Daria Davitti is a Senior Lecturer and Associate Professor in Public International Law at Lund University's Department of Law. Her research focuses on intersections of international economic law and human rights, particularly in contexts of migration, climate breakdown, and privatized public goods. She leads major projects like the ERC-funded 'Refugee Finance: Histories, Frameworks, Practices' and the Formas-funded 'Screening for Sustainability'. Awards include the 2021 Juridiska Föreningens pedagogiska pris and the title of Docent in Public International Law. She advises on EU migration policies and environmental law compliance, and collaborates with institutions like GLAN and the International Code of Conduct Association for private security service providers. Her work examines refugee finance mechanisms, sustainable investment frameworks, and legal accountability in transnational corporate activities. Key areas include refugee entrepreneurship, EU Taxonomy sustainability criteria, and human rights due diligence in international investment. She has published extensively on topics ranging from refugee bonds to litigation finance in investment arbitration.
Professor Janet B. Pierrehumbert is a leading academic in computational linguistics and natural language processing, holding the position of Professor of Language Modelling at the Oxford e-Research Centre, University of Oxford. She is also a Senior Research Fellow at Trinity College and affiliated with the Faculty of Linguistics, Philology and Phonetics. Her work bridges interdisciplinary research in phonology, sociolinguistics, and computational models of language dynamics. Education: PhD in Linguistics from MIT (1980), A.B. in Linguistics from Harvard University (1975). Research Interests: Focuses on computational linguistics, dialect variation, language dynamics, and the societal impacts of NLP. Her group develops algorithms for analyzing social media discourse, forecasting trends, and modeling language evolution. Recent work includes studies on dialect fairness in LLMs and semantic shifts in political discourse. Key Projects: EPSRC-funded research on online forum dynamics, the Wordovators project on lexical innovation, and collaborations with institutions like the Oxford Man Institute. Her work emphasizes robust NLP systems and theoretical linguistics. Awards: ISCA Medal (2020), National Academy of Sciences membership (2019), Fellowships from the American Academy of Arts and Sciences and Cognitive Science Society. Grants & Advising: Over £6M in research funding, including EPSRC and Templeton grants. Supervised over 30 PhD students and postdocs, many now leading academics and industry researchers in NLP and linguistics. Labs/Teams: Leads the Pierrehumbert Language Modelling Group, collaborating with the Oxford e-Research Centre and international partners like Stanford and the University of Canterbury.
Andrew Postlewaite is the Harry P. Kamen Professor of Economics and Professor of Finance at the University of Pennsylvania's School of Arts and Sciences. He holds dual roles in the Department of Economics and the Ronald O. Perelman Center for Political Science and Economics. As a distinguished academic, he is a member of the American Academy of Arts and Sciences and serves as a director at the National Bureau of Economic Research (NBER). Additionally, he is the founding editor of the American Economic Journal: Microeconomics and a research associate at Penn's Population Studies Center and Institute for Law and Economics. Postlewaite's research focuses on game theory, behavioral economics, and social norms, with contributions to mechanism design, repeated games, and intergenerational transmission of preferences. His work bridges theoretical foundations with applied economic analysis, particularly in areas like consumer behavior, decision-making, and institutional design. He has held visiting positions at institutions including Caltech, Harvard, and Stanford, reflecting his academic prominence. His scholarly contributions include pioneering studies on future-oriented decision-making, interdependent valuations in markets, and equilibrium concepts in repeated games. Recent publications explore topics such as the impact of local media accessibility in the digital age and the welfare implications of consumption fluctuations. His editorial leadership at journals like Econometrica and International Economic Review underscores his influence in shaping economic discourse. Awarded prestigious fellowships and editorial roles, Postlewaite's career exemplifies a blend of rigorous theoretical research and practical applications in economics. His current research trends emphasize behavioral insights and the methodological underpinnings of economic models, reflecting a commitment to advancing both theory and real-world relevance.
Blair Hoxby is Professor of English at Stanford University's School of Humanities and Sciences, where he has taught since 2007. Previously, he served as Associate Professor of History and Literature at Harvard University (2005-2007) and Associate Professor of English at Yale University (2003-2005), where he began as Assistant Professor in 1998. His academic journey includes a Ph.D. in English from Yale University (1998), an M.Phil. in English Studies from the University of Oxford (1990), and an A.B. in English and American Literature and Language from Harvard University (1988). Hoxby's research focuses on literature and culture from 1500 to 1800, with particular emphasis on tragedy theory, Milton studies, and the intersection of literature and economics. His notable works include What Was Tragedy? Theory and the Early Modern Canon (2015) and Mammon's Music: Literature and Economics in the Age of Milton (2002). He argues that early modern tragedy differed significantly from contemporary understandings of the genre, with passions rather than deeds or character serving as the keys to early modern tragic performance. Hoxby's recent scholarly output reveals a consistent engagement with early modern theatrical practices, particularly tragedy and opera. His work demonstrates sophisticated interdisciplinary approaches, connecting literary analysis with historical context, economic theory, and performance studies. He has made significant contributions to understanding how commercial culture shaped literary production and how theatrical conventions evolved across national boundaries in Europe. Scientific Awards and Honors Internal Fellow, Stanford Humanities Center (2009-2010) Morse Fellowship, Juilliard School (2001-2002) Samuel and Ronnie Heyman Prize, Yale University (2001) John Addison Porter Prize, Yale University (1999) Rhodes Scholarship, University of Oxford (1988-1990) Hoxby has supervised numerous doctoral students and served in various administrative roles at Stanford, including Director of Undergraduate Studies (2011-2014) and Director of Graduate Admissions (2008-2011). His teaching portfolio includes courses on English poetry from the Renaissance to Romanticism, tragedy and tragic theory from Aristotle to the present, theater history, and performance theory. Currently, he teaches courses such as Court Theater from Shakespeare to Mozart and Introduction to English II: From Milton to the Romantics . Hoxby maintains active scholarly engagement through committee memberships, including the Executive Committee of the Milton Society of America (2009-2013) and service as a referee for major academic presses including Oxford University Press and the University of Pennsylvania Press.
Charles Schulz is a Professor of Theology at the University of Chicago's College of Theology, Arts & Humanities, with prior tenure at Concordia University (2001–2024) and pastoral experience at St. Thomas Lutheran Church (2005–2014). His academic journey includes degrees from Concordia University, Concordia Seminary, Washington University, and the University of Virginia. His research focuses on Patristic Exegesis, Reformation Theology, and early Christian biblical interpretation. Key publications include his 2020 PhD dissertation on Patristic citations of Psalm 82:6 and translations of Martin Luther's sermons (2017–2018). His work bridges ancient and Reformation-era theological methods, emphasizing pastoral motives in exegesis. Recent presentations address topics like Patristic interpretations of Scripture and the impact of medical science on faith. He has received prestigious awards including the E. J. Otto Award (1998) and the University of Virginia Presidential Scholarship. His teaching excellence was recognized at Concordia University in 2022–2023. Schulz actively engages in theological commissions and academic symposia, contributing to both scholarly and pastoral discourse.
Roswitha Skare is a Professor of Documentation Science at the Department of Language and Culture, UiT The Arctic University of Norway, within the Faculty of Humanities, Social Sciences and Teacher Education. She is actively engaged in research and teaching, focusing on documentation studies, public libraries, archives, museums (LAM sector), digitalization, and film history. Her research interests include: Documentation and document theory Paratext and digital documents Public libraries and their role in society Libraries and social media Migration and refugee services in libraries Film history, especially silent films and early documentaries Cultural memory and Sámi cultural resilience Institutional convergence in cultural policy Her recent publications (2019–2025) reveal a strong focus on public libraries during and after the Covid-19 pandemic, the role of libraries in supporting immigrants and refugees, theoretical developments in document studies, and historical film analysis—particularly Robert Flaherty’s Nanook of the North . She frequently collaborates with scholars such as Andreas Vårheim, Noah Lenstra, and Sigrid Stokstad. Her work appears in journals like Journal of Documentation , Library & Information Science Research , and Proceedings from the Document Academy . Roswitha Skare teaches courses such as: MDV-1001: Multimediale dokumenter: Historie, teori og analyse MDV-1203: Bibliotek og formidling MDV-1207: Dokumentinstitusjoner og digitalisering MDV-1206: Prosjektoppgave i bibliotek- og dokumentasjonsvitenskap She supervises bachelor’s, project, and master’s students in library and documentation science. She is a member of the research group Engaging Conflicts in a Digital Era (ENCODE) and participates in projects such as LAMCOM – Libraries, archives, and museums in the community and SAMCOM - Sámi cultural centers as community and cultural resilience infrastructure , which explore the societal roles of cultural institutions and Indigenous resilience. No scientific awards are listed in the provided text.
Dr. Edyta Chlebowska is an Assistant Professor at the Cyprian Norwid Research Center, John Paul II Catholic University of Lublin. Specializing in the visual art and literary legacy of Cyprian Norwid, she explores intersections between Polish Romanticism, art history, and cultural studies. Her work extends to album art analysis and interdisciplinary connections with music (e.g., Pink Floyd, Czesław Niemen). Her research focuses on Norwid's self-portraits, eschatological themes in his drawings, and comparative studies with 19th-century Warsaw painting. She reconstructs lost artworks, documents private collections (e.g., Konstancja Górska, Victor Gomulicki), and examines Norwid's reception in Florence and Odessa. Key projects include translating Studia Norwidiana and critical editing of Norwid's complete works. As editor-in-chief of multiple On Cyprian Norwid. Studies and Essays volumes and organizer of conferences like Niemen Non Stop and Colloquia Norwidiana , she bridges academic rigor with public engagement. Her publications span peer-reviewed books, journal articles, and popular science pieces, emphasizing Norwid's unpublished works and symbolic programs.
Professor Brian Dillon is the Professor of Creative Writing and Director of Creative Writing at Queen Mary University of London's School of English and Drama. Previously, he served as Head of the Writing Programme at the Royal College of Art. He holds a PhD from the University of Kent (1999) and has authored numerous books blending creative nonfiction, literary criticism, and art analysis. His research focuses on the essay form, autobiography, literature-visual arts intersections, and writing about illness. Key publications include *Suppose a Sentence* (2020), an experimental essay collection analyzing literary sentences, and *Affinities* (2023), exploring photographic imagery. Current projects include a study of Kate Bush's *Hounds of Love* and an essay on education. Dillon frequently contributes to *The Guardian*, *London Review of Books*, and *Artforum*, and has curated exhibitions for Tate and Hayward Galleries. His awards and fellowships are not explicitly listed here, but his work has been widely exhibited and published internationally. He supervises doctoral students in creative writing and related fields, emphasizing interdisciplinary approaches to literature and art. Public engagement includes talks at institutions like the British Museum and Pompidou Centre, and appearances on BBC Radio 3 and RTE Radio. His work bridges academic critique with accessible creative writing, making complex themes engaging for broader audiences.
Ali Karjoo-Ravary is the Richard W. Bulliet Assistant Professor of Islamic History at Columbia University, specializing in the intellectual, social, and visual histories of premodern Islam through Arabic, Persian, and Turkic sources. His research intersects historical writing, cosmology, Sufism, and multilingual poetry in the Islamic East (Mashriq). Education: Ph.D., University of Pennsylvania (2018) M.A., University of Pennsylvania (2016) B.A., SUNY Stony Brook (2011) His current book project, Muhammad’s Song: Politics, Performance, and Cosmology in the Fourteenth Century , examines post-Mongol Islamic monarchy through Kadi Burhaneddin's life and rule. He also explores Sufi visual iconography, science fiction's relationship to religion, and architecture's role in evolving Islamic discourses. Scientific Awards and Fellowships: Bard Graduate Center Visiting Fellow (Fall 2020) Wolf Humanities Center Graduate Research Fellow (2016-2017)
Megan Sweeney is Arthur F. Thurnau Professor of English, Afroamerican and African Studies, and Women's and Gender Studies at the University of Michigan. Her research examines African American literature, reading practices in carceral settings, and autotheory through works like Reading Is My Window and the lyric essay collection Mendings . Her scholarship has been supported by the Radcliffe Institute for Advanced Study, Ford Foundation, and Woodrow Wilson Foundation. Sweeney received the university's highest teaching awards including the 2021 John D'Arms Award for graduate mentoring and 2014 Thurnau Professorship. She serves as Director of Graduate Studies in English and Interim Editorial Director for Feminist Studies .
Pranav Anand is a Professor in the Department of Linguistics at the University of California, Santa Cruz (UCSC). He currently serves as the Faculty Director of the Humanities Institute at UCSC since July 2023. His research focuses on the interplay between context, interpretation, and grammatical perspective, particularly in areas like de re/de se contrasts, evaluative predication, and indexical shift. He has contributed to studies on narrative structures, evidential restrictions, and the syntax-semantics interface in sluicing. Dr. Anand has taught a variety of courses including Ling 119: Narratives , Ling 231: Semantics A , and special topics like Invented Languages: From Elvish to Esperanto . His work bridges theoretical linguistics with computational methods, evidenced by collaborations in projects such as the Santa Cruz sluicing dataset and analyses of political discourse in online commentary. His research has been published in journals like Linguistics and Philosophy , Language , and Discourse and Society , with a focus on semantics, pragmatics, and narrative linguistics. He has also contributed to computational linguistics initiatives, including the development of annotated corpora for sentiment analysis and argumentation studies. Dr. Anand's academic contributions span both theoretical exploration and applied computational linguistics, reflecting his interdisciplinary approach to understanding language structure and usage.
Michael Potter is Professor of Logic at the Faculty of Philosophy , University of Cambridge, and a Life Fellow at Fitzwilliam College. Previously at Balliol College, Oxford (D.Phil. in pure mathematics), he has held research fellowships at St Andrews, Harvard, and Stirling University (AHRC-funded). His work bridges historical and systematic philosophy, focusing on History of analytic philosophy (Frege, Russell, Wittgenstein, Ramsey) Philosophy of mathematics and logic Philosophy of religion Potter's research has produced major works like Set Theory and its Philosophy (OUP 2004) and The Rise of Analytic Philosophy (Routledge 2019), with significant contributions to understanding the Metaphysical underpinn't> of the Tractatus Neo-Fregean logicism Paradoxes in mathematical foundations He has supervised research on topics spanning dialetheism, predicative mathematics, and modal ontological arguments. Scientific awards include the AHRC Senior Research Fellowship (2004-2005). His recent publications analyze Transcendental arguments in Wittgenstein Sortition-based democratic theory Philosophical implications of Ramsey's infinite proofs via peer-reviewed chapters and journal articles.
Jinyan Li serves as Professor of Tax Law at Osgoode Hall Law School, York University, where she previously held the position of Interim Dean and currently co-directs the LLM Tax program while serving as academic director of the Professional Graduate Studies Program. Her educational qualifications include: BA from UIBE (China) LLB from University of Toronto LLM from Queen's University DJur from Osgoode Hall Law School She is an active member of the Bar of Ontario. Professor Li's research spans tax law and policy with specialized expertise in international taxation frameworks, social income support systems, Chinese tax evolution, and e-commerce taxation challenges. Her scholarly work has significantly shaped legal discourse, with multiple citations by Canadian judicial authorities including the Supreme Court of Canada in landmark cases such as Deans Knight Income Corp. and Alta Energy . Her publication history demonstrates consistent focus on comparative tax systems and policy development, particularly examining Chinese tax structures and global digital economy implications. This trajectory reflects deepening engagement with international tax coordination mechanisms and equity considerations in fiscal policy. Her distinguished recognition includes: Tax Excellence Award (2021) from the Ontario Bar Association Lifetime Contribution Award (2017) from the Canadian Tax Foundation Academic Excellence Award (2007) from the Canadian Association of Law Teachers D.J. Sherbaniuk Distinguished Writing Award (1999) York University Research Leader (2017) Teaching Awards (2004, 2014) Professor Li actively supervises LLM and PhD candidates specializing in tax law and social income support policy, maintaining close mentorship with students including Lawrence, Sonia McCamus, and John D. Her externally funded research has received substantial support from governmental bodies including the Department of Finance and National Revenue, alongside international institutions such as the IMF, OECD, and Asian Development Bank where she served as consultant. She leads research initiatives through the LLM Tax program and organizes high-impact academic events, recently co-hosting the 2022 Pillar Two symposium and Women with Disabilities: Income Security and Tax Policy conference, demonstrating ongoing commitment to contemporary tax challenges and inclusive policy development.
Elizabeth Blake is an Associate Professor of Russian and Division Coordinator in the Department of Languages, Literatures and Cultures at Saint Louis University's College of Arts and Sciences. Her research focuses on 19th-century Russian literature, particularly Dostoevsky and Tolstoy, with emphases on empire studies, exile cultures, and religious dialogues between Russian Orthodoxy and Polish/French Catholicism. She has published two major books: *Dostoevsky and the Catholic Underground* (2014) and *Travels from Dostoevsky’s Siberia* (2019). Her work bridges literary analysis with historical context, examining themes like human rights, cultural mobility, and gender roles. Blake teaches courses ranging from language proficiency to advanced topics in Russian literature and cinema, including *Russian and Soviet Cinema* and *Dostoevsky Through the Centuries*. She has received numerous grants including Mellon and Fulbright-Hays awards for research in Russia and Poland. Her academic career includes extensive reviews for journals like *Slavic Review* and *Canadian Slavonic Papers*, alongside professional involvement with organizations such as the North American Dostoevsky Society. Blake’s teaching excellence is recognized through awards like the Spirit of the Billiken Award (2016), reflecting her impact on both scholarship and student mentorship.
Professor Matthew Treherne is a leading scholar in Italian literature at the University of Leeds, where he holds the position of Professor of Italian Literature in the School of Languages, Cultures and Societies within the Faculty of Arts, Humanities and Cultures. He currently serves as Pro-Dean for Research and Innovation, and co-directs the Leeds Centre for Dante Studies. His research bridges medieval and Renaissance literature with contemporary issues such as finance, ecology, and technology. PhD in Italian Literature, University of Cambridge (2007) Diploma in Management Studies, Judge Business School, University of Cambridge (2000) M.Phil in European Literature (Distinction), University of Cambridge (1999) BA in Modern and Medieval Languages (First-class), University of Cambridge (1997) Matthew Treherne's research focuses on Dante and late-medieval religious culture, with a strong emphasis on the liturgical imagination and theological discourse in poetry. He explores how Dante’s work can inform modern debates on the ecological crisis, financialisation, and time. His interdisciplinary approach integrates theology, philosophy, and cultural studies. He leads the project The Cultural Life of Money and Finance , which investigates how the humanities can shape financial futures. His recent publications include Dante’s ‘Commedia’ and the Liturgical Imagination and co-edited volumes on Dante’s theology. His recent scholarly articles and chapters show a consistent engagement with Dante’s theological and poetic structures, Tasso’s religious poetry, and the role of art and liturgy in early modern culture. Themes such as sacramentality, time, vision, and interdisciplinarity recur across his work, reflecting a deep commitment to understanding literature as a living, ethically engaged practice. University Teaching Fellowship Developmental University Teaching Fellowship Faculty of Arts Development Teaching Prize Treherne has supervised numerous PhD students and fosters research-led teaching, notably through projects like Discover Dante and the Leeds Dante Podcast . He has led major research initiatives, including the AHRC-funded Dante and Late Medieval Florence , and collaborates widely across disciplines and institutions. He is also active in public engagement, contributing to BBC Radio 4’s In Our Time and curating podcast series such as Conversations on Dante and Arts and Humanities Futures . He co-leads the Cultural Life of Money and Finance project with Invisible Flock, blending humanities research with creative practice.
