José Angel Araguz is an Assistant Professor of English at Suffolk University, specializing in creative writing and literary studies. His research focuses on Latinx poetics, poetic forms, and experimental literary genres. He holds a PhD from the University of Cincinnati, an MFA from New York University, and a BA from the College of Santa Fe. Dr. Araguz is deeply involved in literary publishing, serving as Editor-in-Chief of Salamander , a member of The Cincinnati Review’s Strategic Board, and an advisory board member for SWING literary journal. He also leads editorial roles at Airlie Press and Right Hand Pointing. His creative work spans poetry, nonfiction, and hybrid genres, with a focus on Latino/a identity, speculative elements, and formal innovation. Major publications include Ruin and Want (2023), La esperanza espera (2023), and Rotura (2022). His research explores blackout poetry, microcuentos, and the intersection of creative writing with cultural critique. He teaches courses like Latinx Literature, Creative Writing, and Poetry Workshops. Office hours are Fridays 10:30 a.m.–1:30 p.m. or by Zoom appointment.
Nathan Martin is an Associate Professor of Music Theory at the University of Michigan, School of Music, Theatre & Dance. He joined in 2015 after postdoctoral fellowships at Columbia, Harvard, Katholieke Universiteit Leuven, Hochschule für Musik Freiburg, and Yale. He holds a PhD from McGill University’s Schulich School of Music (2009). His research focuses on the history of music theory and musical form analysis, particularly the works of Jean-Philippe Rameau and their reception among Enlightenment thinkers like Jean-Jacques Rousseau. He integrates intellectual history with practical analytical methods, emphasizing both contextual and emic perspectives. Recent interests include adapting empirical social science and linguistics methods to study musical form. Key publications include articles on Rameau’s harmonic concepts, Rousseau’s musical writings, and global music theory history. His 2014 article on Rameau’s supposition/suspension theories earned the Society for Music Theory’s Outstanding Publication Award. He co-edited Formal Functions in Perspective (2015) and served as co-editor of Music Theory & Analysis until 2019. Professional highlights include the Edward T. Cone Membership at the Institute for Advanced Study (2018–2019) and a 2023 visiting researcher role at the Max Planck Institute for Empirical Aesthetics. His work bridges historical analysis with contemporary empirical approaches, fostering interdisciplinary dialogue in music theory.
Petra Kuppers is a Professor at the University of Michigan, specializing in disability culture, performance art, and ecocriticism. She holds a PhD from Falmouth College of Art/Plymouth University (1999) and is affiliated with multiple departments, including English, Drama, and Gender Studies. Her work bridges academic research with community-based performance, emphasizing socially just futures through art. Key roles include Artistic Director of The Olimpias, co-founder of Turtle Disco, and a Just Tech Fellow (2024–2026) for 'Planting Disabled Futures,' a VR project blending disability culture and environmental ethics. She teaches graduate courses on disability studies and creative writing, advising students through a monthly 'Research Coven.' Kuppers has authored influential books like *Disability and Contemporary Performance* (2003) and *Eco Soma* (2022), recognized with awards such as the Guggenheim Fellowship and ATHE Book Prize. Her poetry collections, including *Gut Botany* (2020) and *Diver Beneath the Street* (2024), explore intersections of disability, ecology, and true crime. Her research spans crip ecologies, archival activism, and somatic methods, with recent projects including *Crip/Mad Archive Dances* and participatory events like 'Crip Drifts.' She emphasizes accessibility in performance, digital art, and public engagement, often collaborating with Indigenous communities and global disability collectives.
Dr. Simon A. Morrison is a Senior Lecturer in the Division of Communication, Screen & Performance within the Faculty of Arts, Humanities and Social Sciences at the University of Chester. He serves as Programme Leader for the Music Journalism degree, which he helped design, build and deliver from its first cohort in 2014. With 25 years of experience as a writer, broadcaster, and academic, Morrison brings extensive industry knowledge to his teaching and research, having worked as a music journalist reporting from locations worldwide including Beijing, Brazil, Moscow, and Marrakech. Dr. Morrison holds a PhD from the University of Leeds (completed 2018), an MA from the University of Manchester (1995-1997), and a BA Hons from the University of Manchester (1989-1992). Prior to his position at Chester, he worked as an Associate Lecturer at Manchester Metropolitan University (2012-2014) and as a Visiting Lecturer at Leeds University (2011-2013). His academic journey follows a substantial career in media where he presented TV for Rapture TV, hosted radio shows in Ibiza, produced and presented for Kiss Radio, and appeared on BBC Breakfast and BBC 5 Live. Dr. Morrison's research centers on the intersection of words and music , with particular focus on Popular Music , Musico-Literary Intermediality , and Electronic Dance Music Culture . His work explores how music subcultures, particularly rave and dance music scenes, are represented in literature and journalism. He examines the connections between different countercultural movements, notably drawing parallels between the Beat Generation writers and contemporary 'Chemical Generation' authors who write about club culture. His research also investigates the relationship between music journalism and subcultural movements across different historical periods. His recent publications reveal a clear trajectory connecting historical dance music developments across continents and eras. Morrison's work traces the evolution of electronic dance music from its American roots in Chicago and Detroit through its transatlantic journey to Europe and back again, examining how cultural exchange shaped musical innovation. His analyses of Pink Floyd demonstrate how rock bands interact with media landscapes, while his investigations of music journalism document the changing nature of music criticism in digital eras. The recurring theme across his scholarship is the examination of how subcultural experiences are translated into written form, whether through journalism, fiction, or academic analysis. Dr. Morrison actively supervises undergraduate dissertation projects and Negotiated Study production projects across all three years of undergraduate study. He has successfully supervised an MRes project to completion and examined PhDs (including one internal and two external, one being an Australian PhD by Artefact & Exegesis). He has served as an External Examiner for Music Journalism programs at Southampton Solent University (2016-2019) and BIMM London, Birmingham and Manchester (2016-2020). His teaching spans modules including Introduction to Journalism, Live Journalism, Dancing About Architecture: Popular Music Media, Histories and Technologies, The Cultural Politics of Music Journalism, The Politics of Social Media, Magazine Publishing and Music PR and Promotional Writing.
Ian Condry is a Professor of Japanese Culture and Media Studies at MIT, affiliated with the Department of Anthropology. He holds a BA in Government from Harvard (1987) and a PhD in Anthropology from Yale (1999). His research focuses on Japanese popular culture, media globalization, and creative industries. He is best known for his seminal work on hip-hop in Japan and anime production, emphasizing collaborative creativity and cultural hybridity. Condry leads the MIT Spatial Sound Lab, exploring immersive audio technologies, and co-founded the music discovery platform Hearby.com. He hosts the 'Near and Far' Japanese hip-hop radio show on WMBR 88.1FM since 2018 and releases music as Leftroman. Condry’s academic roles include former Head of Global Studies and Languages at MIT and Executive Committee member of the Technology Broadcasting Corporation. His work bridges academic research with creative practice, including organizing the Dissolve Music conference and curating multimedia projects. He has pioneered open-access publishing, making his books available under Creative Commons licenses. His research spans media anthropology, youth culture, and digital media’s societal impact. Key projects include the MIT/Harvard 'Cool Japan' research initiative and studies on post-3/11 cultural recovery. Condry’s interdisciplinary approach integrates ethnographic methods with technological innovation, addressing themes of global cultural flows and participatory media production.
Jocelyn Alexander is Professor of Commonwealth Studies and Head of Department at the University of Oxford's Department of International Development (ODID). She teaches primarily on the MPhil in Development Studies and the DPhil in International Development, and serves on the editorial board of the Journal of Southern African Studies and the publications committee of the International Africa Institute. Her research interests include: Southern African social and political history Liberation movements and their legacies Violence and memory Political imprisonment Rural politics and state-making Political & International Dimensions of Development Sub-Saharan Africa Professor Alexander is currently working on a Leverhulme-funded collaborative research project titled 'Global Soldiers in the Cold War: Making southern Africa's liberation armies', and writing a history of political imprisonment in Zimbabwe. Her research uses qualitative methodologies, notably oral history and archival research, and she is interested in cross-disciplinary approaches combining history, anthropology, politics, and literature. Her recent publications demonstrate a strong focus on transnational histories of Southern African liberation movements, political imprisonment in Zimbabwe, and the legacies of violence in post-colonial states. She has made significant contributions to understanding the connections between liberation movements, the Cold War context, and the formation of post-colonial states in Southern Africa. Scientific awards: Leverhulme grant for project on Cold War-era 'global soldiers' (2019) Professor Alexander has supervised numerous doctoral students working on topics related to Southern African politics, history, and development. She has also co-authored important works including 'Violence and Memory: One Hundred Years in the 'Dark Forests' of Matabeleland' (2000) and authored 'The Unsettled Land: The Politics of Land and State-making in Zimbabwe, 1893-2003' (2006). She has taught at Sussex and Bristol Universities and has been a Research Associate at the University of Zimbabwe, bringing extensive regional experience to her academic work.
Panpan Yang is a Lecturer in Arts and Visual Cultures of Modern China at the School of Arts, SOAS University of London. She joined SOAS in 2021 after completing her joint PhD at the University of Chicago under the direction of Wu Hung, Tom Gunning, W. J. T. Mitchell, Judith Zeitlin, and Dana Polan. Her interdisciplinary work bridges art history, screen studies, East Asian studies, and digital humanities, with a focus on innovative methodologies in art historical writing. Dr. Yang earned a dual BA from Peking University, double majoring in art and philosophy, followed by an MA from Tisch School of the Arts at NYU, and a PhD from the University of Chicago. During her undergraduate studies, she served as president of the Society of Dream of the Red Chamber Studies, which informed her secondary academic interest in Redology and the visual material world of the novel Hong lou meng. Panpan Yang's research explores how minor discourses can deterritorialize the terrains of both art history and screen studies. Her work demonstrates a multimethodological approach attentive to archival research, material practices, close visual analysis, computer-aided vision, and cross-cultural theorization. She is particularly interested in Chinese animation history, calligraphic imagination in contemporary art, and the intersections between traditional Chinese art forms and new media. Her publications reveal a consistent focus on Chinese visual culture across multiple media forms, with particular attention to animation, film, and calligraphy. Yang's work demonstrates how traditional Chinese art forms engage with contemporary digital media, creating new hybrid forms that challenge disciplinary boundaries. Her research shows a trajectory from historical analysis of Chinese animation to contemporary explorations of calligraphy in digital contexts, revealing the ongoing relevance of traditional Chinese aesthetics in modern media. Dr. Yang has received several prestigious awards for her scholarly and creative work: China's National Young Screenwriter Award Domitor Essay Award Dean's Distinguished Dissertation Award Nomination Honourable Mention from the Association for Chinese Animation Studies As a Principal Investigator, Dr. Yang leads the AHRC-funded research project "Stroke by Stroke: Calligraphic imagination in contemporary Chinese art and emergent media" (2023-25) with Shane McCausland. She was also a collaborating partner on the NEH-funded "Media Ecology Project." Her research has received additional support from the Getty Foundation and the Sino-British Fellowship Trust. At SOAS, she works closely with faculty and graduate students interested in Chinese arts and cultures, art theory, cinematic arts, and digital art history. Dr. Yang is currently developing innovative research at the intersection of traditional Chinese calligraphy and contemporary digital media through her AHRC-funded project. This work explores how calligraphic imagination manifests in contemporary art and emergent media contexts, creating new pathways for understanding Chinese cultural heritage in the digital age.
Jeffrey Ruoff is an Associate Professor of Film and Media Studies at Dartmouth College. His research focuses on documentary filmmaking, film festivals, and North African cinema. He authored Telluride in the Film Festival Galaxy (2016) and edited works on film programming and travel cinema. Ruoff teaches documentary production, video mashups, and courses on New Waves in Film. His films, including the 2012 documentary Still Moving: Pilobolus at Forty , explore dance and cultural history. He holds a B.A. from Cornell University, an M.F.A. from Temple University, and a Ph.D. from the University of Iowa. In 2015-16, he participated in the OpEd Public Voices Fellowship. Ruoff’s writing appears in academic journals and popular outlets like The Huffington Post and Fortune .
Daniel Shanahan is an Associate Professor at the Bienen School of Music , Northwestern University , where he coordinates the Music Theory and Cognition program and directs the Music Cognition Lab. He holds a PhD from the University of Dublin, Trinity College. His research integrates music-analytic, computational, and experimental methodologies to investigate cognitive and communicative constraints in music. Key themes include corpus studies, music and emotion, oral transmission of musical traditions, computational analysis of jazz and folk music , and the application of machine learning and generative AI to musicology. Shanahan has served as co-editor of Empirical Musicology Review (2016–2022) and sits on editorial boards of multiple journals. His work appears in Music Perception , The Journal of New Music Research , Musicae Scientiae , and Frontiers in Psychology , with chapters in Routledge Companions and the Oxford Handbook of Music and Corpus Studies . Recent projects include an NSF grant studying sound's impact on learning (2023) and co-editing the Oxford Handbook . He currently serves as treasurer for the Society for Music Perception and Cognition . Mentorship Award (Society for Music Perception and Cognition, 2024) Outstanding Multi-Author Collection Award (Society for Music Theory, 2023) Distinguished Scholar Award (Ohio State University) Rising Faculty Research & Undergraduate Teaching Awards (Louisiana State University) His publications demonstrate expertise in music cognition, computational analysis, emotional expression, and oral/embodied transmission , with trends showing interdisciplinary applications of AI and cross-cultural studies. Shanahan's mentorship emphasizes student well-being, empathetic guidance, and fostering academic potential . He has hosted global open lab meetings during the pandemic and cultivated mentees who now contribute to service roles in academic committees.
Robert R. Edwards serves as the Edwin Erle Sparks Professor of English and Comparative Literature at Pennsylvania State University within the College of the Liberal Arts. His office is located in Burrowes Building, where he maintains regular office hours including scheduled appointments for Fall 2025. As a distinguished scholar in medieval literary studies, Professor Edwards has established himself as a leading authority on Chaucer, medieval drama, and book history. Professor Edwards specializes in Book History and Textual Studies with particular expertise in Medieval Literature. His research focuses on Chaucer studies, continental and Latin literary relations, and authorship in trilingual England. His scholarly approach integrates historical context with literary analysis, examining how medieval writers engaged with classical traditions while developing innovative narrative forms. His work reveals the complex interplay between textual production, cultural identity, and literary innovation in the medieval period. His publication record demonstrates consistent scholarly productivity spanning several decades, with significant contributions to understanding medieval literary theory, authorship concepts, and cross-cultural literary relations. His works show an evolving trajectory from foundational studies of medieval poetics to more nuanced examinations of specific authors and textual traditions, particularly focusing on how medieval writers negotiated classical heritage with contemporary cultural concerns. Professor Edwards has edited significant works including John Lydgate's writings and essay collections on medieval love, desire, and sexuality. His scholarly editing demonstrates commitment to making primary medieval texts accessible while providing critical frameworks for contemporary interpretation. His research continues to influence how scholars understand the development of literary consciousness in the medieval period.
Paul Richards is a Research Foundation Professor of Music and head of the composition and theory area at the University of Florida since 1999. He previously served as Visiting Professor at Florida State University (2016) and taught at Baylor University and the University of Texas at Austin. His academic roles include teaching courses in composition, music theory, and orchestration, along with supervising graduate students. He earned a DMA in Composition from the University of Texas at Austin and degrees from the University of Arizona. Education: Doctor of Musical Arts (DMA), Composition, University of Texas at Austin, 1998 Master of Music (MM), Theory and Composition, University of Arizona, 1993 Bachelor of Music (BM), Theory and Composition, University of Arizona, 1991 Research Interests: Richards’ work spans orchestral, vocal, chamber, and theatrical compositions, including operas and wind ensemble pieces. His style blends eclectic influences—from Jewish sacred music to modernist techniques—resulting in works praised for their "strong melodic gift" and innovative orchestration. Commissions have come from prestigious organizations like the Florida Orchestra, Boston Brass, and White Snake Projects. Awards and Recognition: Recipient of numerous international composition prizes, including the St. Mary’s College/Kaplan Foundation Commission Competition and Second Prize in the International Horn Society Composition Competition University of Florida Research Foundation Professorship (2017–2020, 2010–2013) Finalist in the National Opera Association’s Dominic Argento Chamber Opera Competition (2023) Advising and Grants: Richards has advised over 40 graduate students and chaired multiple PhD committees. His grants include support from the University of Florida and the Research Foundation. He has also served as a mentor in composer-in-residence programs, including the Jacksonville Symphony Orchestra’s Fresh Ink Competition. Labs and Collaborations: He co-founded the Florida Contemporary Music Festival (2013–2018), fostering collaboration between composers and performers. His work integrates interdisciplinary projects, such as music for dance and film, and he actively collaborates with choreographers and theater artists.
Professor Stephen Broad is a musicologist and educator serving as Director of Research and Knowledge Exchange at the Royal Conservatoire of Scotland. He holds a DPhil from the University of Oxford and has extensive experience in historical musicology, music education, and policy development. His research focuses on Olivier Messiaen, 1930s French music culture, and music practice in Scotland. Broad has authored/co-authored influential reports like What’s Going On? , which informed the Scottish Youth Music Initiative, and chairs the European Platform for Artistic Research in Music (EPARM). Education: DPhil in Historical Musicology, University of Oxford (2001) MA in Music and Physics, University of Glasgow (1997) Research Interests: Historical Musicology: Messiaen’s early career, French musical traditions, and music historiography Music Education: Pedagogy in diverse contexts, policy development, and workforce training Practice-Based Research: Philosophical frameworks and interdisciplinary methodologies Awards & Roles: External Examiner at Royal Academy of Music, Royal College of Music, and others Editorial boards for Music Education Research and Practice-Based Research Journal Recipient of grants including the Scottish Government’s £1m Musical Instrument Fund Advising & Grants: Supervised over 10 doctoral projects in musicology, performance, and education Contributed to policy initiatives like Creative Scotland’s music development programs Labs/Teams: Leads the Sciences, Humanities and Arts Research Exchange (SHARE) and chairs EPARM, fostering international collaboration in artistic research.
Paul Dosh is an Associate Professor of Political Science at Macalester College, where he has served since 2004. He previously taught at Carleton College and the University of California, Berkeley, and held roles as Director of Latin American Studies and Chair of the Political Science department. A Fulbright-Hays Scholar, his expertise spans Latin American politics, urban social movements, and comparative politics. He authored Demading the Land: Urban Popular Movements in Peru and Ecuador and contributes to journals like the Journal of Latin American Studies and NACLA Report on the Americas . Dr. Dosh holds a BA from Carleton College and a PhD from UC Berkeley. His teaching emphasizes Montessori-inspired methods, prioritizing self-teaching and civic engagement. Courses include Urban Latinx Power in U.S. Cities, Latin American Politics, and the Chuck Green Civic Engagement Fellowship. His research and activism focus on social justice, including co-founding Building Dignity in Lima, Peru, and advocating prison abolition. He has worked in 10 Latin American countries and received teaching awards for innovative pedagogy. Beyond academia, he and his wife Andrea enjoy salsa dancing. Recent work explores urban governance, political dynamics in Lima, and gender roles in social movements. His writing analyzes media influence on elections and resource conflicts in Bolivia and Ecuador. Awards: Fulbright-Hays Scholar Multiple Teaching Awards Advising & Grants: Advised numerous student research projects through the Senior Research Seminar. Active in community partnerships linking academic work to civic engagement initiatives. Labs/Teams: Co-founded Building Dignity community center (Lima) and served on the Children of Incarcerated Caregivers board.
Tria Blu Wakpa is an Assistant Professor in the Department of World Arts and Cultures/Dance at UCLA's School of the Arts and Architecture. Her work bridges academia and community engagement, focusing on decolonizing methodologies to examine Indigenous peoples' practices in confinement contexts. Education: Ph.D. and M.A., Ethnic Studies, UC Berkeley M.F.A., Creative Writing, San Diego State University B.A., English with Film, Oklahoma State University (summa cum laude) Research Interests: She explores dance, athletics, and yoga through Indigenous frameworks, analyzing their roles in education, incarceration, and performance. Her work emphasizes community collaboration, particularly with tribal experts, and critiques colonial structures. Awards & Recognition: 2023 Gerald Kahan Scholar’s Prize (American Quarterly article) Fulbright Association’s Selma Jeanne Cohen Dance Lecture Awardee (2023) Fellowships: Ford Foundation, Hellman Fund, UC Postdoctoral Program Community Engagement: Co-Founder/Editor-in-Chief of Race and Yoga journal. Serves on LA Cultural Affairs Commission, LA Unified School District’s American Indian Parent Committee, and Fernandeño Tataviam Education Committee. Teaches at tribal, carceral, and public institutions.
Professor Håkan Larsson holds the position of Professor and Head of the Department of Movement, Culture, and Society at the Swedish School of Sport and Health Sciences (GIH). He specializes in Educational Science with a focus on gender, sexuality, and sport didactics. His academic leadership includes directing research initiatives such as the PIF group (Pedagogical Sport Research) and the FIHD Graduate School, which trains teachers in physical education and health. Larsson supervises eight doctoral students and teaches in GIH’s master’s and doctoral programs, notably leading mandatory courses in sports science. Research Interests: Pedagogical processes in club and school sports Gender, sexuality, and embodiment in physical education Heteronormativity and LGBTQ+ inclusion in sports Collaborations: Norwegian School of Sport Sciences (part-time leave) Swedish National Agency for Education (Skolverket) Riksidrottsförbundet (Swedish Sports Confederation) His research spans projects like 'Heteronormativitet inom idrotten' (2012–2013) and the KUL project (2011–2013), funded by the Swedish Research Council. Larsson also chairs evaluation committees for academic programs and collaborates with interdisciplinary groups like Research in Education & Movement Culture. Publications emphasize critical pedagogy, transgender embodiment in education, and innovative teaching methods. His work bridges theory and practice, addressing contemporary challenges in physical education and sport equity.
