Monica Berlin was the Richard & Sophie D. Henke Distinguished Professor of English at Knox College, serving from 1998 until her passing in 2022. She held leadership roles as Chair of the Department of English and Associate Director of the Program in Creative Writing. Her academic background includes a B.A. in English Writing (1995, Knox College), M.A. in Literature and Composition (1998, Western Illinois University), and M.F.A. in Poetry (2002, Vermont College). Her research focuses on creative writing (poetry, nonfiction, fiction) and modern/contemporary American literature. She has published extensively in literary journals and anthologies, earning major awards like the Crab Orchard Poetry Series Open (2018) and New Measure Poetry Prize (2013). Her collaborative work with Beth Marzoni has been widely recognized in literary circles. Beyond academia, Berlin directed The Space (a literary center) and spearheaded digital archives like A Map of Voices: The Knox Writers' House . She contributed to campus governance as a member of the Faculty Personnel Committee and engaged with the community through roles at the Galesburg Public Library and literary festivals. Students praise her ability to guide them in refining their craft, emphasizing the 'elusive mechanics of writing.' Her legacy includes fostering literary innovation and accessibility in education and public spaces.
Andrew Motion is the Homewood Professor of the Arts at Johns Hopkins University’s Krieger School of Arts & Sciences. He previously held the position of Professor of Creative Writing at Royal Holloway, University of London, from which he moved to his current role in 2015. Motion is a celebrated poet, biographer, and essayist, having served as the UK Poet Laureate from 1999 to 2009. He was knighted in 2009 for his contributions to poetry. His research interests span poetry, literary biography, and creative writing. He has authored biographies of prominent figures like Philip Larkin and John Keats, as well as two volumes of autobiography and a collection of essays. Motion co-edited *The Penguin Book of Elegy* with Stephen Regan, reflecting his engagement with elegiac literature. Motion’s publications include recent works such as *New and Selected Poems 1977-2023* (2023) and *Waders* (2024). His earlier notable works include *In the Blood* (2006) and *Sleeping on Islands* (2023). He has co-founded initiatives like the Poetry Archive and Poetry by Heart, demonstrating his commitment to preserving and promoting poetry. No formal advisees or grants are explicitly documented in the provided text.
John Redmond is Professor of English Literature at the University of Liverpool's School of the Arts, specializing in contemporary poetry and creative writing. He holds a D.Phil and is an established poet with three collections published by Carcanet Press. His critical work examines privacy in poetic interpretation and Irish literary traditions. Research intersects creative practice with critical analysis, exploring poetry's relationship with folk drama, online culture, and food (gastro-criticism). Authored the textbook 'How to Write a Poem' and edited James Liddy's Selected Poems. Current projects include a novel and new poetry collection. Regularly participates in literary events including readings at the Anthony Burgess Foundation and Christ Church, Oxford. Chairs the School Extenuating Circumstances Committee and contributes to the Centre for New and International Writing.
Elaine Francis is a Professor of English and Linguistics at Purdue University's College of Liberal Arts, where she serves as Associate Head of the Department of English and directs the Experimental Linguistics Lab. She holds additional affiliations as an Affiliate Faculty Member in the Department of Linguistics and a Courtesy Faculty Member in the Department of Speech, Language, and Hearing Sciences. Ph.D. in Linguistics, University of Chicago (1999) B.A. in Linguistics, College of William and Mary (1993) MA in Linguistics, University of Chicago (1995) Former Assistant Professor at the University of Hong Kong (1999-2002) Professor Francis's research focuses on syntax and its interfaces with semantics, discourse information structure, and language processing in production and comprehension. She employs experimental methods to investigate syntactic, semantic, discourse-pragmatic, and cognitive factors underlying complex sentence structures. Her primary research areas include word order alternations, filler-gap dependencies, resumptive pronouns, and grammatical acceptability. She examines how various factors contribute to grammatical alternations in language use and explores how processing pressures in production and comprehension contribute to grammatical conventions. Her recent publication record shows consistent output across multiple linguistic subfields, with a strong emphasis on experimental syntax and psycholinguistics. Her 2022 book, Gradient Acceptability and Linguistic Theory , represents a significant contribution to understanding acceptability judgment tasks in relation to syntactic theory. Her work spans theoretical syntax, experimental linguistics, second language acquisition, and cross-linguistic comparison, often bridging the gap between theoretical frameworks and empirical evidence. Regularly teaches short courses at Linguistic Society of America Linguistic Institutes Member of Linguistic Society of America Ethics Committee Editorial board member of Glossa Psycholinguistics Co-editor of Polymorphous Linguistics: Jim McCawley's Legacy (2005) Co-editor of Mismatch: Form-Function Incongruity and the Architecture of Grammar (2003) Professor Francis actively supervises graduate students in linguistics, though she has indicated she will be unable to take on new graduate students for the 2025-2026 academic year. She has received research support for her experimental work, particularly for investigating syntactic phenomena through controlled experiments and corpus analysis. Her collaborative work extends across multiple institutions and disciplines, including collaborations with researchers in computational linguistics, cognitive science, and clinical linguistics. She directs the Experimental Linguistics Lab at Purdue University, which conducts research on syntactic processing using various experimental methodologies. The lab investigates how speakers produce and comprehend complex sentence structures, with particular attention to how grammatical knowledge interacts with processing constraints. Current projects include research on relative clauses, syntactic islands, and acceptability gradient phenomena across multiple languages.
Andrea Selleri is an Assistant Professor in the Department of English Literature at Bilkent University, where he joined in September 2020. He holds a BA and MA from the University of Trieste and a PhD from the University of Warwick. His research focuses on the intersections between British literature, criticism, and philosophy in the long nineteenth century, with particular attention to authorship, aesthetics, and interdisciplinary approaches. Dr. Selleri has published extensively on Victorian literature and its philosophical contexts, including a monograph exploring the evolution of authorship concepts and co-editing Literary Studies and the Philosophy of Literature (Palgrave, 2016). His recent work includes a three-volume critical edition, Literature and Philosophy in Nineteenth-Century British Culture (Routledge, 2024), which compiles annotated primary sources. At Bilkent, he teaches courses such as ELIT 246 (Drama and Performance) , ELIT 366 (Victorian Literature) , and ELIT 458 (Literature and Philosophy in Nineteenth-Century British Culture) . He coordinates the Philosophy and Literature Colloquia series and serves as a review editor for the Journal of Victorian Culture . His research interests span literary history, modern literatures in English, French, Spanish, and Italian, and the philosophy of literature. Current projects include studies on free will in Victorian fiction and the legacy of Romantic authorship in formalist aesthetics.
José Angel Araguz is an Assistant Professor of English at Suffolk University, specializing in creative writing and literary studies. His research focuses on Latinx poetics, poetic forms, and experimental literary genres. He holds a PhD from the University of Cincinnati, an MFA from New York University, and a BA from the College of Santa Fe. Dr. Araguz is deeply involved in literary publishing, serving as Editor-in-Chief of Salamander , a member of The Cincinnati Review’s Strategic Board, and an advisory board member for SWING literary journal. He also leads editorial roles at Airlie Press and Right Hand Pointing. His creative work spans poetry, nonfiction, and hybrid genres, with a focus on Latino/a identity, speculative elements, and formal innovation. Major publications include Ruin and Want (2023), La esperanza espera (2023), and Rotura (2022). His research explores blackout poetry, microcuentos, and the intersection of creative writing with cultural critique. He teaches courses like Latinx Literature, Creative Writing, and Poetry Workshops. Office hours are Fridays 10:30 a.m.–1:30 p.m. or by Zoom appointment.
Oleksandr Kapranov is an Associate Professor of English at NLA University College's Teacher Education program. His work intersects discourse analysis, climate change communication, and English language teaching (ELT), with a focus on sustainable development education and intercultural communication. Research areas include political speeches (e.g., Keir Starmer, Rishi Sunak), corporate disclosures (Bank of England, Vedanta Resources), and media framing (Greenpeace branches, King Charles III). Key pedagogical interests: digital competence, beginner EFL training, and discourse markers in academic writing. His recent publications analyze climate change discourse through syntactic structures, metonymy, modality, and evidentiality, emphasizing institutional and political narratives. While no formal awards are listed, his work spans interdisciplinary collaborations with NGOs, governments, and universities.
Nathan Martin is an Associate Professor of Music Theory at the University of Michigan, School of Music, Theatre & Dance. He joined in 2015 after postdoctoral fellowships at Columbia, Harvard, Katholieke Universiteit Leuven, Hochschule für Musik Freiburg, and Yale. He holds a PhD from McGill University’s Schulich School of Music (2009). His research focuses on the history of music theory and musical form analysis, particularly the works of Jean-Philippe Rameau and their reception among Enlightenment thinkers like Jean-Jacques Rousseau. He integrates intellectual history with practical analytical methods, emphasizing both contextual and emic perspectives. Recent interests include adapting empirical social science and linguistics methods to study musical form. Key publications include articles on Rameau’s harmonic concepts, Rousseau’s musical writings, and global music theory history. His 2014 article on Rameau’s supposition/suspension theories earned the Society for Music Theory’s Outstanding Publication Award. He co-edited Formal Functions in Perspective (2015) and served as co-editor of Music Theory & Analysis until 2019. Professional highlights include the Edward T. Cone Membership at the Institute for Advanced Study (2018–2019) and a 2023 visiting researcher role at the Max Planck Institute for Empirical Aesthetics. His work bridges historical analysis with contemporary empirical approaches, fostering interdisciplinary dialogue in music theory.
Professor Brian Dillon is the Professor of Creative Writing and Director of Creative Writing at Queen Mary University of London's School of English and Drama. Previously, he served as Head of the Writing Programme at the Royal College of Art. He holds a PhD from the University of Kent (1999) and has authored numerous books blending creative nonfiction, literary criticism, and art analysis. His research focuses on the essay form, autobiography, literature-visual arts intersections, and writing about illness. Key publications include *Suppose a Sentence* (2020), an experimental essay collection analyzing literary sentences, and *Affinities* (2023), exploring photographic imagery. Current projects include a study of Kate Bush's *Hounds of Love* and an essay on education. Dillon frequently contributes to *The Guardian*, *London Review of Books*, and *Artforum*, and has curated exhibitions for Tate and Hayward Galleries. His awards and fellowships are not explicitly listed here, but his work has been widely exhibited and published internationally. He supervises doctoral students in creative writing and related fields, emphasizing interdisciplinary approaches to literature and art. Public engagement includes talks at institutions like the British Museum and Pompidou Centre, and appearances on BBC Radio 3 and RTE Radio. His work bridges academic critique with accessible creative writing, making complex themes engaging for broader audiences.
Lena Berggren serves as an Associate Professor in the Department of Historical, Philosophical and Religious Studies at Umeå University, Sweden, with her office located in Humanisthuset (HUM.H.125), Umeå. She holds the title of Docent and has been honored as a Distinguished university teacher for exceptional pedagogical contributions. Her academic qualifications include the Swedish Docent credential (a post-doctoral habilitation) and recognition as a Distinguished university teacher, reflecting dual expertise in research and education. Berggren's research centers on Swedish fascism, antisemitism, and ultra-nationalism during the interwar period, with specific focus on clerical fascism intersections with Lutheranism and völkisch thought. She simultaneously advances university pedagogy through investigations into scientific methodology development and assessment strategies for students, creating a unique bridge between historical scholarship and educational innovation. Analysis of her publication trajectory reveals persistent examination of extremist ideologies' historical roots and modern manifestations, culminating in her 2024 co-authored book '100 år av svensk nazism' which directly addresses contemporary far-right movements in Sweden. Her scientific recognition includes: Distinguished university teacher award Berggren secured research funding for the project 'Swedish fascism 1920-1950' (2007-2008), demonstrating sustained investigative focus. While no formal advisee list is documented, her pedagogical publications indicate active mentorship in historical methodology and academic writing development.
Professor Peter John Edgley Robinson is a distinguished academic and poet at the University of Reading, where he holds the position of Professor in the Department of English Literature, part of the School of Humanities. He is renowned for founding the English Literature with Creative Writing joint degree program and the MA in Creative Writing. His research focuses on modern and contemporary poetry, publishing, and translation, with a particular interest in 20th-century literary movements and interdisciplinary studies. Responsibilities include leading the Poetry & Poetics strand of the Modern Studies Centre and supervising doctoral research in creative writing and academic topics such as post-war Japanese poetry, Muriel Rukeyser’s work, and travel writing. He has held roles as poetry editor for Two Rivers Press and contributed to academic publications like The Fortnightly Review . His career includes teaching at Tohoku University in Japan and organizing events like the Reading Poetry Festival. Key awards include the Cheltenham Prize (1988), the John Florio Prize (2008), and Poetry Book Society recommendations. His publications span poetry collections, critical essays, translations, and novels, reflecting his expertise in literary analysis and creative expression. Notable works include The Sound Sense of Poetry (2018), Ravishing Europa (2019), and Retrieved Attachments (2023). Education: BA from University of York (1974), PhD from University of Cambridge (1981). Translations: Includes works by Vittorio Sereni, Pietro De Marchi, and Giorgio Bassani. Editorial Roles: Numbers magazine, Reading Poetry Festival , and The Oxford Handbook of Contemporary British and Irish Poetry . His research explores intersections between poetry, economics, and cultural identity, with a focus on publishing policies and lyrical forms. He remains active in mentoring emerging writers and fostering interdisciplinary collaboration.
Elaine J. Francis is a Professor of English and Linguistics at Purdue University, where she also serves as the Associate Head of the Department of English. She holds affiliate appointments in the Department of Linguistics and the Department of Speech, Language, and Hearing Sciences. At Purdue, she directs the Experimental Linguistics Lab and teaches linguistics courses at both graduate and undergraduate levels. Francis completed her B.A. in Linguistics at the College of William and Mary in 1993, followed by her M.A. (1995) and Ph.D. (1999) in Linguistics at the University of Chicago under the direction of Salikoko Mufwene. Her dissertation examined variation among members of the same lexical category in English using Sadock's Autolexical Grammar framework. Prior to joining Purdue in 2003, she served as an Assistant Professor at the University of Hong Kong from 1999 to 2002, where she collaborated with Stephen Matthews on research concerning syntactic categories and relative clauses in Cantonese. Her research focuses on syntax and its interfaces with semantics, discourse information structure, and language processing in production and comprehension. Francis employs experimental methods to investigate syntactic, semantic, discourse-pragmatic, and cognitive factors underlying the grammar and usage of complex sentence structures. Her specific interests include word order alternations, filler-gap dependencies, resumptive pronouns, relative clauses, grammatical categories, and syntactic alternations. She has published extensively in top linguistics journals including Language and Cognition, Glossa Psycholinguistics, Linguistics, Lingua, Cognitive Linguistics, and the Journal of Psycholinguistic Research. Analyzing her recent publications reveals a consistent focus on experimental approaches to syntactic phenomena. Her work demonstrates a strong interest in gradient acceptability, syntactic priming, cross-linguistic comparison (particularly involving English and Cantonese), and the relationship between grammatical theory and language processing. Her 2022 book Gradient Acceptability and Linguistic Theory represents a major contribution that synthesizes experimental findings with theoretical linguistics frameworks. Francis plays an active role in the broader linguistics community. She regularly teaches short courses at the Linguistic Society of America Linguistic Institutes, serves on the LSA Ethics Committee, and is on the editorial board of Glossa Psycholinguistics. She has also edited several books and special journal issues, including Mismatch: Form-Function Incongruity and the Architecture of Grammar (2003) and Polymorphous Linguistics: Jim McCawley's Legacy (2005). As an educator and administrator, Francis has supervised numerous graduate students and currently serves as Associate Head of the Department of English at Purdue. Her Experimental Linguistics Lab provides research opportunities for students interested in the intersection of theoretical syntax and experimental methodology. While she recently announced she will not be accepting new graduate students for the 2025-2026 cycle, her established mentorship record demonstrates her commitment to training the next generation of linguists. The Experimental Linguistics Lab, which she directs, serves as a hub for research combining theoretical linguistics with experimental methods. Her collaborative work extends across disciplines, including collaborations with researchers in speech-language pathology, cognitive science, and computational linguistics, reflecting the interdisciplinary nature of modern linguistic research.
Andrew Miller is an Associate Professor in the Electrical and Computer Engineering department at the University of Illinois, specializing in Programming Languages, Formal Methods, Software Engineering, Security and Privacy, and Systems and Networking. His research focuses on blockchain technologies, cryptography, and secure systems. Professor Miller's research spans multiple critical areas in modern computer security. His work primarily focuses on blockchain technologies , where he has made significant contributions to understanding and improving the security, privacy, and performance of systems like Bitcoin and Ethereum. He has conducted empirical analyses of privacy in the Lightning Network and developed protocols for confidential smart contracts. His work in cryptography includes research on multiparty computation, zero-knowledge proofs, and formal methods for cryptographic protocol design. Miller also investigates security vulnerabilities in proof-of-stake systems and resource exhaustion attacks, contributing to the robustness of decentralized systems. His applied security research extends to privacy-preserving health applications, as evidenced by his work on the Safer Illinois platform for COVID-19 contact tracing. Miller's publication record demonstrates consistent contributions to top security and systems venues including IEEE Security & Privacy, ACM CCS, Financial Cryptography, and USENIX Security. His research shows a clear trajectory from foundational work in blockchain security to more applied systems addressing real-world privacy and security challenges. Recent work focuses on making multiparty computation services publicly auditable and developing decentralized identity solutions that maintain compatibility with existing systems. Distinguished Reviewer Award, IEEE Security & Privacy 2018 Professor Miller has advised students including Vivek Nair, who joined the prestigious Hertz Fellows program in 2022. He has taught various courses including Introduction to Algorithms & Models of Computation, Advanced Computer Security, Cryptography, Applied Cryptography, and Ideal Functionality in Cryptography. His research has received support through grants including the SaTC: CORE: Medium project on "Automated Support for Writing High-Assurance Smart Contracts" in 2018. Miller is actively involved in research groups focusing on blockchain security, cryptographic protocols, and privacy-preserving systems. His lab appears to collaborate extensively with researchers across multiple institutions, as evidenced by the diverse author lists on his publications. Current work seems to be focused on making decentralized systems more secure, privacy-preserving, and accessible for real-world applications.
Tiraana Bains is an Assistant Professor of History at Brown University, specializing in modern Britain and the global British Empire. Her research investigates the contested formation of the British imperial state in South Asia between the 18th and 20th centuries, emphasizing participatory and revolutionary dimensions of imperial governance. PhD, Yale University, 2021 MA, Yale University, 2015 BA, Yale University, 2015 Postdoctoral Fellowship, Modern Intellectual History, Dartmouth College, 2021–2023 Her research interests lie at the intersection of imperial history, political authority, and intellectual frameworks of empire. She examines how both elite and non-elite actors across Britain and South Asia contested and shaped imperial rule, taxation, and labor systems. Her work positions British imperial formation not merely as coercion but as a dynamic, ideologically charged process comparable to revolutionary state-building in America and France. The recent publications reflect a deep engagement with sovereignty, imperial connectivity, and the intellectual history of empire. Her articles explore the collapse and reconstitution of imperial presidencies, dual sovereignty between Mughal and British powers, and broader conceptual attempts to 'think the empire whole.' These works span journals in British, global, and South Asian history, indicating a transregional and interdisciplinary approach. While no formal scientific awards are listed, her publications in leading historical journals and her active research program suggest strong scholarly recognition. Tiraana Bains teaches undergraduate courses at Brown, including HIST 1267: The Global British Empire, 1600–The Present and HIST 1974E: The Intellectual History of Imperialism . She is currently completing a book titled Instituting Empire: The Contested Makings of a British Imperial State in South Asia, 1750–1800 , which promises to make a significant contribution to the field. Her postdoctoral training at Dartmouth further underscores her expertise in intellectual history. Though no lab or research team is mentioned, her collaborative publications suggest engagement with a broader scholarly network at Brown and beyond.
Margus Pärtlas is Professor of Music Theory and Vice Rector for Academic Affairs and Research at the Estonian Academy of Music and Theatre (EAMT). He earned his Doctorate from the St. Petersburg Conservatory in 1992 with a dissertation on Eduard Tubin's symphonies. His career includes positions as Associate Professor (1993-2003), Senior Teacher (1987-1993), and Fulbright Visiting Scholar at the University of North Texas (1999-2000). Pärtlas's research focuses on music analysis methodologies , specializing in the works of Eduard Tubin and Richard Strauss. Key areas include symphonic form, tonal transformation in Romantic music, semiotic analysis of choral works, and cultural identity in exile compositions. His publications consistently explore structural innovation in 19th-20th century European music. His recent articles reflect a thematic emphasis on Estonian musical heritage , institutional development of music academies, and analytical studies of concerti/symphonies. A significant trend involves examining how composers negotiate cultural identity through structural elements. Awards & Honors: Fulbright Visiting Scholar Grant (1999) Best Music Article Award from 'Teater. Muusika. Kino' (1992) Academic Leadership: Chaired accreditation committees internationally (Latvia, Lithuania, Russia, Armenia), serves on editorial boards of Res Musica and Eduard Tubin's Complete Works, and organized major conferences including 'Eduard Tubin 100'. Doctoral Supervision: Guided 4 PhD students in music analysis and interpretation, focusing on topics like Tubin's piano sonatas, Estonian song traditions, and analytical approaches to contemporary performance.
