Dr. Frances Smith is an Associate Professor in Film Studies at the University of Sussex's School of Media, Arts and Humanities. She holds a PhD in Film and Television Studies from the University of Warwick (2013), an MA in Management from Durham University (2008), and a Master of Modern Languages in French/Italian from Manchester University (2007). Her research focuses on teen cinema, female authorship, Hollywood and European cinema, and gender studies, with current work on Céline Sciamma's Girlhood. She authored Rethinking the Hollywood Teen Movie (2017) and co-edited Refocus: The Films of John Hughes (2021). Teaching includes convening Analysing Film, American Teen Cinema, and Working with Film modules. She has taught Gender and Representation, British Cinema, and Study Skills. Her awards include Fellowship of the Higher Education Academy (2016). Active in PhD supervision focusing on teen cinema, female authorship, and gender in cinema. Publications span over 25 articles/chapters addressing topics like queer youth representation, transatlantic media comparisons, and directorial authorship in John Hughes and Amy Heckerling films. Research explores intersections of gender, space, and cultural identity in global popular cinema.
Gareth Roberts is an Associate Professor in the Department of Linguistics at the University of Pennsylvania, where he serves as Graduate Chair. He is also a faculty member of the Psychology Graduate Group, founder and director of the Cultural Evolution of Language Lab, and co-director of the Social and Cultural Evolution Working Group at Penn. Roberts earned his PhD in Linguistics from the University of Edinburgh in 2010, following an MSc in Evolution of Language and Cognition (2006) and a BA in German and Russian (2003) from the University of Nottingham. His academic journey includes postdoctoral positions at Yeshiva University and the University of Stirling before joining Penn as an Assistant Professor in 2014, where he was promoted to Associate Professor in 2022. His research focuses on the role of social and communicative pressures in shaping language emergence and evolution. Roberts investigates fundamental questions about linguistic variant spread, phonological system structuring, and how communication shapes linguistic structure. His work bridges linguistics, cognitive science, and cultural evolution through innovative experimental approaches using artificial languages and laboratory simulations. Analysis of Roberts' recent publications reveals a consistent focus on experimental semiotics, with particular attention to social biases in language evolution, phonological organization, indexicality emergence, and the dynamics of linguistic variation. His work often combines computational modeling with human experiments to isolate specific mechanisms driving language change. Linguistic Society of America Cognitive Science Society Philological Society Cultural Evolution Society Roberts has successfully secured substantial research funding including an NSF PAC Grant ($102,648), Penn URF Research Grants ($12,155), MindCORE initiative grant ($600,000), and multiple smaller grants totaling over $20,000. His lab currently includes researchers investigating diverse topics from case and gender marking emergence to AI agent effects on group dynamics, linguistic and genetic data in British history, and phonological space organization. The Cultural Evolution of Language Lab, which Roberts founded and directs, conducts cutting-edge research using experimental semiotics methodologies. Current projects examine how social factors influence language change, the emergence of linguistic structure through communication, and the interaction between iconicity and combinatoriality in communication systems.
Hiromi Tsuchiya Dollase is an Associate Professor of Chinese and Japanese at Vassar College since 2003. Her research focuses on Japanese women’s literature, girls’ magazine culture, and manga, with a particular interest in integrating popular media into language education. She teaches courses such as 'Japanese Popular Culture and Literature' and 'The Gothic and the Supernatural in Japanese Literature.' Dr. Dollase holds a PhD in comparative literature (Japanese and American) from Purdue University (2003), an MA from Illinois State University, and a BA/MA from Baika Women’s College. She authored *Age of Shojo: The Emergence, Evolution and Power of Japanese Girls’ Magazine Fiction* (2019) and has contributed to numerous edited volumes and refereed journals. Her work spans topics like child abuse depictions in manga, sex education in historical fiction, and queer reinterpretations of classic narratives. She co-edited *Women’s Voices in Manga* (2024) and *Manga!: Visual Pop-Culture in ARTS Education* (2020). Her research bridges literary analysis with cultural studies, emphasizing the intersection of gender, media, and education. Dr. Dollase has been featured in media discussions about Japanese literary icons like Nobuko Yoshiya. She actively contributes to interdisciplinary programs in Asian Studies, Media Studies, and Women’s, Feminist, and Queer Studies at Vassar.
Martin Burke is the May and Ving Lee Professor for Chemical Innovation and Professor of Chemistry at the University of Illinois Urbana-Champaign , with additional appointments in Biochemistry, Biomedical & Translational Sciences, and multiple campus institutes including the Beckman Institute and the Carl R. Woese Institute for Genomic Biology. Education B.S. Johns Hopkins University , 1998 Ph.D. Harvard University , 2003 M.D. Harvard Medical School , 2003 Research Interests Burke’s program centers on molecular prosthetics : the design, synthesis and application of small molecules that replicate or replace missing or dysfunctional proteins. His group pioneered iterative cross-coupling (ICC) using MIDA-protected haloboronic acids to automate the construction of complex natural products and function-oriented small molecules. Current projects target ion-channel replacement in cystic fibrosis, iron-transport restoration in anemia, and non-toxic antifungals that overcome drug resistance. Scientific Awards & Honors National Academy of Medicine (2021) AAAS Fellow (2021) ASCI Member (2021) iCON Award (2019) Mukaiyama Award, Japan (2019) ACS Nobel Laureate Award for Graduate Education (2017) Thieme-IUPAC Prize in Synthetic Organic Chemistry (2014) Elias J. Corey Award (2013) Arthur C. Cope Scholar Award (2011) Research Output & Impact Burke has authored >120 peer-reviewed articles, >30 patents, and his work has been cited >20,000 times. High-impact publications in Nature , Science , and Angewandte Chemie have advanced automated synthesis, molecular prosthetics, and cystic fibrosis therapeutics. Laboratory & Training The Burke Laboratories house a multidisciplinary team of graduate students, post-doctoral researchers, and physician-scientists developing next-generation molecular prosthetics. The group is supported by NIH, NSF, private foundations, and industry partnerships aimed at democratizing molecular innovation.
Jan Oliver Borchers is a full professor of computer science and head of the Media Computing Group at RWTH Aachen University, where he holds the endowed Chair in Media Informatics and Human-Computer Interaction (Computer Science 10). He established his research group in 2003 and pioneered modern HCI academic research and teaching in Germany, becoming a leading lab in terms of archival publications at CHI, the top international conference in HCI. Before joining RWTH, he held faculty positions at Stanford University and ETH Zurich. His research focuses on Human-Computer Interaction with particular interest in new user interfaces for soft robotics, textile user interfaces, 3D printing and personal fabrication, augmented reality, wearable and tangible computing, interfaces for software development, deceptive patterns, and interactive guides and exhibits. He opened Germany's first Fab Lab in 2009 and has been instrumental in advancing digital fabrication and maker culture in academia. His work bridges theoretical HCI research with practical applications, as evidenced by his consulting for major companies including AirBus, Apple, ARD, Bayer, Children's Museum Boston, Daimler, Handelsblatt, OTIS, Scout24, TEDx, and Deutsche Telekom. His recent publications show a strong focus on deceptive patterns in UI design, textile interfaces, and the intersection of AI with human interaction. The research demonstrates consistent innovation in tactile interaction techniques, with numerous honorable mentions at top conferences like CHI. His lab has produced significant contributions to eyes-free interaction, textile computing, and the ethical implications of dark patterns, particularly regarding children's experiences with deceptive designs. IDC 2025 Best Work in Progress for research on children's assessment of deceptive designs CHI'25 Student Games Competition Winner for The Deceptive Dungeon RWTH-Wissenschaftsnacht 2024 Best Science Slam for Usability: 4 Prinzipien guter User Interfaces Multiple CHI Honorable Mentions spanning from 2008-2021 Best Note and Best Demo awards at ITS and UIST conferences Borchers has served in numerous leadership roles including heading the Computer Science Department's Examination Board (2015-2025), coordinating the department's public relations since 2010, and organizing the weekly Faculty Lunch since 2003. He is an active member of the ACM, SIGCHI, SIGCHI Germany, and GI, and introduced the Interactivity format to the CHI conference in 2005. His PhD thesis, A Pattern Approach to Interaction Design, became the first book to bring design patterns to HCI. The Media Computing Group under his leadership has developed significant expertise in physical computing, textile interfaces, and fabrication technologies, with a strong emphasis on both theoretical contributions and practical applications. His lab continues to push boundaries in interactive technologies while maintaining a strong ethical stance on user experience, particularly regarding deceptive design patterns.
Diliana Angelova serves as Associate Professor at the University of California, Berkeley, with scholarly specialization in Byzantine and Roman historical studies emphasizing gender dynamics, religious frameworks, and artistic expression. Education: BA, American University in Bulgaria, 1995 MA, Southern Methodist University, 1998 MA, Harvard University, 2002 PhD, Harvard University, 2005 Her research program critically investigates female agency within imperial systems through interdisciplinary analysis of textual sources, architectural patronage, and material artifacts. Core methodologies integrate gender theory with art historical analysis to reconstruct women's roles in religious and political spheres across late antiquity and early Byzantium, particularly examining how empresses leveraged sacred discourse for authority. Publication trends reveal sustained engagement with imperial ideology through physical manifestations—buildings, ivories, and urban landscapes—demonstrating how female rulers like Pulcheria and Ariadne engineered religious and architectural programs to project power. Thematic continuity connects her monograph on founding narratives with earlier articles exploring material culture as political language. Scientific Awards: Van Courtlandt Elliott Prize, Medieval Academy of America (2006) for outstanding first article in medieval studies Information regarding graduate student supervision and external research funding remains unspecified in available documentation, though her scholarly output indicates active contribution to Byzantine gender studies through major publications and academic reviews.
Wink Smith, PhD, is an Instructor in the Department of Interpretation and Translation at Gallaudet University, part of the School of Language, Education, and Culture. He holds a PhD in Linguistics (2023) and has over 16 years of professional experience as an interpreter, educator, and researcher. His work bridges theory and practice in interpretation, with a focus on cognitive linguistics frameworks, depiction in signed languages, and message analysis. He has presented nationally and internationally, published in RID Views, and developed CEU training programs. Research interests include embodied imagery in depiction, skill development methodologies, and the role of depiction in interpretation. He actively serves on professional committees such as the Certification Council for RID and the Conference of Interpreter Trainers (CIT). Awards include the 2016 NAD Outstanding Service Award and a 2021 Certificate of Appreciation for service in interpretation. Teaching responsibilities span undergraduate and graduate courses like INT-595G Special Topics, INT-736 Professional Practice I, and INT-223 Interactive Discourse Analysis. His recent scholarly contributions explore linguistic structures in signed languages and cognitive frameworks for interpreting.
Gabrielle Hodge is a Senior Lecturer in Sign Language Linguistics at the University of Edinburgh's School of Philosophy, Psychology and Language Sciences. A deaf researcher, she specializes in sociolinguistics related to deaf communities, sign languages, and multimodal communication. Her work incorporates corpus linguistics, applied linguistics, and semiotics methodologies. Education: PhD in Linguistics (Macquarie University, 2014), BA (Hons) in Linguistics (La Trobe University, 2008). Teaching includes undergraduate and postgraduate courses in sign language linguistics and sociolinguistics. She chairs the University BSL Plan Implementation Group (2024-2030) and actively supervises PhD and MSc students in deaf community research. Research focuses on accessibility, sign language corpus methods, and inclusive language theory. Notable projects include the Accessibility & Inclusion Toolkit for deaf Australians and Signing to Know & Survive , exploring deaf communication resilience. She develops training for educators and interpreters, emphasizing direct access without relay systems. Key contributions include advancing corpus-driven sign language research, analyzing deaf professionals' trust in interpreters, and creating climate change resilience resources in Auslan. Her work challenges traditional linguistic frameworks to better incorporate deaf perspectives and embodied communication practices.
David Peeters is an Associate Professor at Tilburg University's Department of Communication and Cognition, part of the Tilburg School of Humanities and Digital Sciences. His research focuses on multimodal communication, multilingualism, and digital communication, leveraging immersive virtual reality (VR) technologies combined with EEG, eye-tracking, and fMRI. He explores neurobiological underpinnings of language, including neuropragmatics, non-verbal communication, and multilingualism. His work is supported by grants such as the NWO Veni and Tilburg University Fund. Peeters teaches courses on virtual reality, language psychology, and digital literature integration in education. He is a Research Fellow at the Donders Institute and President of the Tilburg Young Academy. Key research interests include the role of gesture and iconicity in second language acquisition, bilingual language switching in immersive environments, and the impact of dataism on academic publishing. He collaborates with libraries and schools to integrate digital literature into curricula and public collections. His scientific awards include the NWO Veni Grant and a Fellowship from the International Max Planck Research School for Language Sciences. His research bridges cognitive science, linguistics, and technology, emphasizing ecologically valid experimental paradigms.
Katherine Saltzman-Li is an Associate Professor at the University of California, Santa Barbara (UCSB), affiliated with the Department of East Asian Languages & Cultural Studies, the Program in Comparative Literature, and the Department of Theater and Dance. Her research focuses on Japanese performing arts, particularly Kabuki theater, Japanese literature, and folklore. She holds a Ph.D. from Stanford University. Her work examines Edo-period Kabuki playwriting through studies of rare treatises like Kezairoku , interactions among Edo artists, and adaptations of puppet theater into Kabuki. She co-edited Cultural Imprints: War and Memory in the Samurai Age (2022) and Realisms in East Asian Performance (2023), challenging Eurocentric theatrical realism frameworks. She co-curated exhibitions on Japanese theater prints at the Santa Barbara Museum of Art and directs the Japanese Performing Arts Research Consortium (JPARC). Her teaching spans Japanese literature, folklore, and performance studies, including courses on traditional theater, comparative drama, and digital humanities applications in theater research.
Wendy Salmond is a Professor of Art at Chapman University, holding the Martha Weidlein Masters Professorship in Art within the Wilkinson College of Arts, Humanities, and Social Sciences. She specializes in Russian and Soviet art, design, icons, architecture, the Romanov Family, and Russian Revolutionary Culture. Dr. Salmond received her academic training with a BA (Hons I) in Russian Language and Literature from the University of Otago in New Zealand (1978), followed by an MA in Slavic Languages and Literatures (1983) and a PhD in Art History (1989), both from the University of Texas at Austin. Professor Salmond is a renowned scholar of Russian and early Soviet art, architecture, and design, with particular expertise in exploring the intersection of diverse cultural traditions in Russia and the formation of national identity. Her research spans the Arts and Crafts movement, Art Nouveau, and Russian modernism, with a current focus on transformations in the perception and function of icons in Russia, from objects of devotion to works of art. She has made significant contributions to the study of Russian icons through extensive writing, lecturing, and curatorial work, including serving as a visiting curator at Hillwood Museum and Gardens and guest curator for exhibitions at Hillwood and The New York Public Library. Analysis of Professor Salmond's recent publications reveals a consistent focus on Russian religious and secular art, particularly icons and their evolving cultural significance. Her work spans historical periods from Imperial Russia through the Soviet era, with particular attention to the intersection of religious tradition and modern artistic movements. The 2020 publication 'Eternity in Low Earth Orbit: Icons on the International Space Station' demonstrates her innovative approach, examining how Russian Orthodox icons have been incorporated into the International Space Station as sacred objects, connecting terrestrial religious traditions with space exploration. Among her notable honors, Professor Salmond holds the Martha Weidlein Masters Professorship in Art at Chapman University. She has also been recognized through invitations to curate major exhibitions and edit significant scholarly volumes on Russian art. Professor Salmond teaches courses on European modernism, graphic design history, gender and Western art, art history methods, and Russian art, design, and visual culture of the Imperial and early Soviet era. Her teaching emphasizes close visual analysis, sustained discussion, and the development of research skills. As a prolific translator of texts on Russian art and culture, she has edited volumes on Sergei Konenkov, the Bolshevik sales of Russian art in the 1920s and 1930s, and the reception of Art Nouveau in Russia. Her scholarly work extends beyond traditional academic boundaries through her active engagement with museum curation and public scholarship, creating bridges between academic research and public understanding of Russian art and culture.
Cristina Baus Marquez is a Research Fellow at the University of Barcelona's Faculty of Psychology, affiliated with the Department of Cognition, Development, and Educational Psychology. She holds a Ramon y Cajal Research Fellowship (2020–2025) and leads research in the Brain Dynamics and Structure of Human Cognition (BraCo) group. Her work focuses on cognitive neuroscience, bilingualism, and language processing, with a particular emphasis on electrophysiological and behavioral studies of language production, perception, and social cognition. Education: Bachelor's Degree (Llicenciatura) in Psychology, University of Barcelona (2003) PhD in Cognitive Neuroscience and Specific Educational Needs, Universidad de La Laguna (2010) Research Interests include the neural mechanisms underlying bilingual speech production, cross-modal language interactions, and how linguistic experience shapes perception of faces and voices. She employs EEG/ERP techniques to study self-monitoring processes in bilinguals and investigates the role of iconicity in sign language production. Key Projects: Ramón y Cajal Fellowship (2020–2025): Investigates verbal interactions and learning mechanisms Fundación BIAL Grant (2017–2019): Explored electrophysiology of bimodal bilingualism AGAUR Grant (2018–2020): Studied verbal interactions' cognitive mechanisms Labs/Teams: Active member of the BraCo research group, collaborating internationally on multilingualism and cognitive neuroscience projects.
Dr. FARKAS Dávid is an Assistant Professor in the Department of Hydraulic and Water Resources Engineering, Faculty of Civil Engineering, Budapest University of Technology and Economics (BME). His office is located in Building K, basement level, room 12/7, and he holds weekly consultation hours on Mondays from 1–3 pm. Educational contributions include teaching core courses in hydrogeology and groundwater engineering: Groundwater (BMEEOVVMV63) Hydrogeology (BMEEOGMMG62) Infrastructural Design Project (BMEEODHAI41) Research activities concentrate on quantitative hydrogeology, with a special emphasis on karstic groundwater systems, seepage hydraulics, and the safety of flood-protection levees. He couples field investigations in iconic Hungarian cave systems (Buda Castle Cave, Molnár János Cave) with laboratory sandbox experiments and numerical modelling to advance understanding of flow and transport processes in fractured carbonates. Over the past decade his work has evolved from fundamental hydrogeological mapping toward the design and deployment of automated monitoring networks that integrate classical hydrological instruments with modern sensor technologies. This progression is evident in his most recent publications (2024-2025) that document the establishment of high-resolution cave monitoring systems capable of capturing rapid responses to precipitation events. Scientific awards currently listed: none. Advising and grants: no specific student names, grant numbers, or funded project titles are provided in the supplied text. Laboratories and teams: while no dedicated laboratory name is stated, his affiliation with the Department of Hydraulic and Water Resources Engineering implies access to the faculty’s hydraulics and hydro-environmental laboratories, including sandbox and seepage modelling facilities.
Eliese-Sophia Lincke is a Junior Professor at the Department of History and Cultural Studies, Freie Universität Berlin, since May 2022. Her work bridges computational methods with Egyptology, focusing on digital tools for studying ancient texts. Bachelor's and Master's in Egyptology, Humboldt-Universität zu Berlin (2007) PhD in "The Conception of Spaces in Language" (TOPOI Cluster, 2012) Research interests include: Digital Humanities : Developing machine learning models for Hieroglyphic, Demotic, and Coptic text processing Linguistic Typology : Analyzing classifier systems in Ancient Egyptian and Sign Languages Spatial Linguistics : Investigating prepositions and spatial adverbs in Egyptian-Coptic Recent publications focus on Neural Lemmatization , OCR for Coptic , and Classifier Semantics , demonstrating her commitment to computational Egyptology. Scientific awards include the Humboldt-Preis 2008 for best Master's thesis and the Prize for Good Teaching 2014 . She has co-organized workshops like "Wege zum Ägyptischen" and served as Co-Editor for Lingua Aegyptia . Her teaching contributes to the Digital Studies of Ancient Texts Master's program.
Yepang Liu is a tenured Associate Professor in the Department of Computer Science and Engineering at Southern University of Science and Technology (SUSTech) in Shenzhen, China. He leads the Software Quality Lab and serves as director of the Trustworthy Software Research Center within the Research Institute of Trustworthy Autonomous Systems. His educational background includes a B.Sc. with honors from Nanjing University (2010) and a Ph.D. from the Hong Kong University of Science and Technology (2015), where he was supervised by Prof. Shing-Chi Cheung. Prior to joining SUSTech, he worked as a postdoc at HKUST's CASTLE Lab and Cybersecurity Lab. Liu's research primarily focuses on software testing and analysis, empirical software engineering, AI for SE, software security, and trustworthy AI. His work bridges traditional software engineering with cutting-edge AI technologies, particularly in automated testing, security analysis, and quality assurance for mobile, blockchain, and extended reality applications. Recent projects explore how large language models can enhance bug detection, improve testing automation, and address fairness issues in machine learning systems. His contributions have been recognized with three ACM SIGSOFT Distinguished Paper awards (ICSE 2021, ASE 2016, ICSE 2014) and one Distinguished Artifact award (ICSE 2019). He has also received the ACM SIGSOFT Service Award and Distinguished Reviewer Award for his extensive service to the software engineering community. Top-10 Most Active Early-Stage Software Engineering Researcher (2013-2020) Top-10 Most Popular Instructor Among 2024 Undergraduate Graduates at SUSTech Junior Faculty of the Year (2021) SUSTech Teaching Excellence Award (2021) Outstanding Mentor Award (2020, 2024) Liu actively serves on the editorial boards of Empirical Software Engineering (EMSE) and Journal of Computer Science and Technology (JCST). He has participated in over 80 conference committees including leadership roles in ICSE, FSE, ASE, and ISSTA. His research is supported by the National Natural Science Foundation of China, National Key Research and Development Program, and leading Chinese IT companies. He regularly mentors PhD and MSc students and has guided multiple national competition award-winning teams. The Software Quality Lab under Liu's direction focuses on innovative approaches to software testing, security analysis, and quality assurance across various platforms including mobile, blockchain, and extended reality applications. Current projects emphasize the integration of AI techniques with traditional software engineering practices to address emerging challenges in software quality.
