans interactive art, digital fabrication, information visualization, and generative design. He explores the critical potential of visualization, generative computation for expressive form, and how abstraction connects to realities beyond language. His practice engages interactive gestural robotics, nonverbal interaction aesthetics, and tactical applications of personal digital fabrication through responsive artifacts and media provocations that highlight human-machine relationships. His publications reveal consistent innovation in real-time audiovisual systems, interactive fabrication interfaces, and pedagogic tools for artists. Key trends include slit-scan video techniques, tangible augmented-reality performance, and noise-based visualizations, demonstrating his commitment to expanding human action vocabulary through digital media while bridging artistic expression with computational systems. Levin's work has received significant recognition: Permanent collection inclusion at Museum of Modern Art (MoMA) Whitney Biennial exhibition "50 Designers Shaping the Future" by Fast Company (2012) Competitive grants from National Endowment for the Arts, National Endowment for the Humanities, Creative Capital, and Rockefeller MAP Fund As an educator, Levin teaches "studio courses in computer science" on interactive art, experimental capture, and generative design, emphasizing computation as a medium for critical inquiry. His research funding from major cultural institutions supports interdisciplinary exploration at the arts-technology nexus. The Frank-Ratchye STUDIO for Creative Inquiry, which he directed for 13 years, remains a vital hub for anti-disciplinary collaboration, continuing his legacy of fostering creative agency through technology-infused artistic practice.

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