Juliette Pattinson is Professor of War Studies at King's College London, where she researches gender, cultural memory, and personal testimonies of war. An AdvanceHE Chair of Athena Swan, she previously held leadership positions at the University of Kent including Director of Arts and Humanities. Pattinson's work examines gender dynamics in conflict, particularly during the Second World War. She investigates resistance movements, civilian masculinities, and cultural representations of war. Her research employs oral history methodologies to analyze lived experiences of conflict. Current projects include the First Aid Nursing Yeomanry in the Second World War and cultural representations of civilian men in the First World War. Her publications demonstrate consistent focus on gender analysis of war experiences and memory construction.
Santiago F. González is a Group Leader at the Institute for Research in Biomedicine (IRB) in Bellinzona, Switzerland, and an extraordinary professor at the University of Italian Switzerland (USI). He earned dual PhDs in microbiology (University of Santiago de Compostela, Spain) and immunology (University of Copenhagen, Denmark), followed by postdoctoral work (2007–2011) at Harvard Medical School's Immune Disease Institute under Michael Carroll. PhD in Microbiology, University of Santiago de Compostela PhD in Immunology, University of Copenhagen His research focuses on immune system dynamics during respiratory viral infections, vaccination, and cancer metastasis. Key areas include influenza recognition , lymph node inflammation , and immune cell behavior in vivo. He pioneered studies on C-type lectin receptors (e.g., SIGN-R1) in viral immunity and epigenetic modulators for inflammation. Recent publications highlight his work in epigenetic drug development , nanovaccines , and computational tools for immune cell tracking. His group uses two-photon intravital microscopy and spatial-temporal modeling to dissect immune responses. Scientific awards include three EU Marie Curie Fellowships (2004–2013), enabling his transition to independent research. His collaborations span Harvard, USI, and European institutions, with grants from the EU and Swiss research bodies. His lab at IRB, established via the 2013 Marie Curie Career Integration Grant , develops novel imaging approaches and therapeutic strategies for infectious and immune-mediated diseases.
Takashi Miura is an Associate Professor at the University of Arizona specializing in Japanese religions from the early modern to modern periods. His work explores millenarian movements, Shinto practices, and Buddhist visual culture. He holds degrees from the University of Hawai'i at Mānoa (B.A./M.A.) and Princeton University (Ph.D.). Dr. Miura's research examines religious innovations like the rise of 'yonaoshi' renewal gods and deified peasants. His 2019 monograph Agents of World Renewal analyzes apocalyptic concepts in Japanese history. Current projects include a study on early modern peasant deification and its societal impacts. He teaches courses on Buddhism and Japanese religious practices, including EAS 160A1 and JPN 220. His publications span academic journals and edited volumes, addressing topics from Meiji-era polemics to post-war new religions. His work frequently bridges textual analysis with visual and material culture studies.
Nick Montfort is a Professor of Digital Media at Massachusetts Institute of Technology (MIT) and Professor II & Principal Investigator at the University of Bergen 's Center for Digital Narrative. He directs MIT's Trope Tank lab/studio and contributes to platform studies, critical code studies, and electronic literature. Ph.D. in Computer and Information Science from University of Pennsylvania (2007) M.A. in Creative Writing (Poetry) from Boston University (2001) S.M. in Media Arts and Sciences from MIT (1998) B.S./B.A. in Computer Science and Liberal Arts from University of Texas at Austin (1995) Montfort's research focuses on computational creativity and digital poetics , particularly through exploratory programming and constraint-based writing . He has developed over ten computer-generated print books and co-edited MIT Press volumes like The Future and The New Media Reader . His work bridges computer science and literary arts , emphasizing algorithmic expression and platform-specific creation. His recent computational works include All the Way for the Win (2025), written entirely in three-letter words, and collaborations like The Deletionist and Sea and Spar Between . Notable books cover interactive fiction ( Twisty Little Passages ), platform studies ( Racing the Beam ), and generative literature ( 10 PRINT ). He also co-edits the Hardcopy and Using Electricity book series. Montfort's academic contributions span digital narrative systems , creative code , and computer-generated literature . His 101 BASIC Poems and Output: An Anthology of Computer-Generated Text exemplify his focus on code as cultural artifact and algorithmic literary practice . He has presented at major conferences including ELO, C&C, and Digital Arts and Culture, addressing topics from minimalist computational poems to narrative modeling . Through collaborations with institutions like University of Bergen and MIT's Comparative Media Studies/Writing, Montfort explores digital storytelling , machine-generated poetry , and platform-specific creativity . His academic leadership includes directing the Trope Tank and co-founding Bad Quarto press.
Prof. Willemijn van Dolen is a Professor in the Section of Marketing at the Faculty of Economics and Business, University of Amsterdam. Her research focuses on consumer behavior, marketing strategies in digital environments, and the psychological impacts of communication in service encounters. She has extensively studied topics such as visual influence in consumer decisions, corporate greenwashing detection, and the role of humor in service interactions. Her academic career includes notable contributions to understanding online consumer behavior through multimodal datasets and AI frameworks. She has published widely on social media analytics, CSR communication, and child helpline effectiveness, bridging psychological insights with practical marketing applications. Prof. van Dolen’s work emphasizes empirical investigations into customer engagement, ethical consumption, and the interplay between digital platforms and human decision-making. Her research demonstrates a consistent focus on real-world applications, from optimizing brand posts on Instagram to analyzing CEO communication during global crises. Her studies often employ interdisciplinary methods, combining marketing theory with data science and behavioral economics. Despite her prolific output (over 50+ publications), no specific scientific awards are highlighted in the provided texts.
Gavan J. Fitzsimons is the Edward S. & Rose K. Donnell Distinguished Professor of Marketing and Psychology at Duke University's Fuqua School of Business , with a secondary appointment in the Department of Psychology & Neuroscience. He is a Faculty Network Member of the Duke Institute for Brain Sciences . His research bridges consumer psychology, behavioral decision-making, and social cognition, focusing on nonconscious influences on consumption patterns. Education: Ph.D., Columbia University (1995) Key research themes include subconscious consumer behavior , brand relationships , health-related consumption , and social dynamics in purchasing decisions . Recent work examines financial stress effects on purchase satisfaction, secret consumer behaviors in relationships, and pandemic-related decision-making. Notable trends in his 2023-2025 publications involve Marketing's subconscious influence (2025: Quality-Quantity Tradeoffs) Brand teasing as relationship-building (2025: Humor in Branding) Financial constraint effects on consumer happiness (2024: Opportunity Cost Analysis) Crisis behavior during pandemics (2024: Prosociality Across 39 Countries) Health behavior spillovers in families (2024: Parental Food Choices) Scientific Contributions include Foundational work on nonconscious consumer psychology (2008 JCP editorial) Methodological innovations in moderated regression analysis (2013 JMR ) Behavioral economics of brand sincerity effects (2015 JCR )
Maxwell (Max) Boykoff is a Professor in the Environmental Studies department at the University of Colorado Boulder and a Fellow in the Cooperative Institute for Research in Environmental Sciences (CIRES). He holds a PhD in Environmental Studies from the University of California, Santa Cruz (2006) and an MBA from the University of Colorado Boulder (2023), complementing his BS in Psychology from The Ohio State University. His research focuses on two primary arenas: the cultural politics of science, climate change and environmental issues, examining how attitudes and behaviors shape action possibilities; and transformations of carbon-based economies, with emphasis on science-policy interfaces and decarbonization politics. His work explores how climate science finds meaning in everyday life and feeds back into policy decisions. Boykoff's publications demonstrate consistent focus on climate communication, media representations, policy conflicts, and societal transformations. His recent work emphasizes digital communication strategies, climate health connections, countermovement analysis, and creative engagement methods. Article trends show increasing attention to social media dynamics, global comparative studies, and interdisciplinary approaches spanning environmental studies, communication, and political science. Awards & Recognition: CU Excellence in Leadership Program (2022) Contributing Author to IPCC Sixth Assessment Report Deputy Editor at Climatic Change journal (over a decade) He leads significant research initiatives including the Media and Climate Change Observatory (MeCCO) monitoring global climate coverage across 82 sources in 40+ countries, Inside the Greenhouse (creative climate communication project), and the Colorado Local Science Engagement Network . He serves on the Independent Science Panel for New Zealand's Deep South Challenge. Boykoff teaches courses including Climate Change Politics & Policy, Creative Climate Communication, Political Economy and the Environment, and Science & Environmental Communication. He mentors through the Red Cross/Red Crescent Climate Centre Internship Program and integrates research with teaching and service commitments.
Don Kulick is a Professor and Research Director at the Department of Cultural Anthropology and Ethnology, Uppsala University, Sweden. His academic career spans decades of anthropological fieldwork in Papua New Guinea, Brazil, and Scandinavia, with a focus on linguistic anthropology, sexuality studies, and disability studies. Dr. Kulick's research interests encompass linguistic anthropology, sexuality studies, disability studies, language death, vulnerability studies, and human-animal communication. His work challenges conventional views on vulnerability, arguing that it can be a resource rather than a lack. His fieldwork with adults with significant disabilities in Denmark and Sweden informed his influential book "Loneliness and its Opposite: sex, disability, and the ethics of engagement". Kulick has also made significant contributions to the understanding of transgender communities, particularly through his early ethnographic work with Brazilian travesti prostitutes documented in "Travesti: Sex, Gender and Culture among Brazilian Transgendered Prostitutes". His recent scholarly output demonstrates a trajectory from linguistic anthropology and sexuality studies toward broader questions of vulnerability, ethics, and human-animal relations. Kulick's work consistently engages with marginalized communities and challenges disciplinary boundaries, connecting linguistic anthropology with disability studies, queer theory, and ethical frameworks for engagement with vulnerable others. ERC Advanced Grant for a 5-year research project on people who are treated as though they aren't really there Dr. Kulick has received significant research funding, most notably an ERC Advanced Grant for a 5-year project examining people who are treated as though they aren't really there, including courtroom interpreters and peer reviewers. His mentorship extends through his extensive publications and edited volumes that have shaped multiple generations of anthropological scholarship, particularly in the areas of linguistic anthropology and sexuality studies. While specific lab structures aren't mentioned in the provided text, Kulick's research program on vulnerability appears to be an organized research initiative (referred to as the "EV program" in the text), suggesting a research team or collaborative network focused on vulnerability as a productive resource.
Juan Eduardo Wolf is an Associate Professor of Ethnomusicology at the University of Oregon's School of Music and Dance. He holds a PhD in Folklore and Ethnomusicology from Indiana University (2013), alongside degrees in Chemical Engineering and Art Studio from prestigious institutions. His research focuses on music-dance traditions of Afro-descendant and Indigenous communities in Latin America and the Caribbean, exploring decolonial methodologies and cultural equity. He directs the Latin American Studies Program and coordinates the World Music Series, which hosts global music performances. His awards include grants from UO's Center for Latin American and Latinx Studies (2018) and Global Oregon (2018). Wolf teaches courses like Decolonizing Music, Music in World Cultures, and directs World Music Ensembles focusing on Andean and Puerto Rican traditions. His research examines how marginalized groups use music-dance to resist colonial legacies, with fieldwork in Chile, Puerto Rico, and Bolivia. He is a core faculty member in Folklore and Public Culture Programs and advises on Latinx Studies initiatives. Notable publications include Styling Blackness in Chile (2019), analyzing Afro-Chilean music-dance, and Un Tumbe Ch’ixi (2021), integrating Afro-descendant ideas into Andean methodologies. His work challenges colonial frameworks and advocates for socially just music science practices. He performs as a percussionist/guitarist in global ensembles and mentors students through experiential learning.
Darryl Overby is a Professor of Mechanobiology in the Department of Bioengineering at Imperial College London's Faculty of Engineering. His academic affiliations include the CRUK Convergence Science Centre, Cancer Technology Network, and multiple interdisciplinary networks focused on ocular biomechanics, vascular science, and regenerative medicine. He holds an Orcid identifier (0000-0001-9894-7515) and was previously affiliated with Tulane University and Harvard Medical School. Education: Ph.D. in Mechanical Engineering (2002) from MIT under Prof. Roger Kamm, followed by postdoctoral research at Harvard Medical School under Prof. Donald Ingber. His work focuses on cellular biomechanics, mechanotransduction, and the role of mechanical forces in intraocular pressure regulation and glaucoma pathophysiology. Research interests span mechanobiology of Schlemm’s canal endothelial cells, nitric oxide signaling in ocular tissues, and development of organ-on-chip models for studying aqueous humor outflow dynamics. His lab explores how mechanical signals drive transcellular pore formation and how these mechanisms fail in glaucomatous conditions. Key contributions include consensus guidelines for Brillouin microscopy measurements, ex vivo perfusion studies, and the role of TRPV4 channels in mechanosensing. His work integrates engineering techniques with clinical ophthalmology to advance therapies targeting glaucoma and ocular hypertension. Professional activities include leadership roles in the Ocular Biomechanics Network and Wound Healing and Regeneration Network. His research has led to patents for devices enhancing aqueous humor drainage and RNAi-based therapies.
Alexandra Papoutsaki is an Associate Professor of Computer Science at Pomona College since 2017. Her research focuses on Human-Computer Interaction , particularly in webcam-based eye tracking and shared gaze for remote collaboration . Ph.D. in Computer Science from Brown University M.Sc. in Computer Science from Brown University B.Sc. in Computer Science from Athens University of Economics and Business Her work spans personal informatics , crowdsourcing methodologies , and remote usability testing , with recent projects examining collaborative drawing interfaces, baby tracking reflection, and digital health communities. Earlier contributions include computational biology research in genome-wide survival analysis and pan-cancer mutation networks. Key trends in her publications include: Remote collaboration tools enhanced by eye tracking Personal data systems for health and creative domains Foundational work in crowdsourcing quality control Interdisciplinary approaches combining computer science with psychology and medicine Scientific recognition includes: NSF CRII Grant (2020-2022) Wig Distinguished Professor Award (2020) Best Paper at RECOMB (2013) She has developed multiple open-source platforms including WebGazer for scalable eye tracking and Remotion for mobile usability testing. Her research team has published extensively in top venues like CHI, IMWUT, and IJCAI.
Dr. Konstantinos Kalantzis is a Lecturer in Anthropology and Visual Culture at the Department of Anthropology, University College London (UCL). His academic journey includes a PhD in Anthropology from UCL (2010), an MSc in Visual Anthropology from the University of Oxford (2005), and a BA in History from the University of Crete (2004). He also serves as an Honorary Research Fellow at UCL. PhD in Anthropology, UCL (2010) MSc in Visual Anthropology, University of Oxford (2005) BA in History, University of Crete (2004) Kalantzis specializes in the intersection of visual culture, anthropology, and political imagination, with a focus on Greece and the Mediterranean. His research explores colonialism/postcolonialism, photography, ethnographic film, materiality, psychoanalysis, and rural societies. He has contributed to critical debates on crisis representation, Occidentalism, and the role of photography in documenting social imaginaries. His publications span ethnographic books, journal articles, and exhibitions, including Tradition in the Frame (2019) and the Citizens of Photography series (2021–2022). Recent work like "The Indigenous Sublime" (2023) and "Slippery Delight" (2022) examines visual ambiguity and pleasure in crisis contexts, while earlier articles analyze the debt crisis, tourism, and ethnographic film. He has received an ERC grant for the Citizens of Photography project, which investigates the camera's role in political imagination. His publications frequently address themes of displacement, crisis, and cultural representation through visual methods.
Associate Professor Mustafa GulTekin serves at Gaziantep University in the Faculty of Arts and Sciences , affiliated with both the Department of Turkish Language and Literature and the Department of Turkish Folklore . He holds a Doctorate in Turkish Folklorics (2010) from Ege University and has been teaching since 2004. Education: PhD in Turkish Folklorics, Ege University (2004-2010) MA in Turkish Language and Literature, Gaziantep University (2002-2004) Bachelor in Turkish Language and Literature, Balikesir University (1997-2001) Research Focus: Specializes in Turkic world fairy tales, oral literature analysis, minstrelsy traditions, and intangible cultural heritage. His work intersects folklore methodology with performance studies and cultural anthropology. Projects: Led/managed national projects including TUBITAK-funded research on Diyarbakir Alevi ocaks (2013-2016), Uzbek cultural studies in Gaziantep (2012-2015), and applied Karagöz education programs (2009-2010). Administrative Roles: Head of Department (2014-2017, 2012-present) Deputy Head of Department (2017-present, 2011-2012) Director of Research and Application Center (2012-2016)
Dr. Philip Kirby is a Senior Lecturer in the History of Education at King’s College London’s School of Education, Communication & Society. He joined in 2020 after roles at the University of Oxford, the Sutton Trust, and the University of Exeter. His research focuses on the historical and social dimensions of specific learning difficulties like dyslexia and dyspraxia, alongside children’s culture and education policy. His notable work includes Dyslexia: A History (2022, co-authored with Prof. Margaret J. Snowling) and entries in encyclopedias like Palgrave Encyclopedia of Disability . He also explores geopolitical themes in media, including film scores and video games. Recent projects include Delphi studies on dyslexia assessment and policy reform. His research spans education policy, private tuition dynamics, and the intersection of popular culture with disability ethics. He actively contributes to interdisciplinary initiatives like the Centre for Public Policy Research, addressing social justice in education and policy.
Prof. Dr. Ute Fendler holds the Chair of Romance Literature and Comparative Studies with Special Emphasis on Africa at the University of Bayreuth. Her academic journey includes a 2006 Habilitation and 1992 PhD from Saarland University, with research spanning Francophone African literatures , intermedial phenomena , and postcolonial cinematic analysis . She coordinates the Bayreuth Academy of Advanced African Studies as Vice-Director and serves on multiple editorial boards. 2006-Present: Professor at University of Bayreuth 2011-2015: Director of Institute for African Studies 2015-Present: Vice-Director of Bayreuth Academy of Advanced African Studies Her research interrogates urban ecotonal spaces through African music videos, transnational cinematic flows in African and Afro-Asian contexts, and mediated memory practices . Recent publications explore post-apocalyptic storytelling and decolonial aesthetics in music videos and films. Scientific contributions include: 2025: Staging Atmosphere: Urban Ecotonal Spaces in African Music Videos (Brill) 2024: Co-edited Asia-Africa: Multifaceted Engagement (Palgrave Macmillan) 2022: Animating the Future: Superheroes in Africa (Brill) 2020: Ghosts as Mediators: Memory and Hauntology (iwalewabooks) 2019: K-Pop Fandom in Germany (Korea University Press) She received the Faculty Enrichment Award from the Canadian Embassy in 2005 and serves on multiple academic committees including the University Library Commission (2007-2016).
