Rachel Morley is an Associate Professor at the School of Slavonic and East European Studies (SSEES), University College London. She holds a BA in French Language and Literature from the University of Oxford (1992), followed by BA, MA, and PhD degrees from UCL (1999, 2001, 2011). Her roles include Academic Director of Education and Student Experience at SSEES (2022–2027) and Co-Convenor of the UCL SSEES Cinema Research Group. Dr. Morley's research focuses on Cinema studies Cultural studies Feminist and queer theory Literary studies with emphasis on Soviet/Russian cinema, gender representation, and film historiography. She held a Leverhulme Trust Research Fellowship (2020–2022) for her project on female subjectivity in contemporary Russian cinema. Her teaching spans Russian cinema, poetry, language, and translation. Past roles include Postgraduate Teaching Assistant at SSEES (1999–2009) and lecturer at the University of Cambridge (2006, 2008). She has also supported international students as SSEES International and Affiliate Tutor (2014–2018). Key Achievements: Leverhulme Trust Research Fellowship Fellow of the Higher Education Academy (2016) Her work bridges film, literature, and cultural history, emphasizing underrepresented narratives and feminist perspectives in Russian and Soviet cinema.
Professor Lizelle Bisschoff is a Professor of Film Studies at the University of Glasgow’s School of Culture & Creative Arts. She specializes in African cinema with particular focus on gender representation, digital technologies, and film festival curation. Her research bridges academic scholarship and practical initiatives, such as co-founding the Africa in Motion Film Festival (AiM). She holds a PhD from the University of Stirling and has held prestigious fellowships including the Leverhulme Trust (2010-2012) and Lord Kelvin Adam Smith (2012-2015). Education: PhD in African Cinema (University of Stirling, 2009) MSc in Cultural Studies (University of Edinburgh, 2005) Research Interests: Gender dynamics in African filmmaking Emerging digital film industries across sub-Saharan Africa Postcolonial cinema and modernist aesthetics Her work emphasizes decolonizing film studies through projects like AiM Festival and edited volumes such as Women in African Cinema . Recent research explores African science fiction and feminist archives. She has secured £115k in grants for film restoration and educational outreach programs. Awards: Leverhulme Trust Postdoctoral Fellowship AHRC Follow-on Funding for Impact (£90k) British Federation of Women Graduates Scholarship Teaching: Convenes MSc Film Curation program Teaches Introduction to African Cinemas and Race on Screen Key Projects: Lead curator for Africa’s Lost Classics restoration initiative Organized international symposia on African art and activism
Roswitha Skare is a Professor of Documentation Science at the Department of Language and Culture, UiT The Arctic University of Norway, within the Faculty of Humanities, Social Sciences and Teacher Education. She is actively engaged in research and teaching, focusing on documentation studies, public libraries, archives, museums (LAM sector), digitalization, and film history. Her research interests include: Documentation and document theory Paratext and digital documents Public libraries and their role in society Libraries and social media Migration and refugee services in libraries Film history, especially silent films and early documentaries Cultural memory and Sámi cultural resilience Institutional convergence in cultural policy Her recent publications (2019–2025) reveal a strong focus on public libraries during and after the Covid-19 pandemic, the role of libraries in supporting immigrants and refugees, theoretical developments in document studies, and historical film analysis—particularly Robert Flaherty’s Nanook of the North . She frequently collaborates with scholars such as Andreas Vårheim, Noah Lenstra, and Sigrid Stokstad. Her work appears in journals like Journal of Documentation , Library & Information Science Research , and Proceedings from the Document Academy . Roswitha Skare teaches courses such as: MDV-1001: Multimediale dokumenter: Historie, teori og analyse MDV-1203: Bibliotek og formidling MDV-1207: Dokumentinstitusjoner og digitalisering MDV-1206: Prosjektoppgave i bibliotek- og dokumentasjonsvitenskap She supervises bachelor’s, project, and master’s students in library and documentation science. She is a member of the research group Engaging Conflicts in a Digital Era (ENCODE) and participates in projects such as LAMCOM – Libraries, archives, and museums in the community and SAMCOM - Sámi cultural centers as community and cultural resilience infrastructure , which explore the societal roles of cultural institutions and Indigenous resilience. No scientific awards are listed in the provided text.
Max Cavitch is an Associate Professor of English at the University of Pennsylvania's School of Arts & Sciences, specializing in American literature, psychoanalytic studies, and cinema. He joined Penn in 1999 after earning his B.A. from Yale and Ph.D. from Rutgers. His research spans 19th- and 20th-century literature, African American studies, and interdisciplinary fields like animal studies and gender theory. Cavitch has authored influential works such as *American Elegy* (2007) and co-edited volumes on Whitman and early American studies. He directs Penn's Psychoanalytic Studies program and edits the blog *Psyche on Campus*, honored with the 2022 American Psychoanalytic Association's Excellence in Journalism Award. His teaching includes courses on psychoanalysis, autobiography, and American poetry. Cavitch has held fellowships from the Fulbright Foundation, Newcombe Foundation, and others. His recent projects explore world autobiography, psychoanalysis in academia, and the history of 'ashes' as a conceptual and material symbol. Award-winning scholar and educator, Cavitch's work bridges literary criticism with clinical theory, media studies, and transnational frameworks. He advises doctoral students in American literature and affiliated programs, maintaining active collaborations with institutions like the McNeil Center for Early American Studies and the Psychoanalytic Center of Philadelphia.
Marie Sandberg is an Associate Professor in the Promotion Programme at the Saxo Institute, University of Copenhagen. She is affiliated with the Faculty of Humanities and participates in HUM:Global initiatives focused on interdisciplinary global studies. Her research emphasizes ethnological analyses of migration, borders, and refugee policies, particularly exploring temporal governance, state-civil society interactions, and the paradoxes of welfare-state frameworks. Her work examines the everyday practices of refugees and volunteers in contexts of temporary protection status, as well as the ethical challenges in digital migration studies. She contributes to debates on deterrence policies, repatriation agendas, and the precarity of academic labor. Sandberg’s research methodologies often combine ethnography with critical analysis of policy frameworks. Key Research Themes: Refugee temporariness, border studies, humanitarianism, and academic precarity Professional Roles: Member of the Professional Project Group (PPG) in HUM:Global, coordinating interdisciplinary projects Geographic Focus: Europe, with emphasis on Denmark, Poland, and Germany Recent publications highlight her focus on the interplay between state policies and grassroots efforts, as well as the temporal dimensions of displacement. She has co-edited special issues on migration and authored studies on volunteerism in refugee relief work.
Alison Landsberg is a Professor at George Mason University, affiliated with the Department of History and Art History and the Cultural Studies PhD program. Her research focuses on the politics of memory, affective engagements with the past, visual culture, and the intersections of race, aesthetics, and history. A leading scholar in memory studies, she explores how mass media and popular culture shape historical consciousness and political subjectivity. Her seminal works include *Prosthetic Memory* (2004) and *Engaging the Past* (2015), which analyze how mediated experiences of history foster empathy and progressive politics. Landsberg’s interdisciplinary work bridges film studies, cultural theory, and historiography. She examines how audiovisual media—from films to immersive digital exhibits—produce alternative historical narratives that challenge traditional academic historiography. Her current project, *Impossible Histories*, critiques conventional ‘historicism’ and explores counterhegemonic modes of historical representation. Her teaching spans courses on historical cinema, visual culture, and the politics of memory. She has advised over 20 doctoral students, many of whom explore topics like public history, digital memory, and cultural activism. Landsberg is a frequent keynote speaker at international conferences and has contributed to NPR’s *On the Media* and *The American Scholar* on topics ranging from racial representation to post-postracial America. Landsberg’s research emphasizes the urgency of rethinking historical engagement in an era of fragmented media and contested identities. Her work underscores the ethical and political stakes of how societies remember—and forget—the past.
Professor Gabriel Brostow is a faculty member in the Department of Computer Science at University College London (UCL), where he leads research in Computer Vision and Human-Computer Interaction. He also serves as Chief Research Scientist and Senior Director of the R&D Team at Niantic, the company behind Pokémon GO. His work bridges academic research and industry applications, focusing on developing AI systems that enhance human capabilities through what he terms 'Human in the Loop AI'—now commonly referred to as Human-Centered AI. Brostow completed his BS in Electrical Engineering at UT Austin, followed by a PhD with Irfan Essa at Georgia Tech. He then pursued postdoctoral research with Roberto Cipolla's Computer Vision & Robotics Group at Cambridge University as a Marshall Sherfield Fellow, and with Marc Pollefeys in ETH Zurich's CVG Group. His research explores how AI, particularly Computer Vision, can serve as 'super-tools' for professionals across various domains including filmmaking, architecture, robotics, and scientific research. Specific interests include assistive technology for everyday life, authoring systems that maximize user effort, 3D reconstruction, depth estimation, and vision-language models. His work often involves creating systems that are validated through real-world human interaction to ensure practical utility. Analysis of his recent publications reveals a strong focus on practical applications of Computer Vision that directly interact with humans. His research spans 3D scene understanding, depth estimation, sketch-based interfaces, and multimodal AI systems. There's a clear emphasis on creating benchmarks and tools that facilitate human-AI collaboration, with applications in assistive technology, urban planning, filmmaking, and biodiversity monitoring. His work frequently appears at top conferences including CVPR, NeurIPS, ECCV, and CHI. Marshall Sherfield Fellowship Brostow actively mentors PhD students, with current advisees including Ross Murphy, Skanda Koppula, Gizem Unlu, Omiros Pantazis, and Jamie Watson. His alumni include numerous PhD graduates and MSc students who have gone on to successful careers in academia and industry. He emphasizes selecting students based on passion and potential rather than just academic credentials, valuing traits like helpfulness, drive, and hunger to learn. His research is supported through collaborations with major institutions and companies including DeepMind, MIT, and the University of Edinburgh. He leads a research group at UCL that collaborates closely with Niantic's R&D team, creating a unique bridge between academic research and industry application. His team's work frequently involves developing novel Computer Vision techniques that are validated through real-world human interaction, ensuring practical utility alongside technical innovation. The group explores blue-sky research problems with applications ranging from assistive technology to professional tools for filmmakers, architects, and scientists studying diverse environments.
William Brown is an Associate Professor of Film in the Department of Theatre & Film within the Faculty of Arts at the University of British Columbia. He earned his D.Phil. from the University of Oxford and joined UBC in January 2022 after teaching positions at the University of Roehampton, University of St Andrews, University of Oxford, and New York University Abu Dhabi. At UBC, he serves as Graduate Advisor for Cinema and Media Studies. His research spans multiple intersecting fields including film-philosophy, digital media, posthumanism, and critical race theory. Brown approaches cinema through both theoretical scholarship and practical filmmaking, creating works that blend fiction, documentary, and video essays. His academic contributions include numerous books that have shaped contemporary film theory, particularly exploring the relationship between cinema and philosophical concepts in the digital age. Brown's publications reveal a consistent trajectory toward understanding cinema's relationship with ecological thought, nonhuman perspectives, and decolonial approaches. His recent work focuses on navigating from the 'White Anthropocene' to the 'Black Chthulucene,' examining how cinema can represent and intervene in ecological crises while challenging dominant Western perspectives. Nominated for Best Monograph by British Association of Film and Television Studies Society (2018) Book Reviews Editor for Studies in European Cinema and Film-Philosophy Conference Report Editor for Cinema: Journal of Philosophy and the Moving Image Brown has supervised five PhD dissertations to completion, four of which successfully combined practice and theory. His teaching encompasses both film production and film history/theory. As an active filmmaker, he has created approximately 15 no-budget feature films that have received recognition from prestigious critics and festivals including Sight & Sound Films of the Year and American Online Film Awards. He is a frequent keynote speaker at international conferences and has presented at venues including the British Film Institute's Philosophical Screens series.
Bliss Cua Lim is a Professor at the Cinema Studies Institute, University of Toronto, specializing in Philippine cinema, film archiving, and queer theory. She is the author of The Archival Afterlives of Philippine Cinema (2024) and Translating Time: Cinema, the Fantastic, and Temporal Critique (2009), which was a John Hope Franklin Book Prize recipient. Education: PhD in Cinema Studies, New York University; BA in English, University of the Philippines, Diliman Her research explores intersections of cinema, folklore, and political histories, with a focus on archival fragility, transnational horror genres, and camp aesthetics in Southeast Asian media. Recent work analyzes the crisis of state-run film archives and the role of folklore in queer transmedia storytelling. Key trends in her publications include: Queering the Filipinx Zombie Movie (2025) and Cosmopolitan Animisms (2022), which examine genre hybridity and postcolonial spectralities. Her 2013 writings on Philippine archival advocacy and 2015 essays on queer aswang narratives highlight institutional and cultural challenges in media preservation. Scientific Awards: Selected John Hope Franklin Book Prize (2009) Lim serves on the Editorial Collective of Camera Obscura and the Advisory Board of Plaridel: A Philippine Journal of Communication . Her teaching includes courses on Queer Asian Cinemas, Sound and Animation, and Film Cultures II.
Fabian Broeker is an ESRC Postdoctoral Fellow in the Department of Media and Communications at LSE. His research focuses on technology's role in everyday life, particularly examining social media, dating apps, and their intersections with intimacy, identity, and urban environments. He holds a PhD from King’s College London (2021) and an MSc in Digital Anthropology from UCL. Broeker’s monograph, Love and Technology (Routledge, 2023), details his Berlin-based ethnography of dating app users. Broeker is an Associate Member of the Digital Anthropology Lab at the University of Tübingen. His work merges academic research with filmmaking, having collaborated with institutions like the BFI and British Independent Film Awards. He also consults for tech firms like Google on digital media topics. His research interests include digital ethnography, platform studies, and the spatial dynamics of dating apps. Recent publications analyze dating app rituals, location-porting in tourism, and the evolving digital dynamics of intimacy. Broeker’s work often bridges anthropology, sociology, and urban studies to explore how digital technologies shape contemporary social practices.
Faye Ginsburg is the David B. Kriser Professor of Anthropology at New York University (NYU), affiliated with the College of Arts & Science. Her work focuses on social anthropology, ethnographic film, media studies, indigenous media, and disability. She holds a Ph.D. from CUNY (1986) and a B.A. from Barnard College (1976). Research interests include global media dynamics, disability studies, and indigenous sovereignty. She co-edited pivotal works like *Media Worlds: Anthropology on New Terrain* (2002) and *Disability Worlds* (2024). Recent publications address disability in the digital age, indigenous media sovereignty, and reproductive politics. Awards include the 2025 American Academy of Arts and Sciences membership and the 2025 CUNY President's Distinguished Alumni Award. She directs NYU’s Graduate Certificate Program in Culture and Media and co-founded the NYU Council for the Study of Disability. Her grants include NEH funding for disability research and leadership roles at the Center for Religion and Media. Key initiatives include SKILLS transition program for NYC youth with learning disabilities and collaborations with global media festivals (e.g., Margaret Mead Film Festival). Her interdisciplinary work bridges academia, activism, and media practice.
Malini Guha is an Associate Professor of Film Studies at Carleton University , cross-appointed to the Institute for Studies in Art and Culture and affiliated with Migration and Diaspora Studies . She holds the Ruth and Mark Phillips Professorship (2025-2027), focusing on geographical thinking across disciplines. Education: B.A. (University of Toronto), M.A. (York University), PhD (University of Warwick) Research Interests : Guha's work spans cinema and the city , diasporic/postcolonial cinema , public projection art , and ciné-geography . Recent projects include SSHRC-funded research on traction, flight, and becoming in moving images. Selected Publications : Author of From Empire to the World: Migrant London and Paris in the Cinema (2015) and co-editor of London as Screen Gateway (2023). Her articles appear in Feminist Media Histories , Routledge Companion to Media and the City , and Canadian Journal of Film Studies . Scientific Awards : Ruth and Mark Phillips Professorship (2025-2027) FASS Mid-Career Research Grant (2021) SSHRC Insight Development Grant (2023-2025) Collaborative Work : Co-organized Carleton’s Racialized and Indigenous Faculty Alliance (2022-2024), co-taught interdisciplinary course on Race and Representation in the Arts (2023), and collaborates with artist Neven Lochhead on projects like Something Happened (2024).
Seagh Kehoe is a Senior Lecturer in Chinese Studies at the University of Westminster's School of Humanities, joining in 2019. Previously, he taught at the University of Leicester, University of Nottingham, and University College Dublin. His research focuses on cultural dimensions of social and political transformation in modern China, particularly Chinese media representations of ethnicity, race, gender, sexuality, nationalism, and military. He holds a BA from University College Cork, an MA from Leiden University, and a PhD from the University of Nottingham, with additional studies in Mandarin and Tibetan. His academic work spans journal articles in China Quarterly , positions , and Media, Culture & Society , as well as edited volumes like Cultural China . His research interests include Tibet-China relations, critical university studies, and abolition theory. He supervises undergraduate and postgraduate dissertations on diverse socio-political topics. Kehoe has presented at conferences such as the British Association of China Studies and contributed to workshops on decolonizing Chinese studies. His recent work examines temporal politics in post-2008 Tibet and queer cinema in China. Education: BA Chinese Studies & Sociology (University College Cork) MA East Asian Politics (Leiden University) PhD (University of Nottingham) Mandarin Studies (Sichuan University) Tibetan Studies (Rangjung Yeshe Institute) Grants & Labs: Active in the Contemporary China Centre, contributing to interdisciplinary research on modern China.
Ernest Mathijs is a Professor in Cinema and Media Studies at the University of British Columbia (UBC), affiliated with the Faculty of Arts and Department of Theatre and Film. His research focuses on cult cinema, genre analysis, European horror films, and the reception of alternative cinema. He has authored monographs on David Cronenberg and Ginger Snaps , co-edited The Routledge Companion to Cult Cinema , and produced/co-wrote the documentary The Quiet Revolution (2019). He chairs the editorial board of Participations and is an associate member of UBC’s Peter Wall Institute for Advanced Studies. Research interests include: Cult film theory and global audiences Genre evolution (e.g., horror, fantasy, reality TV) Canadian film history Authorship and auteur studies Media industries and digital cinema Selected works highlight his exploration of The Lord of the Rings ’ reception, Belgian cinema, and the activism of Delphine Seyrig. His teaching spans undergraduate and graduate courses on cult cinema, media audiences, and film theory.
Renasha Khan is a Lecturer in Religion, Politics and Ethics at King’s College London, based in the Department of Theology & Religious Studies within the Faculty of Arts & Humanities. She holds a PhD in the Sociology of Religion from King’s College London. Her research focuses on digital religion, examining how social media shapes narratives of British Bangladeshi Muslim women’s agency, identity, and belonging through decolonial and feminist methodologies. She co-designed decolonised pedagogical modules at King’s, emphasizing lived experiences and challenging dominant epistemologies. Her teaching spans religion, politics, ethics, sociology, race, and gender at undergraduate and postgraduate levels, employing film and digital media to foster critical thinking. Beyond academia, she is an award-winning documentary filmmaker and media consultant for BBC, Sky Arts, and National Geographic. She co-founded Forward Culture to empower South Asian women and leads the Religion, Neurodiversity and Disability Network. Publications include Living the Muslim Atlantic: Race, Gender, and the Politics of Marginality (2020) and works addressing digital activism and Muslim women’s online identities. She actively engages in policy work on digital rights and inclusive futures through her roles at the British Sociological Association and King’s College London.
