Elaine Chun is an Associate Professor in the Department of English Language and Literature at the McCausland College of Arts and Sciences, University of South Carolina. She holds a Ph.D. in Linguistics from the University of Texas at Austin (2007) and an A.B. in Linguistics from Stanford University (1995). Education: Ph.D. in Linguistics, University of Texas at Austin (2007); A.B. in Linguistics, Stanford University (1995). Research Interests Dr. Chun specializes in sociolinguistics and linguistic anthropology, with a focus on language, race, gender, and sexuality. Her work examines how language practices traverse racial and national boundaries, particularly in contexts like Asian American YouTube commentary, K-pop fandom, and U.S. public spaces. She investigates ideologies of race and gender, collaborative interpretation in social media, and anti-racist strategies. Publication Trends Her recent publications emphasize language in digital media, racial ideologies, and sociocultural identity. Topics include racism in public discourse, transnational social media analysis, racial parody, and the intersection of language with race and gender. Her work spans journals like American Speech , Language in Society , and Discourse & Society .
Gyu Tag Lee is a Professor in the International Studies Department at George Mason University Korea, specializing in Cultural Studies with a focus on K-Pop, media criticism, and the globalization of culture. He holds a PhD in Cultural Studies from George Mason University (2013), an MA in Communication from Seoul National University, and a BA in English Language and Literature from the same institution. Having completed three years of military service in the Republic of Korea Air Force, he has been teaching at George Mason University Korea since 2014. His research interests span Cultural Studies, Media Criticism, Popular Music, K-Pop and Hallyu, Globalization of Culture, and Music Industry studies. Professor Lee is particularly recognized for his expertise on K-Pop's global expansion, cultural appropriation issues within the industry, and the relationship between Korean cultural identity and global pop music markets. His extensive publications reflect a consistent focus on K-Pop's evolution, from its historical roots to contemporary challenges and future directions. His work examines the tension between local Korean identity and global appeal, the role of digital platforms in fan engagement, and the cultural politics surrounding K-Pop's international success. Professor Lee's research demonstrates how K-Pop functions as both a cultural product and economic phenomenon with significant implications for understanding transnational cultural flows. As a respected commentator in the field, he serves on the selection committee for the Korean Music Awards and has been featured in numerous international media outlets including Wall Street Journal, South China Morning Post, Netflix's documentary Explained, and major Korean broadcasters such as KBS, MBC, and SBS. His insights on cultural appropriation in K-Pop have been particularly influential in shaping discussions about cultural sensitivity and global cultural exchange. Professor Lee teaches courses including Media Criticism, Globalization and Culture, K-Pop, Hallyu, and Korean Society, and Korean Popular Culture in a Global World, bringing his scholarly expertise directly into the classroom to educate the next generation of cultural critics and analysts.
Stacey Lantagne is a Professor of Law at Western New England University School of Law , joining in 2022. Her research explores the intersection of digital creativity and intellectual property law, focusing on fanfiction and internet memes. She actively engages with pop culture and fan studies communities as a presenter and guest speaker. Education : B.A. summa cum laude, Boston College (English major, Computer Science minor) J.D. cum laude, Harvard Law School Her work addresses evolving legal challenges in digital communication, trademark expansion, and fair use doctrine. Articles like “Building a Better Mousetrap” and “Mutating Internet Memes” highlight her expertise in copyright law’s adaptation to internet culture. She serves on the Legal Committee of the Organization for Transformative Works , advocating for fan creators. Prior roles include teaching at the University of Mississippi and Loyola University New Orleans, along with intellectual property litigation experience at Goodwin Procter and Drinker Biddle & Reath.
Loli Kim is a Lecturer on Modern Korea at the Faculty of Asian and Middle Eastern Studies, University of Oxford, with a Leverhulme Postdoctoral Research Fellowship (2022–2025). She specializes in cross-cultural multimodal analysis of Asian communication systems, particularly Korean cinema, folklore, and representation in media. Education: DPhil in Asian and Middle Eastern Studies (2019–2022), University of Oxford Research Focus: Multimodal discourse analysis, foodscaping theory, haenyeo women’s communication Editorial Roles: Assistant Editor of European Journal of Korean Studies; General Editor of 'Foodscaping Asia' series Her work develops the Segmented Film Discourse Representation Structures (SFDRS) methodology for analyzing Korean films' narrative conventions, including violence in revenge cinema and socio-pragmatic dimensions of fashion. She collaborates globally as a visiting lecturer and conference organizer. Kimi’s recent publications examine multimodal translation gaps, cultural representation in children’s literature, and the sociocultural implications of foodscaping. She has delivered keynote talks at institutions including Edinburgh University and SOAS, and co-organizes the Translating Squid Game talks series.
Andrew R. Meyer is an Associate Professor in the Department of Health, Human Performance, and Recreation at Baylor University, where he teaches courses in Sport Psychology and Religion and Sport. His academic work bridges the fields of sport sociology, cultural studies, and theology, with a particular focus on the enduring influence of muscular Christianity in American sports. His research interests include: Contemporary American Sport Culture and Religion Muscular Christianity and its modern manifestations Hero-celebrity athletes in popular culture Character development through sport and education Traditional and contemporary Indigenous sport cultures Sport's cultural impact on communities The themes across his publications reveal a consistent exploration of the moral, spiritual, and cultural dimensions of sport. His work analyzes how religious values, particularly those rooted in Christian traditions, shape athlete identity, media narratives, and public perception of sports figures. He has developed the Contemporary Muscular Christian Instrument (2017, 2020) to measure these values across global sport contexts. His articles appear in interdisciplinary journals spanning religion, sociology, public health, and cultural studies, reflecting the broad relevance of his research. Scientific awards and recognitions include: Baylor Teaching Fellow (2017) Dr. Meyer has been active in academic and public discourse, serving as a keynote speaker at international conferences on sport and Christianity and being featured on media outlets such as NPR and the Sport, Faith, Life podcast. His teaching emphasizes character formation in the classroom, aligning with his research on moral development through sport. While specific grant funding is not mentioned, his extensive publication record in peer-reviewed journals and edited volumes indicates sustained scholarly productivity. He has contributed to discussions on mega-sport events, cycling culture, and the redemption narratives of fallen athletes like Lance Armstrong. He is affiliated with the College of Health, Human Performance, and Recreation at Baylor University, contributing to both graduate and undergraduate education in sport studies.
Dr. Stephen Reysen serves as Professor in the Department of Psychology and Special Education within the College of Education and Human Services at East Texas A&M University, where he has held progressively senior positions since 2009. His expertise centers on social psychology with specialized focus on fan communities and identity formation across diverse cultural contexts. His educational foundation includes: Ph.D. in Social Psychology from University of Kansas (2009) M.A. in Psychology from California State University, Fresno (2005) B.A. in Psychology from University of California, Santa Cruz (2003) Reysen's research program investigates fanship phenomena through rigorous examination of anime enthusiasts, furries, and bronies (My Little Pony fans), revealing universal psychological mechanisms across seemingly disparate communities. His work on global citizenship explores how transnational identities develop, while his foundational research on collective identity examines its impact on social behavior and attitudes. Methodologically, he employs longitudinal designs and cross-cultural comparisons to uncover deep psychological patterns. Publication analysis shows consistent thematic focus on identity expression within specialized communities, with increasing methodological sophistication from descriptive studies (2016 furry research) to comprehensive theoretical frameworks (2018 global citizenship review) and finally to in-depth community analyses (2019 bronies study). This trajectory demonstrates growing influence in applying social psychology to unconventional cultural domains. His research excellence is recognized through: Chuck Arize Excellence in Research Award (2020) Professor of the Year honor (2017) Dual research awards including Provost Award and Outstanding Researcher (2012) Reysen actively mentors undergraduate researchers through PSY 413 Research Apprenticeship, encouraging early lab involvement. His current longitudinal study on anime fans represents significant grant-funded work through the International Anthropomorphic Research Project, with future expansion planned across multiple fandoms. He teaches core courses including Social Psychology (his specialty), Group Dynamics, and Doctoral Dissertation supervision. He co-directs the International Anthropomorphic Research Project and leads the multi-year anime fan longitudinal study, building collaborative teams that bridge academic research with community engagement in specialized fan cultures.
Simon Hewitt is an Assistant Professor in the Department of Media Studies at Maynooth University, within the Faculty of Arts and Humanities. He holds a PhD in Film Studies from King's College London, an MA in Film Studies from Columbia University, and a BA (Hons) in Screen Studies from Liverpool John Moores University. His research bridges media audiences and industries, focusing on how social media transforms audience participation and their relationship with film dynamics. Current projects include studies on intermedial labor in UK scare attractions, video game/cinematic convergence, and the financial exploitation of paratextual fan communities. Professional affiliations include being an Associate Fellow of Advance HE and a member of the Social Research Ethics Subcommittee. Hewitt supervises projects on fandom, participatory culture, marketing, and emergent technologies. His 2023 book Word-of-Mouth in Contemporary Hollywood examines audience influence on film financing, marketing, and distribution through Bourdieuean frameworks.
Susan Holmes is Professor at the School of Media, Language and Communication Studies at the University of East Anglia (UEA), where she joined as Reader in Television in 2007 and was appointed to Professor in 2018. She is an active member of several research groups including Media Equality, Film, Television and Media, Gender and Its Intersections Steering Committee, and HealthUEA. Her work spans television studies, celebrity culture, and feminist approaches to eating disorders. Professor Holmes received her academic training at the University of Sussex (BA in English and Media Studies), followed by an MA in Film from the University of Southampton, and completed her PhD on British film and television in the 1950s at the same institution. Prior to joining UEA, she taught Media and Cultural Studies at the Southampton Institute (now Southampton Solent University) and television and film at the University of Kent. Her research focuses on several interconnected areas that challenge traditional disciplinary boundaries. In television studies, she has made significant contributions to understanding British television history, particularly through her books 'British TV and Film in the 1950s' and 'Entertaining TV: the BBC and Popular Programme Culture in the 1950s,' where she challenges canonical ideas about early BBC television. Her work on reality TV examines historical development, generic labeling, and celebrity. Since 2014, she has conducted important empirical research on feminist approaches to eating disorders, analyzing media representations and working directly with people with lived experience. A key focus of this research examines how feminist approaches are neglected in contemporary eating disorder treatment, with implications for both clinical practice and cultural understanding. She co-founded the influential Celebrity Studies journal in 2010 and edited it for the first eight years of its publication. Analysis of Professor Holmes' recent publications reveals a clear trajectory where her expertise in media and television studies converges with her feminist scholarship on eating disorders. Her most recent work (2023-2025) increasingly focuses on cross-cultural applications of feminist approaches to eating disorders (including work in China), the use of innovative methodologies like Photovoice, and examinations of therapeutic alliance in treatment settings. Simultaneously, she continues to analyze contemporary media representations, particularly focusing on motherhood, true crime television, and reality TV through feminist lenses. This dual focus demonstrates how media representations shape cultural understandings of both celebrity and health conditions. Professor Holmes' significant contributions to academia have been recognized with several prestigious awards: Senior Fellowship from Advance HE (2024) UEA engagement award (2017) ALPSP award nomination for Celebrity Studies as best new journal (2011) She currently runs the Feminist Media Studies research cluster at UEA and is actively supervising postgraduate research in areas including popular television, television/film history, British TV history, stardom/celebrity, and feminist approaches to eating disorders. Her current major research project is the 'ALLIANCE study' (2024-2026), funded by the National Institute for Health and Care Research, which aims to develop practice and policy recommendations to support effective therapeutic alliance in inpatient treatment for eating disorders. This builds on her earlier British Academy-funded research on 'Entertaining Television: British TV, the BBC and Popular Programme Culture in the 1950s' (2007-2008). Professor Holmes plays a significant role in the academic community through her editorial work, serving on the boards of journals including Archives of Psychology, Big Data & Society, and Critical Studies in Television, and previously as co-founder and editor of Celebrity Studies. She has also been active in media engagement, contributing expert commentary on topics ranging from Netflix's portrayal of eating disorders to Celebrity Big Brother.
Rebecca Hains is a Professor of Media and Communication at Salem State University. Her research focuses on children's media culture, gender representation, and marketing to children through critical/cultural studies. Ph.D. in Mass Media and Communication from Temple University (2007) Graduate Certificate in Women's Studies from Temple University (2007) M.S. in Mass Communication from Boston University (2000) B.A. in English/Communication Arts from Emmanuel College (1998) Her work has been featured in major news outlets like BBC, The New York Times, and NPR. She has authored two monographs: The Princess Problem (2014) and Growing Up with Girl Power (2012), and co-edited three collections on children's media and toys. Recent publications analyze: Barbie's body politics and diversity marketing Gendered marketing in LEGO toys Intersectional analysis of media's impact on children Critical perspectives on youth media consumption She actively engages in public scholarship through RebeccaHains.com , social media, and media commentary. Key research trends show: Continuity in examining gendered consumer culture Evolution from girl power narratives to contemporary princess culture Increasing focus on intersectional analyses of race, gender, and class Interdisciplinary approach combining media studies, sociology, and gender studies Her teaching includes courses like: MCO 222 How Advertising Works MCO 303 Media and Race MCO 475 Critical Analysis of Media and Culture MCO 330 UX Research in Digital Media
Dr Ysabel Gerrard is a Senior Lecturer in Digital Media and Society at the School of Sociological Studies, Politics and International Relations, University of Sheffield. Her work bridges digital sociology, gender studies, and platform governance, with a focus on youth experiences, content moderation, and ethical research practices. Education: BA (Hons), MA, PhD (University of Leeds) Research interests include: Young people’s social media experiences and content policies Digital identities, particularly gendered representations Feminist interventions in content moderation and algorithmic governance Ethical challenges in social media research Recent research examines the societal impact of social media design, reflected in her forthcoming book The Platform Generation and collaborations on Instagram’s mental health moderation, anonymous apps, and feminist critiques of platform labor. She contributes to policy debates via roles like Facebook’s Suicide and Self-Injury Advisory Board and ECREA leadership. Grants include: £39,985.50 for 'Creator labour: screen production cultures and transmedia intersectionality in Yorkshire' (2021-2022) £2,627 for 'Risky-by-design: making the digital world safer for children' (2021) £6,998 for 'Secrets on social media: anonymous apps and youth perspectives' (2019-2022) Teaching modules: Digital Identities, Introduction to Digital Methods. She supervises BA, MA, and PhD students working on topics like online dating, gaming toxicity, and influencer culture. Contact: Email: y.gerrard@sheffield.ac.uk Office: The Wave, 2 Whitham Road, Sheffield S10 2AH
Brooke Erin Duffy is an Associate Professor in the Department of Communication at Cornell University, with affiliations in the College of Agriculture and Life Sciences (CALS), the Graduate Field of Feminist, Gender, and Sexuality Studies, and Media Studies. Her research investigates digital and social media industries, gender and identity dynamics, the gig economy’s impact on creative labor, and algorithmic governance in cultural production. She is a prominent voice in feminist media studies, blending academic rigor with public engagement through outlets like The Atlantic , Vox , and The New York Times . Education : Ph.D. in Communication (University of Pennsylvania, 2011), M.A. (University of Pennsylvania, 2008), B.A. in Communications (Penn State University, 2002) Her work highlights the gendered politics of digital labor , focusing on social media influencers, platform precarity, and the tension between authenticity and visibility. Recent research examines algorithmic systems, platform paternalism, and the visibility bind in creator economies. Duffy’s academic contributions include leadership in organizations like the American Influencer Council and Content Creator Scholar Network. She received multiple honors, including the 2021 Top Student-Led Paper award and the 2014 Lillian Lodge Kopenhaver Outstanding Woman Junior Scholar Award. Teaching : Courses on New Media & Society , Gender and Media , and Platform Labor and Precarity Public Impact : Regular commentary in global media and a 2024 contributor role at Forbes
Prof. Dr. Ute Fendler holds the Chair of Romance Literature and Comparative Studies with Special Emphasis on Africa at the University of Bayreuth. Her academic journey includes a 2006 Habilitation and 1992 PhD from Saarland University, with research spanning Francophone African literatures , intermedial phenomena , and postcolonial cinematic analysis . She coordinates the Bayreuth Academy of Advanced African Studies as Vice-Director and serves on multiple editorial boards. 2006-Present: Professor at University of Bayreuth 2011-2015: Director of Institute for African Studies 2015-Present: Vice-Director of Bayreuth Academy of Advanced African Studies Her research interrogates urban ecotonal spaces through African music videos, transnational cinematic flows in African and Afro-Asian contexts, and mediated memory practices . Recent publications explore post-apocalyptic storytelling and decolonial aesthetics in music videos and films. Scientific contributions include: 2025: Staging Atmosphere: Urban Ecotonal Spaces in African Music Videos (Brill) 2024: Co-edited Asia-Africa: Multifaceted Engagement (Palgrave Macmillan) 2022: Animating the Future: Superheroes in Africa (Brill) 2020: Ghosts as Mediators: Memory and Hauntology (iwalewabooks) 2019: K-Pop Fandom in Germany (Korea University Press) She received the Faculty Enrichment Award from the Canadian Embassy in 2005 and serves on multiple academic committees including the University Library Commission (2007-2016).
Dr Oscar Zhou serves as a Lecturer in Media Studies and Director of Studies for Planning, Culture and Environment (PGT) at the School of Arts, University of Kent, following prior academic appointments at the University of Sussex, University of Brighton, and University of Hertfordshire. His scholarly trajectory includes a PhD in Media and Cultural Studies from the University of Sussex and a Masters in Globalisation and Communications from the University of Leicester. His educational credentials: PhD in Media and Cultural Studies, University of Sussex Masters in Globalisation and Communications, University of Leicester Undergraduate training in communication and technical science Zhou's research critically examines intersections of digital culture, gender/sexuality studies, and media technologies, with concentrated focus on LGBTQ+ communities' engagements in transnational contexts. Employing digital and algorithmic ethnography, he investigates queer digital cultures, critical health communication, and platform politics—particularly analyzing how algorithms reconfigure power dynamics around gender, sexuality, and youth wellbeing in Chinese digital ecosystems like Douyin/TikTok. Analysis of his publication record reveals consistent exploration of Chinese digital media landscapes, emphasizing queer visibility on platforms such as Douyin and Zhihu, danmei fan cultures, and gender politics in television. His work also addresses digital activism, influencer economies, and geopolitical representations in fandom, demonstrating methodological innovation through short-video platform analytics and participatory youth research. Professional recognition: Fellow of the Higher Education Academy As an active PhD supervisor, Zhou seeks candidates with qualitative and ethnographic expertise in digital culture, particularly welcoming projects on Chinese media, algorithmic governance, and queer health communication. He chairs the UK-China Media and Cultural Studies Association while contributing to the Centre for Health and Medical Humanities, currently leading collaborative research on short-video apps' societal impacts through the lens of gender, sexuality, and youth wellbeing.
Crytal Lee is an Assistant Professor in Computational Media and Design at MIT, with a joint appointment in the Schwarzman College of Computing and Comparative Media Studies/Writing. She is also a Faculty Associate at Harvard's Berkman Klein Center for Internet & Society, co-leading the Ethical Tech Working Group, and a Senior Fellow at Mozilla's Responsible Computing Challenge. Her research focuses on data visualization, disability studies, and ethical technology, emphasizing the 'life-cycle of data representations.' Education: PhD in History, Anthropology, Science, Technology, and Society from MIT (2022); MA and BA (High Honors) in History of Science from Stanford University (2016 and 2015). Research Interests : Crystal examines how data is curated, visualized, and contested, with a particular lens on disability justice and accessible design. Her work bridges STS, HCI, and critical data studies, addressing issues like misinformation, algorithmic bias, and inclusive technology. Awards & Grants : Honorable Mentions at EuroVis 2022 and CHI 2021; NSF Dissertation Improvement Grant; SSRC Social Data Fellowship. Advising & Mentorship : Advised projects on accessible visualization, participatory AI, and disability inclusion. Current book project: Crip Computation . Labs & Teams : Co-leads Ethical Tech Working Group at Berkman Klein; involved in MIT's Data + Feminism Lab and Accessible Interactions projects.
Olli Sotamaa is a Professor of Game Culture Studies at Tampere University's Faculty of Information Technology and Communication Sciences, Department of Communication Sciences. He leads the Tampere University Game Research Lab alongside Professor Frans Mäyrä and serves as team leader in the Centre of Excellence in Game Culture Studies. Specializes in game cultural phenomena: online communities, fandom, modding, data-driven game development Co-edited Game Production Studies (Amsterdam University Press, 2021) His research focuses on game industry practices, data analytics impact, and player production cultures. Recent work examines game data labor, industry ethics, and digital preservation challenges. Key trends in his 15 most recent articles include: Game data work and algorithmic culture (2023-2025) Game modding and user-generated content (2021-2022) Game development practices (2019-2021) Game preservation and heritage (2020) Industry sustainability and ethics (2021-2025) Scientific awards: ERC-Advanced-Grant project 'Making Sense of Games (MSG)' Labs/teams: Tampere University Game Research Lab Centre of Excellence in Game Culture Studies
