Decolonial Filmmaking Practices Professors and Supervisors | ApplySharif

جست‌وجوی استاد و پژوهشگر

استاد راهنما، استاد دانشگاه یا پژوهشگر مناسب برای مسیر پژوهشی‌تان را پیدا کنید و با او ارتباط بگیرید.

نمایش ۱-۱۵ از ۱۹۵ استاد راهنما

اطلاعات این پروفایل‌ها از صفحات عمومی دانشگاه‌ها جمع‌آوری شده و ممکن است به‌روز نباشد.

Laura McMahonمشاهده پروفایل

دانشیار

University of CambridgeUnited Kingdom

Dr. Laura McMahon is an Associate Professor in Film and Screen Studies at the Faculty of Modern and Medieval Languages and Linguistics , University of Cambridge. She is currently on sabbatical leave and will return in Easter Term 2024. Her research explores intersections between film and philosophy , with a focus on French and Francophone cinema , decolonial approaches , feminist theory , and ecocritical perspectives . Dr. McMahon’s work examines how contemporary feminist filmmakers like Onyeka Igwe and Khady Sylla engage with archives to reframe history through speculative reimagining . She also investigates ecological themes in Claire Denis’s films and the ethics of animality in global art cinema. Her monograph Animal Worlds: Film, Philosophy and Time (2019) and edited collections like Animal Life and the Moving Image (2015) highlight her contributions to debates on nonhuman representation and deconstructive aesthetics . Her recent publications analyze documentary practices , postcolonial archives , and critical repurposing in moving image work. She welcomes inquiries from MPhil and PhD students working on related topics. Her teaching and research are affiliated with the Cambridge Film and Screen initiative and the Cambridge Italian Research Network (CIRN).

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William Brownمشاهده پروفایل

دانشیار

University of British ColumbiaCanada

William Brown is an Associate Professor of Film in the Department of Theatre & Film within the Faculty of Arts at the University of British Columbia. He earned his D.Phil. from the University of Oxford and joined UBC in January 2022 after teaching positions at the University of Roehampton, University of St Andrews, University of Oxford, and New York University Abu Dhabi. At UBC, he serves as Graduate Advisor for Cinema and Media Studies. His research spans multiple intersecting fields including film-philosophy, digital media, posthumanism, and critical race theory. Brown approaches cinema through both theoretical scholarship and practical filmmaking, creating works that blend fiction, documentary, and video essays. His academic contributions include numerous books that have shaped contemporary film theory, particularly exploring the relationship between cinema and philosophical concepts in the digital age. Brown's publications reveal a consistent trajectory toward understanding cinema's relationship with ecological thought, nonhuman perspectives, and decolonial approaches. His recent work focuses on navigating from the 'White Anthropocene' to the 'Black Chthulucene,' examining how cinema can represent and intervene in ecological crises while challenging dominant Western perspectives. Nominated for Best Monograph by British Association of Film and Television Studies Society (2018) Book Reviews Editor for Studies in European Cinema and Film-Philosophy Conference Report Editor for Cinema: Journal of Philosophy and the Moving Image Brown has supervised five PhD dissertations to completion, four of which successfully combined practice and theory. His teaching encompasses both film production and film history/theory. As an active filmmaker, he has created approximately 15 no-budget feature films that have received recognition from prestigious critics and festivals including Sight & Sound Films of the Year and American Online Film Awards. He is a frequent keynote speaker at international conferences and has presented at venues including the British Film Institute's Philosophical Screens series.

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Faye Ginsburgمشاهده پروفایل

استاد

New York UniversityUnited States

Faye Ginsburg is the David B. Kriser Professor of Anthropology at New York University (NYU), affiliated with the College of Arts & Science. Her work focuses on social anthropology, ethnographic film, media studies, indigenous media, and disability. She holds a Ph.D. from CUNY (1986) and a B.A. from Barnard College (1976). Research interests include global media dynamics, disability studies, and indigenous sovereignty. She co-edited pivotal works like *Media Worlds: Anthropology on New Terrain* (2002) and *Disability Worlds* (2024). Recent publications address disability in the digital age, indigenous media sovereignty, and reproductive politics. Awards include the 2025 American Academy of Arts and Sciences membership and the 2025 CUNY President's Distinguished Alumni Award. She directs NYU’s Graduate Certificate Program in Culture and Media and co-founded the NYU Council for the Study of Disability. Her grants include NEH funding for disability research and leadership roles at the Center for Religion and Media. Key initiatives include SKILLS transition program for NYC youth with learning disabilities and collaborations with global media festivals (e.g., Margaret Mead Film Festival). Her interdisciplinary work bridges academia, activism, and media practice.

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Malini Guhaمشاهده پروفایل

دانشیار

Carleton UniversityCanada

Malini Guha is an Associate Professor of Film Studies at Carleton University , cross-appointed to the Institute for Studies in Art and Culture and affiliated with Migration and Diaspora Studies . She holds the Ruth and Mark Phillips Professorship (2025-2027), focusing on geographical thinking across disciplines. Education: B.A. (University of Toronto), M.A. (York University), PhD (University of Warwick) Research Interests : Guha's work spans cinema and the city , diasporic/postcolonial cinema , public projection art , and ciné-geography . Recent projects include SSHRC-funded research on traction, flight, and becoming in moving images. Selected Publications : Author of From Empire to the World: Migrant London and Paris in the Cinema (2015) and co-editor of London as Screen Gateway (2023). Her articles appear in Feminist Media Histories , Routledge Companion to Media and the City , and Canadian Journal of Film Studies . Scientific Awards : Ruth and Mark Phillips Professorship (2025-2027) FASS Mid-Career Research Grant (2021) SSHRC Insight Development Grant (2023-2025) Collaborative Work : Co-organized Carleton’s Racialized and Indigenous Faculty Alliance (2022-2024), co-taught interdisciplinary course on Race and Representation in the Arts (2023), and collaborates with artist Neven Lochhead on projects like Something Happened (2024).

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Kelly Askewمشاهده پروفایل

استاد

University of Michigan-Ann ArborUnited States

Kelly Askew is a Professor of Anthropology and Afroamerican & African Studies at the University of Michigan’s College of Literature, Science, and the Arts. She holds a PhD in Anthropology (Harvard, 1997) and a BA in Music and Anthropology (Yale, 1997), with over three decades of fieldwork in Tanzania and Kenya. Education PhD in Anthropology, Harvard University (1997) BA in Music and Anthropology, Yale University Key Roles Chair of the Department of Anthropology Niara Sudarkasa Collegiate Professor Her research bridges three primary domains: Postsocialist transitions (e.g., property rights formalization and land conflicts), art and political aesthetics (e.g., Swahili music, African visual arts, ethnographic filmmaking), and indigenous political movements (e.g., Maasai and Parakuyo pastoralists). She has produced award-winning documentaries like The Chairman and the Lions (2013) and Maasai Remix (2019), which examine cultural resilience and land rights. Scientific awards include being a finalist for the African Studies Association Herskovits Award (2002). Recent publications analyze land dispossession mechanisms, postsocialist cultural production, and media’s role in political identity. She has secured grants from the National Science Foundation, National Endowment for the Humanities, and Ford Foundation.

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Claudia Arteagaمشاهده پروفایل

دانشیار

Scripps CollegeUnited States

Claudia Arteaga serves as Associate Professor of Spanish, Latin American, and Caribbean Literatures and Cultures and Chair of the Department of Spanish, Latin American and Caribbean Literatures and Cultures at Scripps College. Her academic profile centers on indigenous representation in Latin America through cinematic and literary analysis, with particular emphasis on Andean societies. Her educational background includes: Ph.D. and M.A. in Spanish from Rutgers University B.A. in Linguistics and Literature from Pontificia Universidad Católica del Perú Arteaga's research critically examines indigenous self-representation in Peru, Bolivia, and Guatemala, investigating race-gender intersections , popular environmentalism , and epistemological translation in post-colonial contexts. Her work bridges Decolonial Theory , Indigenous Film Studies , and Andean Cultural Analysis , with significant contributions to understanding how communitarian filmmaking challenges dominant narratives. She actively connects academic research with social movements through interdisciplinary approaches. Her publication trajectory reveals consistent focus on indigenous media as decolonial praxis , with recent works analyzing Mayan documentaries, Quechua poetry, and Amazonian film schools. The research demonstrates evolving methodology from textual analysis toward community-engaged film studies, particularly examining how film festivals and grassroots cinema reshape environmental and identity politics across Latin America. Notable recognitions include: Mary W. Johnson Faculty Achievement Award in Teaching (Scripps College, 2018-2019) Sabbatical Research Fellowship (Scripps College, 2018-2019) Rutgers Teacher-Scholar Fellowship (2013-2014) Adolfo Snaidas Best Graduate Student Essay Award (2009) Arteaga has secured significant research funding from CLAS and GAIA for faculty-student collaborations and academic events, including the initiative 'Sumak Kawsay & Bolivarianism Today.' Her teaching portfolio spans advanced literature courses and specialized seminars on indigenous women's struggles, reflecting her commitment to integrating research with pedagogy. She maintains active engagement with the Latin American Studies Interdisciplinary Group, fostering connections between academic work and community activism. Her current projects extend into contemporary indigenous media production, with ongoing analysis of how digital platforms transform testimonial practices and environmental advocacy among Quechua and Mayan communities.

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Lynda Jessupمشاهده پروفایل

استاد

Queen's University at KingstonCanada

Lynda Jessup is Professor of Screen Cultures and Curatorial Studies in Film and Media at Queen's University's Faculty of Arts & Science. She currently serves as Vice Dean (2021-present), overseeing faculty relations across 30 departments, after previously holding Associate Dean (2014-2021) and Director of Cultural Studies (2009-2014) positions. Her research interrogates visual culture through exhibitions, museums, and art historiography, focusing on Canadian and Indigenous North American contexts within Western valuation systems. She critically examines "the national" as a category of cultural authority, with recent expansion into cultural diplomacy exploring art exhibitions' role in Canadian foreign policy. As Director of the North American Cultural Diplomacy Initiative (NACDI), she leads an international network connecting cultural practitioners with diplomacy scholars. Analysis of her publication trends reveals deep integration of art history with diplomatic studies, particularly through state-sponsored Canadian art exhibitions as instruments of international relations. Her collaborative work consistently bridges academic research and policy impact, with growing emphasis on decolonization, trust-building, and critical approaches to cultural exchange in global contexts. Dr. Jessup's scientific recognition includes: Universities Art Association of Canada Recognition Award (2018) Fulbright Scholar at Rockefeller Archive Center (2010–11) Queen’s University Graduate Supervision Excellence Award (2009) Queen’s University Teaching Excellence Award (1998) Massey College Visiting Scholarship (2019-20) National Gallery of Canada Research Fellowships (2002-03, 1994-95) Her funded research demonstrates sustained leadership in cultural diplomacy, including a SSHRC Partnership Development Grant (2019-25) for "The Cultural Relations Approach to Diplomacy" and MITACS Accelerate funding for Toronto's city diplomacy work. Major grants consistently address intersections of cultural policy, international relations, and visual representation through collaborative frameworks. Through NACDI, Jessup directs an international research network producing policy-shaping outputs like the "Cultural Diplomacy as Critical Practice" report series, fostering practitioner-scholar dialogue on decolonization and trust-building in global cultural relations.

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Krista Lynesمشاهده پروفایل

استاد

Concordia UniversityCanada

Krista Lynes is a Professor of Communication Studies at Concordia University, holding the Canada Research Chair in Feminist Media Studies and directing the Feminist Media Studio. Their research focuses on intersectional frameworks addressing feminist media studies, queer theory, migration studies, critical race studies, environmental humanities, and infrastructure studies. Lynes employs research-creation methodologies to interrogate systems of power and mobility. Thesis supervision: Media Studies (MA), Communication (PhD), Humanities (PhD) Labs/Teams: Director of the Feminist Media Studio, a space for interdisciplinary art and activism Recent work examines vital energy in greenhouse infrastructures, queer migrant activisms, and decolonizing corporeal representations in art. Their scholarship bridges media theory with global social justice concerns, emphasizing transnational circuits and planetary aesthetics.

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Philippa Lovattمشاهده پروفایل

مدرس

University of St AndrewsUnited Kingdom

Dr. Philippa Lovatt is a Lecturer in Film Studies at the University of St Andrews, specializing in artists’ moving image, sound studies, eco-criticism, and Southeast Asian independent film cultures. She leads a monograph project on sound politics in artists’ film and co-directs the oral history project Parallel Practices: Oral Histories of Southeast Asian Film and Video Cultures with Prof. Jasmine Nadua Trice (UCLA). Her research bridges ecological crises, audiovisual practices, and regional art histories. Her key awards include a 2020 Carnegie Research Incentive Grant for studying environmental responses in Hanoi and Chiang Mai. Research outputs include edited dossiers for Journal of Cinema and Media Studies and Screen , alongside publications in Southeast of Now and Antennae . Collaborative projects emphasize transnational Southeast Asian film networks and decolonial art methodologies. Her work interrogates intersections of ecology, sound, and regional identity through case studies like Nguyen Trinh Thi’s mycological film practices and Apichatpong Weerasethakul’s therapeutic narratives. Current projects explore material histories of extractivism and anthropocentric critiques in moving image art.

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Samantha Iwowoمشاهده پروفایل

مدرس ارشد

Bournemouth UniversityUnited Kingdom

Dr. Samantha Iwowo is a Senior Lecturer at Bournemouth University, specializing in directing drama for film and television. As a screenwriter, director, and researcher, she bridges industry practice with academic scholarship, focusing on postcolonialism, transnational cinema, and decolonizing film pedagogy through the Ubuntu collaboration model. Her work intersects African cinema, cultural heritage, and social justice, with a commitment to challenging marginalization. Her PhD in Film Studies from the University of Bristol examined colonial legacies in Nollywood, informed by Homi Bhabha’s theories. She co-authored a chapter in the SAGE Handbook of Leadership (2022), merging leadership studies with African cinema, and developed the Ubuntu collaboration model for minimalist filmmaking, adopted by Bournemouth University’s MA Framework. Her research outputs include analyses of cinematic empathy, postcolonial mise-en-scène, and the role of pre-visualization in film education during the pandemic. She supervises doctoral students in topics spanning Nollywood horror, Yoruba neo-Nollywood, and employability in minimalist filmmaking. Current projects include a Routledge monograph on decolonizing film directing. Grants include a £839,632 AHRC grant as Co-Investigator. She serves as an external examiner for multiple universities and has delivered lectures globally on African cinema, screenwriting, and decolonization.

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Karine Bertrandمشاهده پروفایل

دانشیار

Queen's University at KingstonCanada

Karine Bertrand is an Associate Professor jointly appointed to the Department of Film and Media and the Cultural Studies Program at Queen's University. She holds a Ph.D. and focuses on transnational cinemas, Indigenous cinemas, Quebec cinema (particularly migrant identities and filmmakers in Hollywood), intercultural collaborations, and road movies. Her research also explores letter writing in films and post-memory narratives. She co-directs the Politics and Aesthetics of the Image (EPIC) research group and leads the SSHRC-funded Archive/Counter-Archive project collaborating with Inuit filmmakers. Educations : Ph.D. (2013). Research Interests : Quebec cinema, Indigenous cinemas (especially Inuit and women filmmakers), transnational film movements, road movies, intercultural collaborations, oral practices in cinema, and the role of epistolary forms in documentary/fiction. Her work emphasizes decolonial approaches, cultural memory, and community-based filmmaking. Key Projects : Leading the Archive/Counter-Archive initiative with Inuit collective Arnait Video Productions and filmmaker Marie-Hélène Cousineau; collaborating with Wapikoni Mobile and INAAC; co-directing the EPIC research group. Affiliations : Co-Director of the Politics and Aesthetics of the Image group at the University of Ottawa; member of the Vulnerable Media Lab at Queen's University.

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Anand Pandianمشاهده پروفایل

استاد

Johns Hopkins UniversityUnited States

Anand Pandian is the Krieger-Eisenhower Professor of Anthropology at Johns Hopkins University, holding a joint appointment in Earth & Planetary Sciences. He also serves as President of the Society for Cultural Anthropology and a curator of the Ecological Design Collective. His research focuses on ecological ethics, sustainable design, and participatory anthropology, with fieldwork in India, the U.S., and Baltimore. Education details are not explicitly stated in the text, but his academic trajectory is evident through his publications and roles. Key research areas include environmental humanities, sensory ethnography, and experimental writing. He has authored multiple influential books including A Possible Anthropology (2019) and Something Between Us (2023). His work bridges theory and practice through initiatives like the Ecological Design Collective, fostering collaborations between researchers, artists, and activists. Current projects explore decay as an ecological concept and urban river revitalization in Baltimore. Pandian actively engages in public discourse through lectures and community projects. Grants and institutional roles include department chairmanship, organizing virtual conferences like 'Displacements' (2018), and editorial work for volumes such as Ethical Life in South Asia (2010). His interdisciplinary approach integrates anthropology with environmental science, literature, and design.

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Ashvin Immanuel Devasundaramمشاهده پروفایل

مدرس ارشد

Queen Mary University of LondonUnited Kingdom

Dr. Ashvin Immanuel Devasundaram is a Reader in Global Cinemas at Queen Mary University of London, specializing in World Cinemas with a focus on New Independent Indian Cinema, emerging cinemas from South Asia, the Middle East, Latin America, and Africa. He actively engages in transdisciplinary and intercultural exploration, connecting cinematic representations with themes such as postcolonialism, decolonisation, LGBTQ+ issues, urban violence, and cultural heritage. Current Research: Principal Investigator for the AHRC-funded India-UK project 'Connecting Creative Industries and Cultural Heritage: India-UK Film Festival Federation, Youth Curation and Community Co-creation' (2024-2027). Leadership Roles: Associate Director of the UK Asian Film Festival (UKAFF) and founder of its Edinburgh edition (2016). Key Themes: Intersections of cinema with philosophy, politics, migration, postmodernism, and urban transformations across India, South Africa, Bhutan, Singapore, and Brazil. His work has led to the establishment of an international interdisciplinary research network on global urban violence and its impact on marginalized communities, alongside ongoing editorial roles in academic series and journals. He mentors through the B-MEntor scheme and integrates philosophical themes into his music with the transglobal neo-progressive rock project The Multitude. Scientific Awards: Edinburgh University Literary Award (2012), QMUL Community Engagement Prize (2018).

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José Miguel Palaciosمشاهده پروفایل

استادیار

California State University, Long BeachUnited States

José Miguel Palacios is an Assistant Professor in the Department of Cinematic Arts at California State University Long Beach. His work bridges film history, archival studies, and transnational political cinema, with a focus on Latin American media and decolonizing film narratives. Ph.D., Cinema Studies, New York University (2017) M.A., Film Studies, Columbia University (2011) B.A., Film & TV, Universidad Uniacc (2006) Palacios’ research explores how exile and migration reshape cinematic solidarity networks, archival practices, and cultural heritage. His scholarship emphasizes geopolitical cinema, radical film cultures, and the role of festivals in preserving Chilean exile media. His first book, Transnational Cinema Solidarity (2025), analyzes global networks supporting Chilean filmmakers post-1973 coup. His second project, The Cinema to Come , examines Raúl Ruiz’s exile archives and experimental film historiography. Palacios’ publications span journals like Film Quarterly , The Moving Image , and Jump Cut , with themes ranging from documentary ethics to cinematic kinship. His grants include ACLS, CONICYT, and CSULB-funded projects. ACLS Project Development Grant (2025-26) CSULB Faculty Small Grant (2023-24) CONICYT Fondecyt Postdoctoral Project nº3180209 (2018-2020) Humanities New York Fellowship (2014-15) He co-organized the film series Archives for the Future (2023) and teaches courses on transnational cinema, radical media, and archival practices. His advocacy for students’ representation in film studies underscores his commitment to decolonizing pedagogy.

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Trinh T. Minh-haمشاهده پروفایل

استاد

University of California, BerkeleyUnited States

Trinh T. Minh-ha is a Professor in the Department of Gender & Women's Studies at the University of California, Berkeley. She is an interdisciplinary scholar, filmmaker, and theorist known for her work in feminist, postcolonial, and critical theory. Her affiliations include teaching appointments at Harvard, Smith, Cornell, and other institutions globally. She holds degrees from the University of Illinois, Champaign-Urbana, where she earned two master's degrees and a Ph.D. in music composition. Her research integrates cultural politics, postcolonial discourse, and artistic practice. Minh-ha has produced six feature films—including Reassemblage (1982), Naked Spaces (1985), and A Tale of Love (1996)—which have been featured in 27 international retrospectives. She has also authored eight books and created multimedia installations addressing intersectional identity, decolonial aesthetics, and feminist epistemologies. Minh-ha’s work emphasizes ethical storytelling, challenging dominant narratives through experimental formats. While no specific awards are named, her films and writings have garnered significant academic and artistic recognition. She is currently on Academic Personnel Leave but maintains an office at 660 Social Sciences Building, Berkeley.

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