Sasha Welland is an Adjunct Associate Professor in the Department of Anthropology at the University of Washington, affiliated with Gender, Women & Sexuality Studies; China Studies; Comparative History of Ideas; and graduate certificate programs in Cinema & Media Studies and Public Scholarship. Her research focuses on Asian American studies, East Asian ethnography, feminism, visual culture, and sociocultural anthropology. Welland’s scholarship bridges historical and contemporary analyses. Her book Experimental Beijing (2018) explores Chinese contemporary art as a site of cultural negotiation around gender, globalization, and post-socialist transformations. Her earlier work A Thousand Miles of Dreams (2006) traces the transnational lives of two 20 th -century Chinese women activists. She contributes to Journal of Visual Culture and has published in Signs and Yishu . An engaged public scholar, Welland has curated feminist art exhibitions in Beijing, Shanghai, and Hong Kong, blending academic research with cultural practice. Her work interrogates intersections of gender, space, and global flows in East Asian contexts.
Jennifer Gómez Menjívar is Professor and Director of the M.A. in Media Industries and Critical Cultural Studies at the University of North Texas. Her research examines historical and ethno-linguistic movements influencing text production, circulation, and reception across print media, screen cultures, and digital communities. With over 18 years of teaching experience, she previously held positions at international organizations including the UNECE and UNDP. Her scholarly interests span media linguistics, film adaptation, digital activism, hemispheric animation histories, Indigenous sovereignty media, and Spanish-language media. Her publications demonstrate interdisciplinary work bridging media studies, cultural history, and postcolonial theory. Her extensive publication record includes books such as Tropical Tongues: Language Ideologies, Endangerment, and Minority Languages in Belize (2018) and Black in Print: Plotting the Coordinates of Blackness in Central America (2023), as well as co-edited volumes on Indigenous technology and hemispheric Blackness. She received a Senior Research Fellowship at Freie University Berlin for her upcoming work on Indigenous sovereignty media. Gómez Menjívar teaches courses including Introduction to Graduate Studies in Media Arts, Women in Film, and Global Media. She also mentors students in critical media analysis and serves as faculty advisor for media research projects.
Rachel Morley is an Associate Professor at the School of Slavonic and East European Studies (SSEES), University College London. She holds a BA in French Language and Literature from the University of Oxford (1992), followed by BA, MA, and PhD degrees from UCL (1999, 2001, 2011). Her roles include Academic Director of Education and Student Experience at SSEES (2022–2027) and Co-Convenor of the UCL SSEES Cinema Research Group. Dr. Morley's research focuses on Cinema studies Cultural studies Feminist and queer theory Literary studies with emphasis on Soviet/Russian cinema, gender representation, and film historiography. She held a Leverhulme Trust Research Fellowship (2020–2022) for her project on female subjectivity in contemporary Russian cinema. Her teaching spans Russian cinema, poetry, language, and translation. Past roles include Postgraduate Teaching Assistant at SSEES (1999–2009) and lecturer at the University of Cambridge (2006, 2008). She has also supported international students as SSEES International and Affiliate Tutor (2014–2018). Key Achievements: Leverhulme Trust Research Fellowship Fellow of the Higher Education Academy (2016) Her work bridges film, literature, and cultural history, emphasizing underrepresented narratives and feminist perspectives in Russian and Soviet cinema.
Lisa Walcott is an Associate Professor of Art at Hope College, where she has been a faculty member since 2018. She teaches sculpture courses, the capstone course for art majors, and a First-Year Seminar on artistic processes. Her studio practice focuses on kinetic sculptures and installations that explore themes of home, the everyday, and the feminine experience. MFA in Sculpture from Cranbrook Academy of Art (2010) B.A. from Trinity Christian College (2005) Walcott’s research intersects sculpture, installation art, and kinetic design, often recontextualizing domestic objects to investigate themes of interdependence, repair, and the unseen forces in everyday life. Her work frequently involves mechanical components and materials like wax, motors, and household items to create immersive, motion-driven installations. Her recent artworks, such as Making a Mountain (2024) and A Soft Punch to the Gut (2024), exemplify her focus on transforming utilitarian structures into emotive, kinetic pieces. These works, alongside digital collages like The Way I Figure It (2023), reveal a trajectory toward blending physical materials with conceptual frameworks to explore domestic ingenuity and tension. Walcott actively mentors students through faculty research collaborations and founded the Hope College Art Club. She exhibits nationally at institutions like the Eli and Edythe Broad Art Museum and The Sculpture Center, with solo exhibitions at venues including Manifest Gallery (Cincinnati) and the Urban Institute for Contemporary Art. Her studio practice integrates material investigations and workshops to refine techniques, which she translates into both pedagogy and art. Notable solo exhibitions include Swarm (2013) at the Broad Art Museum and Tight Spots (2021) at Saugatuck Center for the Arts.
Asma Sayeed is an Associate Professor and Program Director of Islamic Studies at UCLA's Near Eastern Languages and Cultures department, part of the UCLA College. She holds a PhD in Near Eastern Studies from Princeton University (2005) and previously served as an Assistant Professor at Lafayette College. Her research focuses on early Muslim social history, Muslim education, gender studies, and hadith transmission by women. She has authored Women and the Transmission of Religious Knowledge in Islam (2013) and contributed to numerous journals and encyclopedias. Sayeed received a Fulbright Fellowship (2010) for archival research on Muslim women’s education in Syria. She teaches courses such as 'Introduction to Islam' and graduate seminars on research methodologies. Her current work examines textual practices in Muslim education across historical contexts. Education: PhD, Near Eastern Studies, Princeton University (2005) MA, History, Binghamton University (1994) BA, Politics, Princeton University (1991) Certificate in Near Eastern Studies, Princeton University (1991) Research Interests: Her scholarship emphasizes women’s roles in religious knowledge transmission, legal and social history intersections, and medieval Muslim educational systems. She frequently addresses how gender shaped access to religious authority and spaces. Awards: Fulbright Fellowship (2010) Teaching and Professional Engagement: Sayeed’s courses cover Quranic studies, Islam in the West, and methodological frameworks in Islamic studies. She actively participates in academic conferences and initiatives, including keynote lectures on women’s intellectual engagement in classical Islam and digital humanities projects mapping women’s educational histories.
Dale Shuger is a Professor of Spanish & Portuguese in the School of Liberal Arts at Tulane University. His academic career includes roles as Visiting Assistant Professor (2012-2013), Assistant Professor (2013-2023), and Associate Professor (2018-2023) before his current position since 2023. He holds a Ph.D. from New York University (2008) and a B.A. from Harvard University (2001). Shuger’s research focuses on early modern Spanish literature, heterodox religions, and popular culture in Spain and colonial Latin America. His work bridges literary analysis with cultural history, exploring topics such as mysticism, the Inquisition, and symbolic practices in early modern texts. His publications include God Made Word: An Archaeology of Mystic Discourse in Early Modern Spain (2021) and articles on Cervantes, puppetry, and religious symbolism. His research has been supported by grants like the COR International Travel Fund and the Lurcy Award. Shuger has led Tulane’s Program in Medieval and Early Modern Studies (2014-2017) and currently serves on the School of Liberal Arts Curriculum Committee. He advises Spanish majors and has supervised one thesis in the past five years.
Mei Mei Rado is an Assistant Professor at Bard Graduate Center, specializing in textile and dress history with a focus on China and France (18th–20th centuries). Her work connects global networks to local cultural systems through material analysis and cross-cultural interpretation. Education: PhD, Bard Graduate Center MA, University of Chicago BA, Nanjing University Research Interests: She explores intercultural textile exchanges, particularly European-Chinese interactions, rococo style diffusion, and Qing court arts. Her forthcoming book The Empire’s New Cloth (Yale, 2025) examines European textiles in Qing imperial contexts. Publications: Recent works include analyses of 18th-century French drapery, Qing cosmopolitanism through Japanese screens, and lamé textiles in modern fashion. Her research spans material culture, cross-cultural aesthetics, and historical networks. Curatorial Practice: Formerly Associate Curator at LACMA, she pioneered modern Chinese fashion collections. Collaborations with European/American institutions continue through her current projects on Edo-period textiles and light in fashion history.
Emily Butterworth is a Professor in the Department of Languages, Literatures and Cultures at King’s College London, within the Faculty of Arts & Humanities. She holds a prestigious position in Early Modern French literature studies, focusing on speech practices, women’s writing, and cultural analysis. Her career includes roles at the University of Sheffield (2002–2006) before joining King’s, where she has been a core faculty member since 2006. Education: Emily studied French at University College London (UCL) and the University of Cambridge, establishing her foundation in French literary and cultural studies. Research Interests : Her work centers on early modern literature and thought, particularly deviant speech, gossip, and the role of scandal in French Renaissance texts. Key focuses include: Analysis of Marguerite de Navarre’s Heptameron and its cultural context Montaigne’s exploration of ethics and skepticism Gendered discourse in early modern women’s writing The intersection of print culture, censorship, and obscenity Projects & Engagement : Co-Investigator on the AHRC-funded Gossip and Nonsense in the French Renaissance (2012–2015), she collaborated on artistic projects such as Spinning Stories and Chinese Whispers . She has contributed to BBC programs like Radio 4’s Something Understood and Radio 3’s Free Thinking , discussing gossip’s cultural significance and early modern news. Publications : Her scholarship includes monographs like The Unbridled Tongue (2016) and Marguerite de Navarre: A Critical Companion (2022). Her articles span topics from Renaissance book history to the ethics of speech in Montaigne’s essays. Affiliations : She is part of King’s Centre for Early Modern Studies and contributes to research groups on textual representation and visual culture.
Susan Maslan is an Associate Professor in the Department of French at the University of California, Berkeley , with affiliations to the Center for Jewish Studies. Her work bridges early modern French literary, political, and social history, focusing on theater, the French Revolution, and human rights. Research Interests: 17th- and 18th-century French theater French Revolution and Enlightenment Human rights and political subjectivity Biopolitics and servitude Judaism in early modern French literature Selected Publications explore themes such as social bonds in revolutionary drama, affect in political representation, and the intersection of Judaism and theatrical personae. Her book Revolutionary Acts: Theater, Democracy, and the French Revolution (2005) remains a key contribution to revolutionary theater studies. Contact: samaslan@berkeley.edu | Office Hours: Tuesdays 2:15-4:15 PM (in-person and Zoom) | Office: 4219 Dwinelle Hall
Dr. Hannah Zdansky is an Assistant Professor of English at Belmont Abbey College, specializing in medieval languages, literatures, and manuscript studies. Her research focuses on cross-cultural connections in medieval Britain and Ireland, particularly exploring multilingualism, religion in literature, and medieval reading practices. She holds a B.A. from Baylor University, an M.A. from the National University of Ireland, Galway, and a Ph.D. from the University of Notre Dame. Her expertise spans Old and Middle English, French, Irish, Welsh, and Latin, with a methodological focus on digital humanities and the history of the book. Dr. Zdansky’s work examines how medieval literary and material cultures were shaped by multicultural interactions, including studies on medieval manuscripts, the role of women in literary production, and the intersection of religion with secular narratives. Her recent scholarly engagements include presentations on topics like the transnational dimensions of medieval texts, the interplay between sacred and secular themes in works such as Gui o Bharbhuic , and comparative analyses of Welsh and English manuscript traditions. Her publications span peer-reviewed articles, encyclopedia entries, and book reviews, reflecting her commitment to interdisciplinary medieval studies. Dr. Zdansky teaches a wide range of courses, from Old English Language and Literature to Irish History, emphasizing close textual analysis and historical context. She has advised numerous students through independent studies and thesis work, fostering academic rigor and intellectual curiosity in her classroom.
Rachel Fell McDermott is Professor of Asian and Middle Eastern Cultures at Barnard College, Columbia University, specializing in South Asian religions, particularly the Hindu goddess traditions of Bengal in India and Bangladesh. Her work bridges religious studies, human rights, and comparative religion, with a strong focus on Kali, Durga Puja, and the literary legacy of Kazi Nazrul Islam. Education: A.B., Religious Studies, University of Pennsylvania, 1981 M.Div., Harvard Divinity School, 1984 A.M., Study of Religion, Harvard University, 1986 Ph.D., Study of Religion, Harvard University, 1993 Her research centers on the religious and cultural dynamics of Bengal, exploring themes such as goddess worship, ritual practices, religious poetry, and the intersection of religion with politics and identity. She is deeply engaged in comparative religion, examining how religious themes like suffering, sacrifice, and divine femininity manifest across traditions. Her scholarship also addresses diasporic religious experiences, digital religion, and interfaith dialogue, particularly between Hindu and Christian communities. The 15 most recent publications reflect a sustained scholarly engagement with goddess traditions, especially Kali and Durga, as well as broader themes in South Asian religion, including Tantric symbolism, festival culture, and the reception of Hindu deities in the West. Her work spans ethnographic, historical, and textual analysis, often highlighting the contested and evolving nature of religious canons. She frequently contributes to major academic anthologies and journals in religious studies, South Asian studies, and comparative theology. Scientific Awards: No specific awards listed in the provided text. As a senior professor and managing editor of major academic volumes, she has likely advised numerous graduate students and secured research funding, though specific names and grants are not mentioned. She teaches courses such as “Why Do Bad Things Happen to Good People?” that explore theodicy across religions. She is currently on leave for the 2024–2025 academic year, indicating ongoing active involvement in academic life. She is involved in significant editorial projects, including the third edition of The Sources of Indian Traditions , and is working on translations and a monograph on Kazi Nazrul Islam. Her scholarly presence includes invited lectures at institutions such as Princeton, the University of Connecticut, and the Bangla Academy in Dhaka, reflecting her international recognition in the field of South Asian religious studies.
Susan Holmes is Professor at the School of Media, Language and Communication Studies at the University of East Anglia (UEA), where she joined as Reader in Television in 2007 and was appointed to Professor in 2018. She is an active member of several research groups including Media Equality, Film, Television and Media, Gender and Its Intersections Steering Committee, and HealthUEA. Her work spans television studies, celebrity culture, and feminist approaches to eating disorders. Professor Holmes received her academic training at the University of Sussex (BA in English and Media Studies), followed by an MA in Film from the University of Southampton, and completed her PhD on British film and television in the 1950s at the same institution. Prior to joining UEA, she taught Media and Cultural Studies at the Southampton Institute (now Southampton Solent University) and television and film at the University of Kent. Her research focuses on several interconnected areas that challenge traditional disciplinary boundaries. In television studies, she has made significant contributions to understanding British television history, particularly through her books 'British TV and Film in the 1950s' and 'Entertaining TV: the BBC and Popular Programme Culture in the 1950s,' where she challenges canonical ideas about early BBC television. Her work on reality TV examines historical development, generic labeling, and celebrity. Since 2014, she has conducted important empirical research on feminist approaches to eating disorders, analyzing media representations and working directly with people with lived experience. A key focus of this research examines how feminist approaches are neglected in contemporary eating disorder treatment, with implications for both clinical practice and cultural understanding. She co-founded the influential Celebrity Studies journal in 2010 and edited it for the first eight years of its publication. Analysis of Professor Holmes' recent publications reveals a clear trajectory where her expertise in media and television studies converges with her feminist scholarship on eating disorders. Her most recent work (2023-2025) increasingly focuses on cross-cultural applications of feminist approaches to eating disorders (including work in China), the use of innovative methodologies like Photovoice, and examinations of therapeutic alliance in treatment settings. Simultaneously, she continues to analyze contemporary media representations, particularly focusing on motherhood, true crime television, and reality TV through feminist lenses. This dual focus demonstrates how media representations shape cultural understandings of both celebrity and health conditions. Professor Holmes' significant contributions to academia have been recognized with several prestigious awards: Senior Fellowship from Advance HE (2024) UEA engagement award (2017) ALPSP award nomination for Celebrity Studies as best new journal (2011) She currently runs the Feminist Media Studies research cluster at UEA and is actively supervising postgraduate research in areas including popular television, television/film history, British TV history, stardom/celebrity, and feminist approaches to eating disorders. Her current major research project is the 'ALLIANCE study' (2024-2026), funded by the National Institute for Health and Care Research, which aims to develop practice and policy recommendations to support effective therapeutic alliance in inpatient treatment for eating disorders. This builds on her earlier British Academy-funded research on 'Entertaining Television: British TV, the BBC and Popular Programme Culture in the 1950s' (2007-2008). Professor Holmes plays a significant role in the academic community through her editorial work, serving on the boards of journals including Archives of Psychology, Big Data & Society, and Critical Studies in Television, and previously as co-founder and editor of Celebrity Studies. She has also been active in media engagement, contributing expert commentary on topics ranging from Netflix's portrayal of eating disorders to Celebrity Big Brother.
Morgan Wait is a Postdoctoral Research Fellow Level I in the School of History at University College Dublin. She is currently working on the ERC-funded DIASPORA project, focusing on the history of drug use in late 20th-century Ireland. Her research centers on social history, with a strong emphasis on media, gender, and sexuality in modern Ireland. Education: PhD in History, Trinity College Dublin (2022) M.Phil in Modern Irish History, Trinity College Dublin BA in History, English, and Political Science, Salisbury University Her research interests lie at the intersection of media history and gender studies, particularly in the context of Irish public broadcasting. She has published extensively on women’s programming at Teilifís Éireann and institutional practices such as the marriage bar. Her work reconstructs marginalized media narratives using archival and press sources. Morgan’s recent publications show a consistent focus on Irish television history, gender representation, and cultural policy. Her articles analyze programming content, institutional discrimination, and public discourse, reflecting a deep engagement with both academic and public history. Scientific Awards: No awards listed in the provided text. Morgan has contributed to significant research projects and is currently working on a forthcoming monograph, Rediscovering Women in Early Irish Television , under contract with Liverpool University Press. While no formal advisees are listed, her collaborative publications indicate active participation in scholarly networks. She is affiliated with the DIASPORA research team at UCD and contributes to public scholarship through RTÉ Brainstorm and online academic blogs.
Susan Powers is a Professor of Civil & Environmental Engineering at Clarkson University, where she also serves as the Spence Professor of Sustainable Environmental Systems, Director of the Institute for a Sustainable Environment, and Associate Director of Sustainability. She earned her Ph.D. in Environmental Engineering from the University of Michigan in 1992. Research Interests: Dr. Powers specializes in lifecycle assessment and environmental impact metrics for energy systems, with recent interdisciplinary work on anaerobic digestion for food waste management and smart housing to encourage energy conservation. Her educational research integrates project-based learning to enhance energy and climate change literacy across K-12 and college levels. Scientific Awards: AEESP Distinguished Service Award (2019) AEESP Fellow (2019) Spirit of Entrepreneurship Award (2012) Premier Curriculum Award for K-12 Engineering (2009) NSF Directors Award – Distinguished Teaching Scholar (2004) Grants & Educational Leadership: Dr. Powers has led multiple education-oriented grants, including the NSF Distinguished Teaching Scholars award, to develop project-based modules for sustainability education. She actively incorporates campus sustainability initiatives into student projects to teach real-world environmental problem-solving.
Dr. Kaye Mitchell is a Senior Lecturer in Contemporary Literature within the Department of English and American Studies at the University of Manchester. She serves as Co-Director of the Centre for New Writing and is affiliated with the Centre for the Study of Sexuality and Culture. Her academic career spans over fifteen years at Manchester, following previous teaching at the University of Westminster. Her educational background includes a BA in English Literature from Queen Mary University of London, an MA in Philosophy from Birkbeck, and a PhD from Birkbeck completed in 2004. She has held visiting positions including a Visiting Scholar at NYU in 2011 and an 18-month Humboldt Experienced Research Fellowship in Berlin from 2014-2015. Dr. Mitchell's research focuses on contemporary literature with particular emphasis on gender and sexuality studies, literary theory, and experimental writing by women. Her work explores the relationships between form, meaning, and gender/sexual identity and representation. She has published extensively on topics including literary intention, women's experimental writing, and the politics and poetics of shame in contemporary literature. She is currently working on a monograph titled Gendered Experiments which analyzes gender ramifications of literary experiment through strategies of appropriation, constraint, and excess. Her research output shows a consistent trajectory toward increasingly specialized work on women's writing, gender, and experimental literary forms. The publications demonstrate interdisciplinary connections between literary studies, gender theory, and affect studies, with particular attention to how negative affects like shame operate within contemporary literary texts. Humboldt Experienced Research Fellowship (2014-2015) Co-Editor of Contemporary Women's Writing (OUP journal) Member of editorial boards for Open Gender Journal and C21 Dr. Mitchell actively supervises PhD students working on diverse topics spanning gender studies, contemporary literature, and experimental writing. Her external engagement includes talks at major festivals and events including Ladyfest Manchester, Queer Up North, Homotopia, and the Manchester Literature Festival. She also participates in the annual Sexuality Summer School through her affiliation with the Centre for the Study of Sexuality and Culture.
